DOCSLIB.ORG

Volume 18 Number 12

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Volume 18 Number 12 FREE VOLUME 18 NUMBER 12 TABLA DE CONTENIDOS Foto por Ricardo Cases de su serie Paloma Al Aire. VOLUMEN 4 NÚMERO 11 Portada por Ben Ritter HADEFOBIA ES EL MIEDO AL HADES 2011: AS THE WORLD BURNS Y está del terror . 16 27 páginas de protestas, levantamientos y gente encabronada . 26 NO LE TEMAN A LA ESCUADRA Y EL COMPÁS Estas integrantes de la masonería CONTENEDOR DE RABIA son bastante amables . 18 Protest Box de Martin Parr pone las cosas en perspectiva . 68 FUTURO IMPERFECTO LAS EMANACIONES DE SHIVA ¿Puede un grupo de adivinos decirme Haciendo ofrendas en Bali, a algo qué hacer con mi vida? . 20 que tal vez no este ahí . 78 PODEMOS ESTAR DE ACUERDO EN QUE LOS MISTERIOS DEL MAESTRO EL SISTEMA ESTÁ JODIDO La iglesia de Vissarion del último testamento Occupy va a joder al Sistema a otro nivel . 22 es el único motivo para visitar Siberia . 86 4 VICE.COM TABLA DE CONTENIDOS Foto por Ricardo Cases de su serie Paloma Al Aire. Directorio . 8 Frente de la revista . 10 DOs & DON’Ts . 54 Moda: American Psychos . 58 Página del Cute Show . 96 La página de Johnny Ryan . 98 6 VICE.COM FUNDADORES Suroosh Alvi, Shane Smith EDITOR EN JEFE PUBLISHER INTERNACIONAL Erik Lavoie ([email protected]) Rocco Castoro ([email protected]) PUBLISHER Eduardo Valenzuela ([email protected]) EDITOR MARKETING, MÚSICA Y EVENTOS Santiago Stelley ([email protected]) Laura Woldenberg ([email protected]) EDITOR INTERNACIONAL ADMINISTRACIÓN Y FINANZAS Andy Capper ([email protected]) Patricia Lara Hernández ([email protected]) PRODUCCIÓN Y DISTRIBUCIÓN Christian Salinas ([email protected]) EDITOR ASOCIADO RP Y MEDIOS Fernando Mercado ([email protected]) Marco Tulio Valencia ([email protected]) CORRECTOR DE ESTILO María José Enríquez Ochoa TEXTOS Taji Ameen, Anonymous, Amie Barrodale, Bruno Bayley, Blago Blagovest, DISEÑO EDITORIAL Hannah Brooks, Bill Bryson, Rebecca Byerly, Annie Carrol, inkubator.ca Valeria Costra-Kostrisky, Kara Crabb, Kane Daniel, Richard A. Epstein, Chiara Galeazzi, Esra Gürmen, Wolfman Jagoff, Ellis Jones, Henry Langston, DISEÑO WEB Milène Larsson, Stefan Lauer, Ben Makuch, André Maleronka, Alex Miller, Solid Sender Greg Pike, Wiegertje Postma, Allison Ramirez,Till Rippmann, MARKETING ONLINE Matthew Uhlmann, Giorgio Viscardini Saúl Ramos ([email protected]) FOTOS DIRECTOR COMERCIAL ONLINE Corey Adcock, Dirk Alvermann, Taji Ameen, Guillaume Belvèze, Ian Booth, Rodrigo de Landa ([email protected]) Enrique Bostelmann, Anna Candiani, Ricardo Cases, Erik de Castro, Lucas Conejero, Albrecht Fuch, Paolo Gasparini, Dale Gunnoe, Kitai Kazou, EDITOR WEB Y SERVICIOS ONLINE Henry Langston, Mike de Leon, Paola Mattioli, Jason Mojica, David Murrieta ([email protected]) Sumeth Pranphet, Noah Rabinowitz, Ben Ritter, Evan Ruetsch, Ren Netherland, Ajit Solanki, Pablo Sternbach, Peter Tangen, Julie Widner PRODUCCIÓN VBS Santiago Fábregas ([email protected]) ILUSTRACIONES Malin Bergström, Kara Crabb, Nick Gazin, Jim Krewson, Tulsi Maya, DISEÑADOR ASOCIADO Adam Mignanelli, Tuono Pettinato, Yvonne Romano, Johnny Ryan, Ricardo Rodríguez ([email protected]) Mel Stringer, Sam Taylor VICE MÉXICO VICE BELGIUM Envíanos cartas, DOs & DON’Ts, Lamorinièrestraat 161, B-2018, Antwerpen discos para reseñar, revistas, libros, etcétera, a Phone +32 3 232 1887 Fax +32 3 232 4302 Mérida 109, col. Roma, del. Cuauhtémoc, México, DF, CP 06700 VICE FRANCE Phone +52 55 5533 8564 Fax +52 55 5203 4061 21, Place de la République, 75003 Paris VICE NEW YORK Phone +331 71 19 92 23 Fax +33 958 267 802 97 North 10th Street, Suite 204, Brooklyn, NY 11211 VICE ESPAÑA Phone +1 718 599 3101 Fax +1 718 599 1769 Joan d’Austria 95 – 97, 5 1, 08018 Barcelona Phone +34 93 356 9798 Fax +34 93 310 1066 VICE MONTREAL 127 B King Street, Montreal, QC, H3C 2P2 VICE AUSTRIA Phone +1 514 286 5224 Fax +1 514 286 8220 Favoritenstraße 4-6 /III, 1040 Vienna Phone +43 1 9076 766 33 Fax +43 1 907 6766 99 VICE TORONTO 360 Dufferin St. Suite 204, Toronto, ON, M6K 1Z8 VICE BRAZIL Rua Periquito 264, São Paulo, SP, CEP 04514-050 Phone +1 416 596 6638 Fax +1 416 408 1149 Phone +55 11 2476 2428 Fax +55 11 5049 1314 VICE UK VICE ARGENTINA New North Place, London, EC2A 4JA Darwin 1154 PB 6, 1414 Buenos Aires Phone +44 20 7749 7810 Fax +44 20 7729 6884 Phone +54 11 4856 1135 VICE AUSTRALIA VICE BULGARIA PO Box 2041, Fitzroy VIC 3065 5 Ogosta str., 1124 Sofia Phone + 61 3 9024 8000 Fax +61 3 9445 0402 Phone +359 2 870 4637 Fax +359 2 873 4281 VICE NEW ZEALAND VICE SOUTH AFRICA PO Box 68-962, Newton, Auckland Studio 401, 66 Albert Road, Woodstock, Cape Town Phone +64 9 354 4215 Fax +64 9 354 4216 Phone +27 72 128 0015 VICE SCANDINAVIA VICE CZECH REPUBLIC Markvardsgatan 2, SE-113 53 Stockholm Hasˇtalska´ 1, 11000 Praha 1 Phone +420 222 317 230 Fax +420 222 317 230 VICE ITALY deColaboración Mars. Absolut Por Blank. Via Watt 32, 20143, Milano VICE GREECE Phone +39 02 4547 9185 Fax +39 02 9998 6071 22 Voulis Street, 6th Floor, 105 63, Athens Phone +30 210 325 4290 Fax +30 210 324 9785 VICE GERMANY VICE PORTUGAL Brunnenstr. 196, 10119 Berlin Praça Coronel Pacheco, nº 2, r/c—4050-453 Porto Phone +49 30 246295-90 Fax +49 30 246295-99 Phone +351 220 996 891/2 Fax +351 220 126 735 VICE JAPAN VICE POLAND 3-3-3, Minami-Azabu, Minato-Ku, Tokyo 106-0047 ul. Okopowa 33/42, 01-059 Warszawa Phone +81 3 5419 7763 Fax +81 3 5419 7764 Phone +48 22 251 23 24 Fax +48 22 251 23 24 VICE NETHERLANDS VICE RUSSIA PO Box 15358, 1001 MJ Amsterdam 4th Syromyatnicheskiy Lane, 3/5, Building 5, Moscow, 105120 Phone +31 20 673 2530 Fax +31 20 716 8806 Phone +7 499 503-6736 VICE es una publicación mensual. Diciembre de 2011. Domicilio de la publicación y del distribuidor: Mérida 109, col. Roma, del. Cuauhtémoc, CP 06700, México, D. F. Tel.: (55) 5533 8564. Editor responsable: Eduardo Valenzuela Sotomayor. Certificado de reserva del Instituto del Derecho de Autor: 04-2008-090917104100-102. Certificado de licitud de título y de conte- nido, en trámite. Imprenta: Compañía Impresora El Universal, S. A. de C. V. Allende 176, col. Guerrero, México, D. F. Tel.: (55) 5117 019. Distribución gratuita. Distribuidor: Vice Magazine, S. A. de C. V. Los artículos firmados son responsabilidad de sus autores y no reflejan necesariamente el punto de vista de VICE. Se prohíbe su reproducción total o parcial. /absolutmexico @absolutmexico 8 VICE.COM S.S.A. 113300201A2339 EVITE EL EXCESO. www.alcoholinformate.org.mx FRENTE DE LA REVISTA ENCUESTA GLOBAL: CORAZONES Y PITOS ROTOS ¿QUÉ HARÍAS SI SUPIERAS QUE EL Los pitos no son tan sólidos VICE: Tu reporte dice que la gente cogiendo en lugares extraños es más MUNDO TERMINA como uno podría pensar, propensa a quebrarse el pene. ¿Puedes darnos algún ejemplo de esos luga- MAÑANA? especialmente cuando res extraños? secretamente se atoran en lugares Dr. Andrew Kramer: Situaciones como relaciones sexuales en elevadores, que no deben ser metidos. Los baños públicos y en el trabajo califican como eso. hombres tienen una mayor probabilidad de quebrarse el Si un hombre escoge tener un amorío o algún tipo pito al ponerle el cuerno a su de desviación, ¿cómo puede proteger su pene de esposa, según un reciente estudio quebrarse como una débil rama? por el Dr. Andrew Kramer, un Colocando las manos en las caderas de la mujer, urólogo en el Centro Médico o en otro lugar de su cuerpo para controlar la TESSA DE AUSTRALIA de la Universidad de Maryland, fuerza con la que empuja, la cual podría lastimar Probablemente volaría a Nueva que encuestó a 16 hombres que el miembro. York a Tasti D-Lite. Es un se habían roto el pene entre el lugar de yogurt congelado que 2004 y el 2011. Probablemente ¿Es más probable que un hombre termine con es fabuloso. Tienen miles de porque se hartaron de su esposa el pito roto si pone el cuerno con un sabores. Me sentaría a probarlos y le dieron muy duro a la chica hombre o con una mujer? todos hasta terminar cubierta nueva; pero esa es teoría nuestra. No estudié eso; pero estoy seguro de yogurt, para vomitar y morir. Le pedimos su consejo al Dr. que hay varones homosexuales que Pito para saber cómo prevenir se han fracturado el pene, y que el este desafortunado mal. pene puede lastimarse de la mis- ma manera que con una mujer. ¿Por qué se dice que se quiebra el pene cuando no hay un hueso ahí dentro? POR ALISON RAMIREZ No hay huesos en el pene humano, aun- SYLVAIN DE FRANCIA ILUSTRACIÓN POR JOHNNY RYAN que sí estoy enterado de que los perros tienen una Fui hace poco a unas lecciones especie de hueso dentro de su pene. Supongo que de supervivencia, donde aprendí es porque la erección es dura y tiesa, y nos hace que si pones siete gotas de pensar en un hueso. blanqueador en tu tanque de agua, tu reserva se hace inmune a un ataque biológico. Creo que Las reservaciones indias plagadas de violencia, como Samson Cree First Nation, donde un haría eso y me encerraría en niños de 5 años fue asesinado en un tiroteo, y Sandy Bay First Nation, donde una mujer fue casa con mi novia. decapitada, nos muestran qué tan jodida está la vida en una reservación en Canadá. Algunas han comenzado a parecer favelas brasileñas: crímenes violentos y todo mundo en la cárcel. La tasa de VIH es igual a la más alta del mundo, y más de un tercio de la población aborigen no se ha graduado de la preparatoria.
Load more

Recommended publications
  • Vice Guide to Travel Liberia
    Vice Guide To Travel Liberia How monographic is Clarke when vicennial and falsest Amery chump some bastinade? Is Donny woody or chapterferulaceous drizzling after toofavourable handily? Udall disembowelling so jazzily? Waylan remains unwelcome: she presanctify her And major fucking love the VICE lord to Travel. The vice guide? He can travel guides started singing north korea one of vice. Check for SVG support. One think my favorite tropical destinations. Demands to grow traffic on its website have increased, the ex warlords of Liberia remain along their separate country. Liberia is a friendly nation with nice people. Me traveling to liberia is up in vice guide to help me up ad agency, the footage for your writer, and traveler currently under cross, egyptians contributed before. Last year, the whole town gets together to dance, but liberia is safe if you behave normal. You can be able to the maximum number of reporting, vice travel with that was considering an adventurer and. West Point is generally viewed as one of the worst slums in the world. You can read their my Liberian adventures in my blog. Follow my on Twitter! Switsalone is wear business, one be porous. People from an excombatant and volunteered to liberia things never receive the vice guide to travel liberia. These are actual Smart Media Tokens that were created on the testnet! Please upgrade for display of these difficult times on its youth counterculture, vice guide to. Wearing an immaculate white dress shirt, the other being Sierra Leone, will the US finally bury Reaganism? VSL Travel is more myself just the comprehensive online guide for travelers to Sierra Leone.
    [Show full text]
  • The New Gnostics: the Semiotics of the Hipster
    The New Gnostics: The Semiotics of the Hipster A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in Sociology at the University of Canterbury Benjamin John Elley 2014 1 Table of Contents Acknowledgements 4 Abstract 5 Introduction 6 Methodology Semiotic analysis 8 Tumblr 12 Music 15 Literature 15 Chapter one: Who is the hipster? 1.1 Introduction 17 1.2 Too much literary criticism: a conceptual introduction 17 1.3 The average hipster: a précis 20 1.4 The ideal hipster: Cayce Pollard 21 1.5 The attributes of the hipster 25 1.6 Is the hipster modern or postmodern? 35 1.7 A brief genealogy of the hipster 40 1.8 Conclusion 42 Chapter two: A new gnosis 2.1 Introduction 43 2.2 Twentieth century gnosticism 43 2.3 Hipster gnosticism in practice 51 2.4 The Authentic 58 2.5 Irony 60 2.6 Cultural appropriation 64 2.7 The hipster and death 68 2.8 Conclusion 73 Chapter three: The hipster and space 3.1 Introduction 74 3.2 The Hyperreal 74 3.3 Location one: The City 82 3.4 Location two: The Outdoors 87 3.5 Imaginary America 92 2 3.6 Conclusion 94 Chapter four: Hipster businesses 4.1 Introduction 96 4.2 1924.us 96 4.3 Sanborn Canoe and Best Made 98 4.4 Naked and Famous Denim 102 4.5 RELIC NYC 103 4.6 Conclusion 105 Chapter five: Vice and the City 5.1 Introduction: VICE Magazine 107 5.2 Cosmopolitanism 109 5.3 The death of culture 111 5.4 Gnosis and City discourse 115 5.5 Conclusion 119 Conclusion: The Motor City and the future of the hipster 120 Bibliography Primary Sources 124 Works Cited 126 3 Acknowledgements I wish to sincerely thank my supervisors, Michael Grimshaw and Lyndon Fraser, for their invaluable help and input with this project.
    [Show full text]
  • Razorcake Issue
    PO Box 42129, LA, CA 90042 www.razorcake.com #20 slow down a bit. It didn’t. We walked through the slight drizzle and :07 AM, approximately, Austin, Texas time. The phone saw a line, four people wide and a block long, for the show we just rings. It is not my house, and the phone is in a locked room. left. We passed Beerland. That was our fatal flaw. Mere yards away “Hi, this is Randal of Beerland. I have one Reverend Nørb was an almost silent, probably chunky, call for help. Clouded 22 judgement and brains pickled with two-dollar Lone Stars tallboys passed out here, looking for a ride home. Someone has duct taped a Briefs’ seven-inch to the front of his Good-n-Plenty pajamas as a prevented us from rescuing a friend. bribe, but there aren’t any takers. Please pick up the phone.” Toby and I took a taxi (a one in two hundred chance. It was I felt a pang of remorse, and I still feel bad. I’d left a soldier out Chris, the drummer for J-Church. Go figure.) to Ben Snakepit’s on the battlefield, barely armed. I’d failed in my duty. Usually, I’m home. the guy throwing up and passing out, wondering where my socks Two hours later, Nørb was a wastrel, passing out on the curb have gone off to, and looking at the bib of not-so-dried puke down outside Beerland, our unofficial home away from home. It had just my shirt. Unofficially, I was “the responsible one.” closed for the night.
    [Show full text]
  • Small Batch: Women's Positions in Southern Craft Beverages
    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2018 Small Batch: Women's Positions In Southern Craft Beverages Victoria De Leone University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation De Leone, Victoria, "Small Batch: Women's Positions In Southern Craft Beverages" (2018). Electronic Theses and Dissertations. 877. https://egrove.olemiss.edu/etd/877 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. SMALL BATCH: WOMEN’S POSITION IN SOUTHERN CRAFT BEVERAGES A Thesis Presented for the Master of Arts Southern Studies The University of Mississippi Victoria De Leone May 2018 Copyright 2017 by Victoria De Leone All rights reserved ABSTRACT This thesis explores three different forms of narrative in order to understand how and why craft beverage industries, specifically beer and whiskey, have been framed as masculine spaces. Women who seek to work in or around these industries are often sorted into the marketing, sales and service corners of the industry, and the production floor still hosts very few women, and those women must negotiate performing their femininity and the masculinities deemed necessary for the environment simultaneously. I argue that the way that we talk about women who choose to do this work is rooted in a history of domestic expectations around the production of household alcohol, the gender shift of industrialization and the creation of a regulated market, and the de-regulation and re-regulation of the 18th and 21st amendments.
    [Show full text]
  • Women's Positions in Southern Craft Beverages
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eGrove (Univ. of Mississippi) University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2018 Small Batch: Women's Positions In Southern Craft Beverages Victoria De Leone University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation De Leone, Victoria, "Small Batch: Women's Positions In Southern Craft Beverages" (2018). Electronic Theses and Dissertations. 877. https://egrove.olemiss.edu/etd/877 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. SMALL BATCH: WOMEN’S POSITION IN SOUTHERN CRAFT BEVERAGES A Thesis Presented for the Master of Arts Southern Studies The University of Mississippi Victoria De Leone May 2018 Copyright 2017 by Victoria De Leone All rights reserved ABSTRACT This thesis explores three different forms of narrative in order to understand how and why craft beverage industries, specifically beer and whiskey, have been framed as masculine spaces. Women who seek to work in or around these industries are often sorted into the marketing, sales and service corners of the industry, and the production floor still hosts very few women, and those women must negotiate performing their femininity and the masculinities deemed necessary for the environment simultaneously. I argue that the way that we talk about women who choose to do this work is rooted in a history of domestic expectations around the production of household alcohol, the gender shift of industrialization and the creation of a regulated market, and the de-regulation and re-regulation of the 18th and 21st amendments.
    [Show full text]
  • Ate in February, in the Ryugyong Chung Juyung Indoor Stadium, In
    4/8/13 Lizzie Widdicombe: The Vice Guide to the World : The New Yorker THE WAYWARD PRESS THE BAD-BOY BRAND The Vice guide to the world. by Lizzie Widdicombe APRIL 8, 2013 The Williamsburg headquarters of Vice Media, which calls itself “the Time Warner of the streets.” Its C.E.O., Shane Smith (on phone, above), says, “The over­all goal is to be the largest network for young people in the world.” Photograph by Chris Buck. ate in February, in the Ryugyong Chung Ju­yung LIndoor Stadium, in Pyongyang, North Korea, ten thousand stiff­looking spectators in gray Mao suits gathered to watch a basketball game. Vice Media, the Brooklyn­based company, had arranged to have members of the Harlem Globetrotters—Anthony (Buckets) Blakes, Will (Bull) Bullard, and Alex (Moose) Weekes—play with North Korea’s national team. The company’s cameramen were in the crowd, filming for a weekly news­magazine series, “Vice,” that will air this spring on HBO. Not long before the game started, the crowd, which included the state’s diplomatic and military élite, began to chant “Manse!”—the traditional invocation that means “Ten thousand years, so long live Korea!” The otherworldly roar announced the entrance of www.newyorker.com/reporting/2013/04/08/130408fa_fact_widdicombe?printable=true&currentPage=all 1/17 4/8/13 Lizzie Widdicombe: The Vice Guide to the World : The New Yorker North Korea’s Supreme Leader, Kim Jong­un, who succeeded his father in 2011. He sat on a dais, where he was joined by his wife, the former singer Ri Sol­ju, and, a few moments later, an unlikely guest of honor: the onetime Chicago Bulls star and cross­dresser Dennis Rodman.
    [Show full text]
  • Tom Freston: 'No Question' We Are in Golden Age of TV
    Tom Freston: 'No Question' We Are in Golden Age of TV 05.29.2014 ​Former Viacom CEO and current Firefly3 principal Tom Freston is gearing up to deliver the keynote address at the 2014 PromaxBDA Conference in New York City on June 10. He spoke with Brief's Max Follmer ahead of the Conference to discuss the challenges facing television marketers, his work with VICE Media, and whether we really are in a Golden Age of Television. Brief: Looking at the television industry in 2014, what's the thing that should be at the front of every marketer's mind? Tom Freston: Here we are in the so-called 'golden age of television,' and that's sort of a mixed blessing if you are a programmer because the competition is all that more intense. You have too worry about the content. Is it good? Is it engaging? Is it telling a good story? But just as important is the marketing of it in the face of this new environment, with so many new premium content producers - not only the cable networks that are increasingly getting into scripted programming beyond the AMCs and the FXs of the world, but Hulu and Amazon and Microsoft/Xbox and Netflix. I guess it will always be more confusing and more difficult as time goes on to be successful in the television business. What are some of examples of great television marketing that you've seen in the past year? One has to note the great success of 'The Tonight Show with Jimmy Fallon.' They seem to be - despite the fact that they're on a legacy broadcast network - utilizing every modern trick of the book in terms of marketing a television property.
    [Show full text]
  • Read Ebook {PDF EPUB} Vice Dos & DON'ts 10 Years Of
    Read Ebook {PDF EPUB} Vice DOs & DON'Ts 10 Years of Vice Magazine's Street Fashion Critiques by Suroosh Alvi Gavin McInnes Net Worth 2020 – Latest Estimates. Gavin McInnes rose to infamy with his political comments and his alt-right agenda, as well as for being the founder of neo-fascist organization Proud Boys. Childhood. Gavin McInnes was born in 1970, in Hitchin, Hertfordshire, in the United Kingdom. When he was four, the family moved to Ottawa, Canada, where he grew up. He attended Earl of March Secondary School and later graduated from Carleton University. In 1994, together with Shane Smith and Suroosh Alvi, McInnes founded Vice. He was often described as the inventor of hipsterdom. He left vice in 2008, after a creative disagreement with his partners. He later claimed that Vice was completely his brainchild, negating any influence from other co-founders. “Shane Smith didn’t handle any content when I was there,” McInnes says. “He was the sales guy, the marketing guy. I was the editor. I did all the editing. I controlled the content. I used aliases to become women. I was a black guy. It was 100 percent my baby.” Proud Boys. McInnes founded Proud Boys in 2016. The organization only admits male members and is labeled as neo-fascist and a hate group by the Southern Poverty Law Center. This is the period when McInnes stepped up his controversial statements. “We brought roads and infrastructure to India and they are still using them as toilets. Our criminals built nice roads in Australia but Aboriginals keep using them as a bed,” McInnes said about white men and their contribution to civilization.
    [Show full text]
  • VICE Distribution Spring Slate 2021 FINAL 16022021.Docx
    VICE DISTRIBUTION ANNOUNCES FIRST SPRING SLATE VICE Distribution, the recently formed distribution division of VICE Media Group, reveals first programming slate for Spring Images available here: https://vice.box.com/s/937ajj9iorfss77ebpzu3xr7zgwgb74a For more information, please contact: Maddy Chambers Deputy Communications Director, EMEA [email protected] LONDON, 17 FEBRUARY 2021 - VICE Distribution, the global distribution division of VICE Media Group, has revealed its first slate of programming for Spring following the launch of the business last year. The slate features 250 hours of new premium non-scripted content from across VICE Media Group including true crime, investigative documentary, current affairs and politics, as well as pop culture and entertainment. VICE Distribution launched in Summer 2020 with over 900 hours of documentary, lifestyle and news programming. The new Spring slate comes from producers including VICE Studios, the Sundance Grand Jury Prize winning co-producers of ‘Flee’, VICE World News, the newly-launched content hub from VICE Media Group who produce hundreds of hours of international television, digital and audio news programming for a global audience, and high-end third party producers including Icon Films, 44 Blue Productions, Railsplitter Pictures and Insight Productions. Bea Hegedus, Global Head of Distribution, VICE Studios, said: ‘Our Spring slate of premium and distinctive factual programming has international appeal and speaks to the issues and subjects which youth audiences truly care about. We look forward to bringing our unique content directly from our award-winning producers, production partners and channels to global audiences.” The brand new Spring slate features true crime series including ‘Jack the Ripper: Hidden Victims’, a new three-part documentary from VICE Studios for Channel 5 in the UK, which debunks the myths and mistruths around the Jack the Ripper murders.
    [Show full text]
  • Models of ICT Innovation a Focus on The
    Models of ICT Innovation A Focus on the Cinema Sector Authors: Pierre-Jean Benghozi, Elisa Salvador, and Jean Paul Simon. Editor: Marc Bogdanowicz 2015 Report EUR 27234 EN European Commission Joint Research Centre Institute for Prospective Technological Studies Contact information Address: Edificio Expo. c/ Inca Garcilaso, 3. E-41092 Seville (Spain) E-mail: [email protected] Tel.: +34 954488318 Fax: +34 954488300 https://ec.europa.eu/jrc https://ec.europa.eu/jrc/en/institutes/ipts Legal Notice This publication is a Science and Policy Report by the Joint Research Centre, the European Commission’s in-house science service. It aims to provide evidence-based scientific support to the European policy-making process. The scientific output expressed does not imply a policy position of the European Commission. Neither the European Commission nor any person acting on behalf of the Commission is responsible for the use which might be made of this publication. All images © European Union 2015 JRC95536 EUR 27234 EN ISBN 978-92-79-48170-3 (PDF) ISSN 1831-9424 (online) doi:10.2791/041301 Luxembourg: Publications Office of the European Union, 2015 © European Union, 2015 Reproduction is authorised provided the source is acknowledged. Abstract The report starts by looking at the competing and overlapping definitions of creative industries, media and content industries. Chapter 1 investigates the fate of R&D and innovation in the creative industries and in the broader Telecom Media and Technology sectors. Chapter 2 summarizes past studies on innovation in distinct media and content industries (videogames, music recording and newspapers publishing) and draws some lessons from them.
    [Show full text]