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Open FINAL DISSERTATION VITA2019
The Pennsylvania State University The Graduate School College of Education IN HER OWN WORDS: (DE)MARGINALIZING BLACK IMMIGRANT GIRLHOOD IN AN EMANCIPATORY LITERACY CLASSROOM A Dissertation in Curriculum and Instruction by Wideline Seraphin © Wideline Seraphin Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2019 ii The dissertation of Wideline Seraphin was reviewed and approved by the following: Jeanine M. Staples Associate Professor of Education Dissertation Adviser Chair of Committee Mark T. Kissling Assistant Professor of Education Dana Stuchul Professor of Education Esther Prins Professor of Education Gwendolyn Lloyd Professor of Education Head of Graduate Program * Signatures are on file in The Graduate School iii ABSTRACT Black Haitian and Haitian American (H/HA) girls exist within multiple intersections that are not adequately addressed in Literacy Studies. This study offers theoretical and pedagogical insights on what it means to teach and study Black girls from transnational communities. The objective was to conceptualize a space which centered the intersectional lives of Black immigrant girls, and create emancipatory learning experiences in reading and writing instruction. The research questions were: How do H/HA girls enrolled in HELP narrate their identities, place, and girlhood in autobiographical writing? In what ways do H/HA girls generate Discourses of race, place, and girlhood through discursive practices in HELP’s classroom? How do the institutional practices of HELP attempt to center the needs and talents of H/HA girls? How does HELP reconfigure learning spaces? This embedded case study examines two units for analysis: the literacies of five H/HA girls, and the institutional practices of the HELP program. -
Page 01 Nov 02.Indd
SUNDAY 2 NOVEMBER 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Star power helps COMMUNITY awaken Before • CHANSS-Qatar marks Kerala’s I Go to Sleep birthday P | 5 P | 8-9 WHEELS • 2015 Jeep Compass: Off-road look, without the muddy fenders P | 6 BOOKS • Black music, white culture and a legendary US highway P | 7 HEALTH • Zumba, pilates and their ilk are no longer a no-man’s land AOL’sAOL’Ls InstantInI stant MessengerMeM sssene ger ququietlyieetly P | 11 killedkillled offoff itsits chatroomschhatrt ooms inin 2010.20100 Yahoo Messenger axed its public chatrooms in 2012. And when MSN TECHNOLOGY Messenger closed shop on Friday in China, the last place where the • Apple criticised after service still operated, it marked the users’ private files conclusive end of the mainstream end up in the cloud chatroom era. P | 12 END OF LEARN ARABIC • Learn commonly used Arabic words CHATROOMS? and their meanings P | 13 2 PLUS | SUNDAY 2 NOVEMBER 2014 COVER STORY By Caitlin Dewey Just look at the earliest, successful forerun- realm of PLATO, people began to form highly per- ner to online chat — a program that academics sonal, social connections that had nothing to do acebook chose an odd time to launch invented, almost by accident, long before the birth with academics. In other words, they just wanted Rooms, its homage to the classic ‘90s of the World Wide Web. to chat. chatroom. AOL’s Instant Messenger, per- Talkomatic, the program’s appropriately retro “People met and got acquainted in Talkomatic, Fhaps the icon of the anonymous instant- name, was born out of PLATO, a computer-based and carried on romances via “term-talk” and messaging age, quietly killed off its chat rooms in education program at the University of Illinois, in Personal Notes,” one of its creators, David Woolley, 2010. -
A Linguistic Analysis of the Era of Violence in African American Spirituals, Jazz, & Blues 179
Nihonbashi Gakkan University Hirona Matayoshi:Sociolinguistics: A Linguistic Analysis of the Era of Violence in African American Spirituals, Jazz, & Blues 179 開智国際大学紀要 第 15 号(2016) 報告・資料 Sociolinguistics: A Linguistic Analysis of the Era of Violence in African American Spirituals, Jazz, & Blues - Civil Action and Effective Citizenship Education through the Language War 1 Matayoshi, Hirona (又吉弘那) This paper is a linguistic critical analysis by reflecting upon Robin Tolmach Lakoff’s sociolinguistic analysis within her brilliant understanding of linguistics in her book, “The Language War”. She portrays her understanding of linguistics though current events in time. She discusses about how politics and the people are entwined within the “Language War”. Although her book was written in the year 2000, we are continuing her theory. We will add new current event issues to her theory while reflecting along with her book. According to Professor Lakoff, the purpose of linguistics is to translate and interpret the meanings of events for the next generation. Therefore, the writer of this article will follow Professor Lakoff’s strategies while explaining past issues toward recent issues that are occurring in the news so we can understand the meaning of the “Language War”. We must first look at the “Language War” in the testimony of violence within African American Blues, Jazz, and Spirituals. African American Blues, Jazz, and Spirituals are historical voices, resources, databases of witnesses, and victims of the past. These voices screamed out the inequality of generations. In a way, they are still surviving a "Language War" even today. They screamed for help in protest and yet due to those who perpetuated the violence of segregation, intimidation, and discrimination that took place, “no one” could help them but continued to avoid the problem. -
Bafta Los Angeles
Sponsorship Opportunities BAFTA LOS ANGELES THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS SUPPORTS, DEVELOPS AND PROMOTES THE ART FORMS OF THE MOVING IMAGE BY IDENTIFYING AND REWARDING EXCELLENCE, INSPIRING PRACTITIONERS AND BENEFITING THE PUBLIC. As the only Anglo-American professional organization founded to promote and advance original work in film, television and interactive media, The British Academy of Film and Television Arts Los Angeles serves as a link between the Hollywood and British production and entertainment business communities. _____________________________________________________________________________________________________ A California non-profit public benefit corporation, BAFTA Los Angeles is a local organization with a global reach. As the L.A. branch of the British Academy of Film and Television Arts, headquartered in London, we represent not only our 1,200 members, but the full 6,500 Academy members based in the United Kingdom, New York and Los Angeles. _____________________________________________________________________________________________________ Membership in the Academy is both highly sought after and highly exclusive – applicants must be proposed and seconded by existing Academy members and thus represent the very top professionals in their various fields; from award winning writers, actors and directors, to key managers, network and studio executives and agents. ______________________________________________________________________________________________________ We host stellar parties and awards -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
Understanding Black Feminism Through the Lens of Beyoncé’S Pop Culture Performance Kathryn M
Seattle aP cific nivU ersity Digital Commons @ SPU Honors Projects University Scholars Spring June 7th, 2018 I Got Hot Sauce In My Bag: Understanding Black Feminism Through The Lens of Beyoncé’s Pop Culture Performance Kathryn M. Butterworth Follow this and additional works at: https://digitalcommons.spu.edu/honorsprojects Part of the Feminist, Gender, and Sexuality Studies Commons, and the Race, Ethnicity and Post- Colonial Studies Commons Recommended Citation Butterworth, Kathryn M., "I Got Hot Sauce In My Bag: Understanding Black Feminism Through The Lens of Beyoncé’s Pop Culture Performance" (2018). Honors Projects. 81. https://digitalcommons.spu.edu/honorsprojects/81 This Honors Project is brought to you for free and open access by the University Scholars at Digital Commons @ SPU. It has been accepted for inclusion in Honors Projects by an authorized administrator of Digital Commons @ SPU. I GOT HOT SAUCE IN MY BAG: UNDERSTANDING BLACK FEMINISM THROUGH THE LENS OF BEYONCÉ’S POP CULTURE PREFORMANCE by KATHRYN BUTTERWORTH FACULTY ADVISOR, YELENA BAILEY SECOND READER, CHRISTINE CHANEY A project submitted in partial fulfillment of the requirements of the University Scholars Program Seattle Pacific University 2018 Approved_________________________________ Date____________________________________ Abstract In this paper I argue that Beyoncé’s visual album, Lemonade, functions as a textual hybrid between poetry, surrealist aesthetics and popular culture—challenging the accepted understanding of cultural production within academia. Furthermore, Lemonade centers black life while presenting mainstream audiences with poetry and avant-garde imagery that challenge dominant views of black womanhood. Using theorists bell hooks, Stuart Hall, Patricia Hill- Collins and Audre Lorde, among others, I argue that Beyoncé’s work challenges the understanding of artistic production while simultaneously fitting within a long tradition of black feminist cultural production. -
1 Forever Alone in a Crowd, Arthur Fleck Seeks Connection. Yet, As He
Forever alone in a crowd, Arthur Fleck seeks connection. Yet, as he trods the sooted Gotham City streets and rides the graffitied mass transit rails of a hostile town teeming with division and dissatisfaction, Arthur wears two masks. One, he paints on for his day job as a clown. The other he can never remove; it’s the guise he projects in a futile attempt to feel he’s a part of the world around him, and not the misunderstood man whom life is repeatedly beating down. Fatherless, Arthur has a fragile mother, arguably his best friend, who nicknamed him Happy, a moniker that’s fostered in Arthur a smile that hides the heartache beneath. But, when bullied by teens on the streets, taunted by suits on the subway, or simply teased by his fellow clowns at work, this social outlier only becomes even more out of sync with everyone around him. Directed, co-written and produced by Todd Phillips, “Joker” is the filmmaker’s original vision of the infamous DC villain, an origin story infused with, but distinctly outside, the character’s more traditional mythologies. Phillips’ exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham’s fractured society. Longing for any light to shine on him, he tries his hand as a stand-up comic, but finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty and, ultimately, betrayal, Arthur makes one bad decision after another that brings about a chain reaction of escalating events in this gritty, allegorical character study. -
Mediamonkey Filelist
MediaMonkey Filelist Track # Artist Title Length Album Year Genre Rating Bitrate Media # Local 1 Kirk Franklin Just For Me 5:11 2019 Gospel 182 Disk Local 2 Kanye West I Love It (Clean) 2:11 2019 Rap 4 128 Disk Closer To My Local 3 Drake 5:14 2014 Rap 3 128 Dreams (Clean) Disk Nellie Tager Local 4 If I Back It Up 3:49 2018 Soul 3 172 Travis Disk Local 5 Ariana Grande The Way 3:56 The Way 1 2013 RnB 2 190 Disk Drop City Yacht Crickets (Remix Local 6 5:16 T.I. Remix (Intro 2013 Rap 128 Club Intro - Clean) Disk In The Lonely I'm Not the Only Local 7 Sam Smith 3:59 Hour (Deluxe 5 2014 Pop 190 One Disk Version) Block Brochure: In This Thang Local 8 E40 3:09 Welcome to the 16 2012 Rap 128 Breh Disk Soil 1, 2 & 3 They Don't Local 9 Rico Love 4:55 1 2014 Rap 182 Know Disk Return Of The Local 10 Mann 3:34 Buzzin' 2011 Rap 3 128 Macc (Remix) Disk Local 11 Trey Songz Unusal 4:00 Chapter V 2012 RnB 128 Disk Sensual Local 12 Snoop Dogg Seduction 5:07 BlissMix 7 2012 Rap 0 201 Disk (BlissMix) Same Damn Local 13 Future Time (Clean 4:49 Pluto 11 2012 Rap 128 Disk Remix) Sun Come Up Local 14 Glasses Malone 3:20 Beach Cruiser 2011 Rap 128 (Clean) Disk I'm On One We the Best Local 15 DJ Khaled 4:59 2 2011 Rap 5 128 (Clean) Forever Disk Local 16 Tessellated Searchin' 2:29 2017 Jazz 2 173 Disk Rahsaan 6 AM (Clean Local 17 3:29 Bleuphoria 2813 2011 RnB 128 Patterson Remix) Disk I Luh Ya Papi Local 18 Jennifer Lopez 2:57 1 2014 Rap 193 (Remix) Disk Local 19 Mary Mary Go Get It 2:24 Go Get It 1 2012 Gospel 4 128 Disk LOVE? [The Local 20 Jennifer Lopez On the -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world. -
Unit 5 Space Exploration
TOPIC 8 People in Space There are many reasons why all types of technology are developed. In Unit 5, you’ve seen that some technology is developed out of curiosity. Galileo built his telescope because he was curious about the stars and planets. You’ve also learned that some technologies are built to help countries fight an enemy in war. The German V-2 rocket is one example of this. You may have learned in social stud- ies class about the cold war between the United States and the for- mer Soviet Union. There was no fighting with guns or bombs. However, these countries deeply mistrusted each other and became very competitive. They tried to outdo and intimidate each other. This competition thrust these countries into a space race, which was a race to be the first to put satellites and humans into space. Figure 5.57 Space shuttle Atlantis Topic 8 looks at how the desire to go into space drove people to blasts off in 1997 on its way to dock produce technologies that could make space travel a reality. with the Soviet space station Mir. Breaking Free of Earth’s Gravity Although space is only a hundred or so kilometres “up there,” it takes a huge amount of energy to go up and stay up there. The problem is gravity. Imagine throwing a ball as high as you can. Now imagine how hard it would be to throw the ball twice as high or to throw a ball twice as heavy. Gravity always pulls the ball back to Earth. -
February 8Th 2016
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 2-8-2016 February 8th 2016 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "February 8th 2016" (2016). Coyote Chronicle (1984-). 691. https://scholarworks.lib.csusb.edu/coyote-chronicle/691 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE INDEPENDENT STUDENT VOICE OF CALIFORNIA STATE UNIVERSITY, SAN BERNARDINO SINCE 1965 COYOTECHRONICLE.NET Vol. LIV, No. 1 MONDAY, FEBRUARY 8, 2016 “Sustainabilty Plan” denied by CFA Class time on phone see pg.3 By Crystal Norman Staff Writer alifornia Faculty Association (CFA) allows us to fulfill this core mission,” stated CFA Trustees were presented with a “Sus- Bargaining Team Chair and Sociology Professor tainability Plan” by CSU schools at Kevin Wehr in a news release. a conference in Long Beach this past The sustainability plan was a result of trying weekC and immediately rejected the proposal, ac- to consider how to manage the cost, revenue, and cording to the CFA. resources of the CSU’s in the most effective way, The proposal focuses on increasing reliance in according to the CFA. private funding and student tuition instead of public “Adding these proposed fees year after year support to pay for CSU professors and faculty sal- on top of the huge increases already imposed since ary increases, according to calfac.org. -
Guido Götz / MPRM 323-933-3399 [email protected]
FOR IMMEDIATE RELEASE Contact: Guido Götz / MPRM 323-933-3399 [email protected] BRITISH ACADEMY OF FILM AND TELEVISION ARTS LOS ANGELES (BAFTA LOS ANGELES) TO HONOR HELENA BONHAM CARTER 20TH ANNUAL 2011 BAFTA LOS ANGELES BRITANNIA AWARDS November 30, 2011 Los Angeles, July 13, 2011 -- The British Academy of Film and Television Arts Los Angeles® (BAFTA Los Angeles) will honor Academy Award® nominated and BAFTA winning actress Helena Bonham Carter with the Britannia Award for British Artist of the Year at the 2011 BAFTA Los Angeles Britannia Awards on Wednesday, November 30 at the Beverly Hilton Hotel. The Britannia Awards are BAFTA Los Angeles’ highest accolade, a celebration of achievements honoring individuals and companies that have dedicated their careers or corporate missions to advancing the entertainment arts. “Helena Bonham Carter is an actress of immense versatility, and her range across movies of all genres is at once remarkable and fearless,” says Nigel Lythgoe, Chairman of BAFTA Los Angeles. “She unwaveringly maintains her integrity and, through her choice of roles, continually challenges both herself and her audiences' perception of her.” Bonham Carter joins the previously announced John Lasseter who will receive the Britannia Award for Worldwide Contribution to Filmed Entertainment, and David Yates who will be honored with the John Schlesinger Britannia Award for Excellence in Directing. Additional awards which are presented at the annual Britannia evening include the Stanley Kubrick Britannia Award for Excellence in Film and the Charlie Chaplin Award for Excellence in Comedy. The Britannia Awards are presented annually at a gala dinner, where peers and colleagues celebrate the work and accomplishments of the distinguished honorees.