The Belhaven College Department of Music Presents
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28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
Download Booklet
557827 bk Arias US 23/09/2005 03:36pm Page 4 Prague Philharmonia The Prague Philharmonia was founded in 1994. The orchestra’s repertoire focuses on masterpieces of the Classical SOPRANO SONGS and Romantic periods as well as music of the twentieth century, including works by neglected composers, rarely- played pieces, and new works by contemporaryˆ composers. From the outset, the Prague Philharmonia’s Chief Conductor has been its founder Jiri Belohlávek. Kaspar Zehnder will take over as Chief Conductor from the AND ARIAS 2005/06 season. The Prague Philharmonia also collaborates with Principal Guest Conductor Michel Swierczewski and the young Czech conductor Jakub HrÛ‰a. Distinguished international soloists who have collaborated with the Prague Philharmonia include Martha Argerich, Yefim Bronfman, Andras Schiff, Elisabeth Leonskaya, Maria João O mio babbino caro • Vilja-Lied • Baïlèro Pires, Fazil Say, Gerhard Oppitz, Ivan Moravec, the Duo Labèque, Sarah Chang, Shlomo Mintz, Isabelle Faust, Ivan Îenat , Heinrich Schiff, Raphael Wallfisch, David Geringas, Jifií Bartá, José Cura and Jennifer Larmore. Distinguished guest conductors have included Christopher Hogwood, David Stern, Martin Turnovsk , Libor Pe‰ek, Ana María Martínez Tomás Hanu‰ and Leo‰ Svárovsk . The orchestra regularly collaborates with renowned Czech singers such as Magdalena KoÏená, Eva Urbanová, and Dagmar Pecková. The Prague Philharmonia appears at all the important Prague Philharmonia • Steven Mercurio Czech music festivals as well as at an increasingly large number of festivals throughout Europe. The orchestra has made over forty recordings for leading labels. The Prague Philharmonia operates with financial support from the Ministry of Culture of the Czech Republic, the City of Prague, its main partner CAC Leasing, a.s. -
Jessica Jane Jacobs, Soprano
JESSICA JANE JACOBS, SOPRANO Lyric soprano Jessica Jane Jacobs has been praised by critics for her radiant voice and captivating stage presence; "In addition to pipes with real heft and warmth, Jacobs has an expressive face, ever interesting to watch" (The Boston Musical Intelligencer). Ms. Jacobs has performed leading roles with companies such as Long Island Opera, Boston Opera Collaborative, Salt Marsh Opera, Barn Opera, Worcester Schubertiade, Sugar Creek Opera, and NEMPAC Opera Company and has performed in professional ensembles with Boston Lyric Opera and Beth Morrison Productions. In the 2019-20 season, Ms. Jacobs returns to Barn Opera as Pamina in The Magic Flute, sings The Mother in Amahl and the Night Visitors with VOX New England, and returns to Boston Lyric Opera as a member of the ensemble for Norma. Engagements in the 2018-19 season included Micaëla in The Tragedy of Carmen with Barn Opera, Soprano Ensemble in The Handmaid’s Tale with Boston Lyric Opera, First Lady in The Magic Flute with Salt Marsh Opera, Donna Anna in Don Giovanni with Boston Opera Collaborative, and Rosalinda in Die Fledermaus with Worcester Schubertiade (now VOX New England). Ms. Jacobs has spent two summers in Lucca, Italy with the Opera Theater and Music Festival of Lucca, where she performed the roles of Barbarina in Le Nozze di Figaro and Norina in Don Pasquale. She returned to Italy in the summer of 2010 as a member of “I Solisiti di Spoleto” at CCM Spoleto’s inaugural season, where she performed scenes from Don Giovanni and Roméo et Juliette with full orchestra in the historic Teatro Nuovo. -
The Continuo Arts Foundation Presents the 3Rd Annual
The Minuetto Music Festival The Continuo Arts Foundation Presents The 3rd Annual June 24th, 26th, 28th, 2014 7:30 in the evening Central Presbyterian Church Summit, NJ Www.continuoarts.com Www.continuoarts.com The Minuetto Music Festival Www.continuoarts.com The Minuetto Music Festival Welcome to the 2nd Annual Minuetto Music Festival Presented by the Grand Summit Hotel FESTIVAL OBJECTIVES Provide musicians with an opportunity to meet, perform, share their musical achievement and creativity, enhance their skills, learn new repertoire and collaborate with one another Offer a rich and diverse program of artists of the highest standard from seasoned professionals to new and emerging talent Evaluate and reflect on musical achievements and creativity in a constructive and educationally focused way Run rehearsals and master classes to pass on knowledge and skills Facilitate individual personal development through the emotionally enriching experience acquired through musical expression Charge a reasonable price for participation and concert attendance Provide a stimulating cultural experience to all participants and visitors Encourage the view that Central New Jersey is an interesting and culturally rewarding musical destination Engage Festival Committee members from many surrounding communities Hold additional events as determined by the Festival Committee FESTIVAL VALUES A credo that exposure to the arts cannot be optional; it is a cultural right and heritage Production of a high quality musical event with cultural enrichment, -
Network Notebook
Network Notebook Fall Quarter 2017 (October - December) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
2019 Lotte Lenya Competition Finals
2019 2019 LOTTE LENYA COMPETITION FINALS Daytime Round Kilbourn Hall, Eastman School of Music Saturday, 13 April 2019, 11:00 am Each finalist will have fifteen minutes to present a program of four contrasting selections. To ensure that each contestant has the opportunity to sing his/her entire program, please withhold applause until the conclusion of each contestant’s final selection. 11:15 Jonah Hoskins Lyndon Meyer, piano “Ah! mes amis” from La fille du régiment Donizetti/Saint-Georges, Bayard “Lonely House” from Street Scene Weill/Hughes “Come to Me, Bend to Me” from Brigadoon Loewe/Lerner “Words Fail” from Dear Evan Hansen Pasek, Paul 11:30 Katherine Riddle Wilson Southerland, piano “My White Knight” from The Music Man Willson “Mr. Right” from Love Life Weill/Lerner “Willow Song” from The Ballad of Baby Doe Moore/Latouche “I’ll Be Here” from Ordinary Days Gwon 11:45 Jonathan Heller Shane Schag, piano “I Met a Girl” from Bells Are Ringing Styne/Comden & Green “Hundred Story City” from Ordinary Days Gwon “Love Song” from Love Life Weill/Lerner “A Hundred Thousand Stars” from Out of Darkness Heggie/Scheer 12:00 Nyla Watson Lyndon Meyer, piano “Ritorna Vincitor” from Aida Verdi/Ghislanzoni “That’s Him” from One Touch of Venus Weill/Nash “Now’s the Time” from Hallelujah, Baby! Styne/Comden & Green “Beautiful” from It Shoulda Been You Anselmi/Hargrove 12:15 Daniel Berryman Shane Schag, piano “Dies bildnis ist bezaubernd schön” from Die Zauberflöte Mozart/Schikaneder “How Much I Love You” from One Touch of Venus Weill/Nash “For Forever” -
New on Naxos | September 2014
NEWThe World’s ON Leading ClassicalNAXOS Music Label SEPTEMBER 2014 This Month’s Other Highlights © 2014 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com • blog.naxos.com © Carlo Roncancio NEW ON NAXOS | SEPTEMBER 2014 8.573412 Playing Time: 58:40 7 47313 34127 6 Italian Soprano Arias Maria Luigia Borsi, Soprano London Symphony Orchestra • Yves Abel Ottorino RESPIGHI Il tramonto Alfredo CATALANI La Wally: Ebben? Ne andrò lontana (Act 1) Giuseppe VERDI Otello: Era più calmo?... Mia madre aveva una povera ancella (Canzone del salice/Willow Song) – Ave Maria (Act 4) Giacomo PUCCINI Madama Butterfly: Un bel dì vedremo (Act 2) Turandot: Signore, ascolta (Act 1) La bohème: Donde lieta uscì (Act 3) Suor Angelica: Senza mamma La rondine: Chi il bel sogno di Doretta (Act 1) Gianni Schicchi: O mio babbino caro Appearing here in her début solo album, Italian lyric soprano Maria Luigia Borsi has been acclaimed for her ‘grace, beauty, animation and variety’ (The Sunday Times). Her Willow Song from Verdi’s Otello has been described as ‘gorgeously sung’ (Opera News) and her role in Puccini’s Turandot as demonstrating ‘extraordinary communicative skills’ (Opera Magazine). This programme includes some of the most moving and dramatic arias from Italian opera, including the tragic heartbreak of Madama Butterfly and the shimmering beauty of Catalani’s Ebben? Ne andrò lontana from La Wally. Hailed by critics worldwide for her vocal dynamism and interpretive prowess, Maria Luigia Borsi has forged a career that has taken her throughout Europe, Asia, and the United States. -
Adriana Lecouvreur
CILEA Adriana Lecouvreur • Mario Rossi, cond; Magda Olivero (Adriana Lecouvreur); Giulietta Simionato (La Principessa di Bouillon); Franco Corelli (Maurizio); Ettore Bastianini (Michonnet); Teatro San Carlo Naples Ch & O • IMMORTAL PERFORMANCES 1111/1–2 mono (2 CDs: 142:49) Live: Naples 11/28/1959 MASCAGNI Iris • Olivero de Fabritiis, cond; Magda Olivero (Iris); Salvatore Puma (Osaka); Saturno Meletti (Kyoto); Giulio Neri (Il Cieco); RAI Turin Ch & O • IMMORTAL PERFORMANCES 1111/3–4 mono (2 CDs: 156:05) Live: Turin 9/6/1956 & PUCCINI Manon Lescaut: In quelle trine morbide; Sola perdutto abbandonata (Fulvio Vernizzi, Netherlands RS, 10/31/1966). La rondine: Che il bel sogno (Anton Kerjes, unidentified O, 3/5/1972). ALFANO Risurrezione: Dio pietoso (Elio Boncompagni, RAI Turin O, 1/30/1973). CATALANI Loreley: Amor celeste ebbrezza (Arturo Basile, RAI Turin O, 5/6/1953) VERDI La traviata: Act I, É strano....Ah, fors’è lui....Sempre libera; Magda Olivero, Muzio Giovagnoli, tenor, Ugo Tansini, cond.; RAI Turin O, 1940. Act II, Scene 1: Magda Olivero; Aldo Protti, (Giorgio Germont). Live, Orchestra Radio Netherlands, Fulvio Vernizzi, cond., 6 May 1967. Act II – Amami Alfredo! Magda Olivero; Ugo Tansini cond., 6 May 1953 (Cetra AT 0320) Act III Complete • Fulvio Vernizzi, cond; Magda Olivero (Violetta); Doro Antonioli (Alfredo Germont); Aldo Protti (Giorgio Germont). Live, Orchestra Radio Netherlands, 6 May 1967. & PUCCINI Tosca: Vissi d’arte (Ugo Tansini, RAI Turin O, 1940). La bohème: Addio….Donde lieta usci (Fulvio Vernizzi, Netherlands RS, 3/2/1968). Madama Butterfly: Ancora un passo; Un bel di vedremo (Fulvio Vernizzi, Netherlands RS, 3/2/1968 and 12/14/1968) By James Altena March/April 2019 The remarkably long-lived Magda Olivero (1910–2014)—who, incredibly and like the magnificent Russian basso Mark Reizen, sang when in her 90s—is the rare singer for whom an adjective such as “fabled” never grows 1 stale. -
Radio 3 Listings for 11 – 17 October 2008 Page 1 of 39
Radio 3 Listings for 11 – 17 October 2008 Page 1 of 39 SATURDAY 11 OCTOBER 2008 05:15AM Handel, Georg Frideric (1685-1759) SAT 01:00 Through the Night (b00dryh0) Solitudini amate & Aure, Fonti, ombre gradite – from the opera With John Shea. 'Alessandro' Sophie Boulin (soprano), La Petite Bande, Sigswald Kuijken 01:01AM (director) Handel, Georg Frideric (1685-1759) Saul - oratorio in 3 acts 05:22AM Neal Davies (Saul), Andreas Scholl (David), Mark Padmore Nielsen, Carl (1865-1931) (Jonathan), Susan Gritton (Merab), Deborah York (Michal), Paul Serenata in vano for clarinet, horn, bassoon, cello and double Agnew (High Priest), Jonathan Lemalu (Ghost of Samuel), Tom bass (FS.68) Phillips (Abner), Julian Clarkson (Doeg), Angus Smith (an Kari Krikku (clarinet), Jonathan Williams (horn), Per Hannisdahl Amalekite), Gabrieli Consort and Players, Paul McCreesh (bassoon), Øystein Sonstad (cello), Katrine Øigaard (double (director) bass) 03:44AM 05:29AM Mendelssohn, Felix (1809-1847) Kabalevsky, Dmitri (1904-1987) Sextet for piano and strings in D major (Op.110) Overture: Colas Breugnon Elise Båtnes (violin), Lars Anders Tomter & Johannes Edmonton Symphony Orchestra, Uri Mayer (conductor) Gustavsson (violas); Ernst Simon Glaser (cello), Katrine Öigaard (bass), Enrico Pace (piano) 05:35AM Rachmaninov, Sergey (1873-1943) 04:11AM Étude-tableau in D major (Op.39 No.9) Schubert, Franz (1797-1828) Matti Raekallio (piano) Impromptu No.4 in A flat – from [4] Impromptus for piano (D.899) 05:39AM Arthur Schnabel (recorded on Welte Mignon Rolls in 1905) Mozart, Wolfgang Amadeus (1759-1791) 4 Kontra Tänze (KV.267) 04:19AM English Chamber Orchestra, Mitsuko Uchida (conductor) Frescobaldi, Girolami (1583-1643), arr. -
The Adaptability of Opera
The Adaptability of Opera: When Different Social Agents Come to Common Ground Author(s): Vlado Kotnik Source: International Review of the Aesthetics and Sociology of Music, Vol. 44, No. 2 (DECEMBER 2013), pp. 303-342 Published by: Croatian Musicological Society Stable URL: http://www.jstor.org/stable/23594802 Accessed: 06-07-2017 19:53 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Croatian Musicological Society is collaborating with JSTOR to digitize, preserve and extend access to International Review of the Aesthetics and Sociology of Music This content downloaded from 198.199.32.254 on Thu, 06 Jul 2017 19:53:06 UTC All use subject to http://about.jstor.org/terms V. Kotnik: The Adaptability of Opera: IRASM 44 (2013) 2: 303-342 When Different Social Agents Come to Common Ground Vlado Kotnik ra^uuy ui nuiiicn nuca, University of Primorska Science and Research Centre, Garibaldijeva 1 The Adaptability of Opera: 6000 KOPER, Slovenia When Different Social UDC: 782.1:78.067 Original Scholarly Paper Agents Come to Common Izvorni znanstveni Clanak Received: October 12, 2012 Ground Primljeno: 12. listopada 2012. Accepted: January 15, 2013 Prihvaceno: 15. sijeinja 2013. Abstract - Résumé Adaptability is the key word when referring to the social history of opera, its institu tions, its protagonists, its Introduction sponsors, its audiences and publics. -
Puccini and Lucca in Boston
The Associazione Lucchesi nel Mondo is Puccini and Lucca grateful for the generous support of our donors and corporate sponsors. in Boston Association Benefactor Associazione Lucchesi nel Event Calendar Mondo - Lucca Sponsors Louis and Luciana Corticelli The Dellai family, in memory of Anna’s parents Leone and Liberata Torlai Andrea and Cristina Ferrini Lucille Fortunato Robert and Brenda Guarnieri pp mf Remo and Silva Guastucci f Marisa and John Guigli p Robert and Charlene Guigli Joan Charlotte Matelli, pp in memory of her grandparents mf f Dino and Elizabeth Pacini p Corporate Sponsors Celeste Associates pp mf f of Reading p Greater Metropolitan Real Estate of Boston Ristorante Lucia, Boston Salone di Bellezza of Newton Santini Brothers Iron Works of Medford TKV Associates of Reading Friends Colomba Bartalini Herbert and Osmana Bianchi Donald and Teresa McClung Dante Alighieri Society, Benefactors ($501+) Cambridge, Massachusetts. Sponsors ($101 - $500) May 22 - May 29, 2011 Friends (up to $100) Puccini and Lucca in Boston Event Calendar: “O Soave Fanciulla”, Concert program Saturday, May 28 Sunday, May 22 at 4:00 pm: Soprano Aria Opera Grand Opening ceremony. Keynote speaker Prof. Gabriella Biagi Ravenni. Jennifer Hoffman Se come voi piccina Le Villi Rebecca Teeters In quelle trine morbide Manon Lescaut Concert Selection of arias from Puccini’s operas Natalie Polito Sì, mi chiamano Mimi La bohème Matt Aucoin, pianist Margaret Felice Quando me’n vo La bohème Brian Landry, tenor Rebecca Teeters Donde lieta uscì La bohème Barbara Quintiliani and Lisa Tamagini, sopranos. Jennifer Hoffman Vissi d'arte Tosca Rebecca Teeters Un bel dì vedremo Madama Butterfly Tuesday, May 24, at 7:00 pm: Christie and Rebecca Flower duet Madama Butterfly “Puccini at the Pictures,” a lecture with piano Teeters accompaniment by Prof. -
Eldon Black Album Collection
Albums Eldon Black Album Collection These albums are only available for use by ASU students, faculty, and staff. Ask at the Circulation Desk for assistance. (Use the Adobe "Find" to locate song(s) and/or composer(s).) Catalog Number Title Notes 1 Falstaff-Verdi Complete 2 La Perichole Complete 3 Tosca-Puccini Complete 4 Cavalleria Rusticana-Mascagni Complete 5 The Royal Family of Opera 5A lo son l'umile ancella from Adriana Lecouvreur by Cilea 5B Come rugiada al cespite from Ernani by Verdi 5C In questo suolo a lusingar tua cura from La Favorita by Donizetti 5D E lucevan le stelle from Tosca by Puccini 5E Garden Scene Trio from Don Carlo by Verdi 5F Oh, di qual onta aggravasi from Nabucco by Verdi 5G In quelle trine morbide from Manon Lescaut by Puccini 5H Dulcamara/Nemorino duet from "Ecco il magico liquor" from L'Elisir D'Amore by Donizetti 5I Il balen from Il Trovatore by Verdi 5J Mon coeur s'ouvre a ta voix from Samson et Dalila by Saint-Saens 5K Bel raggio lusingheir from Semiramide by Rossini 5L Le Veau d'or from Faust by Gounod 5M Page's Aria from Les Huguenots by Meyerbeer 5N Depuis le jour from Louise by Charpentier 5O Prize Song from Die Meistersinger by Wagner 5P Sois immobile from William Tell by Rossini 5Q Cruda sorte from L'Italiana in Algeri by Rossini 5R Der Volgelfanger bin ich from The Magic Flute by Mozart 5S Suicidio! from La Gioconda by Ponchielli 5T Alla vita che t'arride from A Masked Ball by Verdi 5U O mio babbino caro from Gianni Schicchi by Puccini 5V Amor ti vieta from Fedora by Giordano 5W Dei tuoi figli from