The Daily Texan
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
The Low Anthem and Blind Pilot |
1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com EMAIL/USERNAME PASS (FORGOT?) Email Password NEW USER? LOGIN MUSIC DEC 02, 2009, 06:07AM Live Review: The Low Anthem and Blind Pilot Matt Poland [/authors/Matt%20Poland] Straight from the Cat’s Cradle in Carrboro, North Carolina. The following audio was included in this article: The following audio was included in this article: A few years after American indie folk’s middecade spike in visibility, which, with overexposed albums including Devendra Banhart’s Rejoicing in the Hands and Joanna Newsom’s Ys, may not have been a musical zenith, the http://www.splicetoday.com/music/live-review-the-low-anthem-and-blind-pilot 1/6 1/9/2017 Live Review: The Low Anthem and Blind Pilot | www.splicetoday.com genre has settled back into an unassuming position that seems to fit the music better. The “freak folk” fringe having largely faded, the nourishing, elemental influence of Americana in all its permutations continues to generate quietly exciting new music. This was evident last week at Cat’s Cradle in Carrboro, North Carolina, during an evening of itinerant, wornin, unbeaten songs performed by The Low Anthem and Blind Pilot. Both bands make music that is melancholy but not maudlin, that is steeped in oldtime American music but not anachronistic. The Low Anthem, a Rhode Island trio, began their set with pretty unconventional instrumentation: Ben Knox Miller playing acoustic guitar and singing, Jeffrey Prystowsky on organ, and Jocie Adams playing the crotales— sort of a small xylophone made up of discs instead of planks—with a violin bow, by far the most interesting thing I’ve seen done with a violin bow since I last saw Sigur Rós. -
Girl Scouts of Central Texas Explore Austin Patch Program
Girl Scouts of Central Texas Explore Austin Patch Program Created by the Cadette and Senior Girl Scout attendees of Zilker Day Camp 2003, Session 4. This patch program is a great program to be completed in conjunction with the new Capital Metro Patch Program available at gsctx.org/badges. PATCHES ARE AVAILABLE FOR PURCHASE IN GSCTX SHOPS. Program Grade Level Requirements: • Daisy - Ambassador: explore a minimum of eight (8) places. Email [email protected] if you find any hidden gems that should be on this list and share your adventures here: gsctx.org/share EXPLORE 1. Austin Nature and Science Center, 2389 Stratford Dr., (512) 974-3888 2. *The Contemporary Austin – Laguna Gloria, 700 Congress Ave. (512) 453-5312 3. Austin City Limits – KLRU at 26th and Guadalupe 4. *Barton Springs Pool (512) 867-3080 5. BATS – Under Congress Street Bridge, at dusk from March through October. 6. *Bob Bullock Texas State History Museum, 1800 Congress Ave. (512) 936-8746 7. Texas State Cemetery, 909 Navasota St. (512) 463-0605 8. *Deep Eddy Pool, 401 Deep Eddy. (512) 472-8546 9. Dinosaur Tracks at Zilker Botanical Gardens, 2220 Barton Springs Dr. (512) 477-8672 10. Elisabet Ney Museum, 304 E. 44th St. (512) 974-1625 11. *French Legation Museum, 802 San Marcos St. (512) 472-8180 12. Governor’s Mansion, 1010 Colorado St. (512) 463-5518 13. *Lady Bird Johnson Wildflower Center, 4801 La Crosse Ave. (512) 232-0100 14. LBJ Library 15. UT Campus 16. Mayfield Park, 3505 W. 35th St. (512) 974-6797 17. Moonlight Tower, W. 9th St. -
Journal of Manipulative and Physiological Therapeutics
1A VOLUME 30 NUMBER 5 JUNE 2007 TABLE OF CONTENTS EDITORIAL 365 Manual Application of Controlled Forces to Thoracic and Lumbar Spine With a Device: Rated Comfort for the 333 Outcome Research Receiver’s Back and the Applier’s Hands Nikolai Bogduk, MD, PhD, DSc Gordon Waddington, PhD, Gordon Lau, BAppSc (Physiotherapy) (Hons), and Roger Adams, PhD JMPT 335 Highlights 374 Effect of Age and Sex on Heart Rate Variability in Healthy Subjects ORIGINAL ARTICLES John Zhang, MD, PhD 336 Preliminary Morphological Evidence That Vertebral 380 A Single-Blind Pilot Study to Determine Risk and Hypomobility Induces Synaptic Plasticity in the Spinal Cord Association Between Navicular Drop, Calcaneal Barclay W. Bakkum, DC, PhD, Charles N.R. Henderson, Eversion, and Low Back Pain DC, PhD, Se-Pyo Hong, DC, PhD, and Gregory D. Cramer, James W. Brantingham, DC, PhD, Katy Jane Adams, DC, PhD MSc Chiropractic, Jeffery R. Cooley, DC, Denise Globe, DC, MS, PhD, and Gary Globe, DC, MBA, PhD 343 Neck Muscle Endurance in Nonspecific Patients With 386 Interexaminer Reliability and Accuracy of Posterior Neck Pain and in Patients After Anterior Cervical Superior Iliac Spine and Iliac Crest Palpation for Spinal Decompression and Fusion Level Estimations Anneli Peolsson, PhD, PT, and Görel Kjellman, PhD, PT Hye Won Kim, MD, PhD, Young Jin Ko, MD, PhD, Won Ihl Rhee, MD, PhD, Jung Soo Lee, MD, 351 Cerebrospinal Fluid Pressure in the Anesthetized Rat Ji Eun Lim, MD, Sang Jee Lee, MD, Sun Im, MD, Brian S. Budgell, PhD, and Philip S. Bolton, PhD and Jong In Lee, MD, PhD LITERATURE REVIEW 357 Muscular and Postural Demands of Using a Massage Chair and Massage Table 390 Coupling Behavior of the Thoracic Spine: A Systematic Fearon A. -
MOODY THEATER 2020 Technical Information VENUE INFORMATION
AUSTIN CITY LIMITS LIVE at the MOODY THEATER 2020 Technical Information VENUE INFORMATION AUSTIN CITY LIMITS LIVE BOX OFFICE-MAIN ENTRANCE 310 W. Willie Nelson Blvd Austin, TX 78701 P: (512) 225-7999 F: (512) 404-1399 acl-live.com ARTIST ENTRANCE / TRUCKS LOADING DOCK ADDRESS AUSTIN CITY LIMITS LIVE 311 West 3rd St Austin, TX 78701-3935 Dock Master: (512) 542-3654 Security: (512) 542-3611 W HOTEL AUSTIN- CONNECTED TO ACL LIVE For ACL-LIVE rate contact: Niko Masalas W Sales Executive [email protected] T 512-542-3646 / F 512.542.3625 200 Lavaca St Austin, TX 78701 Main: (512) 542-3600 Guest Fax: (512) 542- 3605 P: (512) 542-3656 F: (512) 542-3625 Visiting Production (512) 457-5560 F: (512) 457-5555 Dressing Rm 1 (512) 457-5591 Dressing Rm 2 (512) 457-5590 Dressing Rm 3 (512) 457-5593 Dressing Rm 4 (512) 457-5592 2020 Technical Information Deck : Page 2 VENUE CONTACTS Colleen Fischer, General Manager | Director Of Booking (512) 404-1302 | [email protected] Jack McFadden, Senior Talent Buyer (512) 404-1306 | [email protected] Gary Rushworth, Assistant General Manager/ Director of Operations (512) 404-1323 | [email protected] Shelby Voss Covington, Executive Assistant Colleen Fischer (512) 404-1307 | [email protected] Amy Copeland, Accounting Manager | Settlement (512) 479-3407 | [email protected] Samantha Garrett, Senior Staff Accountant | Settlement (512) 479-3433 | [email protected] Kaitlin Bouzek, Director of Marketing & Communications (512) 404-1308, | [email protected] Whitney LeMond, Media & Communications -
RAR Newsletter 110914.Indd
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 9/14/2011 Noel Gallagher’s High Flying Birds “If I Had A Gun” The first US single from their self titled album, in stores 11/8 and going for official AAA adds on Monday On PlayMPE now Added early: KCSN, WYEP, WNRN, WEXT, WFIV, KCLC, WBJB, WAPS, KDEC and building quickly at Modern Rock Appearing on Letterman 11/10 - network TV debut! Catch their North American tour dates in November Julian Velard “Love Again For The First Time” Going for official adds now! Mr. Saturday Night full cd on your desk, single on the latest Taste Of Triple A Added early at KBAC Catch his US tour dates with Sharon Little in October and November - see page 2 “A sunshine-filled collection of daytime radio-friendly classic pop... twelve timeless treats!” - New! Matthew Sweet Blind Pilot “She Walks The Night” “We Are The Tide” New: WNKU, WMNF, WCBE, KUT In stores 9/27 The title track from their new album, going for adds now Early: WCNR, WEHM, KBAC, KCSN, WBJB, KDHX, New: KSMT, DMX Adult Alt, WFIV, KLCC, WFIT... WOCM, WGWG, WHRV Full cd on your desk now ON: KEXP, KBAC, WYCE, KHUM, WNRN, KDHX, See him on tour in October and November KTBG, WCBE, KXCI, KRCL, MPR... In stores now! celebrating the 20th anniversary of his Girlfriend album “We Are The Tide is a treasure of a record... its woozy indie-pop is vibrant and “Sounds like a classic sunny Sweet power pop tune.” - Rolling Stone intoxicating.” - Denver Post Extensive national tour Debut album sold over 50K Mike Doughty “Na Na Nothing” The Duke & The King “Shaky” BDS Indicator 11*! New: KUT, WEHM, KCLC, WDIY, KLCC In stores now From the self titled album featuring Simon Felice of The Felice Brothers ON: WXRV, WXPK, KPND, KCMP, WFUV, WYEP, WCNR, WERS, XM Loft, WDST.. -
Lobero LIVE Presents Blind Pilot with Special Guest Andrew Duhon Tuesday, February 11 at 8 PM
FOR IMMEDIATE RELEASE Media Contact: Angie Bertucci | 805.679.6010 | [email protected] Tickets: Lobero Box Office | 805.963.0761 | Lobero.com Hi-resolution photos available at lobero.org/press Lobero LIVE presents Blind Pilot with special guest Andrew Duhon Tuesday, February 11 at 8 PM Santa Barbara, CA, January 16, 2020 – Lobero LIVE welcomes Blind Pilot and special guest Andrew Duhon for a special evening on Tuesday, February 11 at 8 PM. Blind Pilot, which consists of Israel Nebeker, Ryan Dobrowski, Kati Claborn, Dave Jorgensen, Ian Krist and Luke Ydstie, was formed in Portland, Oregon in 2007 when songwriter Israel Nebeker and co-founding member Ryan Dobrowski went on a west coast tour via bicycle. Twelve years later, Blind Pilot has released three studio albums, 3 Rounds And A Sound (2008), We Are The Tide (2011) and And Then Like Lions (2016) and has sold out concerts throughout the U.S., Europe and the UK since its inception. The band has performed on “Ellen” and “The Late Show With David Letterman,” as well as at Newport Folk Festival, Bonnaroo, and Lollapalooza among others. Israel Nebeker’s intricate songs have made a meaningful connection to a worldwide audience. His strong lyricism and colorful melodies have anchored the critically-acclaimed band and their albums, in addition to numerous pop/folk tribute compilations to artists including John Denver, Jackson Browne, and a recent collaboration with Don Henley. “The Portland, Ore., band makes wistful late-summer music — songs of reflection and connection, carried out in a subtle swirl of strings, horns, pianos and voices.” – NPR New Orleans native Andrew Duhon, is a writer with an undeniable voice, weighted and soulful. -
Afi-Soa-2008-Report
The Alley Flat Initiative Topics in Sustainable Development 2008 Report Editors Steven A. Moore Sergio Palleroni Legend LOT WITH ALLEY FLAT POTENTIAL* ALLEY NEIGHBORHOOD PLANNING AREA SECONDARY APARTMENT INFILL TOOL ADOPTION (BY NPA / SUBDISTRICT) NO YES MAJOR ROAD MINOR ROAD STREET LADY BIRD LAKE * ALL LOTS WITH ALLEY FLAT POTENTIAL SHOWN ON MAP ARE ZONED SF-3. csd Center for Sustainable Development i THE UNIVERSITY OF TEXAS CENTER FOR SUSTAINABLE DEVELOPMENT 1 UNIVERSITY STATION B7500; AUSTIN, TX DR. ELIZABETH MUELLER, DIRECTOR WORKING PAPER SERIES JULY 2008 ii CONTENTS ACKNOWLEDGEMENTS PREFACE EXECUTIVE SUMMARY 1. A BRIEF HISTORY OF ALLEY FLATS IN FOUR CITIES 2. CONDITIONS IN AUSTIN: LANDSCAPE OF OPPORTUNITY (ELIZABETH) 2.1 REVIEW OF LOTS WITH ALLEY FLAT POTENTIAL 2.2 REVIEW OF LOTS WITH POTENTIAL FOR SECONDARY UNITS IN GENERAL 2.3 BEGINNING WITH EAST AUSTIN BECAUSE… 3. A BRIEF HISTORY OF THE AUSTIN’S ALLEY FLAT INITIATIVE 4. NEIGHBORHOOD CONTEXT 4.1 THREE CASES OF AUSTIN NEIGHBORHOOD CONTEXT 4.2 REGULATION 5. OWNERSHIP AND FINANCING STRUCTURES 5.1 OWNERSHIP STRUCTURES AND THEIR SUITABILITY 5.2 FUNDING SOURCES AND THEIR SUITABILITY 6. DISTRIBUTED INFRASTRUCTURE 6.1 WATER 6.2 ELECTRICITY 6.3 TECHNOLOGY ANALYSIS APPENDICES A. GIS METHODS B. LIST OF KEY STAKEHOLDERS AND PARTNERSHIPS C. OWNERSHIP AND FINANCING STRUCTURES iii ACKNOWLEDGEMENTS This project was initially supported by a generous research grant from the Henry Luce Foundation and has subsequently been supported by the Austin Community Foundation, Perry Lorenz, and anonymous donors. Support for construction of the initial prototype has been received from Autodesk, Lincoln Properties, Wells Fargo Bank, Walter Elcock Family, HG TV, Suzi Sosa, Bercy‐Chen, Alexa Werner, Michael Casias, Meridian Energy, DXS‐Daikin, Z‐Works, Ecocreto, and Pat Flanary. -
Top 5 Things You Must Do in Austin, Texas Austin, Texas, Is One of the Fastest-Growing Cities in America
Top 5 Things You Must Do in Austin, Texas Austin, Texas, is one of the fastest-growing cities in America. With a population of over 1 million people and an average annual rainfall of 50 inches, Austin is known for its hot summers and mild winters. Home to some of the best music festivals like SXSW, ACL Festival, Fun Fun Fun Fest, Austin City Limits Music Festival, and more, it's no wonder that this city has been dubbed "The Live Music Capital of The World." With so many things to do, there's something for everyone. Here are the 5 top things you can't miss! 1. Visit The State Capital Austin's state capital is located in the heart of downtown. It's home to beautiful trees, a stunning fountain visible from most points around it, and is draped with banners that feature some of our state's best attributes, including the music capital of the world, the live music capital of The World & bluebonnet city. So be sure not to miss this stop! Plus, if you visit during the weekdays, you can even join a free guided tour to learn the history of the capitol building. 2. Visit Zilker Park Zilker Park was established more than 100 years ago as a public space for Austinites. Here you'll find an incredible outdoor amphitheater where concerts are held year-round, all free of charge thanks to sponsorship by Miller Lite, hike and bike trails throughout the forested area, and vernal pools where nature enthusiasts can get up close and personal with local flora and fauna. -
Austin, Texas: Fiercely Independent Live Music Capital
Embassy of the United States of America U.S. CITIES Austin, Texas: Fiercely Independent Live Music Capital AUSTIN ©Shutterstock.com ustin, the 11th-largest Then and Now “Father of Texas” and the repub- city in the United States, lic’s first secretary of state. The When Spanish missionaries has adopted the slogan city was a collection point for the A began settling in the area in the “The Live Music Capital of the famous Chisholm Trail, used to 18th century, the future site of World” because it’s home to many drive cattle from ranches in Texas Austin was variously inhabited musicians and live music venues. to Kansas railheads. By 1860, by the Tonkawa, Lipan Apache Each March, musicians, filmmak- Austin’s population had grown to and Comanche tribes. Settlers ers and social media entrepre- 3,494 citizens. from the United States began neurs converge on Austin for the arriving in the 1830s, while the Key dates include: South by Southwest (SXSW) festi- area was still part of Mexico. In val. Its countercultural ambiance • 1845 — The Republic of Texas 1836, the settlement was incorpo- contrasts with Austin’s identity becomes the U.S. state of Texas, rated into the Republic of Texas as the capital of a U.S. state better with Austin as its capital. after Texan colonists fought a known for rodeos, barbecue and war of independence against the • 1883 — The University of Texas, other hallmarks of traditional Mexican government. eventually an important center of culture. academic research now serving The new republic made the settle- more than 50,000 students each ment its capital, naming it Austin year, is founded. -
Weird City: Sense of Place and Creative Resistance in Austin, Texas
Weird City: Sense of Place and Creative Resistance in Austin, Texas BY Joshua Long 2008 Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Human Geography __________________________________ Dr. Garth Andrew Myers, Chairperson __________________________________ Dr. Jane Gibson __________________________________ Dr. Brent Metz __________________________________ Dr. J. Christopher Brown __________________________________ Dr. Shannon O’Lear Date Defended: June 5, 2008. The Dissertation Committee for Joshua Long certifies that this is the approved version of the following dissertation: Weird City: Sense of Place and Creative Resistance in Austin, Texas ___________________________________ Dr. Garth Andrew Myers, Chairperson Date Approved: June 10, 2008 ii Acknowledgments This page does not begin to represent the number of people who helped with this dissertation, but there are a few who must be recognized for their contributions. Red, this dissertation might have never materialized if you hadn’t answered a random email from a KU graduate student. Thank you for all your help and continuing advice. Eddie, you revealed pieces of Austin that I had only read about in books. Thank you. Betty, thank you for providing such a fair-minded perspective on city planning in Austin. It is easy to see why so many Austinites respect you. Richard, thank you for answering all my emails. Seriously, when do you sleep? Ricky, thanks for providing a great place to crash and for being a great guide. Mycha, thanks for all the insider info and for introducing me to RARE and Mean-Eyed Chris. -
Austin Music Guide
AUSTIN MUSIC GUIDE Austin celebrated its 25th anniversary as the Live Music Capital of the World® in 2016, however the city’s musical history dates further back. Austin surfaced as a music mecca in the 1960s and 1970s, when Willie Nelson went “on the road again,” Janis Joplin waited tables at Threadgill’s and Stevie Ray Vaughan played at Antone’s. Visitors and residents have long known that Austin is free-spirited destination in the thick of Texas, and the local music scene continues to grow and innovate amongst a long-standing tradition. Here are a few facts and figures that illustrate why Austin goes beyond clubs and performances to thrive as the Live Music Capital of the World®: • More than 250 Austin establishments showcase live music, from dedicated music venues to retail shops, restaurants to museums. Some iconic venues include: ACL Live, Emo’s, Stubb’s, Antone’s, the Mohawk, Saxon Pub, Continental Club, Elephant Room and Parish • Austin is home to some 2,000 musicians and recording artists, including such famed personalities as Willie Nelson, Asleep at the Wheel, Ghostland Observatory, Iron & Wine, Okkervil River and more. • The Austin Music Office, a division of Visit Austin, is dedicated to marketing and promoting the local music scene to visitors. The Music Office staff also services conventions by booking local artists for meetings and events, and connect artists and venues with convention industry professionals. • “Music in the Air” is the live music program at Austin-Bergstrom International Airport. Live music is played on five different stages throughout the terminal, welcoming visitors and sending off passengers in style. -
Home with the Armadillo
Mellard: Home with the Armadillo Home with the Armadillo: Public Memory and Performance in the 1970s Austin Music Scene Jason Dean Mellard 8 Produced by The Berkeley Electronic Press, 2010 1 Greezy Wheels performing at the Armadillo World Headquarters. Photo courtesy of the South Austin Popular Culture Center. Journal of Texas Music History, Vol. 10 [2010], Iss. 1, Art. 3 “I wanna go home with the Armadillo Good country music from Amarillo and Abilene The friendliest people and the prettiest women You’ve ever seen.” These lyrics from Gary P. Nunn’s “London Homesick Blues” adorn the wall above the exit from the Austin Bergstrom International Airport baggage claim. For years, they also played as the theme to the award-winning PBS series Austin City Limits. In short, they have served in more than one instance as an advertisement for the city’s sense of self, the face that Austin, Texas, presents to visitors and national audiences. The quoted words refer, if obliquely, to a moment in 9 the 1970s when the city first began fashioning itself as a key American site of musical production, one invested with a combination of talent and tradition and tolerance that would make of it the self-proclaimed “Live Music Capital of the World.”1 In many ways, the venue of the Armadillo World Headquarters served as ground zero for these developments, and it is often remembered as a primary site for the decade’s supposed melding of Anglo-Texan traditions and countercultural lifestyles.2 This strand of public memory reveres the Armadillo as a place in which