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Final Website Delegate List 2017
Delegate List Updated 27th August 2017 First Name Surname Company Lucy Acfield Guinness World Records Sara Acworth Zeamu Music Patrick Adam The Eggleys Lindsey Adams Daily Madness Productions Rick Adams Rick Adams Productions Folake Adigun Nickelodeon Ivan Agenjo Peekaboo Animation Metsamarja Aittokoski Sun In the Eye Productions Lisa Akhurst DNA Creative Ltd waed al ghabra Sheffield Hallam University Madawi Alahmad University of Sheffield Margret Albers Association for the Promotion of German Milly Ali Timeline Television Shazia Ali Mint Research Ltd Foz Allan Bryncoed Productions Ltd Jo Allen CBBC Ollie Alsop Serious Lunch/Eye Present Vanessa Amberleigh CBeebies Val Ames Kindle Entertainment Xiaomei An The University of Sheffiled Steven Andrew Zodiak Kids Nicola Andrews Keshet International UK Ltd Chris Andrews CA Dev Valentina Andries University of Edinburgh Tom Angell Tom Angell Ltd Laura Annis Blue Zoo Productions Laverne Antrobus Tavistock and Portman NHS Trust Rhodri ap Dyfrig S4C Will Appiah Digital Shoguns Thomas Archibald BT Ben Armstrong BBC Finn Arnesen Hasbro Studios Helen Arntsen Blue Zoo Keith Arrowsmith The Children's Media Conference Nihal Arthanayake BBC Abhi Arya Sandbox Corrina Askin Corrina Askin Films Leigh Aspin BBC Sarah Aspinall Virgin Media Martin Athanasiou I'm Hungry Studios Isabella Atkin Volunteer Tessa Atkins Small Fry Animation Lucy Atkinson BBC Jonathan Attenborough Lost My Name Ros Attille BBC Ami Aubrey The Children's Media Conference Jake Aubrey-Bentley Freelance Lauren Auty Finger Industries Tristan -
World Heritage Site – Kalka Shimla Railway an Introduction
WORLD HERITAGE SITE – KALKA SHIMLA RAILWAY AN INTRODUCTION Ambala Division is the proud custodian of “WORLD HERITAGE SITE-KALKA SHIMLA RAILWAY”. The heritage status to KSR was awarded on 7th July, 2008 by UNESCO. Shimla (then spelt Simla) was settled by the British shortly after the first Anglo- Gurkha war and is located at 7,116 feet(2,169m) in the foothills of the Himalaya. By the 1830s, Shimla had already developed as a major base for the British. It became the summer capital of British India in 1864, and also the Headquarters of the British army in India. The Kalka- Shimla Railway was built to connect Shimla, the summer capital of India during the British Raj, with the Indian rail system. “The Guinness Book of Rail facts & feats” records Kalka Shimla Railways as the greatest narrow gauge engineering in India. It is indeed true, construction of 103 tunnels (102 Existing) aggregating five miles and over 800 bridge in three years, that too in rough and hostile terrain was not an easy task. The Historic, approximate 111 years old KLK-SML Railway line which was opened for public traffic on 9th Nov.1903, became UNESCO Declared world Heritage Railway line, when it was conferred Heritage status on 10th July 2008 & listed under “Mountain Railways of India”. The idea of a Railway line to Shimla dates back to the introduction of Railways in India. It is said that in The DELHI GAZETTE, a correspondent in November, 1847 sketched the route of railway to Shimla with the estimates of the traffic returns etc in appropriate style. -
Motion Picture License List of MPL Participating Theatrical Distributors & Producers
Motion Picture License List of MPL Participating Theatrical Distributors & Producers MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS 20th Century Studios Paramount Pictures (f/k/a Twentieth Century Fox Film Corp.) Paramount Vantage Buena Vista Pictures Picturehouse Cannon Pictures Pixar Animation Studios Columbia Pictures Polygram Filmed Entertainment Dreamworks Animation SKG Republic Pictures Dreamworks Pictures RKO Pictures (Releases 2011 to present) Screen Gems PLEASE CHOOSE Dreamworks Pictures CATEGORY: (Releases prior to 2011) Searchlight Pictures (f/ka/a Fox Searchlight Pictures) Fine Line Features Sony Pictures Entertainment Focus Features Major Hollywood Studios STX Entertainment & Affiliated Labels Fox - Walden Touchstone Pictures Fox 2000 Films TV Tristar Pictures Fox Look Triumph Films Independent Hanna-Barbera United Artists Pictures Hollywood Pictures Faith-Based Universal Pictures Lionsgate Entertainment USA Films Lorimar Telepictures Children’s Walt Disney Pictures Metro-Goldwyn-Mayer (MGM) Studios Warner Bros. Pictures Spanish Language New Line Cinema Warner Bros. Television Nickelodeon Movies Foreign & International Warner Horizon Television Orion Pictures Warner Independent Pictures Paramount Classics TV 41 Entertaiment LLC Ditial Lifestyle Studios A&E Networks Productions DIY Netowrk Productions Abso Lutely Productions East West Documentaries Ltd Agatha Christie Productions Elle Driver Al Dakheel Inc Emporium Productions Alcon Television Endor Productions All-In-Production Gmbh Fabrik Entertainment Ambi Exclusive Acquisitions -
May 2015 1 Reason #33 DESTINATION for a LIFETIME Main-Level Living at Its Best
RIDE Magazine | May 2015 1 Reason #33 DESTINATION for a LIFETIME Main-level living at its best. There’s a lot to love about our well-appointed Tidewater homes—now welcoming families to Potomac Shores. Choose from fi ve new neighborhoods by two national builders. Traditional and main-level living with indoor/outdoor fl oorplans. Over a dozen home designs with two to seven bedrooms. And golf or forest views. It’s resort-style living only 30 miles from DC. Where every home comes with an exquisite community. VRE Station on track. Award-winning homes from the mid $400s CALL OR VISIT THE GREETING HOUSE: 855-808-6051 2175 Potomac River Blvd., Potomac Shores, VA 22026 PotomacShores.com GPS address: Harbor Station Parkway, Dumfries, VA 22026 Features and products vary by community. Price, offers, fi nancing and availability are subject to change without notice. RIDE Magazine | May 2015 1 CONTENTS RIDE MAGAZINE | MAY 2015 FROM THE CEO 02 | FRENCH TALL SHIP L’HERMIONE TO MEET VRE MANAGEMENT VISIT ALEXANDRIA very spring, VRE launches our 03 | VRE PARTICIPATES IN NTSB AND Meet the Management events AMTRAK SAFETY AND SECURITY at our five busiest destination EVENTS E stations. Meet the Management enables me and our VRE team the DOUG ALLEN 04 | JOIN VRE FOR MEET THE MANAGEMENT opportunity to personally meet you, Chief Executive Officer our passengers, and listen to your suggestions and ideas to improve VRE. 05 | IMPROVING RAIL SERVICE FROM In April, we hosted our first Meet the Management event at Washington’s WASHINGTON TO RICHMOND Union Station. We will be at the following stations for evening trains in the upcoming weeks: 06 | THE VIRGINIA ASSOCIATION OF RAILWAY PATRONS WORKS FOR YOU Wednesday, May 13 - L’Enfant Wednesday, May 20 - Crystal City 07 | SPOTLIGHT ON KEOLIS MEET RANDY ANDES Wednesday, May 27 - Alexandria Wednesday, June 3 - Franconia/Springfield We will be serving refreshments, giving away promotional items and hosting hands-on demos showcasing VRE Mobile, our new mobile ticketing Get Noticed with app, launching later this month. -
1 a New Age of Steam?
A new age of steam? The Tua Valley Line, Portugal - Experience and Examples from the Technological Heritage Operations and Preserved Railways of Britain. Dr Dominic Fontana Department of Geography, University of Portsmouth, United Kingdom [email protected] The railways of Portugal are well known to a global community of steam enthusiasts, many of whom used to visit the country specifically to experience and photograph the last days of steam traction until as late as the 1980s. The narrow gauge lines north of the Douro River, and the Tua Valley line in particular, were considered as very special railways. Their outstanding combination of narrow gauge steam traction, relatively long runs of track and extraordinarily beautiful landscapes, made for a magical railway experience. In the 1980s steam was replaced with diesel traction and although there are now regular but infrequent steam hauled tourist trains on the Douro Valley line, there are currently very limited opportunities for people to recapture this experience. Portugal has several railway museums including the excellent National Railway Museum in Entroncamento, but these present static displays rather than “live” steam and many railway enthusiasts consider this to be a poor substitute for the “real” thing where steam locomotives are operating in steam, within a fully-fledged railway environment. 0189 2-8-4T Henschel 1925 Mallet locomotive at Regua. 1 Portugal possesses over 100 redundant steam locomotives (Bailey, 2013) dispersed in yards around its national railway network, some of them remain potentially usable and many are certainly restorable to full operating condition. Portugal also possesses track and routes, which have been recently closed to passenger and freight traffic. -
Written Evidence Submitted by UK Screen Alliance/Animation UK to the Treasury Select Committee
Written evidence submitted by UK Screen Alliance/Animation UK to the Treasury Select Committee 23/03/2020 1. About UK Screen Alliance/Animation UK 1.1. UK Screen Alliance in partnership with Animation UK is the trade association that represents Visual Effects (VFX), TV & Film Studios, Post-Production and Animation in the UK. It is the membership organisation for over 100 leading employers in the film, TV and advertising sectors and its primary purpose is advocacy for its member companies and the wider screen industries. 2. The impact of Covid-19 on the Film, TV and advertising supply chain 2.1. Our members rely on an inflow of business from film, TV and advertising productions, but as a result of the Covid-19 virus virtually all global filming has stopped. Film crews utilise large numbers of people working in close proximity, so social distancing measures have made them impossible to operate and insurers will not cover disruption from Covid-19. 2.2. This means that there is no raw unedited material flowing into post-production and VFX for them to work on. This has had an immediate effect on some companies and for others the effect will become apparent over the next few weeks as the projects that they already have in their systems come to completion and are not replaced by new work. Their business interruption insurance will not cover them in these circumstances. 2.3. This sector, which was vibrant until just two weeks ago, is about to come to a dead stop. VFX alone contributes more than £1 billion GVA to the economy and attracts considerable inward investment from the USA. -
Uk Animation 2018 2 Short Animation Contents
UK ANIMATION 2018 2 SHORT ANIMATION CONTENTS INTRODUCTION 4 SHORT ANIMATION 6 FEATURE-LENGTH ANIMATION 38 VIRTUAL REALITY / IMMERSIVE EXPERIENCE ANIMATION 42 ABOUT BRITISH COUNCIL 46 BRITISH COUNCIL AND FESTIVALS 48 BRITISH COUNCIL FILM GLOBAL PROJECTS 50 BRITISH COUNCIL AND SHORTS 53 ANIMATION IN THE UK 2018 54 INDEX OF FILMS 62 , Director: Jonathan Hodgson Jonathan , Director: Roughhouse All inclusive images remain the copyright of their respective owners and may Cover: Cover: not be reproduced without the expressed permission of the rights holders. 3 INTRODUCTION Welcome to the 2018 UK Animation Catalogue presented by the British Council. We’re proud to be championing new and upcoming UK films and filmmakers to programmers and audiences around the world. The catalogue includes details of selected recent UK animated shorts, features and VR, and flags up some productions due for release in 2018. You can also find information about some of the work we do and the partners we work with. The PDF version of this catalogue will be updated periodically throughout the year and you can download it at film.britishcouncil. org/british-films-directory/uk-filmcatalogues Film credits and information in this catalogue are drawn from our British Films Directory. The Directory is an information resource which includes an extensive selection of UK titles currently in production, as well as details of recently completed UK shorts and feature- length films. You can explore the British Films Directory, as well as further directories listing both UK filmmakers and international film festivals, at britishcouncil.org/film 4 , Director: Joseph Wallace , Director: Edith Piaf (Said It Better Than Me) - Sparks Me) Than Piaf (Said It Better Edith 5 SHORT ANIMATION , Directors: Karni and Saul Karni , Directors: Perfect World Perfect 6 SHORT ANIMATION Adelaide McCarthy and the Attraction Making of a Legend Synopsis Synopsis We join Adelaide McCarthy as he explains the Urges in the undergrowth, erupting fungal fantasies, wonders of how stop motion puppets are made. -
Light Rail and Tram Statistics, England: 2019/20
Statistical Release 25 June 2020 Light Rail and Tram Statistics, England: 2019/20 About this release Light rail and tram use in England has seen the biggest This statistical release decrease in almost 30 years, down 4.2% in 2019/20. The presents the latest annual information on light rail and number of passenger journeys has fallen below 2016/17 tram systems in England levels. during the 2019/20 fnancial year. The release covers 263.4m light rail and tram use, passenger journeys infrastructure, revenue and passenger experience. Þ 4.2% This publication covers since 2018/19 eight urban systems that are predominantly surface- running (see table 1 for a list There were 263.4 million passengers journeys made on the eight of systems covered). Smaller light rail and tram systems in England, a 4.2% decrease (11.4 million systems, e.g. heritage railway and airport transit systems, passenger journeys) compared with the previous year. Outside are not included. London and London passenger journeys decreased by 4.0% to 119.4 million and Glasgow undergrounds and in London by 4.3% to 144.0 million in the year ending March 2020. Edinburgh Trams are also excluded but statistics for Chart 1: Light rail and tram passenger journeys (millions): these systems are included in England, annually 1983/84 to 2019/20 (table LRT0101) the tables. In this publication 263.4 million Summary fgures 3 Safety 3 Infrastructure 3 Passenger journeys 5 Concessionary journeys 5 Vehicle mileage 6 Revenue 6 Passengers 7 Comment on Coronavirus (COVID-19) impact The period covered by this release includes the frst few weeks of nationwide Passenger satisfaction 8 movement restrictions in March 2020. -
2012 Guide 56Pp+Cover
cc THE UK’S PREMIER MEETING PLACE FOR THE CHILDREN’S 4,5 &6 JULY 2012SHEFFIELD UK CONTENT INDUSTRIES CONFER- ENCE GUIDE 4_ 5_ & 6 JULY 2012 GUIDE SPONSOR Welcome Welcome to CMC and to Sheffield in the We are delighted to welcome you year of the Olympics both sporting and to Sheffield again for the ninth annual cultural. conference on children’s content. ‘By the industry, for the industry’ is our motto, Our theme this year is getting ‘ahead of which is amply demonstrated by the the game’ something which is essential number of people who join together in our ever faster moving industry. to make the conference happen. As always kids’ content makers are First of all we must thank each and every leading the way in utilising new one of our sponsors; we depend upon technology and seizing opportunities. them, year on year, to help us create an Things are moving so fast that we need, event which continues to benefit the kids’ more than ever, to share knowledge and content community. Without their support experiences – which is what CMC is all the conference would not exist. about – and all of this will be delivered in a record number of very wide-ranging Working with Anna, our Chair, and our sessions. Advisory Committee is a volunteer army of nearly 40 session producers. We are CMC aims to cover all aspects of the sure that over the next few days you will children's media world and this is appreciate as much as we do the work reflected in our broad range of speakers they put into creating the content from Lane Merrifield, the Founder of Club sessions to stretch your imagination Penguin and Patrick Ness winner of the and enhance your understanding. -
Delegates Brochure 2020
©ALTTitle Animation Address DM Ltd ‘Monty & Co’ © 2019 Pipkins Productions Limited The Snail and the Whale ©Magic Light Pictures Ltd 2019 Bigmouth Elba Ltd Clangers: © 2019 Coolabi Productions Limited, Smallfilms Limited and Peter Firmin © Tiger Aspect Productions Limited 2019 UK@Kidscreen delegation organised by: 2020 Tuesday 7 July 2020, Sheffield UK The CMC International Exchange is the place to meet UK creatives, producers and service providers. • Broadcasters, co-producers, funders and investors from across the world are welcome to this focused market day. • Meetings take place in one venue on one day (7 July 2020). • Writers, IP developers, producers of TV and digital content, service providers, UK kids’ platforms and distributors are all available to take meetings. • Bespoke Meeting Mojo system is used to upload profiles in advance, present project information and request meetings. • Discover innovative, fresh content, build new partnerships and access the best services and expertise. • Attend the world’s largest conference on kids’ and youth content, 7-9 July 2020 in Sheffield www.thechildrensmediaconference.com • For attendance, please contact [email protected] UK@Kidscreen 2020 3 ContentsTitle Forewords 4-5 Kelebeck Media Nicolette Brent KidsCave Studios Sarah Baynes Kids Industries UK Delegate Companies 6-52 Kids Insights 3Megos KidsKnowBest Acamar Films King Banana TV ALT Animation Lightning Sprite Media Anderson Entertainment LoveLove Films Beyond Kids Bigmouth Audio Lupus Films Cloth Cat Animation Magic Light -
Railway Museum Q U a R T E R L Y
Railway Museum q u a r t e r l y "Advancing Railway Preservation" Number 54 A Journal of the Association of Railway Museums Winter 2010 The 2010 ARM Conference featured a trip over the spectacular ex-BC Rail line on the Whistler Mountaineer to Whistler Mountain resort. West Coast Railway Association’s Canadian Pacific heavyweight mountain observation car #598 runs in the consist, providing revenue to the association and a great way to view the railroad. Jim Vaitkunas photo. PRESIDENT’S COLUMN railway By Bob LaPrelle As we settle into a new year, thanks are in order to several organizations and museum individuals for a job well done in 2009. First and foremost, a big thanks to our members for their continued support of ARM. Your membership quarterly enables the organization to represent the railway preservation community with the collective strength of all of us. As you will read elsewhere in this issue Railway Museum Quarterly is published quarterly by the Association of Railway Museums and of RMQ, association and collaboration distributed free of charge to member and affiliate member institutions and individuals. The are key to tackling our challenges that opinions expressed herein are not necessarily those of the Association. Articles appearing in RMQ lie ahead. may be reprinted in whole or in part provided proper credit is given the source. Submissions are I would also like to thank our host always welcomed, along with accompanying photos. Articles covering programs, initiatives, major site for a great Fall 2009 Conference. events and undertakings of member institutions are of special interest. -
Submission No. 29 Received 19 August 2013
ASSOCIATION OF TOURIST RAILWAYS INC. Registered No. A0022112C Preserving Heritage Railways and Tramways in Victoria Registered Address: 18 Coreen Avenue, Beaumaris, 3193 Email: [email protected] 15th August 2013 Executive Officer Environment and Natural Resources Committee Parliament House Spring Street East Melbourne Vic 3022 Dear Dr Gardiner, RE: INQUIRY INTO HERITAGE TOURISM AND ECOTOURISM I am writing in response to your invitation to make a submission to the above inquiry on behalf of the Tourist Railways and Tramways in Victoria. The Association of Tourist Railways Inc. is the peak body representing the majority of these volunteer groups established to preserve the history and culture of railway and tramway operations for Victoria’s future generations. We rely heavily on tourists not railway enthusiasts to patronise our undertakings and call on volunteers throughout the community, many of whom become volunteers as a community activity rather than they have an overwhelming interest in old trams or trains. Whilst there is significant recognition of Puffing Billy as one of Victoria’s key tourism products, most of the other groups are not well known, yet they all play a significant part in preserving Victoria’s transport heritage. To provide some insight into the extent of these activities, the 17 groups excluding Puffing Billy carried 600,000 passengers, employed 42 equivalent full time employees, generated $16.2m direct revenue and are actively supported by 3000 Victorians who volunteer their time. If Puffing Billy is also included, a further 50 employees, $2m revenue, 240,000 passenger journeys and 1000 volunteers can be added. Very little is known about the overall economic benefit to the local communities that support these groups.