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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
2013/2014 Dgb Zur Arbeitnehmerfreizügigkeit
Setzkasten GmbH, Kreuzbergstraße 56, 40489 Düsseldorf Postvertriebsstück, Deutsche Post AG, Entgelt bezahlt, 67669 02/2014 Inhalt Februar 2014 DGB ZUR ARBEITNEHMERFREIZÜGIGKEIT Seite 1 Populistische Plattheiten bieten Steilvorlagen für Rassismus DGB ZUR ARBEITNEHMER- „Wer be- 2014 im Internet veröffentlicht hat. munen helfen, statt den Zuwanderern FREIZÜGIGKEIT trügt, der Der bürokratisch trockene Titel sollte die Schuld in die Schuhe zu schieben Populistische Plattheiten bieten fliegt“ – niemanden abschrecken. Hier werden für unsere hausgemachten Probleme. Steilvorlagen für Rassismus so brachte geballte Informationen und Argumen- Zu den konkreten Schritten, die in PREISVERLEIHUNG „DIE die CSU tationszusammenhänge geboten, die Angriff genommen werden müssen, GELBE HAND“ 2013/2014 das Thema die „Debatte über die Freizügigkeit gehört außerdem, dass auch EU-Bür- Die Entscheidung ist gefallen! Freizügig- und deren populistische Zuspitzun- ger einen Rechtsanspruch auf Integra- keit in ih- gen“ ausleuchtet. tionskurse bekommen, der bislang nur Seite 2 rem Wahl- Dazu zählt zum Beispiel ein Aufdrö- Nicht-EU-Bürgern zusteht.“ KEIN RAUM FÜR NAZIS programm seln, wer welche Ansprüche auf Leis- Neben der notwendigen Unterstüt- Magdeburg: Die Stadtgesellschaft für die Eu- tungen nach dem SGB hat und welche zung der Kommunen ist auch von hat sich erfolgreich gewehrt ropawahl, Voraussetzungen erfüllt sein müssen. entscheidender Bedeutung, dass diejenigen, die kommen, nicht in aus- INTERNATIONALE WOCHEN das in Das ist etwas komplizierter als die beuterische -
Concert Reports from the Hellnoise Archiv Concert Reports from The
Concert Reports from the HellNoise Archiv AMOK VEDAR, MORBID MIND, CDB, DUST DEVILS 28. Februar 2003 Berlin, Garage Pankow Nach langer Fahrt mit den öffentlichen Verkehrsmitteln, traf ich gegen 21.15 Uhr endlich in der Garage Pankow ein. Erstmal hieß es Blase leeren, und dabei wurde man auch schon schön mit der passenden Musik beschallt. Von draußen klang es ein wenig wie Black Metal, umso erstaunter war ich als ich die Band erblickte und die 3 Symphoniker so gar nicht wie ne BM-Band aussahen. Als erstes (oder besser gesagt die ersten 3 Lieder die ich mitbekommen habe) dachte ich es wäre noch Soundcheck, denn irgendwie sah es auf der Bühne doch sehr entspannt aus. Der Sänger hockte ab und zu mal auf dem Boden, dann trank er mal wieder nen Schluck, dann hat die Band untereinander nen bißchen gequatscht. Irgendwann merkte ich aber das es schon der Auftritt ist und lauschte mal nen bißchen aufmerksamer. Meine Verwirrung wurde von Lied zu Lied immer größer, denn bei den Dust Devils fand wirklich jede Stilistik ihren Platz. Was eben noch, vom Drumming her, wie alte Darkthrone klang, uferte nur Sekunden später in Grindcoregebolze aus. Der Sänger hatte ne schöne abgrundtiefe Death Metal Stimme bei der sollte er aber auch bleiben, denn diese zwischenzeitliche Rumgequieke klang nun wirklich schon sehr lächerlich (ich war noch nie nen Freund von Grindcore). Irgendwann hatte die Band keine Lust mehr, was ganz natürlich ist, denn hätten die Dust Devils Applaus hören wollen hätten sie sich selbst beklatschen müssen. Obwohl die Garage zu diesem Zeitpunkt eigentlich mit ca. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Disco/Dance '82 the Camaros, Girlschool, Bananarama, the Flirts, Catholic Presented
o traditional way. And Ozzy Osbourne put some humor, in w hat- Overview 1982 ever taste, into the creaking heavy metal scene. H But if you heard much about the old guard over the ye r, it Continued from page TIA -8 was about splits and suits. Rod Stewart, Meat Loaf, Air Sup- Stones, Chicago, Rush, Loverboy, Kenny Loggins, etc., had ply, Kiss, Barry Manilow, Styx and AC /DC all split from t heir managers, their share of hits and, in fact, dominated the airways and amicably or not, while the Eagles and the Do(Do charts. But they had to make room for some newcomers, Brothers just split up. some playing new, and some playing not so new music. Also calling it quits, sort of, was the Who, whose "fir"fi Notable among the groundbreakers were the technicians series of concerts was this year's megatour, rivaling the Roll- and the women. In 1982, the English technopop bands finally ing Stones, who took their own show to Europe. It was also the broke most commercial -as in advertisement. Sponsored by Sc hlitz through, notably the Human League, A Flock Of Sea - Beer, the tour has resulted in guls and Soft Cell. Playing (mostly) diluted r &b through their product identification betw een banks of synthesizers and computers, these bands managed group and product just short of actual endorsement. That no doubt, is the next step. to be commercial enough for the radio and to keep a beat steady enough for the clubs, thus offending no one. In other rock news: The US Festival attracted about a qiuar- Their success has not been overlooked by record com- of a million fans. -
Lemmy Kilmister: Dogged Insolence in the Face of Mounting Opposition to the Contrary
Lemmy Kilmister: Dogged Insolence in the Face of Mounting Opposition to the Contrary www.slickstermagazine.com /lemmy-kilmister-dogged-insolence-face-mounting-opposition-contrary/ Joe Mitchell In 2013, at the age of 67, rock icon Lemmy Kilmister, best known for his work as the leader of thrash metal progenitors, Motörhead, had a cardioverter defibrillator implanted in his chest. Though his notorious drug usage had been restricted since the early 90s when he began suffering from diabetes and hypertension, he refused to completely give up drinking and smoking after the procedure. It did make him reduce his alcohol intake. He finally gave up his “daily bottle of Jack Daniel’s” habit that he’d had since the mid-70s. Still, he readily admitted he had could not completely give up alcohol and cigarettes . He called this refusal, “Dogged insolence in the face of mounting opposition to the contrary.” That phrase may well distill not only Kilmister’s life, but the entire philosophy of Rock ‘n’ Roll as well. More than two years later, just days after being diagnosed with an aggressive form of cancer, Kilmister died at about 4:00 p.m. Pacific Time in his two- bedroom apartment not far from his favorite hang-out, the Rainbow Bar & Grill, on Sunset Boulevard, where he was often enthralled in the playing of a particular video game. When Kilmister became too ill to leave his apartment, the owners of the Rainbow had the game moved to his home so he could continue to play it. It is said that Kilmister died sitting upright in a stool in front of the machine. -
Angerburning-Issue02
EDITORIAL Well, this is the second issue of 'Anger Burning'! When I set out to create the fanzine earlier in the year, I simply wanted to do what had been done many, many times before but to give my own spin on the format. I have been overwhelmed by the positive responses from people - both fans and bands alike - who loved the zine. The format could do with a little tweaking and this issue shows some of those modifications now. However, I feel that the overall result is pretty much there or thereabouts. It will evolve, I'm sure. In particular, the bands whom I requested an interview of are more than willing to spend their precious time answering my obvious and not-so- obvious questions. I'm no 'Parkinson', but I do like my questions to not be too assuming. That is, to not be afraid to go over old ground where it was needed, as I'm sure that the audience to which AB is aimed at might not necessarily know everything about every band featured. Kudos to anyone who does! The website - which will improve with time I am sure - will be the place for the 'here and now' type of content. I'm thinking album reviews and perhaps personal views of gigs. With that said, I offer an open invitation for all of you to become part of the Anger Burning collective. If you attend a gig or indeed download/buy and album or whatever and feel strongly enough to lay down a few words and rate your experience, do contact the zine on Facebook and send in your words. -
Doro Fight Mp3, Flac, Wma
Doro Fight mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Fight Country: Germany Released: 2002 Style: Heavy Metal MP3 version RAR size: 1657 mb FLAC version RAR size: 1117 mb WMA version RAR size: 1306 mb Rating: 4.6 Votes: 904 Other Formats: RA DMF MP2 APE VQF ASF DXD Tracklist Hide Credits 1 Fight 4:09 2 Always Live To Win 3:01 Descent 3 4:02 Vocals [Guest] – Pete Steele 4 Salvaje 2:47 5 Undying 4:06 6 Legends Never Die 5:21 7 Rock Before We Bleed 4:22 8 Sister Darkness 4:46 9 Wild Heart 4:32 10 Fight By Your Side 3:49 11 Chained 4:15 12 Hoffnung 4:37 13 Song For Me 4:31 Video1 Fight Video2 Always Live To Win Companies, etc. Distributed By – SPV GmbH Record Company – SPV GmbH Phonographic Copyright (p) – Steamhammer Copyright (c) – Steamhammer Pressed By – Sonopress – 50457180 Credits Bass, Keyboards – Nick Douglas Drums – Johnny Dee Guitar – Andreas Bruhn (tracks: 6), Chris Caffery (tracks: 3, 4), Jean Beauvoir (tracks: 8), Joe Taylor, Michael Voss (tracks: 6), Russ Ballard (tracks: 9) Keyboards – Chris Winter (tracks: 9) Keyboards, Guitar – Oliver Palotai Mastered By – Kai Blankenberg Producer – Doro* Producer, Guitar, Bass, Keyboards, Mixed By, Recorded By – Chris Lietz Producer, Mixed By, Recorded By – Dan Malsch Recorded By – Joe West Vocals – Doro* Notes Plus enhanced material. Videos "Fight" + "Always Live To Win" Barcode and Other Identifiers Barcode: 693723001326 Matrix / Runout: 50457180/087-74100 01 Mastering SID Code: IFPI LB 73 Label Code: LC 09002 Rights Society: GEMA Other versions Category Artist Title -
Girlschool: »Es Ist Zeit Für Die Revolution« Wir Sprachen Mit Sängerin/Gitarristin Kim Mcauliffe Düsseldorf. (IT)
Girlschool Interview Girlschool: »Es ist Zeit für die Revolution« Wir sprachen mit Sängerin/Gitarristin Kim McAuliffe Düsseldorf. (IT). Bereits 1981 veröffentlichten sie ihr Durchbruchsalbum »Hit And Run«. Und obwohl die Mädels von Girlschool die magische 50 auf der Altersskala mittlerweile schon etwas länger hinter sich gelassen haben, werden sie wohl für alle Zeiten als »Motörheads kleine Schwestern« gehandelt werden. Das weiß auch Sängerin/Gitarristin Kim McAuliffe, die wir kurz vor dem Start einer Tour zum Gespräch bitten, die für viele Rock- und Metal-Fans der Inbegriff der Erfüllung sein dürfte: Motörhead, Saxon und eben Girlschool (17. November – Düsseldorf, Mitsubishi-Electric-Halle). Gut, dass Girlschools neues Album »Guilty As Sin« eine Großtat geworden ist, die viele nicht mehr für möglich gehalten hätten. Dementsprechend blendend aufgelegt ist die gute Kim auch im WochenPost-Interview. Hey Kim, ihr seid kurz davor, wieder mit Euren langjährigen Kumpels von Motörhead und Saxon auf Tour zu gehen. Was kommt dir zuerst in den Sinn, wenn du an dieses berüchtigte Package denkst? Wir fühlen uns wirklich sehr geehrt, auf dieser Tour zu Motörheads 40. Geburtstag spielen zu dürfen. Vor allem, weil wir sie schon auf ihrer allerersten England-Tour supportet haben. Das war 1979, nachdem Lemmy und Co. „Overkill" herausgebracht hatten, stell‘ dir das mal vor. Na ja, und dass die Jungs von Saxon dabei sind, macht das Ganze noch spezieller. Würde ich nicht zufällig mitspielen – ich wäre hingegangen, haha. Einige der Fans, die zu den Shows kommen werden, waren sicherlich schon vor dreieinhalb Jahrzehnten dabei. Seitdem hat sich im Musikgeschäft viel geändert. Denkst du, dass die drei legendären Bands den Spirit von früher einfangen und transportieren können? Auf jeden Fall, denn ich denke, das Line Up ist immer noch der Hammer. -
Rock Music Trivia Questions
ROCK MUSIC TRIVIA QUESTIONS ( www.TriviaChamp.com ) 1> "Dammit", "Josie" and "The Rock Show" were all hits for what American rock band? 2> The front man to the well-known band Nirvana committed suicide in 1994. Name him. 3> What is the name of Aerosmith's lead singer? 4> What band had their number one hit entitled "Iris" stay at number one on the Billboard chart for 18 weeks in 1998? 5> All of the following is true of Neil Young except? i> His full name is Neil David Young ii> He is from Canada iii> He plays guitar iv> He was a member of Buffalo Springfield 6> Slash is best known for once being the lead guitarist of Guns N' Roses. What is his real name? 7> Name the song that the band Pearl Jam based on the classroom suicide of "Jeremy Wade Delle". 8> What artist's 1996 self-titled CD was banned by Wal-Mart for relating the chain to firearm violence? 9> What lead guitarist, who made her start with the group, "The Runaways", released the album "Wicked Wonderland" in 2009? 10> The brothers Malcolm and Angus Young formed what band in 1973? 11> The album "Sonic Boom" finished as one of Billboard's Top 50 Rock Albums in 2010. What rock supergroup recorded it? 12> This female rock icon released the rock-influenced album "Jagged Little Pill", in 1995. 13> The Black Crowes originated from what country? 14> What English rock band was originally known as "Seymour"? 15> Michael Stipe is the lead singer for which well-known rock band from Athens, Georgia? Answers: 1> Blink-182 - Blink-182's debut album was entitled Cheshire Cat. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y.