Showcase Autumn 19
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Friends of Niagara University Theatre
Friends of Niagara University Theatre For those who love theatre at Niagara University Spring 2005 Broadway Luminary Lights Friends’ 20th Annual Gala One of Broadway’s brightest talents, exciting evening as we support the with three composer and Tony-Award winner Niagara University Theatre program major John Kander, will be the guest of honor and its students.” productions: at the 20th Annual Friends’ Gala to be Guest of honor John Kander has the held on Saturday, April 30, at the written Broadway scores for: “A Family Encores Castellani Art Museum on Niagara Affair” (1962); “Never Too Late” production University’s campus. (1962); “Flora, the Red Menace” of The gala will include a silent auction (1965); “Cabaret” (1966); “The “Chicago”; featuring a variety of items, an open bar Happy Time” (1968); “Zorba” (1968); the preceding an elegant dinner, and “70, Girls, 70” (1971); “Zorba” Donmar Niagara University Theatre (London, 1973); “Chicago” (1975); (from performance of “Flora, the Red “The Act” (1977); “And The World London) John Kander Menace,” with music by John Kander Goes Round — The Kander and Ebb production of “Cabaret”; and “Steel and lyrics by the late Fred Ebb. The Musical” (1991); “Kiss of the Spider Pier,” which Niagara University charming, bittersweet musical is based Woman” (1993); and “Steel Pier” Theatre produced in 1999. His work, on the novel “Love is Just Around the (1997). Television work includes music “The Visit,” premiered in Chicago in Corner” by Lester Atwell. The musical for “Liza with a Z” (1974); “Ole Blue 2001. He is also the recipient of The underwent a major revival in New York Eyes is Back” (Frank Sinatra); Kennedy Center Honors. -
And the World Goes 'Round Just After Finishing the New York Revival of Kander and Ebb's Flora, the Red Menace
AND THE WORLD GOES ‘ROUND Music by John Kander: Lyrics by Fred Ebb: Conceived by Scott Ellis, Susan Stroman and David Thompson Westside Theatre - Off-Broadway - March 18, 1991 (408 perfs) SYNOPSIS "Rehearsals had been under way for nearly a month. In another week, we'd be in the Westside Theatre on West 43rd Street. On this particular day, John and Fred were coming to the studio. Of course, their appearance wasn't at all unusual. They were one of us. Even so, every few days we sat them down and showed them our progress. We wanted to make sure our interpretation of the number matched their own interpretation. Composers and lyricists are notorious for wanting their songs sung in a very particular way. For some reason, they think they know how a song is intended to sound. We were slightly apprehensive because we had been tinkering with one of their best known songs, Cabaret. We had changed not only the melody but the words as well. Our intention, unlike our intention for most of the other songs in the show, was to find a new way to present the song: to make it different-fresh-and as exciting as it must have been the first time it was ever performed. Now it was time to see if we had succeeded. John and Fred arrived. The performers stood around the piano and sang David Loud's new arrangement. When they had finished, a few moments passed. Nothing. Maybe this time we had gone too far. Finally, Fred broke the silence and said with a broad smile, "Well, you made the old turkey gobble again." Scott Ellis, Susan Stroman and I began working on And the World Goes 'Round just after finishing the New York revival of Kander and Ebb's Flora, the Red Menace. -
CABARET SYNOPSIS the Scene Is a Sleazy Nightclub in Berlin As The
CABARET SYNOPSIS The scene is a sleazy nightclub in Berlin as the 1920s are drawing to a close. Cliff Bradshaw, a young American writer, and Ernst Ludwig, a German, strike up a friendship on a train. Ernst gives Cliff an address in Berlin where he will find a room. Cliff takes this advice and Fräulein Schneider, a vivacious 60 year old, lets him have a room very cheaply. Cliff, at the Kit Kat Club, meets an English girl, Sally Bowles, who is working there as a singer and hostess. Next day, as Cliff is giving Ernst an English lesson, Sally arrives with all her luggage and moves in. Ernst comes to ask Cliff to collect something for him from Paris; he will pay well for the service. Cliff knows that this will involve smuggling currency, but agrees to go. Ernst's fee will be useful now that Cliff and Sally are to be married. Fraulein Schneider and her admirer, a Jewish greengrocer named Herr Schultz, also decide to become engaged and a celebration party is held in Herr Schultz shop. In the middle of the festivities Ernst arrives wearing a Nazi armband. Cliff realizes that his Paris errand was on behalf of the Nazi party and refuses Ernst's payment, but Sally accepts it. At Cliff's flat Sally gets ready to go back to work at the Kit Kat Klub. Cliff determines that they will leave for America but that evening he calls at the Klub and finds Sally there. He is furious, and when Ernst approaches him to perform another errand Cliff knocks him down. -
The World Goes 'Round.” – the World Goes ’Round
PRESS RELEASE For Immediate Release Tuesday, April 14, 2009 CONTACT: Patrick Finlon, PR Director 315-443-2636 or [email protected] Syracuse University Department of Drama Presents The World Goes ’Round A Dazzling Musical Revue from Kander & Ebb Conceived by David Thompson, Jacques Deval and Susan Stroman Lyrics by Fred Ebb Music by John Kander Directed, Musically Directed and Musical Staging by Nathan Hurwitz Choreographed by Kimberly Hale ARTHUR STORCH THEATRE at SYRACUSE STAGE Opens: April 24, 2009 Closes: May 9, 2009 “Sometimes you're happy and sometimes you're sad – but the world goes 'round.” – The World Goes ’Round (SYRACUSE, NY) Life – with its glories, indignities, hopes and quiet dreams – is the subject of this stunning revue of the beloved songs of John Kander and Fred Ebb. Featuring unforgettable gems from throughout their incredible career in theatre, film and television, the work spotlights songs from Cabaret, Chicago, New York, New York, Funny Lady, Kiss Of The Spiderwoman and more. Filled with humor, romance, drama, nonstop melody and brassy, insightful lyrics, The World Goes ’Round is a thrilling celebration of life and the fighting spirit that keeps us all going. Presented April 24 through May 9 by the Department of Drama in The College of Visual and Performing Arts at Syracuse University, tickets to The World Goes ’Round are available at 315-443-3275 or by visiting www.vpa.syr.edu/drama. The World Goes ’Round offers a particular challenge to student actors in the Department of Drama. “In a revue, everything is stripped away and the actors have nothing to hide behind, no exposition or spectacle. -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE: October 30, 2019 WILLKOMMEN! ARIZONA THEATRE COMPANY PRESENTS MUSICAL THEATRE MASTERPIECE “CABARET” Arizona Theatre Company (Sean Daniels, Artistic Director; Billy Russo, Managing Director) will bring the timeless “masterpiece of musical theatre” (Chicago Tribune), Cabaret and its powerful political wallop to the Temple of Music & Art from Nov. 30-Dec. 29 and the Herberger Theater Center from Jan. 4-26. Directed by Sara Bruner, Cabaret, which first opened on Broadway on Nov. 20, 1966 and ran for 1,165 performances, follows American author Cliff Bradshaw (Brandon Espinoza) and his encounter with cabaret performer Sally Bowles (Madison Micucci) at the seedy Kit Kat Klub where she sings. When she is fired by the club’s owner, Max (David Kelly), also her jealous boyfriend, she moves in with Cliff and the two fall in love. As the Nazis begin taking control of the German government, the atmosphere at the Kit Kat Klub and the lives of Cliff and Sally begin to change. For all the exuberant song and dance, the most powerful aspect of Cabaret remains the political wallop it delivers. At its core, Cabaret is a devastating critique of apathy and a clever and terrifying look at totalitarianism. Packed with memorable songs from “Willkommen,” “Perfectly Marvelous,” “I Don’t Care Much,” and, of course, “Cabaret,” Cabaret is a story that remains remarkably timely, particularly in today’s political environment. "Cabaret is undoubtedly one of the greatest musicals ever - and only Arizona Theatre Company, with a full live orchestra on stage - is able to bring the best in our country to work with the best here to create such a piece,” said Arizona Theatre Company Artistic Director Sean Daniels. -
May 1, 2010 in Conversation with Frank J. Oteri at Kander's Home in New York, New York April 7, 2010—10:30 Am T
John Kander: Passing Through Curtains Published: May 1, 2010 In conversation with Frank J. Oteri at Kander's home in New York, New York April 7, 2010—10:30 a.m. Transcribed and edited by Frank J. Oteri and John Lydon Video edited by Molly Sheridan John Kander knew that he wanted to write music for the theatre from his earliest childhood. He wrote his very first song instead of paying attention during his second grade math class and had already completed a musical for his high school. A protégé of Douglas Moore and Jack Beeson, with whom he studied composition at Columbia, Kander eventually found himself accompanying singers, conducting summer stock productions, and playing in the pit orchestra for West Side Story. One thing led to another and he wrote the music for the short-lived 1962 Broadway musical, A Family Affair which Harold Prince directed. As Kander explains: The theater community is very small. Once you pass through a curtain which lets people look at you as a professional, you can really get to or make contact with just about anybody from one or two degrees of separation. Later that year, Kander met lyricist Fred Ebb which proved to be the most important encounter of his entire career. Kander and Ebb sustained one of the longest lasting as well as one of the most successful of songwriting collaborations in the history of the American musical theater. Only months after they began writing songs together, Barbara Streisand recorded two of them. And a few years later they landed on Broadway with their score for Flora the Red Menace, about a Depression-era ingénue (Liza Minnelli in her debut) who unwittingly joins the Communist Party. -
159216250.Pdf
Barry & Fran Weissler present CHICAGO Book by Music by Lyrics by Fred Ebb & Bob Fosse John Kander Fred Ebb Based on the play by Maurine Dallas Watkins Original Production Directed and Choreographed by Bob Fosse Starring Tracy Shayne Terra C. MacLeod Tony Yazbeck Ron Orbach Also Starring Kecia Lewis-Evans D. Micciche Shamicka Benn Rachel Bickerton Lenny Daniel Philip Groft Daniel Gutierrez Brent Heuser Marla McReynolds Celia Merendi Jill Nicklaus Nina Ordman Adam Pellegrine Steven Sofia Jasond Thomas Melanie Waldron Colt Adam Weiss Corey Wright Supervising Music Director Music Director Rob Fisher Eric Barnes Scenic Design Costume Design Lighting Design John Lee Beatty William Ivey Long Ken Billington Sound Design Orchestrations Dance Music Arrangements Scott Lehrer Ralph Burns Peter Howard Script Adaptation Casting Musical Coordinator David Thompson Duncan Stewart & Company John Monaco Executive Producer Presented in Association with Alecia Parker Broadway Across America General Management Tour Marketing & Press B.J. Holt Anita Dloniak & Associates, Inc. Technical Supervisor Production Stage Manager Arthur Siccardi Tom Bartlett Based on the presentation by City Center’s Encores! Choreographer Original New York Production Re-creation of Original Production Ann Reinking Choreography by In the style of Bob Fosse Gary Chryst Director Original New York Re-creation of Original Production Production Direction by Walter Bobbie Scott Faris Broadway Cast Recording on RCA Victor CAST (in order of appearance) Velma Kelly .............................................................................................TERRA -
Broadway Close up Kander and Ebb 2020-21
KAUFMAN MUSIC CENTER PRESENTS Broadway Close Up Kander and Ebb 2020-21 MERKIN HALL Online Performance Filmed at Merkin Hall at Kaufman Music Center Streamed Monday, May 10, 2021 at 7 pm ET Kaufman Music Center presents Broadway Close Up Kander and Ebb Sean Hartley, host Jihwan Kim, musical director Karen Ziemba, guest star Music Examples: Discussion and Demonstration All Music by John Kander; All Lyrics by Fred Ebb “A Quiet Thing” from Flora, The Red Menace ©1965 “Don’t Tell Mama” from Cabaret ©1966 “I Don’t Remember You” from The Happy Time ©1968 “Yes” from 70 Girls, 70 ©1971 “New York, New York” from New York, New York ©1977 Ask host Sean Hartley anything at a live post-concert Q&A! All 2020-21 Kaufman Music Center performances are online, filmed in safe, socially distanced locations observing health and safety protocols, and streamed to the safety of your home. Steinway is the official piano of Merkin Hall KaufmanMusicCenter.org/MH | 212 501 3330 Kander and Ebb John Kander and Fred Ebb collaborated for over 35 years, creating some of the most memo- rable and ground-breaking Broadway musicals of the past 50 years, including Flora The Red Menace (1965), Cabaret (1966), The Happy Time (1968), Zorba (1968), Chicago (1975), Woman of the Year (1981), Kiss of the Spider Woman (1992) and The Scottsboro Boys (2010). Though different in backgrounds and personality (John was born in Kansas City, Missourri and Fred was born in Manhattan), theirs is one of the longest-running partnerships in theater history. They won Tony Awards for Best Score and Best Musical of the Year for Cabaret, Woman of the Year and Kiss of the Spider Woman. -
J2P and P2J Ver 1
APRIL 24, 1965 SEVENTY -FIRST YEAR 50 CENTS Billboard The International Music -Record Newsweekly radio -TV Programming Phono -Tape Merchandising Coin Machine Operating RCA's Showing of Lear Tape Draws Enthusiasm NEW YORK -RCA Victors used the Lear tape transport rent catalog available in the demonstration last week of the with external amplifiers driving Lear cartridge form; (2) offering Lear eight -track stereo cartridge large speakers to fill the Mer- its duplicating facilities to any system (Billboard, April 17), cury Room at the New York and all labels who want to CAPITOL STAR LIZA MINNELLI IN BROADWAY DEBUT. She's got natural talent, available in drew an enthusiastic response Hilton. make their product boundless energy, and the title role in the forthcoming Broadway musical, vice this form. from most of the record industry George Marek, -president "Flora, the Red Menace." Two of the top songs make up her latest Capitol representatives who attended and general manager of the RCA Victor is expected to single, "A Quick Thing" b/w "All I Need." What's more, she'll soon be follow- the unveiling. The Lear system RCA Victor Record Division, kick off its eight -track operation ing up her first album, "Liza! Liza!" with her newest, "It Amazes Me." ST 2271. is the latest designed for tape opened the demonstration by with a 100 -album release. (Advertisement) cartridge playback in automo- hailing the system as a means (Continued on page 3) biles and homes. of bringing recorded music to The consensus was that the millions on the move, and for prototype units demonstrated opening a new mass market for performed in an excellent the entire record industry. -
For Immediate Release
“A whiz-bang, retro, good time Broadway musical!” –Chicago Tribune “Musical Theatre Gold” -TIME Magazine “THE BEST SHOW IN TOWN!” - NPR “Musical Theatre Bliss!” –Associated Press “Thank God for BULLETS OVER BROADWAY” –New York Post BULLETS OVER BROADWAY ANNOUNCES COMPLETE CAST FOR NATIONAL TOUR Tour to launch at Playhouse Square October 6. Tickets on sale Friday! The national tour of the new musical comedy BULLETS OVER BROADWAY, written by Woody Allen and based on the screenplay by Allen and Douglas McGrath (Beautiful) for the 1994 film, has announced its complete cast for the production. The tour will launch at Playhouse Square, kicking off the 2015-16 KeyBank Broadway Series with a two-week run, October 6-18, 2015. Tickets go on sale to the public Friday, August 7. BULLETS OVER BROADWAY features Michael Williams as “David Shayne,” Emma Stratton as “Helen Sinclair,” Jeffrey Brooks as “Cheech,” Bradley Allan Zarr as “Warner Purcell,” Michael Corvino as “Nick Valenti,” Hannah Deflumeri as “Ellen,” Rick Grossman as “Julian Marx,” Jemma Jane as “Olive Neal” and Rachel Bahler as “Eden Brent.” BULLETS OVER BROADWAY will also feature Blaire Baker, Mary Callahan, Jake Corcoran, Cleveland native Elizabeth Dugas, Carissa Fiorillo, Patrick Graver, Andrew Hendrick, Lainee Hunter, Justin Jutras, Brian Thomas Martin, Conor McGiffin, Andrew Metzgar, Corinne Munsch, Kaylee Olson, Joey Ortolani, Kelly Peterson, Lexie Plath, and Ian Saunders. Following its run here in Cleveland, BULLETS OVER BROADWAY will travel to over 40 cities in its first season including Los Angeles, CA (Pantages Theatre); Philadelphia, PA (Kimmel Center for the Performing Arts); Seattle, WA (The Paramount Theatre); Nashville, TN (Tennessee Performing Arts Center); St. -
The Merry Widow
FRANZ LEHÁR the merry widow conductor Operetta in three acts Sir Andrew Davis Original libretto by Viktor Léon production Susan Stroman and Leo Stein based on the play L’Attaché d’Ambassade by Henri Meilhac set designer Julian Crouch English version by Jeremy Sams costume designer William Ivey Long Saturday, January 17, 2015 1:00–3:45 PM lighting designer Paule Constable New Production sound designer Mark Grey choreographer Susan Stroman The production of The Merry Widow was made possible by a generous gift from The Sybil B. Harrington Endowment Fund general manager Peter Gelb music director James Levine principal conductor Fabio Luisi The 32nd Metropolitan Opera performance of FRANZ LEHÁR’S the merry widow This performance is being broadcast live over The conductor Sir Andrew Davis Toll Brothers– Metropolitan Opera in order of vocal appearance International Radio vicomte cascada bogdanovitch Network, sponsored by Toll Brothers, Jeff Mattsey Mark Schowalter America’s luxury njegus ® baron mirko zeta homebuilder , with Sir Thomas Allen Carson Elrod generous long-term support from valencienne hanna gl awari The Annenberg Kelli O’Hara Renée Fleming Foundation, The Neubauer Family sylviane count danilo danilovitch Foundation, the Emalie Savoy* Nathan Gunn* Vincent A. Stabile olga woman Endowment for Wallis Giunta* Andrea Coleman Broadcast Media, and contributions pr askowia maître d’ from listeners Margaret Lattimore* Jason Simon worldwide. camille de rosillon griset tes There is no Alek Shrader LOLO Synthia Link Toll Brothers– DODO Alison Mixon r aoul de st. brioche Metropolitan Opera JOUJOU Emily Pynenburg Alexander Lewis* Quiz in List Hall today. FROUFROU Leah Hofmann CLOCLO kromow Jenny Laroche This performance is Daniel Mobbs MARGOT Catherine Hamilton also being broadcast live on Metropolitan pritschitsch Opera Radio on Gary Simpson SiriusXM channel 74. -
Audition Notice: Steel Pier
Audition notice: Steel Pier Book by David Thompson Music and lyrics by John Kander and Fred Ebb Conceived by Scott Ellis, Susan Stroman and David Thompson This amateur production is presented by special arrangement with SAMUEL FRENCH LIMITED, a Concord Theatricals Company. Following West Side Story and Broadway World-nominated Ragtime, Bishopsgate Institute is excited to announce their April 2020 musical theatre production: Steel Pier. This production will continue the Institute’s commitment to providing amateur performers the chance to work with a professional creative team and a full-size (28 piece) orchestra of West End professional musicians. This production is supported by Swing Patrol London, our Dancers in Residence. Performance dates: Tuesday 28 April – Sunday 3 May 2020 (7 performances) Performance location: Great Hall, Bishopsgate Institute 230 Bishopsgate, London EC2M 4QH Director: Louise Roberts Musical Director: Luke Holman Choreographer: Chris Whittaker Designer: Adrian Gee Musical Supervisor: Ben Ferguson Associate Krystal Chavez Bedolla (Swing Patrol) Choreographers: Alexander Vinokurov (Swing Patrol) Costume Supervisor: Charlie Baptist Promotional photography & design: Daniel Penfold First round auditions: Saturday 11 January 2020 Recalls: Saturday 18, Sunday 19 January 2020 First rehearsal: Saturday 25 January 2020 Rehearsals: Tuesday and Thursday evenings, Saturday daytimes plus two Sundays and Easter Monday 1. The show “…forty five minutes every hour, dancing for your pleasure, how many hours can they go?” Atlantic City, America, 1933, the Wall Street crash and subsequent Great Depression have sent unemployment and poverty rocketing to an all-time high. Against this backdrop, Dance Marathons have flourished. Part dance, part endurance contest, competitors dance for the lure of a large cash prize awarded to the couple who dance the longest.