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Emerging Legal and Policy Trends in Recent Robot Science Fiction
Emerging Legal and Policy Trends in Recent Robot Science Fiction Robin R. Murphy Computer Science and Engineering Texas A&M University College Station, TX 77845 [email protected] Introduction This paper examines popular print science fiction for the past five years (2013-2018) in which robots were essential to the fictional narrative and the plot depended on a legal or policy issue related to robots. It follows in the footsteps of other works which have examined legal and policy trends in science fiction [1] and graphic novels [2], but this paper is specific to robots. An analysis of five books and one novella identified four concerns about robots emerging in the public consciousness: enabling false identities through telepresence, granting robot rights, outlawing artificial intelligence for robots, and ineffectual or missing product liability. Methodolology for Selecting the Candidate Print Fiction While robotics is a popular topic in print science fiction, fictional treatments do not necessarily touch on legal or policy issues. Out of 44 candidate works, only six involved legal or policy issues. Candidates for consideration were identified in two ways. One, the nominees for the 2013-2018 Hugo and Nebulas awards were examined for works dealing with robots. The other was a query of science fiction robot best sellers at Amazon. A candidate work of fiction had to contain at least one robot that served either a character or contributed to the plot such that the robot could not be removed without changing the story. For example, in Raven Stratagem, robots did not appear to be more than background props throughout the book but suddenly proved pivotal to the ending of the novel. -
1943 Retrospective Hugo Award Results
Worldcon 76 in San Jose PO Box 61363 [email protected] Sunnyvale CA 94088-1363, +1-408-905-9366 USA For Immediate Release 1943 RETROSPECTIVE HUGO AWARD WINNERS REVEALED IN SAN JOSE, CA WORLDCON 76 REVEALS WINNERS FOR SCIENCE FICTION’S MOST PRESTIGIOUS FAN-NOMINATED AWARD SAN JOSE, CA, August 16, 2018: The winners of the 1943 Retrospective Hugo Awards were announced on Thursday, August 16, 2018, at the 76th World Science Fiction Convention. 703 valid ballots (688 electronic and 15 paper) were received and counted from the members of the 2018 World Science Fiction Convention. The Hugo Awards, presented first in 1953 and annually since 1955, are science fiction’s most prestigious award, and one of the World Science Fiction Convention’s unique and distinguished institutions. Since 1993, Worldcon committees have had the option of awarding Retrospective Hugo Awards for past Worldcon years prior to 1953 where they had not been presented 25, 50, or 100 years prior to the contemporary convention, with the exception of the hiatus during World War II when no Worldcon was convened. A recent change in this policy has now allowed for Retro Hugos to be awarded for the years 1942-1945. 1943 Retrospective Hugo Award Winners Best Fan Writer Forrest J Ackerman Best Fanzine Le Zombie, edited by Arthur Wilson "Bob" Tucker Best Professional Artist Virgil Finlay Best Editor - Short Form John W. Campbell Best Dramatic Presentation - Short Form Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand et al. (Walt Disney Productions) For Immediate Release more Page 2 1943 RETROSPECTIVE HUGO AWARD WINNERS REVEALED IN SAN JOSE, CA Best Short Story "The Twonky," by Lewis Padgett (C.L. -
The Imagined Communities of Toxic Puppies: Considering Fan Community Discourse in the 2015 Hugo Awards ‘Puppygate’ Controversy
. Volume 15, Issue 1 May 2018 The imagined communities of Toxic Puppies: Considering fan community discourse in the 2015 Hugo Awards ‘Puppygate’ controversy J. Richard Stevens & Rachel Lara van der Merwe, University of Colorado, USA Abstract: In 2015, toxic fan conflicts disrupted the Hugo Awards selection proceedings. The conflict between the awards voters and a movement known as ‘Puppygate’, led by angry fans, dates back to at least 2012 and comprises thousands of networked conversations enacting toxic frames of contemporary culture wars (heated and often disruptive exchanges characterized by challenges to identity politics, arguments over representation, and conflicting tastes) from all sides. However, these toxic fan discourses emerged within the context of significant cultural changes. Fans exist in communal spaces formed among institutional and cultural forces, yet the drive to create communal culture through shared communication exchanges continually encourage toxic conflicts of social identity and taste. This article considers the toxic exchanges between various actors in the blogs, social media, and formal public statements of the Puppygate controversy to chronicle how structural change is subsumed into frames of ‘culture war’ rhetoric. Keywords: science fiction, toxic fan exchanges, fan studies, Hugo Awards Introduction In the past few years, toxic fan conflicts have increasingly captured news and social media attention. Such exchanges, which are often cited for their uncivil rhetoric and anti-social tendencies, strategically disrupt spaces of communal cultural appreciation, and represent the growing tensions between fan gatekeeping and conflicts over social values in an increasingly mediated culture. Scholarly analyses of inter- and intra-fandom Othering ‘of fans, by fans’ (Hills, 2012, p. -
Business Passed on to Next Worldcon
World Science Fiction Society Business Passed on to Worldcon 76 The following items were passed at Worldcon 75 in 2017 and must be ratified by Worldcon 76 in 2018 in order to become part of the Worldcon Constitution. A.1 Short Title: What Our Marks Really Are Moved: to replace section 2.2 of the Constitution with: Every Worldcon and NASFIC Committee shall include the following notice in each of its publications: “World Science Fiction Society”, “WSFS”, “World Science Fiction Convention”, “Worldcon”, “NASFiC” “Hugo Award”, the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. Every Worldcon and NASFIC Committee shall include a notice in each of its publications that clearly acknowledges the service marks of the Society. The Mark Protection Committee shall supply each such convention committee with the correct form of such notice. Proposed by: The Mark Protection Committee See the 2017 WSFS Business Meeting Minutes for the makers’ commentary on page 6. ***** A.2 Short Title: The Reasonable Amendment Moved: to amend 3.8.5 (Nominee Diversity) of the WSFS Constitution by striking “best” and inserting “reasonable” in its place. The revised 3.8.5 will then read as follows: 3.8.5: If there are more than two works in the same category that are episodes of the same dramatic presentation series or that are written works that have an author for single author works, or two or more authors for co-authored works, in common, only the two works in each category that have the most nominations shall appear on the final ballot. -
PR3 Supplement: WSFS Constitution and Hugo Nominating Ballot
WSFS CONSTITUTION and HUGO NOMINATING BALLOT WSFS Constitution CONSTITUTION The Membership of WSFS shall consist of all of the World Science Fiction Society, people who have paid membership dues to as of August 21, 2018 the Committee of the current Worldcon. Section 1.5: Memberships. SECRETARY’S NOTE: Material in red has 1.5.1: Each Worldcon shall offer supporting been deleted from the current Constitution; and and attending memberships. material in blue is newly added. Items in green 1.5.2: The rights of supporting members of a are hyperlinked cross-references. Worldcon include the right to receive all of its generally distributed publications. Article 1 – Name, Objectives, Membership, 1.5.3: The rights of attending members of and Organization a Worldcon include the rights of supporting Section 1.1: Name. The name of this members plus the right of general attendance organization shall be the World Science at said Worldcon and at the WSFS Business Fiction Society, hereinafter referred to as Meeting held thereat. WSFS or the Society. 1.5.4: Members of WSFS who cast a site- Section 1.2: Objectives. WSFS is an selection ballot with the required fee shall unincorporated literary society whose be supporting members of the selected functions are: Worldcon. (1) To choose the recipients of the annual 1.5.5: Voters have the right to convert to Hugo Awards (Science Fiction Achievement attending membership in the selected Awards). Worldcon within ninety (90) days of its (2) To choose the locations and Committees selection, for an additional fee set by its for the annual World Science Fiction committee. -
Introduction to the Retro Hugo Awards for 1953
Retro Hugo Awards for 1953 1 Introduction to the Retro Hugo Awards for 1953 to be presented at Noreascon 4 September 2-6, 2004 2 Noreascon 4 1953 Retro Hugo Awards Table of Contents An Introduction by Andrew I. Porter......................................... 3 Identifying Items to Nominate by Joe Siclari ............................ 4 The Year of the Hugos by Juanita Coulson ............................... 5 Additional comments by Robert Silverberg.......................... 9 1953: The Good Ones by Don D’Ammassa.............................11 Short Fiction of 1953 by Mark L. Olson & Jim Mann ............ 15 Artists of 1953 by Alex Eisenstein .......................................... 17 Dramatic Presentations by Daniel M. Kimmel ........................ 27 Editor: Andrew I. Porter Asst. Editor & Layout: Joe Siclari Staff: Edie Stern From the WSFS Constitution: Section 3.13: Retrospective Hugos. (http://worldcon.org/bm/const-2002.html) A Worldcon held 50, 75, or 100 years after a Worldcon at which no Hugos were presented may conduct nominations and elections for Hugos which would have been presented at that previous Worldcon. Procedures shall be as for the current Hugos. Categories receiving insufficient numbers of nominations may be dropped. Once retrospective Hugos have been awarded for a Worldcon, no other Worldcon shall present retrospective Hugos for that Worldcon. “World Science Fiction Convention” “Worldcon” and “Hugo Award” are service marks of the World Science Fiction Society, an unincorporated literary society. “Noreascon” is a service mark of Massachusetts Convention Fandom, Inc. The Noreascon 4 logo uses a picture taken by the Hubble Space Telescope, made available by NASA and STScl. Copyright © 2003 by Massachusetts Convention Fandom, Inc. All Rights Reserved. Rights to all material are returned to the contributors upon publication. -
CONSTITUTION of the World Science Fiction Society, As Ofaugust21, 2018
CONSTITUTION of the World Science Fiction Society, as of August 21, 2018 SECRETARY’S NOTE: Material in red has been deleted from the current Constitution; and material in blue is newly added. Items in green are hyperlinked cross-references. Article 1 – Name, Objectives, Membership, and Organization Section 1.1: Name. The name of this organization shall be the World Science Fiction Society, hereinafter referred to as WSFS or the Society. Section 1.2: Objectives. WSFS is an unincorporated literary society whose functions are: (1) To choose the recipients of the annual Hugo Awards (Science Fiction Achievement Awards). (2) To choose the locations and Committees for the annual World Science Fiction Conventions (hereinafter referred to as Worldcons). (3) To attend those Worldcons. (4) To choose the locations and Committees for the occasional North American Science Fiction Conventions (hereinafter referred to as NASFiCs). (5) To perform such other activities as may be necessary or incidental to the above purposes. Section 1.3: Restrictions. No part of the Society’s net earnings shall be paid to its members, officers, or other private persons except in furtherance of the Society’s purposes. The Society shall not attempt to influence legislation or any political campaign for public office. Should the Society dissolve, its assets shall be distributed by the current Worldcon Committee or the appropriate court having jurisdiction, exclusively for charitable purposes. In this section, references to the Society include the Mark Protection Committee and all other agencies of the Society but not convention bidding or operating committees. Section 1.4: Membership. The Membership of WSFS shall consist of all people who have paid membership dues to the Committee of the current Worldcon. -
Brains, Minds, and Computers in Literary and Science Fiction Neuronarratives
BRAINS, MINDS, AND COMPUTERS IN LITERARY AND SCIENCE FICTION NEURONARRATIVES A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy. by Jason W. Ellis August 2012 Dissertation written by Jason W. Ellis B.S., Georgia Institute of Technology, 2006 M.A., University of Liverpool, 2007 Ph.D., Kent State University, 2012 Approved by Donald M. Hassler Chair, Doctoral Dissertation Committee Tammy Clewell Member, Doctoral Dissertation Committee Kevin Floyd Member, Doctoral Dissertation Committee Eric M. Mintz Member, Doctoral Dissertation Committee Arvind Bansal Member, Doctoral Dissertation Committee Accepted by Robert W. Trogdon Chair, Department of English John R.D. Stalvey Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements ........................................................................................................ iv Chapter 1: On Imagination, Science Fiction, and the Brain ........................................... 1 Chapter 2: A Cognitive Approach to Science Fiction .................................................. 13 Chapter 3: Isaac Asimov’s Robots as Cybernetic Models of the Human Brain ........... 48 Chapter 4: Philip K. Dick’s Reality Generator: the Human Brain ............................. 117 Chapter 5: William Gibson’s Cyberspace Exists within the Human Brain ................ 214 Chapter 6: Beyond Science Fiction: Metaphors as Future Prep ................................. 278 Works Cited ............................................................................................................... -
Progress Report #1
progress report #1 1 Contents progress report 1 editor: Vesa Sisättö what is this thing we call worldcon 75? ...........................3 contributors: Eemeli Aro, Saija Aro, Jukka Halme, Paula Heinonen, Crystal Huff, Pasi 2017 site selection results .....................................................5 Karppanen, Aleksi Kuutio, Ben Roimola, Vesa Sisättö, Juha Tupasela, Nina Törnudd. tips on small talk with the guests of honour...................6 translations: Sara Norja, Sarianna Silvonen proofreading: Charlotte Laihonen on polar bears .........................................................................9 graphic design: M. Pietikäinen illustrations: memberships ...........................................................................10 Maya Hahto: 4 Petri Hiltunen: 7, 27 finland: an assortment of notes and information ....... 12 Jyrki Vainio: back cover printed at: Painotalo Casper hotels ......................................................................................14 ”World Science Fiction Society”, ”WSFS”, the word for worldcon is maailmankongressi ............. 16 ”World Science Fiction Convention”, ”Worldcon”, ”NASFiC”, ”Hugo Award”, finnish fandom: some unique characteristics ................ 19 and the distinctive design of the Hugo Award Rocket are service marks of the membership statistics ...........................................................24 World Science Fiction Society, an unincorporated literary society. membership list ......................................................................27 What is -
3:00 PM to 3:25 PM Erica Satifka Opening Ceremonies Director Hugo), Which Was First Delivered at • 4:00 PM to 4:25 PM Robert J
The Tower Issue 3 WorldCon76.org Edition: Friday AM Aug. 17th, 2018 Program Updates Silverberg. John The following people have been Hertz presented the removed from programming and Posthumous Hall of will not be attending: Fame award to Len and June Moffat which Wil McCarthy, Richard Kadrey was accepted by Bob Fingerloop Braiding has been Konigsberg, their son. added, Saturday and Sunday at The Sam Moskowitz 10:00 AM in Flex Space (Exhibit Archive Award was Hall), with the following description: then awarded to Hal Hall. Sue Francis wife Learn an ancient technique for making of Steve Francis then colorful multi-strand braids, requiring Opening Ceremonies bestowed the Big Heart Award to only string and your hands. Useful for Worldcon 76 kicked off Thursday File770 fanzine creator Mike Glyer. drawstrings, bracelets and necklaces, or It was then announced that from anything that can use a strong cord. evening with a thrilling performance by a Tongan Ma’ulu’ulu. The this day forward, the award would Four Art Show Tours (Exhibit Hall) convention chair, Kevin Roche, then be designated the David A. Kyle Big have been added, on Friday and stepped on stage in a spacesuit, Heart Award. Saturday, at the following times: which was peeled off to reveal his Following the First Fandom • Friday, Noon, with Richard Hescox. ceremony attire. awards, the designers for this year’s • Saturday, 11:00 AM, with John Hertz. Following an address by Hugo Award base came onto stage, • Saturday, 1:00 PM, with Sarah Santa Clara accompanied Clemens. Supervisor Ken by a truly • Saturday, 2:00 PM, with Ctein and Yeager, Kevin rocking themed Theresa Nielsen-Hayden. -
Program Book of the 20Th World Science Fiction Convention
2Oth WORLD SCIENCE FICTION CONVENTION CHICAGO 1962 Like Officialdom.......... ............................. THE EXECUTIVE COMMITTEE , EARL KEMP JAMES O’MEARA ROSEMARY HICKEY GEORGE W. PRICE Chairman Vice-Chairman Secretary Treasurer Chairmen for the Committee on: N3F...................................................MARTHA BECK Morals............................................... A. J. BUDRYS Masquerade, Banquet & Registration. ANN DINKELMAN Special Gimmicks . LEWIS J. GRANT Fan Art Show , . NANCY KEMP Business Session , . MARTIN MOORE Special Services. , . GEORGE PETTERSON Retail...................... VIC RYAN Editor...................... JON STOPA Press & News Media EDWARD WOOD uso................... MARK IRWIN Legal Officer: Marvin W. Mindes On Leave from the Committee: Jerry DeMuth § Joe Sarno Advisors to the Committee: DIRCE ARCHER F.M. & ELINOR BUSBY ROBERT E. BRINEY SIDNEY COLEMAN HOWARD DEVORE RICHARD HICKEY LYNN HICKMAN BOB PAVLAT LOU ANN PRICE LARRY & NOREEN SHAW The Committee wishes to express special thanks to Ed Emsh for the excellent cover painting for the Program Book of the 20th World Science Fiction Convention. 3 EDITOR’S NOTE: As a sort of an Introduction to an Introduc tion, we are passing on a part of the covering note that arrived with Mr. Conklin's manuscript. ”1 hope (this) Isn't too gooey 1 It Is really the way I feel about Tea, and that is perhaps the way It should be written . We concur. INTRODUCING THEODORE STURGEON by Groff Conklin Asking me to introduce Ted Sturgeon to the SFAddicts who will be reading this (in the Program Book of) the 20th World Science Fiction Con vention is a little like (it seems to me, anyhow) asking a stage-hand to introduce the World’s Greatest Stage Actor. On the other hand, that might not be such a bad idea at that, since the stage-hand may have some behind- the-scenes dope on the Hero that may be worth telling. -
Media Release #23 Dublin 2019
Media Release #23 Dublin 2019 - An Irish Worldcon Dublin, Ireland 15-19 August 2019 [email protected] FOR IMMEDIATE RELEASE Sunday, 18 August 2019 Kowal, Adeyemi, Ng, Chambers win Hugo Awards in Dublin The Calculating Stars, an alternate history of climate change and space exploration by Mary Robinette Kowal was voted Best Novel by science fiction fans in the 2019 Hugo Awards. Tomi Adeyemi's West African-inspired fantasy novel Children of Blood and Bone won the Lodestar Award for Best Young Adult Book. Jeanette Ng, author of the 19th century fantasy Under the Pendulum Sun, received the John W. Campbell Award for Best New Writer. Becky Chambers' Wayfarers books were chosen for the Best Series Hugo. The awards were presented at Dublin 2019 – An Irish Worldcon, the 77th World Science Fiction Convention. Members of the convention cast a total of 3097 votes, all online except for eight paper ballots. The award for Best Related Work went to Archive of Our Own, a project of the Organization for Transformative Works. Our Opinions Are Correct hosted by Annalee Newitz and Charlie Jane Anders won Best Podcast. A new edition of Ursula K. Le Guin's Earthsea series illustrated by Charles Vess took the award for Best Art Book, which is a one-off category for this year's Hugos. Vess also won Best Artist, and Likhain (Mia Sereno) won Best Fan Artist. Monstress (Volume 3), written by Marjorie Liu and drawn by Dublin 2019 Featured Artist Sana Takeda, carried away the Best Graphic Story laurels for the third year in a row.