Low Bono Listing

Low Bono Listing - CHAPTER 7 The Low Bono Listing is a listing of attorneys who have agreed to consult with low income debtors about taking Chapter 7 cases for a reduced fee. Please note that these attorneys are not required to take on your case and are free to negotiate a reasonable fee on a case-by- case basis. The attorneys on this list are not recommended or endorsed by the U.S. Bankruptcy Court; the Court is merely serving as a medium to connect attorneys with low income debtors. Name Bar ID Firm Address City, State, Zip Work Phone Email Counties Served Area(s) of Will Also Practice Consult on Ch 13 Alisha 19678 Law Offices of 1101 Washington, 202-509-4680 [email protected] All counties Reaffirmation Yes Gordon Alisha Gordon, Connecticut DC 20036 om Agreements, MBA Ave, NW, #450 Debt Counseling, Financial Planning Charles E. 17474 Walton Law 10905 Ft. Ft. Washington, 301-292-8357 cwalton@cwalto All counties Wills, Estate, Yes Walton Group, LLC Washington MD 20744 nlaw.com Family, Real Rd., Suite 201 Estate, Civil Litigation Chris 15190 Christman & 810 Towson, MD 410-494-8388 cmcgrady@bank Anne Arundel, Bankruptcy Yes McGrady Fascetta, LLC Gleneagles 21286 r uptcymd.com Caroline, Court, Suite Charles, 301 Dorchester, Kent, Prince George's, Queen Anne's, Talbot Diana L. 27948 Klein & 2450 Riva Annapolis, 443-569-4574 klein- Anne Arundel Bankruptcy, Real No Klein Associates, LLC Road MD 21401 [email protected] Estate Page 1 (Revised 2/9/2021) Name Bar ID Firm Address City, State, Zip Work Phone Email Counties Served Area(s) of Will Also Practice Consult on Ch 13 Edward C. 08121 Christman & 810 Towson, MD 410-494-8388 christman- Baltimore, Bankruptcy Yes Christman, Fascetta, LLC Gleneagles 21286 fascetta@bankru Calvert, Cecil Jr. Court, Suite ptcymd.com Charles, Harford, 301 Prince George's, St. Mary's Erik G. 15452 Law Office of 15 W. Gude Rockville, MD 301-279-0303 esoderberg@pap Anne Arundel, Bankruptcy Yes Soderberg Erik G. Drive, Suite 20850 ewelt.com Charles, Soderberg 400 Frederick, Howard, Montgomery, Prince George's Frank E. 10760 Law Offices of 920 Frederick Catonsville, MD 410-788-8830 turneylaw@veriz Anne Arundel, Bankruptcy Yes Turney Frank E. Road 21228 on.net Baltimore City, Turney, P.A. Baltimore County, Carroll, Frederick, Howard Jeffrey 02512 Law Firm of 44 Reisterstown, 410-363-4488 nessonbankrp@ Baltimore Divorce, Real Yes Nesson Jeffrey P. Westminster MD 21136 a ol.com County, Carroll Estate Nesson Pike County primarily Page 2 (Revised 2/9/2021) Name Bar ID Firm Address City, State, Zip Work Phone Email Counties Served Area(s) of Will Also Practice Consult on Ch 13 Karl-Henri 16926 The Gauvin Law 1120 North Baltimore, MD 410-209-4538 kgauvin@gauvinl Baltimore City, Foreclosure Yes Gauvin Firm Charles Street, 21201 awfirm.com Baltimore Prevention, Suite 410 County, Harford, Family Law Montgomery, Prince George's Shawn W. 26380 S.W. Carter, 807 N. Calvert Baltimore, 410-837-3570 swcarterlc@gma Anne Arundel, Bankruptcy, Real Yes Carter LLC Street, 2nd MD 21202 il Baltimore City, Estate Floor .com Baltimore County, Harford, Howard Stacy R. 17460 PACE Group 1629 K St., Washington, 202-248-6866 Stacy@PaceGrou Baltimore Consumer Law, Yes Pace PLLC NW, Suite 300 DC 20006 pPLLC.com County, Bankruptcy, Montgomery, Identity Theft, Prince George's Tax Wendell 4379 Wendell Finner 1 E. Chase Baltimore, MD 410-929-2440 himself@wendel All counties Bankruptcy Yes Finner PC Street, Suite 21202 lfinner.com 1109 Page 3 (Revised 2/9/2021).

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Track 1 Juke Box Jury
CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper
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Lsnv's Pro Bono Handbook
LSNV’S PRO BONO HANDBOOK Help Close the Justice Gap, Unleash the Power of Pro Bono. LSNV and Volunteers Volunteers play an important role at Legal Services of Northern Virginia. LSNV has limited resources and we often rely on the generous donation of time and effort by members of the community, both attorney and non-attorney alike. Volunteer resources are used to support existing case work and allow us to expand and to help those who would otherwise be turned away due to capacity limitations. Jennifer Fulmer [email protected] TABLE OF CONTENTS LSNV and the Justice Gap .......................................................................................................................................... 2 Becoming a Pro Bono Attorney with LSNV .............................................................................................................. 3 Pro Bono Case Referral Program............................................................................................................................... 4 Questions? .................................................................................................................................................................... 9 Ten Facts About Virginia’s Justice Gap .................................................................................................................. 10 “EQUAL JUSTICE UNDER THE LAW IS NOT MERELY A CAPTION ON THE FACE OF THE SUPREME COURT BUILDING. IT IS PERHAPS THE MOST INSPIRING IDEAL OF OUR SOCIETY…IT IS FUNDAMENTAL THAT JUSTICE SHOULD BE THE SAME,
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Counterclaims and Disputes WG Meeting (Montreal, 15/11/2007) Anders ZETTERLUND (STIM)
PUBCD07-1264 CISAC/ICMP/IMPA Working Groups Montreal, 13/11/2007-15/11/2007 Source language: English 06/12/2007 Minutes : Counterclaims and Disputes WG meeting (Montreal, 15/11/2007) Anders ZETTERLUND (STIM) Status: Counterclaims and Disputes working group (Brussels, 11/06/2008 - 12/06/2008) (PUBCD08-2698) Date: 11/06/2008 1/8 Minutes : Counterclaims and Disputes WG meeting (Montreal, 15/11/2007) Present: Fabio Geovane, ABRAMUS [email protected] Mairy Beam, ASCAP [email protected] Michael Tortora, BMI [email protected] Warren Adler, Harry Fox Agency [email protected] Alan Balchin, MCPS-PRS [email protected] Bart De Bock, SABAM [email protected] Oliver le Covec, SACEM [email protected] Christine Tarquinio, SESAC [email protected] Sheila Tozak, SOCAN [email protected] Guylaine Theroux, SODRAC [email protected] Joël Martin, SODRAC [email protected] Jean-Philippe Prince, SODRAC [email protected] Brigitte Küng, SUISA [email protected] Anders Zetterlund, Stim (chair) [email protected] Gustavo Gonzalez, UBC [email protected] Sylvain Piat, CISAC [email protected] Ron Porter, CMRRA [email protected] Audrey J Ashby, EMI [email protected] Ron Cabiltes, EMI [email protected] Richard Thompson, Kobalt/ICMP [email protected] Kevin O’Byrne, Sony/ATV [email protected] Sabine Sachar, Sony/ATV [email protected] Dee Hale, Sony/ATV [email protected] Mike Donegan, Universal [email protected] Fred Buhrs, Universal [email protected] Jeremy Blietz, WCM (co-chair) [email protected] Bobby Robertson, WCM [email protected] ••••• Action items from this meeting # What Who When 1 Letter of recommendation for big societies JB, SC (KOB) January (send to AZ and SP) 2 Communication to these societies AZ, SP February (“good example”) 3 Questionnaire to all societies AZ, SP March 1 - Opening of the meeting and miscellaneous announcements Jeremy Blietz acted as co-chair in this meeting.
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Music History Lecture Notes Modern Rock 1960 - Today
Music History Lecture Notes Modern Rock 1960 - Today This presentation is intended for the use of current students in Mr. Duckworth’s Music History course as a study aid. Any other use is strictly forbidden. Copyright, Ryan Duckworth 2010 Images used for educational purposes under the TEACH Act (Technology, Education and Copyright Harmonization Act of 2002). All copyrights belong to their respective copyright holders, • Rock’s classic act The Beatles • 1957 John Lennon meets Paul McCartney, asks Paul to join his band - The Quarry Men • George Harrison joins at end of year - Johnny and the Moondogs The Beatles • New drummer Pete Best - The Silver Beetles • Ringo Star joins - The Beatles • June 6, 1962 - audition for producer George Martin • April 10, 1970 - McCartney announces the group has disbanded Beatles, Popularity and Drugs • Crowds would drown of the band at concerts • Dylan turned the Beatles on to marijuana • Lennon “discovers” acid when a friend spikes his drink • Drugs actively shaped their music – alcohol & speed - 1964 – marijuana - 1966 – acid - Sgt. Pepper and Magical Mystery tour – heroin in last years Beatles and the Recording Process • First studio band – used cutting-edge technology – recordings difficult or impossible to reproduce live • Use of over-dubbing • Gave credibility to rock albums (v. singles) • Incredible musical evolution – “no group changed so much in so short a time” - Campbell Four Phases of the Beatles • Beatlemania - 1962-1964 • Dylan inspired seriousness - 1965-1966 • Psychedelia - 1966-1967 • Return to roots - 1968-1970 Beatlemania • September 1962 – “Love me Do” • 1964 - “Ticket to Ride” • October 1963 – I Want To Hold your Hand • Best example • “Yesterday” written Jan.
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Bankruptcy Help in Maryland
ONLINE RESOURCES Bankruptcy BANKRUPTCY GUIDES “Before you file,” Help in “When you file,” “After you file” www.mdb.uscourts.gov/content/reso urces-debtors-without-attorneys Maryland 2-page Bankruptcy Information Guide (Spanish language available) Debtor Assistance www.justice.gov/ust/eo/ust_org/bky- Project (“DAP”) info/index Bankruptcy Basics Manual Resources for Maryland www.uscourts.gov/FederalCourts/Bank DAP is a legal clinic that is a ruptcy/BankruptcyBasics residents to find help with partnership between the U.S. Bankruptcy Court for the District of avoiding or filing for Maryland and various members of the INSTRUCTIONAL VIDEOS bankruptcy. Online guides Maryland legal community. This 9-part series on program provides debtors with an “Bankruptcy and videos are available in opportunity to meet, one-on-one, with Basics” (Spanish English and Spanish. a volunteer bankruptcy attorney for a language available) free half-hour consultation. Clinics www.uscourts.gov/FederalCourts/Bank occur in Baltimore, Chestertown, ruptcy/BankruptcyBasics Easton, and Greenbelt. APPOINTMENT REQUIRED. Information provided by the For Baltimore and Greenbelt call Pro Bono Resource Center of Maryland 410-962-3813 or send an e-mail to with support from the [email protected]. American College of Bankruptcy and the For Chestertown and Easton call 410- American College of Bankruptcy Foundation 690-8128 or send an email to [email protected]. www.probonomd.org FREE LEGAL HELP FREE Bankruptcy Clinics LEGAL HELP FOR A FEE Allegany Law Allegany County Archdiocesan Legal Network If you are not eligible for free help or you Foundation Ch. 7 & Ch. 13 (DC Metro Area) would like help finding a lawyer who can be 301-722-3390 202-350-4305 hired for a fee, call a lawyer referral service.
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July 6 Jukebox Saturday Night July 13 Ilya Yakushev The
All Concerts are $24 adults / $12 students JULY 6 JUKEBOX SATURDAY NIGHT AUGUST 3 TOM SADGE AS NEIL DIAMOND A MUSIC REVIEW OF THE GREAT BIG BANDS A TRIBUTE TO THE LEGEND On the Fourth of July weekend come hear the Big Band Sound Tom Sadge—Neil Diamond impersonator and tribute artist—and his back-up of the 1930s, 40s, and 50s. A terrific 15-piece band of instrumen - band give a rousing, foot-stomping, concert featuring some of Neil’s award- talists and singers will entertain you with the classic sounds of winning songs such as “Sweet Caroline,” “Kentucky Woman,” “Song Sung Glenn Miller, Count Basie, Duke Ellington, Benny Goodman, Blue,” “Cherry, Cherry,” “Solitary Man,” and “Coming to America.” After and more. Hear the songs that made Doris Day, Frank Sinatra, hearing Tom sing, Neil Diamond said “this guy sounds just like me.” Tom Rosemary Clooney, and others famous. This will be a night of recreates the sound, the look, and the persona so well that you might just think “swing” to delight all ages. you are listening to the real Neil Diamond. You will not be disappointed as you watch this energetic concert and sing along with Tom while he interacts JULY 13 ILYA YAKUSHEV beautifully with his audience. CLASSICAL PIANIST With many awards and honors to his credit, this talented Russian pianist continues to astound AUGUST 10 KAREN AKERS and mesmerize audiences at major venues on three continents. He is known as a consummate soloist and also plays with many of the world’s major chamber ensembles and symphonies.
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The Purple Xperience - Biography
THE PURPLE XPERIENCE - BIOGRAPHY Hailing from Minneapolis, Minnesota, The Purple Xperience has been bringing the memories of Prince and The Revolution to audiences of all generations. Led by Matt Fink (a/k/a Doctor Fink, 3x Grammy Award Winner and original member of Prince and The Revolution from 1978 to 1991), The Purple Xperience imaginatively styles the magic of Prince’s talent in an uncannily unmatched fashion through its appearance, vocal imitation and multi-instrumental capacity on guitar and piano. Backed by the best session players in the Twin Cities, Matt Fink and Marshall Charloff have undoubtedly produced the most authentic re-creation of Prince and The Revolution in the world, leaving no attendee disappointed. MATT “DOCTOR” FINK Keyboardist, record producer, and songwriter Doctor Fink won two Grammy Awards in 1985 for the motion picture soundtrack album for “Purple Rain”, in which he appeared. He received another Grammy in 1986 for the album “Parade: Music from the Motion Picture ‘Under the Cherry Moon'”, the eighth studio album by Prince and The Revolution. Matt also has two American Music Awards for “Purple Rain”, which has sold over 25 million copies worldwide since its release. Doctor Fink continued working with Prince until 1991 as an early member of the New Power Generation. He was also a member of the jazz-fusion band, Madhouse, which was produced by Prince and Eric Leeds, Prince’s saxophonist. Notable work with Prince includes co-writing credits on the songs “Dirty Mind”, “Computer Blue”, “17 Days”, “America”, and “It’s Gonna Be a Beautiful Night,” as well as performing credits on the albums “Dirty Mind”, “Controversy”, “1999”, “Purple Rain”, “Around the World in a Day”, “Parade”, “Sign ‘O’ the Times”, “The Black Album”, and “Lovesexy”.
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Die Fledermaus
PLU Opera presents Die Fledermaus Friday, May 21st – Saturday, May, 22nd, 2021 at 7pm Eastvold Auditorium, Karen Hille Phillips Center PLU Opera presents Die Fledermaus by Johann Strauss II (1825-1899) English version by Ruth and Thomas Martin Barry Johnson, stage director James Brown, music director, conductor Amy Boers, rehearsal pianist Sheila Bristow, rehearsal pianist Kathleen Anderson, costume designer Art Giddings, stage services Henry Hossner, stage manager Friday, May 21st – Saturday, May 22nd, 2021 at 7pm Eastvold Auditorium, Karen Hille Phillips Center Welcome to Eastvold Auditorium. Please disable the audible signal on all watches and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM There will be an intermission after Act I of Die Fledermaus CAST (in order of vocal appearance) Alfred, a tenor Kendan Bendt Adele, maid to the Eisenstein’s Kayla Linquist (5/21) Kaitlyn Ochs (5/22) Ellie O’Brien (cover) Rosalinda, wife of Eisenstein Mackenzie Taylor (5/21) Aria Manning (5/22) Lindsey Hansen (cover) Gabriel von Eisenstein Trevor Kytola Dr. Blind, a lawyer in Vienna Zyreal Oliver-Chandler (5/21) Brent Johnson (5/22) Dr. Falke, a lawyer in Munich Hugh Davis Frank, a prison warden Arthur Keast Sally, sister of Adele Samantha Katz (5/21) Amanda Ades (5/22) Caroline Bergren (cover) Ivan, Majordormo to Prince Orlofsky Benaiah Axlund Prince Orlofsky, an eccentric Russian Prince Maria-Viktoria Kovalsky (5/21) Isabella Daltoso (5/22)
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Prince Rogers Nelson
Prince Rogers Nelson By Elizabeth Ting, Hosam Alkhatib, Cody Komorouski, and Hannah Gibson Our Interests In We decided to create a presentation on Prince because has Prince left an absolutely incredible legacy behind in music. With the tragedy of his recent death, Prince has again been in the headlines and the impacts he made in music are being appreciated. Prince was a highly innovative pop, contemporary R&B, and rock artist, so we wanted to uncover the aspects of his music and style that made him such an influential artist. Prince, A Short Biography... The musical icon known as Prince was born on June 7, 1958 as Prince Rogers Nelson, in Minneapolis, Minnesota. Prince became interested in music at a young age, perhaps due to the fact that both of his parents were musicians. He taught himself to play the piano, guitar and the drums. After his parents split up when he was ten, he and his sister divided their time among their parents. Eventually Prince ran away, moving in with “The Anderson Family,” his next door neighbors. In high school Prince formed his band, known as Grand Central. Not until late in his musical career did Prince reveal that as a child he suffered from epilepsy, which he went on to claim was cured by an angel. Biography, cont…. In 1978 Prince signed with Warner Bros and released his first album, in which he played almost every instrument on. He would go on to make numerous albums, and in 1984 Prince would win an Academy Award for best original song score for his hit Purple Rain.
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Journal of the Society for American Music Eminem's “My Name
Journal of the Society for American Music http://journals.cambridge.org/SAM Additional services for Journal of the Society for American Music: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Journal of the Society for American Music / Volume 3 / Issue 03 / August 2009, pp 341 - 363 DOI: 10.1017/S1752196309990459, Published online: 14 July 2009 Link to this article: http://journals.cambridge.org/abstract_S1752196309990459 How to cite this article: LOREN KAJIKAWA (2009). Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race. Journal of the Society for American Music, 3, pp 341-363 doi:10.1017/S1752196309990459 Request Permissions : Click here Downloaded from http://journals.cambridge.org/SAM, IP address: 140.233.51.181 on 06 Feb 2013 Journal of the Society for American Music (2009) Volume 3, Number 3, pp. 341–363. C 2009 The Society for American Music doi:10.1017/S1752196309990459 ⃝ Eminem’s “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Abstract Eminem’s emergence as one of the most popular rap stars of 2000 raised numerous questions about the evolving meaning of whiteness in U.S. society. Comparing The Slim Shady LP (1999) with his relatively unknown and commercially unsuccessful first album, Infinite (1996), reveals that instead of transcending racial boundaries as some critics have suggested, Eminem negotiated them in ways that made sense to his target audiences. In particular, Eminem’s influential single “My Name Is,” which helped launch his mainstream career, parodied various representations of whiteness to help counter charges that the white rapper lacked authenticity or was simply stealing black culture.
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Jnaezeszletter 93023 April 1988 " Vol
P.O. Box 240 Ojal, Calif. jnaezeszletter 93023 April 1988 " Vol. 7 No.4 jazz albums. I was startled by the clarity of the sound. John Galsworthy and the CD I hope you are familiar with that stereo record of the Duke John Galsworthy wrote a short story titled Quality, about a Ellington band in 1934, issued on a label called Everybody’s. bootmaker in the time when the standardized manufacture of Two microphones were set up in front of the orchestra and two footwear was beginning. The bootmaker laments the loss of separate disc recordings of the band were made. A few years quality he insists is inherent in mass production, and is ruined ago, two recording engineers who were ardent collectors in the end byhis refusal (or inability, which amounts to the same discovered serendipitously that they had different recordings of thing) to accommodate himselfto the changingworld. The high the same session. Excitedlythey hypothesized that ifthey could school teacher who forced this storyon me seemed to be on the synchronize the two and derive a tape from them, they would side of the boot-maker, though I thought in my naivete that have a stereo recording ofEllington made a quarter ofa century making inexpensive shoes available to the masses might just be before commercial stereo came to the marketplace. They did, a Good Thing. and the album is a remarkable document of the band at that Two or three years after I read that story, I encountered a time. small record-shop owner in Montreal who railed against the There is a recording that I have heard about but not heard new-fangled 33 rpm LP developed by CBS.
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Transcendental Oscillations in Popular and Classical Music Since the 1800S
Transcendental Oscillations in Popular and Classical Music Since the 1800s by Maxwell Ramage Department of Music Duke University Date:_______________________ Approved: ___________________________ Nicholas Stoia, Advisor ___________________________ Philip Rupprecht ___________________________ R. Larry Todd ___________________________ Jacqueline Waeber Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2021 ABSTRACT Transcendental Oscillations in Popular and Classical Music Since the 1800s by Maxwell Ramage Department of Music Duke University Date:_______________________ Approved: ___________________________ Nicholas Stoia, Advisor ___________________________ Philip Rupprecht ___________________________ R. Larry Todd ___________________________ Jacqueline Waeber An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2021 Copyright by Maxwell Ramage 2021 Abstract In music both popular and classical since the nineteenth century, one finds everywhere chord progressions that alternate between two harmonies in ways that deviate from conventional “textbook” tonality. This thesis aims to answer the following questions: are there meaningful generalizations to be made about these progressions? What is their role in music history? Why have they been so popular with composers of the past two centuries?
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