Extraordinary Episodes of Ancient Money Francis Louis Kailey
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Ancient Greek Coins
Ancient Greek Coins Notes for teachers • Dolphin shaped coins. Late 6th to 5th century BC. These coins were minted in Olbia on the Black Sea coast of Ukraine. From the 8th century BC Greek cities began establishing colonies around the coast of the Black Sea. The mixture of Greek and native currencies resulted in a curious variety of monetary forms including these bronze dolphin shaped items of currency. • Silver stater. Aegina c 485 – 480 BC This coin shows a turtle symbolising the naval strength of Aegina and a punch mark In Athens a stater was valued at a tetradrachm (4 drachms) • Silver staterAspendus c 380 BC This shows wrestlers on one side and part of a horse and star on the other. The inscription gives the name of a city in Pamphylian. • Small silver half drachm. Heracles wearing a lionskin is shown on the obverse and Zeus seated, holding eagle and sceptre on the reverse. • Silver tetradrachm. Athens 450 – 400 BC. This coin design was very poular and shows the goddess Athena in a helmet and has her sacred bird the Owl and an olive sprig on the reverse. Coin values The Greeks didn’t write a value on their coins. Value was determined by the material the coins were made of and by weight. A gold coin was worth more than a silver coin which was worth more than a bronze one. A heavy coin would buy more than a light one. 12 chalkoi = 1 Obol 6 obols = 1 drachm 100 drachma = 1 mina 60 minas = 1 talent An unskilled worker, like someone who unloaded boats or dug ditches in Athens, would be paid about two obols a day. -
Working Paper No. 222
Money and Taxes: The Chartalist L. Randall Wray” Working Paper No. 222 January 1998 *Senior Scholar, The Jerome Levy Economics Institute L. Rnndull Wray Introductory Quotes “A requirement that certain taxes should be paid in particular paper money might give that paper a certain value even if it was irredeemable.” (Edwin Cannan, Marginal Summary to page 3 12 of Adam Smith’s The Wealth of Nations, in Smith 1937: 3 12) “[T]he money of a State is not what is of compulsory general acceptance, but what is accepted at the public pay offices...” (Knapp 1924: vii) “Money is the creation of the state; it is not true to say that gold is international currency, for international contracts are never made in terms of gold, but always in terms of some national monetary unit; there is no important distinction between notes and metallic money.... ” Keynes (Keynes 1983: 402) “In an economy where government debt is a major asset on the books of the deposit- issuing banks, the fact that taxes need to be paid gives value to the money of the economy. The virtue of a balanced budget and a surplus insofar as the commodity value (purchasing power) of money is concerned is that the need to pay taxes means that people work and produce in order to get that in which taxes can be paid.” (Minsky 1986: 23 1) *****k*************X*********************~***********~****** Introduction In conventional analysis, money is used to facilitate exchange; its value was long determined by the value of the precious metal it represented, although under a fiat money system, its value is determined by the quantity of commodities it can purchase. -
2 the Assyrian Empire, the Conquest of Israel, and the Colonization of Judah 37 I
ISRAEL AND EMPIRE ii ISRAEL AND EMPIRE A Postcolonial History of Israel and Early Judaism Leo G. Perdue and Warren Carter Edited by Coleman A. Baker LONDON • NEW DELHI • NEW YORK • SYDNEY 1 Bloomsbury T&T Clark An imprint of Bloomsbury Publishing Plc Imprint previously known as T&T Clark 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury, T&T Clark and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2015 © Leo G. Perdue, Warren Carter and Coleman A. Baker, 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Leo G. Perdue, Warren Carter and Coleman A. Baker have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as Authors of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-56705-409-8 PB: 978-0-56724-328-7 ePDF: 978-0-56728-051-0 Library of Congress Cataloging-in-Publication Data A catalogue record for this book is available from the British Library. Typeset by Forthcoming Publications (www.forthpub.com) 1 Contents Abbreviations vii Preface ix Introduction: Empires, Colonies, and Postcolonial Interpretation 1 I. -
Art and Royalty in Sparta of the 3Rd Century B.C
HESPERIA 75 (2006) ART AND ROYALTY Pages 203?217 IN SPARTA OF THE 3RD CENTURY B.C. ABSTRACT a The aim of this paper is to demonstrate that revival of the arts in Sparta b.c. was during the 3rd century owed mainly to royal patronage, and that it was inspired by Alexander s successors, the Seleukids and the Ptolemies in particular. The tumultuous transition from the traditional Spartan dyarchy to a and to its dominance Hellenistic-style monarchy, Sparta's attempts regain in the P?loponn?se (lost since the battle of Leuktra in 371 b.c.), are reflected in the of the hero Herakles as a role model promotion pan-Peloponnesian at for the single king the expense of the Dioskouroi, who symbolized dual a kingship and had limited, regional appeal. INTRODUCTION was Spartan influence in the P?loponn?se dramatically reduced after the battle of Leuktra in 371 b.c.1 The history of Sparta in the 3rd century b.c. to ismarked by intermittent efforts reassert Lakedaimonian hegemony.2 A as a means to tendency toward absolutism that end intensified the latent power struggle between the Agiad and Eurypontid royal houses, leading to the virtual abolition of the traditional dyarchy in the reign of the Agiad Kleomenes III (ca. 235-222 b.c.), who appointed his brother Eukleides 1. For the battle of Leuktra and its am to and Ellen Millen 2005.1 grateful Graham Shipley Paul Cartledge and see me to am consequences, Cartledge 2002, and Ellen Millender for inviting der for historical advice. I also 251-259. -
A Samaritan Amulet and an Anatomic Votive Offering in the Ancient World (Object 5)
A Samaritan Amulet and an Anatomic Votive Offering in the Ancient World (Object 5) Subtitle: The Relationship between Human and Divinity in the Comparison of the Samaritan Amulet and the Roman Anatomic Votive Offering. The Samaritan Amulet The Votive Offerings of the Roman Republic Name: Chen LIANG [email protected] This essay focuses on two objects from the Kelsey Museum. The first object is a thin piece of inscribed bronze with inscriptions from the Samaritan Bible, likely an amulet produced in the time of Baba Rabbah (late 3rd-early 4th century AD) worn by his followersi. The second is a set of anatomical votive terracotta figurines from the Roman Republic (late 4th-early 1st century BCE), found in Veii and Pozzuoli, Italy. Both amulets and votive offerings, empowered through rituals and spells, are ways through which ancient people established their relationship with the divinity, based on diverse religions and formulae. This essay discusses the social situations when these objects were made, and specifically, how Samaritan’s ethnic identities and the two religious traditions, i.e. YHWH and Greco-Roman traditions, are shown in these objects and their comparison with the other archeological materials. I. Historical Background A thorough analysis of the material resources is impossible without a larger historical context in which the Samaritan people emerged and developed. From the destruction of Solomon’s Temple to the second division of the Roman Empire, the land of Israel and Palestine witnessed the wax and wane of a series of political entities and the formation of diverse ethnicities and religious traditions. After Nebuchadnezzar II captured Jerusalem in 597 BCE and destroyed the city due to rebellion against him, he exiled a number of well-educated, ruling-class Israelites from Judea to Babylon. -
2017-Annual-Report.Pdf
2.1 million meals distributed Supporting Boroume at the Since 2012 THI has distributed over Farmer’s Market Program 2.1 million meals through our partners IOCC/Apostoli and SOS Villages Greece. THI Australia supports the Boroume at the Farmer’s Market Program, a dynamic community initiative that saves surplus food from farmers’ markets in Athens for 11 athletes supported distribution in local charities. THI is supporting 11 athletes each year from Greece and Cyprus as they prepare for the Tokyo 2020 Olympic Games. MDA Hellas operations in Thessaloniki funded 180,000 meals served For 3 years now and working with MDA Hellas we fully fund the operations of THI is supporting Prolepsis/Diatrofi the organization’s unit in Thessaloniki, providing schoolchildren with daily offering daily services to patients meals. Since 2015 through a match suffering from 47 rare neuromuscular by the Stavros Niarchos Foundation disorders. we have served 180,000 meals to students whose families suffer from food insecurity and in some cases hunger. 62,797 gallons of heating fuel donated Establish the first ever transit Since 2014 we helped donate 62,797 centers gallons of heating fuel to a total of 59 social welfare institutions located in CRISIS RELIEF Working with METAdrasi THI has helped Northern Greece through our partners establish the first ever transit centers for IOCC/Apostoli. unaccompanied minors fleeing war in the Middle East located on the islands of Lesvos and Samos. 30,000 children supported each year 10,000 children vaccinated For a fourth consecutive year THI is Working with Doctors of the World we supporting “Together for Children,” an have vaccinated over 10,000 children. -
Characteristics of Money the First Forms of Money Were Very Simple
Charact eristics Of Money Store of Value Directions: Answer all questions completely? 1) Explain the difference between Representative money and Fiat money. 2) What is Currency? 3) Using the chart, what are the three functions of money? Characteristics of Money The first forms of money were very simple. In other countries, tobacco, wooden coins, and receipts from cotton warehouses were used for money. These early forms of money lacked the flexibility and widespread acceptability of current money. In order for something to be used for money, it must meet the following characteristics: • Durability. Money should be able to stand up under constant use. • Portability. Money needs to be small enough so it can be conveniently carried in clothes, pockets, or purses. • Divisibility. Money must be made in various units. You should be able to make change. By having various units of money, goods of various value can be paid for, and change for larger units of money can be made. Barter, on the other hand, requires goods that are traded to be of equal value. • Uniformity. Every bill and coin of the same value needs to look the same. Money must be uniform in that one $20.00 bill and another $20.00 bill must be able to buy the same thing. • Acceptable. Money needs to be easily recognizable. Everyone knows what a dollar bill, a ten dollar bill, or a quarter looks like. We should also be able to recognize genuine money from counterfeit. • Relative Scarcity. Money needs to be hard to manufacture. If it were possible to manufacture money as easily as any other good, we would be flooded with counterfeit currency. -
Fiat Versus Representative Money Under Debate, Or How Right Keynes Was Once (!)
Theoretical and Applied Economics Volume XVIII (2011), No. 5(558), pp. 45-58 Fiat versus Representative Money under Debate, or How Right Keynes Was Once (!) Liviu C. ANDREI National School of Political Studies and Public Administration, Bucharest [email protected] Abstract. The applied economics understands the concept of money nearly exclusively through the quantitative theory, which certainly remains one of the greatest theories in this topic area. On the other hand, the history of money – be it old or contemporary -- finds two other “non- quantitative” theories as more relevant in the respect that they are able to “cover” this history – these are representative and fiat money. Then, there comes the interesting point: this history “covered”, meaning a full explaining of facts would be made by the two theories and images of the same money just “together”—which is impossible in basic good sense terms, as money (as anything else) cannot be real and fictitious value in the same time. Keywords: fiat money; representative money; seniorage; barter (and its system); commodity money; international monetary system (IMS); macroeconomics; optimum currency area (OCA); economic theory. JEL Codes: E00, E52. REL Codes: 1F, 2B. 46 Liviu C. Andrei I already believe that my last intervention on the issue (Andrei, 2011) skipps an important stake: vis-a-vis the quantitative theory of money, which of course remains one of the „largest” economic theories ever, findings of the literature on qualitative theories stay so low voices, whereas some of them are at least equally significant. When I say significant, I think about the money substance, as identified with: (1) a fiction of value given by the monetary authority, see the fiat money, versus (2) a natural valuable substance on market as basing the money value, see the representative money. -
While Most Bronzes Were Found Individually, Some Specific Finds Seem to Have Narrow Dates Around the Time of Cleopatra and Augustus
51 / 140 THE COINAGE SYSTEM OF CLEOPATRA VII, MARC ANTONY AND AUGUSTUS IN CYPRUS While most bronzes were found individually, some specific finds seem to have narrow dates around the time of Cleopatra and Augustus. Deposits below later mosaics provide a glimpse of the coinage in circulation during the late Ptolemaic and Augustan times.33 34 Two of the several wells containing coins provide a similar snapshot in time, although with more of the smaller denominations. The largest finds of eighth and quarter-units are in rooms containing sixty-two and ten examples respectively. Each of these finds is listed in the endnotes.35 A chart of the Ptolemaic coins found on page 124 of “Paphos II” modified by the assertions in this book is below. Total Ptolemaic Coins struck in Cyprus found at Paphos II, The House of Dionysos36 Ptol I 3 Ptol II 8 Ptol III 2 Ptol IV 0 (110 “Arsinöe III” Æ9 reattributed from here to Cleopatra VII) Ptol V 1 (3 Thunderbolt / Eagle Æ7 reattributed to Cleopatra VII) Ptol VI-VIII 17 (Most examples included with later kings) Ptol IX 111 (same) Ptol IX to X 190 (same) Ptolemy XII 37 (aphlaston, T & Star, KY∏P obols given to Ptolemy XII) Cleopatra VII 193 33 Bust of Winter from House of Dionysos, Four Seasons mosaic. Room XVI, Four Seasons Mosaic, (sealed deposit) 0.2-0.4 m below the mosaic floor 526 Augustus, Æ18, Plautius, 1/2 AD, 4.6g, hemiobol 429 Cleopatra, Æ25, 6.1g, obol, 2 eagles, Isis headdress 430 -, Æ24, 4.7g, same 472 -, Æ15, 1.7g, hemiobol A coin of Arcadius was found above the mosaic, on the surface. -
Obverse Reverse
obverse reverse 84 A Bronze Coin from Eleusis in the Kelsey Museum Eleusis, Greece, second half of the fourth century BCE Coin Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837 A group of 1,205 ancient coins from the collection of Dr. Abram Richards (1822–1884) was donated to the Univer- sity of Michigan in 1884 (typescript catalogue 1897); 856 of them eventually became part of the Kelsey Museum collection (typescript catalogue 1974).1 This essay focuses on a single coin from Eleusis from that collection. One side of the coin depicts a male seated on a winged car drawn by two serpents; in his right hand he holds two ears of grain. The other side shows a pig standing on some thin lines, most likely a bundle of twigs, to judge from better preserved parallels. Above the pig, barely legible, can be read Λ, Υ, Σ—part of ΕΛΕΥΣ (Eleusis). Below the bundle of twigs is a bull’s head. What is the meaning behind these images, and what were such coins used for? Eleusis, some 21 kilometers west of Athens and close to the sea, is now mainly known for the remains of a major sanctuary of Demeter and Kore. The sanctuary was excavated continuously between 1882 and the 1950s. On the basis of unpublished material from these excavations, Michael Cosmo- poulos (2003) argues that the earliest ritual activities at the site can be attested as early as the Late Bronze Age. -
PDF Catalogue
1 GAUL, Massalia, c. 200-120 BCE, AR obol. 0.60g, 9mm. Obv: Bare head of Apollo left Rev: M A within wheel of four spokes. Depeyrot, Marseille 31 From the JB (Edmonton) collection. Obverse off-centre, but high grade, superb style, perfect metal, and spectacular toning. Estimate: 100 Starting price: 50 CAD 2 CIMMERIAN BOSPORUS, Pantikapaion, c. 310-303BC, AE 22. 7.61g, 21.5mm Obv: Bearded head of Satyr (or Pan), right Rev: P-A-N, forepart of griffin left, sturgeon left below Anokhin 1023; MacDonald 69; HGC 7, 113 Ex Lodge Antiquities Estimate: 100 Starting price: 50 CAD 3 CIMMERIAN BOSPOROS, Pantikapaion, c. 325-310 BCE, AE17. 3.91g, 17mm. Obv: Head of satyr left Rev: ΠΑΝ; Head of bull left. MacDonald 67; Anokhin 1046 From the JB (Edmonton) collection. Starting price: 30 CAD 4 THESSALY, Atrax, 3rd c. BCE, AE trichalkon. 6.03g, 18mm. Obv: Laureate head of Apollo right Rev: ATP-A-Γ-IΩN, horseman, raising right hand, advancing right. Rogers 169-71; BCD Thessaly II 59.6-10 Starting price: 30 CAD 5 THESSALY, Krannon, circa 350-300 BCE, AE chalkous. 2.41g, 15.4mm. Obv: Thessalian warrior on horse rearing right. Rev: KPAN, bull butting right; above, trident right. BCD Thessaly II 118.5; HGC 4, 391 From the zumbly collection; ex BCD Collection, with his handwritten tag stating, “V. Ex Thess., Apr. 94, DM 35” Starting price: 30 CAD 6 THESSALY, Phalanna, c. 350 BCE, AE 18 (dichalkon or trichalkon). 6.53g, 17.5mm. Obv: Head of Ares right, A to left . -
Philosophy of Power and the Mediation of Art:The Lasting Impressions of Artistic Intermediality from Seventeenth Century Persia to Present Shadieh Emami Mirmobiny
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2018 Philosophy of Power and the Mediation of Art:The Lasting Impressions of Artistic Intermediality from Seventeenth Century Persia to Present Shadieh Emami Mirmobiny Follow this and additional works at: https://digitalmaine.com/academic PHILOSOPHY OF POWER AND THE MEDIATION OF ART: THE LASTING IMPRESSIONS OF ARTISTIC INTERMEDIALITY FROM SEVENTEENTH CENTURY PERSIA TO PRESENT Shadieh Emami Mirmobiny Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy May, 2018 Accepted by the faculty of the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Ali Anooshahr, Ph.D. Professor, Department of History University of California, Davis Committee Member: Christopher Yates, Ph.D. Assistant Professor of Philosophy, and Art Theory Institute for Doctoral Studies in the Visual Arts Committee Member: EL Putnam, Ph.D. Assistant Lecturer, Dublin School of Creative Arts Dublin Institute of Technology ii © 2018 Shadieh Emami Mirmobiny ALL RIGHTS RESERVED iii “Do we need a theory of power? Since a theory assumes a prior objectification, it cannot be asserted as a basis for analytical work. But this analytical work cannot proceed without an ongoing conceptualization. And this conceptualization implies critical thought—a constant checking.” — Foucault To my daughter Ariana, and the young generation of students in the Middle East in search of freedom. iv ACKNOWLEDGEMENTS I owe a debt of gratitude to a number of people, without whose assistance and support this dissertation project would not have taken shape and would not have been successfully completed as it was.