Orientalism “A Way of Coming to Terms with the Orient That Is • Take Attendance, Etc

Total Page:16

File Type:pdf, Size:1020Kb

Orientalism “A Way of Coming to Terms with the Orient That Is • Take Attendance, Etc 9/6/2016 THU 9/01 agenda Orientalism “a way of coming to terms with the Orient that is • Take attendance, etc. based on the Orient’s special place in European • Questions? Western experience. The Orient is not only adjacent to Europe; it is also the place of Europe’s greatest • Go over Museum Visits and richest and oldest colonies, the source of its handout civilizations and languages, its cultural contestant, • Discuss M. Butterfly + and one of its deepest and most recurring images of watch clips the Other. In addition, the Orient has helped to define Europe (or the West) as its contrasting Live‐tweeter: @destanybatista image, idea, personality, experience.” —Edward Said, Orientalism (1–2) Orientalism Orientalism • Hwang’s play as a critique of orientalism • An “exotic or imperialistic view of the East” (Hwang 85) – Especially of orientalist stereotypes or fantasies of race, gender, and sexuality – The “East” as opposite of the “West” (I.3 [p. 10–11], I.6 [p. 17 –18], I.10 [p. 25, 27], I.13 [p. 33], II.6 [p. 47]) • Allusion to Rudyard Kipling’s 1889 poem “The Ballad of East and West” (I.7 [p. 19]) – Intersectionality: idea that multiple identities and systems of oppression – “Oh, East is East, and West is West, and (e.g., racism, sexism, homophobia, etc.) never the twain shall meet” intersect/interconnect and must be examined together Representations of Women Representations of Men • According to Gallimard, who or what is • In contrast, what does it mean to be a the “Perfect Woman” (I.3 [9], II.11 [58])? man, especially a “Western”/white man? – Objectified (I.4 [12], I.5 [13–14, 16]) – Not insecure or wimpy like Gallimard (I.4 [13], I.5 [13], I.11 [29]) – Inferior and submissive (I.10 [28], II.6 [44], II.7 [49]) – Powerful, esp. over women • What does Song mean “only a man (I.11 [28], I.12 [32], II.3 [38]) knows how a woman is supposed to – Not emasculated (II.5 [40], act” (II.7 [49])? II.6 [43–44]) 1 9/6/2016 FOR TUESDAY • Finish reading Hwang’s M. Butterfly –Does the play perpetuate orientalist stereotypes about Asian women and men? Or does it challenge and deconstruct those stereotypes? • Don’t forget to tweet! 2.
Recommended publications
  • Feminism, Imperialism and Orientalism: the Challenge of the ‘Indian Woman’
    FEMINISM, IMPERIALISM AND ORIENTALISM Women’s History Review, Vol. 7, No. 4, 1998 Feminism, Imperialism and Orientalism: the challenge of the ‘Indian woman’ JOANNA LIDDLE & SHIRIN RAI University of Warwick, Coventry, United Kingdom ABSTRACT This article examines the content and process of imperialist discourse on the ‘Indian woman’ in the writings of two North American women, one writing at the time of ‘first wave’ feminism, the other a key exponent of the ‘second wave’ of the movement. By analysing these writings, it demonstrates how the content of the discourse was reproduced over time with different but parallel effects in the changed political circumstances, in the first case producing the Western imperial powers as superior on the scale of civilisation, and in the second case producing Western women as the leaders of global feminism. It also identifies how the process of creating written images occurred within the context of each author’s social relations with the subject, the reader and the other authors, showing how an orientalist discourse can be produced through the author’s representation of the human subjects of whom she writes; how this discourse can be reproduced through the author’s uncritical use of earlier writers; and how the discourse can be activated in the audience through the author’s failure to challenge established cognitive structures in the reader. Introduction This article has two main aims. First, it examines how aspects of imperialist discourse on the colonised woman were taken up in Western women’s writing at the time of ‘first wave’ feminism, and reproduced in the ‘second wave’ of the movement within the context of the changing power relations between the imperial powers and the former colonies.
    [Show full text]
  • Edward Said: the Postcolonial Theory and the Literature of Decolonization
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by European Scientific Journal (European Scientific Institute) European Scientific Journal June 2014 /SPECIAL/ edition vol.2 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 EDWARD SAID: THE POSTCOLONIAL THEORY AND THE LITERATURE OF DECOLONIZATION Lutfi Hamadi, PhD Lebanese International University, Lebanon Abstract This paper attempts an exploration of the literary theory of postcolonialism, which traces European colonialism of many regions all over the world, its effects on various aspects of the lives of the colonized people and its manifestations in the Western literary and philosophical heritage. Shedding light on the impact of this theory in the field of literary criticism, the paper focuses on Edward Said's views for the simple reason that he is considered the one who laid the cornerstone of this theory, despite the undeniable role of other leading figures. This theory is mainly based on what Said considers the false image of the Orient fabricated by Western thinkers as the primitive "other" in contrast with the civilized West. He believes that the consequences of colonialism are still persisting in the form of chaos, coups, corruption, civil wars, and bloodshed, which permeates many ex-colonies. The powerful colonizer has imposed a language and a culture, whereas those of the Oriental peoples have been ignored or distorted. Referring to some works of colonial and postcolonial novelists, the paper shows how being free from the repression of imperialism, the natives could, eventually, produce their own culture of opposition, build their own image, and write their history outside the frame they have for long been put into.
    [Show full text]
  • Said-Introduction and Chapter 1 of Orientalism
    ORIENTALISM Edward W. Said Routledge & Kegan Paul London and Henley 1 First published in 1978 by Routledge & Kegan Paul Ltd. 39 Store Street, London WCIE 7DD, and Broadway House, Newton Road, Henley-on-Thames, Oxon RG9 1EN Reprinted and first published as a paperback in 1980 Set in Times Roman and printed in Great Britain by Redwood Burn Limited Trowbridge & Esher © Edward W. Said 1978 No Part of this book may be reproduced in any form without permission from the publisher, except for the quotation of brief passage in criticism. British Library Cataloguing in Publication Data Said, Edward W. Orientalism, 1. East – Study and teaching I. Title 950’.07 DS32.8 78-40534 ISBN 0 7100 0040 5 ISBN 0 7100 0555 5 Pbk 2 Grateful acknowledgements is made to the following for permission to reprint previously published material: George Allen & Unwin Ltd.: Excerpts from Subject of the Day: Being a Selection of Speeches and Writings by George Nathaniel Curzon. George Allen & Unwin Ltd.: Excerpts from Revolution in the Middle East and Other Case Studies, proceedings of a seminar, edited by P. J. Vatikiotis. American Jewish Committee: Excerpts from “The Return of Islam” by Bernard Lewis, in Commentary, vol. 61, no. 1 (January 1976).Reprinted from Commentary by permission.Copyright © 1976 by the American Jewish Committee. Basic Books, Inc.: Excerpts from “Renan’s Philological Laboratory” by Edward W. Said, in Art, Politics, and Will: Essarys in Honor of Lionel Trilling, edited by Quentin Anderson et al. Copyright © 1977 by Basic Books, Inc. The Bodley Head and McIntosh & Otis, Inc.: Excerpts from Flaubert in Egypt, translated and edited by Franscis Steegmuller.Reprinted by permission of Francis Steegmuller and The Bodley Head.
    [Show full text]
  • Reading Orientalism: a Postcolonial Perspective
    www.galaxyimrj.com Galaxy: International Multidisciplinary Research Journal ISSN 2278-9529 Reading Orientalism: A Postcolonial Perspective Neha Nagar Research Scholar Department of English & MEL University of Lucknow Lucknow The concept of Postcolonialism begins with colonization and common things. The origin of this word is from Latin which was used and meant for farming (plantation).So colonialism is concerned with planting. For example: ‘A plant is planted and as time passes, it grows up and takes the shape of a big tree and as it becomes huge and big , no other plant can survive near it. In the same way colonizers were like the plant when they entered into the land .They were nurtured by the natives and when the plant was transformed into a big tree it occupied all the space and all natives like other plants were uprooted. Britishers adopted the idea to fantasize the nation by offering them their shelter like an umbrella and under it they all will survive, so ‘Providing Umbrella and Protection’ was the of colonialism . Their aim was economic loot, plundering and taking wealth. Margaret Atwood in Blind Assassin defines ‘colony as a place from which a profit is made, but not by the people who live there’. It means that all profit for the colonizer. Colonialism shows and follows inner agenda and believes that Renaissance was a glorious movement and asserts a new era, the ‘Brave New World’ of possibilities. Colonialism started with discoveries of places which were introduced by Renaissance. Earlier the world was theocentric and afterwards the focus was shifted from theocentric to geocentric which means earth became the centre.
    [Show full text]
  • Indonesian Literature's Position in World Literature
    Amelia TEKNOSASTIK Indonesian Literature Volume 14 (2), 2016 Indonesian Literature’s Position in World Literature Dina Amelia [email protected] STBA Teknokrat Abstract There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western. Key Words: Indonesian literature, standard, translation, world literature Introduction Johann Wolfgang von Goethe as quoted by Michael Thomas Caroll in No Small World (1996: 34) states that “National literature has little meaning today; the time has come for the epoch of world literature to begin, and everyone must now do his share to hasten its realization”. Goethe’s aim for world literature provokes speculation that the compilation of world literature itself emphasizes inequality among the literary works since there is a tendency of Eurocentrism, in this case Western, and the male-domination writers. Based on the paradox above, this paper is to reveal the national literature position, in this case Indonesian literature, in world literature.
    [Show full text]
  • Orientalism and World History: Representing Middle Eastern Nationalism and Islamism in the Twentieth Century
    UC Santa Cruz Reprint Series Title Orientalism and World History: Representing Middle Eastern Nationalism and Islamism in the Twentieth Century Permalink https://escholarship.org/uc/item/40d0j6hq Author Burke, Edmund, III Publication Date 1998-08-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Orientalism and World History: Representing Middle Eastern Nationalism and Islamism in the Twentieth Century By Edmund Burke, III University of California, Santa Cruz Theory & Society , 27:4 (August 1998), 589-607 "The problem with Europe is that it has forgotten its history, most of which takes place outside its borders." -Salman Rushdie Framing the Present Time (I) This is a essay about framing, about contextualization. It seeks to situate the political and cultural transitions the modern Middle East has undergone in this century in their world historical contexts, the better to help us understand the meanings of the present shift to Islamist forms of politics in the region. It is my contention that scholars have misunderstood the world historical significance of the emergence of nationalism in the area, that they have misconstrued its relationship to orientalism and to the European enlightenment more generally, and (as a result) largely misunderstood the nature of the Islamist challenge. In many ways my reflections here spring from a dissatisfaction with the inadequacies (both epistemological and world historical) of the ways in which some critics of orientalism have located modernity. First, some background. The independence movements of the Middle East and North Africa--especially the Algerian revolution--provoked a debate about orientalist knowledge in which the interventions of Jean-Paul Sartre and Frantz Fanon were crucial.
    [Show full text]
  • Redefining Orientalism in the Modern World: an Analysis of Classical Examples Of
    Redefining Orientalism in the Modern World: An Analysis of Classical Examples of Orientalism in Greek Antiquity and its Evolution in the Modern-day period. Honors Research Thesis Presented in partial fulfillment of the requirements for graduation with honors research distinction in Classics in the Undergraduate colleges of The Ohio State University By Eashwar Swamy The Ohio State University April 2013 Project Advisor Professor Anna McCullough, Department of Classics The basis of the paper surrounds Said's definition of orientalism, which essentially draws the distinction between East and West by defining one in terms of the other. “The Orient has helped to define Europe (or the West) as its contrasting image, idea, personality, experience” (Said, Orientalism, 2). Said goes on to say “the orient is not just adjacent to Europe....it’s one of its deepest and most recurring images of the other” (Orientalism, 1). Various Greek authors in the classical era helped in forming the framework of orientalism, which later was implemented in Edward Said to define the relationship between East and West. Classical orientalism thus, as it pertains to this paper, is the orientalism which was practiced by classical Greek authors. The first section of the paper will discuss major literary, historical, and dramatic passages from classical antiquity which give examples of what orientalism was framed as in the classical era. This section will also emphasize the clear evolution of the concept of orientalism. In classical antiquity, orientalism was defined within the scope of East vs. West, with distinctions being based on climate, climate's relationship with governance and politics, and political geography.
    [Show full text]
  • Edward Said: on Orientalism
    MEDIA EDUCATION FOUNDATIONChallenging media TRANSCRIPT EDWARD SAID: ON ‘ORIENTALISM’ EDWARD SAID On ‘Orientalism’ Executive Producer & Director: Sut Jhally Producer & Editor: Sanjay Talreja Assistant Editor: Jeremy Smith Featuring an interview with Edward Said Professor, Columbia University and author of Orientalism Introduced by Sut Jhally University of Massachusetts-Amherst 2 INTRODUCTION [Montage of entertainment and news images] SUT JHALLY: When future scholars take a look back at the intellectual history of the last quarter of the twentieth century the work of Professor Edward Said of Columbia University will be identified as very important and influential. In particular Said's 1978 book, Orientalism, will be regarded as profoundly significant. Orientalism revolutionized the study of the Middle East and helped to create and shape entire new fields of study such as Post-Colonial theory as well influencing disciplines as diverse as English, History, Anthropology, Political Science and Cultural Studies. The book is now being translated into twenty-six languages and is required reading at many universities and colleges. It is also one of the most controversial scholarly books of the last thirty years sparking intense debate and disagreement. Orientalism tries to answer the question of why, when we think of the Middle East for example, we have a preconceived notion of what kind of people live there, what they believe, how they act. Even though we may never have been there, or indeed even met anyone from there. More generally Orientalism asks, how do we come to understand people, strangers, who look different to us by virtue of the color of their skin? The central argument of Orientalism is that the way that we acquire this knowledge is not innocent or objective but the end result of a process that reflects certain interests.
    [Show full text]
  • Unit 4 Postcolonial Theory: Said, Spivak and Bhabha
    UNIT 4 POSTCOLONIAL THEORY: SAID, SPIVAK AND BHABHA Structure Objectives Introduction 'The Holy Trinity' Said on Heart of Darkness The Importance of Postcolonialism Let Us Sum Up Questions Suggested Readings Key Words 4.0 OBJECTIVES In this unit, we shall give you some idea of the wide field known as Postcolonial Theory; (in some cases 'colonial discourse analysis'; but the former term is more inclusive). Three key notions will be taken up by us. These are : 'Orientalism' (Said), 'Subalternity' (Spivak) and 'Mimicry' (Bhabha). These three major critics are often taken to be the 'Holy Trinity' of postcolonial theory and limiting ourselves to their work (a significant part of it in any event) is enough to give us a sense of some of the main issues thrown up by the field as a whole. 4.1 INTRODUCTION As stated earlier, Michel Foucault, Jacques Derrida and Jacques Lacan are three French thinkers (they are mostly clubbed under 'poststructuralism') who have exercised a profound influence on almost all that has happened in literary theory in recent times. In the case of postcolonial theory, the man who has exercised the greatest influence on the field is Foucault. Said's work shows his influence in a very marked way. Spivak and Bhabha also draw from him. The more obvious influence on Spivak is that of Derrida and in Bhabha's case the more obvious influence is that of Lacan. Since power is a major issue in postcdonial theory let us take a look at Foucault's view of power. Simply stated, 'discourse' (to Foucault) is a system of statements within which and by which the world can be known.
    [Show full text]
  • Feminism and Postcolonialism in a Global and Local Frame
    Christine Verschuur (dir.) Vents d'Est, vents d'Ouest Mouvements de femmes et féminismes anticoloniaux Graduate Institute Publications Feminism and Postcolonialism in a Global and Local Frame Deepika Bahri DOI: 10.4000/books.iheid.6321 Publisher: Graduate Institute Publications Place of publication: Graduate Institute Publications Year of publication: 2009 Published on OpenEdition Books: 20 July 2016 Serie: Genre et développement. Rencontres Electronic ISBN: 9782940503827 http://books.openedition.org Electronic reference BAHRI, Deepika. Feminism and Postcolonialism in a Global and Local Frame In: Vents d'Est, vents d'Ouest: Mouvements de femmes et féminismes anticoloniaux [online]. Genève: Graduate Institute Publications, 2009 (generated 19 avril 2019). Available on the Internet: <http://books.openedition.org/iheid/6321>. ISBN: 9782940503827. DOI: 10.4000/books.iheid.6321. Feminism and Postcolonialism in a Global and Local Frame Deepika Bahri Postcolonialism and Globalization Many years ago, as a beginning scholar in my field, I decided to write an essay which would respond to the question:“Once More with Feeling: What is Postcolonialism?” The term had already been contentiously debated for several years when I decided to enter the fray. “Where should I begin?” I remember asking myself. I decided to follow the advice given to the white rabbit in Alice’s Adventures in Wonderland: begin at the beginning. In the beginning was the word, so I began with an etymological excavation. The second edition of the The American Heritage Dictionary
    [Show full text]
  • Orientalism in American Popular Culture
    Penn History Review Volume 16 Issue 2 Spring 2009 Article 5 May 2009 Orientalism in American Popular Culture Naomi Rosenblatt University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/phr Recommended Citation Rosenblatt, Naomi (2009) "Orientalism in American Popular Culture," Penn History Review: Vol. 16 : Iss. 2 , Article 5. Available at: https://repository.upenn.edu/phr/vol16/iss2/5 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/phr/vol16/iss2/5 For more information, please contact [email protected]. 51 ORIENTALISM IN AMERICAN POPULAR CULTURE Naomi Rosenblatt The Midway Plaisance at the World’s Columbian Exposition in Chicago said it all. The titillating displays of Middle Eastern scenes drew the largest, most enthusiastic crowds in the entire Exhibition. For some reason, ordi - narily staid Victorians were drawn to the displays of belly dancers, myste - rious Bedouins, and sumptuous bazaars. This was a moment of transformation – the 1893 Exposition epitomized the ushering-in of a new consumer-based society in the United States. Over the course of a few short decades, America had transformed from a society of small farms and busi - nesses to a major urban, industrialized economy. According to film studies professor Gaylyn Studlar, the stylistic convergence of Orientalist iconography with consumer trends has been well documented as part of late- nineteenth and early-twentieth century marketing in depart - ment store displays and consumer packaging design that served as an exotic appeal to the fantasies of women and as a means of selling middle-class consumer goods .1 By the late nineteenth century, as American consumer culture first began to develop, Americans had relatively limited experience with the Middle East .
    [Show full text]
  • Postcolonialism: Edward Said & Gayatri Spivak
    Research Journal of Recent Sciences ________________________________________________E-ISSN 2277-2502 Vol. 5(8), 47-50, August (2016) Res. J. Recent Sci. Review Paper Postcolonialism: Edward Said & Gayatri Spivak Ambesange Praveen V. PG Department of English, Maharashtra Udayagiri Mahavidyalaya, Udgir, Dist. Latur Pin-413517, Maharashtra, India [email protected] Available online at: www.isca.in, www.isca.me Received 9th November 2015, revised 7th July 2016, accepted 14 th July 2016 Abstract Postcolonialism is a term largely used to refer to all the cultures affected by the imperial process from the time of Colonization to our own time. Postcolonialism means ongoing issues and debates between East and West since the colonial process started. It attempts to examine and analyse the aftermath of colonization ; that of restoring the identity of the Independent oriental nations by removing misconceptions about the orientals. It includes literature of the nations such as – Canada, Australia, New Zealand, Nigeria, Kenya, India, Pakistan, Jamaica and more countries which were once colonized by British. These countries are also called Third World Countries. Marxism and Poststructuralism have been a major influence on the thinkers from Fanon to Gayatri Spivak. Postcolonialsm tries to decenter/deconstruct the Eurocentrism or Eurocentric beliefs. Keywords: Postcolonialism, Orientalism, Subaltern, Hegemony, Power, Discourse, Identity, Race,. Colonizer/colonized, White/black, Europe/Third world countries. Introduction discourse by the West about the East, in all fields, such as, literary, sociological, and so on, which have no counter point in This paper will focus towards Edward Said’s concept the east. This discourse aggregates to a “textual universe”. It ‘Orientalism’ and Gayatri Spivak’s concept of ‘subaltern’.
    [Show full text]