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Theodore Robinson Oil Paintings Theodore Robinson [American Painter, 1852-1896] In the Garden canvas painting, 47497-Robinson, Theodore-In the Garden.jpg Oil Painting ID: 47497 | Order the painting In the Orchard canvas painting, 47498-Robinson, Theodore-In the Orchard.jpg Oil Painting ID: 47498 | Order the painting La Vachere canvas painting, 47499-Robinson, Theodore-La Vachere.jpg Oil Painting ID: 47499 | Order the painting Low Tide Riverside Yacht Club canvas painting, 47500-Robinson, Theodore-Low Tide Riverside Yacht Club.jpg Oil Painting ID: 47500 | Order the painting On the Cliff canvas painting, 47501-Robinson, Theodore-On the Cliff.jpg Oil Painting ID: 47501 | Order the painting Pere Trognon and His Daughter at the Bridge canvas painting, 47502-Robinson, Theodore-Pere Trognon and His Daughter at the Bridge.jpg Oil Painting ID: 47502 | Order the painting 1/3 Self-portrait canvas painting, 47503-Robinson, Theodore-Self-portrait.jpg Oil Painting ID: 47503 | Order the painting Springtime canvas painting, 47504-Robinson, Theodore-Springtime.jpg Oil Painting ID: 47504 | Order the painting The Forge canvas painting, 47505-Robinson, Theodore-The Forge.jpg Oil Painting ID: 47505 | Order the painting The Layette canvas painting, 47506-Robinson, Theodore-The Layette.jpg Oil Painting ID: 47506 | Order the painting Total 3 pages, 2/3 | Page : 1 [2] 3 Robinson, Theodore (Nationality : American Painter, 1852-1896) Theodore Robinson (July 3, 1852 - April 2, 1896) was an American painter best known for his impressionist landscapes. He was one of the first American artists to take up impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism. • We provide hand painted reproductions of old master paintings. You will be amazed at their accuracy. • If you can't find what you are looking for? Please Click Here for upload images for quote. • We can also create custom portrait painting especially for you from photos or digital images. Our Passion Is Art And Art Is Our Profession. Your Satisfaction, Our Pursuit Oil Painting Manufacturer - Xiamen RuoYa Arts And Crafts Co., Ltd. Published on OilPaintingOnline.com (http://www.oilpaintingonline.com) 2/3 URL: http://www.oilpaintingonline.com/htmlartist/artist-949-2.html 3/3.

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Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.
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Bringing to Light Theodore Wendel (1857-1932) (Left)Rose Arbor, Circa 1905-1915 Oil on Canvas Mounted to Wood Panel 1 1 30 ⁄2 X 21 ⁄8 Inches Signed Lower Right: Theo
Bringing to Light Theodore Wendel (1857-1932) (left)Rose Arbor, circa 1905-1915 Oil on canvas mounted to wood panel 1 1 30 ⁄2 x 21 ⁄8 inches Signed lower right: Theo. Wendel (front cover, detail) Moonrise on the Farm, pg. 9 Bringing to Light: Theodore Wendel (1857-1932) October 19th - December 7th, 2019 V OSE G ALLER IES An Unsung Impressionist By Courtney S. Kopplin For generations, Vose Galleries has welcomed the opportunity to shine a light on the work of ‘unsung artists’ throughout art history, and in the sphere of American Impressionism there is perhaps no artist more deserving of this attention than Theodore Wendel. As part of the first wave of Americans to visit Giverny in the summer of 1887, joining John Leslie Breck, Willard Metcalf and Theodore Robinson, Wendel became one of the earliest painters to apply impressionist principles to his plein air interpretations of the French countryside; sources later reported that the master himself, Claude Monet, who limited his interactions with the Americans, thought highly of Wendel’s work. In March of 1889, short- ly after settling in Boston, Wendel organized a three-day viewing of his pastoral landscapes at a studio on Boylston Street, coinciding with Met- calf’s exhibition of foreign paintings held nearby at the St. Botolph Club. Theodore Wendel painting daughter Mary, Both artists garnered positive reviews from the local press, and over the Upper Farm, Ipswich, circa 1915 next several years Wendel maintained an active exhibition schedule, including a two-person show with Theodore Robinson in 1892, featu- provided, combined with his steady roster of exhibitions, allowed Wen- ring both oils and pastels; several solo and group shows with his fellow del to feel more financially secure in his profession and in 1897 he and Boston artists at the St.
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Theodore Robinson 1852- --- 896
1 Yftce:cA2e Pr-i'e"~ FIRST EXJIBITION SINCE 1895 f M itr SG THEODORE ROBINSON 1852- --- 896 Self Portrait April 19th - May 8th I943 MACBETH GALLERY i- East 5 7 th Street, New York City .... .... .. -: :.. .. :...:. -- In 1895, the year preceding Robinson's death, this gallery and following the impressionistic dicta of spontaneity, breadth and strong atmospheric accent, he contrives to secure the most astonishing freshness held his first one-man exhibition. As far as we know, there has and fidelity ... As a rule he has something to say, and says it with a con- not been since that time another exhibition of his work. This first sciousness of symmetry, of selection . exhibition, while generally applauded by the art reviewers, as the ---45440 from the newspapers will indicate, was not following excerpts New York Times, February 5, 1895. enthusiastically received by the public of that day. Robinson was S.. Mr. Robinson has a charm about his work peculiarly his own, "too radical" for the taste of 1895. Only one painting was sold and these pictures possess much interest, his view is a personal one . The work here all shows serious thought and earnest striving after truth, from the exhibition, the purchaser none other than the artist and the results are attractive . That Mr. Robinson is a draughtsman is William M. Chase who recognized in Robinson an artist of strong always felt, no matter how slight the sketch . His color is fresh, his work simple and direct, and he has not bothered with details. He will personality, who wove the concepts of impressionism into and not, perhaps, achieve popularity with the general public, but to those who through his own individuality thus producing pictures of rare realize his aims and put themselves in sympathy with his work, the exhibi- tion will prove of considerable interest." sensitiveness, great charm and lovely color.
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Modern Art Collection
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Evansville Citizen, P. 4, Col. 1, July 3, 1867, Evansville Review
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This page intentionally left blank This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 This page intentionally left blank A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 2 Painters born from 1850 to 1910 by Dorothy W. Phillips Curator of Collections The Corcoran Gallery of Art, Washington D.G. 1973 Library of Congress Catalogue Card Number N 850. A 617 Designed by Graham Johnson/Lund Humphries Printed in Great Britain by Lund Humphries Contents Foreword by Roy Slade, Director vi Introduction by Hermann Warner Williams, Jr., Director Emeritus vii Acknowledgments ix Notes on the Catalogue x Catalogue i Index of titles and artists 199 This page intentionally left blank Foreword As Director of the Corcoran Gallery of Art, I am pleased that Volume II of the Catalogue of the American Paintings in the Corcoran Gallery of Art, which has been in preparation for some five years, has come to fruition in my tenure. The second volume deals with the paintings of artists born between 1850 and 1910. The documented catalogue of the Corcoran's American paintings carries forward the project, initiated by former Director Hermann Warner Williams, Jr., of providing a series of defini• tive publications of the Gallery's considerable collection of American art. The Gallery intends to continue with other volumes devoted to contemporary American painting, sculpture, drawings, watercolors and prints. In recent years the growing interest in and concern for American paint• ing has become apparent.
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