Hormel's Acquisition of Applegate Farms Reflects Larger Trend
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DANGEROUS WOMEN a Thesis Presented to the Graduate Faculty
DANGEROUS WOMEN A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Fine Arts Jana R. Russ August, 2008 DANGEROUS WOMEN Jana R. Russ Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Dean of the College Mary Biddinger Ronald Levant _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Elton Glaser George Newkome _______________________________ _______________________________ Faculty Reader Date Donald Hassler _______________________________ Department Chair Diana Reep ii TABLE OF CONTENTS SECTION I: HOME ................................................................................................................................. 1 Dangerous Women ................................................................................................................ 2 Living in the Hour of the Wolf .............................................................................................. 3 Cream City Bricks ................................................................................................................. 4 Blue Velvet ............................................................................................................................ 6 Flying Free ............................................................................................................................. 7 Letting Go ............................................................................................................................. -
Intersection of Gender and Italian/Americaness
THE INTERSECTION OF GENDER AND ITALIAN/AMERICANESS: HEGEMONY IN THE SOPRANOS by Niki Caputo Wilson A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL December 2010 ACKNOWLEDGEMENTS I could not have completed this dissertation without the guidance of my committee members, the help from my friends and colleagues, and the support of my family. I extend my deepest gratitude to my committee chair Dr. Jane Caputi for her patience, guidance, and encouragement. You are truly an inspiration. I would like to thank my committee members as well. Dr. Christine Scodari has been tireless in her willingness to read and comment on my writing, each time providing me with insightful recommendations. I am indebted to Dr Art Evans, whose vast knowledge of both The Sopranos and ethnicity provided an invaluable resource. Friends, family members, and UCEW staff have provided much needed motivation, as well as critiques of my work; in particular, I thank Marc Fedderman, Rebecca Kuhn, my Aunt Nancy Mitchell, and my mom, Janie Caputo. I want to thank my dad, Randy Caputo, and brother, Sean Caputo, who are always there to offer their help and support. My tennis friends Kathy Fernandes, Lise Orr, Rachel Kuncman, and Nicola Snoep were instrumental in giving me an escape from my writing. Mike Orr of Minuteman Press and Stefanie Gapinski of WriteRight helped me immensely—thank you! Above all, I thank my husband, Mike Wilson, and my children, Madi and Cole Wilson, who have provided me with unconditional love and support throughout this process. -
00001. Rugby Pass Live 1 00002. Rugby Pass Live 2 00003
00001. RUGBY PASS LIVE 1 00002. RUGBY PASS LIVE 2 00003. RUGBY PASS LIVE 3 00004. RUGBY PASS LIVE 4 00005. RUGBY PASS LIVE 5 00006. RUGBY PASS LIVE 6 00007. RUGBY PASS LIVE 7 00008. RUGBY PASS LIVE 8 00009. RUGBY PASS LIVE 9 00010. RUGBY PASS LIVE 10 00011. NFL GAMEPASS 1 00012. NFL GAMEPASS 2 00013. NFL GAMEPASS 3 00014. NFL GAMEPASS 4 00015. NFL GAMEPASS 5 00016. NFL GAMEPASS 6 00017. NFL GAMEPASS 7 00018. NFL GAMEPASS 8 00019. NFL GAMEPASS 9 00020. NFL GAMEPASS 10 00021. NFL GAMEPASS 11 00022. NFL GAMEPASS 12 00023. NFL GAMEPASS 13 00024. NFL GAMEPASS 14 00025. NFL GAMEPASS 15 00026. NFL GAMEPASS 16 00027. 24 KITCHEN (PT) 00028. AFRO MUSIC (PT) 00029. AMC HD (PT) 00030. AXN HD (PT) 00031. AXN WHITE HD (PT) 00032. BBC ENTERTAINMENT (PT) 00033. BBC WORLD NEWS (PT) 00034. BLOOMBERG (PT) 00035. BTV 1 FHD (PT) 00036. BTV 1 HD (PT) 00037. CACA E PESCA (PT) 00038. CBS REALITY (PT) 00039. CINEMUNDO (PT) 00040. CM TV FHD (PT) 00041. DISCOVERY CHANNEL (PT) 00042. DISNEY JUNIOR (PT) 00043. E! ENTERTAINMENT(PT) 00044. EURONEWS (PT) 00045. EUROSPORT 1 (PT) 00046. EUROSPORT 2 (PT) 00047. FOX (PT) 00048. FOX COMEDY (PT) 00049. FOX CRIME (PT) 00050. FOX MOVIES (PT) 00051. GLOBO PORTUGAL (PT) 00052. GLOBO PREMIUM (PT) 00053. HISTORIA (PT) 00054. HOLLYWOOD (PT) 00055. MCM POP (PT) 00056. NATGEO WILD (PT) 00057. NATIONAL GEOGRAPHIC HD (PT) 00058. NICKJR (PT) 00059. ODISSEIA (PT) 00060. PFC (PT) 00061. PORTO CANAL (PT) 00062. PT-TPAINTERNACIONAL (PT) 00063. RECORD NEWS (PT) 00064. -
Sopranos Packet.Pdf
A professor clearly based on this real-life person tells his daughter that she “skipped the struggle” by working as a copywriter and abandoning her dreams of acting. On Mad Men, Megan’s father, Emile Calvet, is unmistakably based on this person. At a batting cage, Matt Bonpensiero tells A.J. that this person was a “fucking fraud” who “copped it all from Husserl and Heidegger.” For 10 points, name this Existentialist, subject of the Sopranos and Philosophy essay “Bada-Being and Nothingness.” ANSWER: Jean-Paul Sartre At the beginning of this sequence, a man driving says “Nobody ever went broke underestimating the taste of the American public,” after which Agent Harris opens the door to vomit. In part of this sequence set in Carmela’s spec house, Carmela shares a cigarette with Adriana, who subsequently disappears. The different scenes in this montage, including Janice breastfeeding her baby and Meadow dancing in her underwear, are connected by a voiceover enumerating concepts like “Ren, the secret name.” For 10 points, name this sequence featuring a voiceover from William S. Burroughs lecturing on Egyptian ideas about death. ANSWER: the Seven Souls sequence On a non-Sopranos show, this character breaks up with her boyfriend when she has to shoot a movie entirely in New Zealand. This character’s seatmate procures tiny bottles of Scotch for her after she is introduced screaming the C-word at a female male stewardess. This character splashes wine in a man’s face after Drama spreads the story that she jerked him off on a plane. Although I’ve never watched Entourage, entourage.fandom.com tells me that this person is Turtle’s love interest in seasons 5 and 6. -
HISTORY of 783Rd BOMB SQUADRON (H) 465Th BOMBARDMENT GROUP (H) (1943 – 1945) PANTANELLA, ITALY
HISTORY OF 783rd BOMB SQUADRON (H) 465th BOMBARDMENT GROUP (H) (1943 – 1945) PANTANELLA, ITALY Compiled By Floyd E. Gregory 1986 – 1989 1 HISTORY OF 783rd BOMB SQUADRON Table of Contents Page HISTORY OF FIFTEENTH AF and 465th BOMBARDMENT GROUP (H).................. 1 THE YEAR IN ITALY (A BRIEF SUMMARY) .............................................................. 5 CHAPTER I NEW SQUADRON ACTIVATED ............................................................. 9 CHAPTER II FROM McCOOK TO PANTANELLA .................................................... 27 CHAPTER III OUR EARLY COMBAT MISSIONS .................................................... 37 CHAPTER IV PREPARING FOR WINTER AT PANTANELLA ................................ 91 CHAPTER V THE WAR ENDS ................................................................................... 111 BATTLE CASUALTY RECORD ................................................................................. 113 MISSION RECORD ..................................................................................................... 127 FIFTY MISSIONS COMPLETED ................................................................................ 133 P. O. W. LOG ............................................................................................................... 143 MY CAREER AT KREIGEFANGENEN NO. 7181 .................................................... 153 HOW TO FLY THE B-24D AIRPLANE ...................................................................... 167 SONG ............................................................................................................................ -
CONSENT DECREE and PERMANENT INJUNCTION Filed By
Warner Bros Home Entertainment Inc v. Said Almoradi et al Doc. 22 1 J. Andrew Coombs (SBN 123881) [email protected] 2 Annie S. Wang (SBN 243027) [email protected] 3 J. Andrew Coombs, A P. C. 517 East Wilson Avenue, Suite 202 JS-6 4 Glendale, California 91206 Telephone: (818) 500-3200 5 Facsimile: (818) 500-3201 6 Attorneys for Plaintiff Warner Bros. Home Entertainment Inc. 7 M. Stephen Cho (SBN 218430) 8 Carlo C. Ignacio (SBN 259608) [email protected] 9 Cho Sheasby Chung & Ignacio, LLP 10535 Foothill Boulevard, Suite 460 10 Rancho Cucamonga, California 91730 Telephone: (909) 581-1445 11 Facsimile: (909) 581-1332 12 Attorney for Defendant Said Almoradi, an individual and d/b/a Amazon.com 13 Seller Best Deal$ 14 UNITED STATES DISTRICT COURT 15 CENTRAL DISTRICT OF CALIFORNIA 16 ) 17 Warner Bros. Home Entertainment Inc., ) Case No. CV13-241 VAP (OPx) ) 18 Plaintiff, ) [PROPOSED] CONSENT DECREE ) AND PERMANENT 19 v. ) INJUNCTION ) 20 Said Almoradi, an individual and d/b/a ) Amazon.com Seller Best Deal$, and Does ) 21 1-10, inclusive, ) ) 22 Defendants. ) ) 23 24 The Court, having read and considered the Joint Stipulation for Entry of 25 Consent Decree and Permanent Injunction that has been executed by PLAINTIFF 26 Warner Bros. Home Entertainment Inc. (“Plaintiff”), by and through its counsel of 27 record, Annie S. Wang, of J. Andrew Coombs, A P.C., and Defendant Said Almoradi, 28 Warner Bros. v. Almoradi: [Proposed] Consent Decree - 1 - Dockets.Justia.com 1 an individual and d/b/a Amazon.com Seller Best Deal$ (“Defendant”), in this action, 2 and good cause appearing therefore, hereby: 3 ORDERS that based on the Parties’ stipulation and only as to Defendant, his 4 successors, heirs, and assignees, this Injunction shall be and is hereby entered in the 5 within action as follows: 6 1) This Court has jurisdiction over the parties to this action and over the subject 7 matter hereof pursuant to 17 U.S.C. -
Hegemonic Masculinity and Un-Made Men in the Sopranos Jordan Senior
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Huddersfield Repository WALK LIKE A MAN: HEGEMONIC MASCULINITY AND UN-MADE MEN IN THE SOPRANOS JORDAN SENIOR A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Masters by Research in English Literature. May 2017 ABSTRACT This thesis is intended to provide a re-evaluation of The Sopranos in response to recent contributions made to the field of film and television studies regarding the rise of “Quality Television” (Albrecht 2015 p. 5) and the “male-centred serial” (Lotz 2014 p. 21) as a popular medium. The thesis will examine the degree to which the depiction of a crisis in masculinity in The Sopranos can be said to represent a patriarchal or feminist configuration of masculinity (Lotz 2014 p. 35), and to what extent it either reaffirms or repudiates Connell’s (2005) model of hegemonic masculinity. The argument will focus on three main areas; the embodiment of masculinity, the performance of masculinity, and the presentation of violence in The Sopranos. The argument of this essay is that The Sopranos employs gendered processes of pleasure, unpleasure and identification to deconstruct hegemonic masculinity as part of a demythologising project which uses affective learning to achieve its aims (Tan 1996 p.28), and in doing so, the thesis suggests that The Sopranos creates a space for imagining new ways of performing masculinity and new, feminist configurations of male gender identity based on the acceptance and internalisation of “prohibit[ed] forms of emotion, attachment and pleasure” (Connell 2005 p. -
The Curious Appeal of Tony Soprano Bentham, AA
Summons and repulsion : the curious appeal of Tony Soprano Bentham, AA Title Summons and repulsion : the curious appeal of Tony Soprano Authors Bentham, AA Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/57499/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Tony Soprano Creator: David Chase Abby Bentham In a Los Angeles Times article published in the wake of James Gandolfini’s death, Chris Lee described Tony Soprano, Gandolfini’s most famous incarnation, as ‘a cultural sensation’, ‘one of TV’s most indelible icons’ and ‘the unlikeliest of all sex symbols’ (Lee 2013). Lee was not alone in his summation of the character; Tony Soprano is widely recognized as one of popular culture’s most challenging, impactful and compelling figures. But what is it about this calculating, vicious and narcissistic sociopath that audiences find so appealing? By his own admission, Tony Soprano is ‘a fat fucking crook from New Jersey’ (‘Calling All Cars’ 2002); a mob boss with an unnerving knack for sudden and devastating violence. He is also a middle-aged, obese family man, prone to panic attacks and undergoing therapy. Hardly the stuff of dreams, yet the character retains his stranglehold on the cultural imaginary and continues to top ‘best TV antihero’ polls more than seven years after the final episode aired. -
'We Wuz Robbed,' Fans Complain - Los Angeles Times Page 1 of 3
'We wuz robbed,' fans complain - Los Angeles Times Page 1 of 3 10:54 AM PDT, June 11, 2007 JOBS CARS REAL E Entertainment News : Television Print E-mail s [ 'THE SOPRANOS' ] HOME 'We wuz robbed,' fans complain MyLATimes By Martin Miller and Carmen Gentile, Special to The Times Site Map June 11, 2007 Entertainment News Movie News The fat lady finally sang for "The Sopranos" on Sunday night, and when it was over, TV News much of the audience was left shrieking — and not with pleasure. Pop Music News This message from the Television Without Pity website was fairly typical: "David Chase, Celebrity News you and your show are dead to me." New Media Home Then there was this from an AOL message board devoted to the series finale: "I'm Entertainment canceling my HBO tomorrow. After 7 years of watching 'The Sopranos,' I feel totally Photo Galleries manipulated. What has happened to creativity and respect for the audience?" Media Charts Listings, Reviews In general, audiences weren't exactly clapping for the much-hyped and highly anticipated NEWS finale of HBO's "The Sopranos." California | Local National Rather, within moments of the show's ultimate close, thousands of "Sopranos" fans World apparently ran to their keyboards and unleashed their disappointment and a few threats — many issued with the same dark humor that characterized what is frequently referred Entertainment News to as one of the best shows in television history — at series creator Chase and HBO Business alike. Sports Politics Spoiler alert — stop reading if you haven't seen the finale and want to be surprised. -
Orality in the Sopranos Supervisor: Domhnall Mitchell Student: Bård
Krogstadholm MA Thesis May 2015. A Tavola! _______________ ______________ ______________ Orality in The Sopranos Supervisor: Domhnall Mitchell Student: Bård Krogstadholm Master's Thesis in English Literature Department of Modern Foreign Languages Faculty of Humanities NTNU May 2015 1 Krogstadholm MA Thesis May 2015. Table of Contents 1. A Reading of the Regaleali Dinner scene – p. 3 2. Thesis Aim: Food As Identity – p. 17 3. Fire and The Barbecue – p. 24 4. Heat – p. 30 5. Early Birds at Breakfast – p. 42 6. Lemme Tellya Somethin' – Stories and Melfi Sessions – p. 47 7. The Red Lead – p. 56 8. Unions and Oneness – p. 70 9. Bite on The Sopranos – p. 82 10. Conclusion – p. 84 Works cited -primary text -secondary texts 2 Krogstadholm MA Thesis May 2015. Chapter One: A Reading of the Regaleali Dinner A man and a woman entering a restaurant are greeted by the white-clad maitre'd with the words: "Mr. Soprano, buona sera. Months we don't see you, where you been? Signora Carmela. Da questa parte." He kisses the woman's hand and leads her into the restaurant. Seated at their table and each sipping at a glass of red Regaleali wine, the elegantly dressed couple starts talking: Soprano: You know, sometimes life is good. Carmela: Life is often good. Soprano: Regaleali, for example. Carmela: You've been in good spirits the last couple days. Soprano: Carmela, there's somethin' I gotta confess. What are you doin'? Carmela: Getting my wine in position to throw in your damn face. Soprano: You, always with the drama, you. -
The Sopranos
The Sopranos DANA POLAN The Sopranos A production of the Console-ing Passions books series Edited by Lynn Spigel Duke University Press Durham and London 2009 The Sopranos DANA POL AN © 2009 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by C. H. Westmoreland Typeset in Warnock by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. FOR DOUG AND ANN —who first introduced me to a certain New Jersey family Contents acknowledgments ix prologue 1 1 The Sopranos on Screen 17 1 Watching The Sopranos 19 2 Eight Million Stories in the Naked City 32 3 Food for Thought 45 4 Living in the Moment 56 5 The Late Style of The Sopranos 63 6 Gaming The Sopranos 72 7 Getting High with The Sopranos 86 8 Qualifying “Quality TV” 98 9 “Honey, I’m Home” 105 10 Against Interpretation 113 11 New Jersey Dreaming 133 2 The Sopranos in the Marketplace 143 12 Tie-ins and Hangers-on 146 13 Touring Postindustrialism 155 14 Cashing In on the Game 162 15 Cable and the Economics of Experimentation 174 16 This Thing of Ours 194 notes 197 selected bibliography 211 index 213 viii Contents Acknowledgments Any resonant work of television becomes part of a broad cultural con- versation, and, in my own case, I benefited immeasurably from the rich dialogue that The Sopranos has encouraged among viewers. For their rewarding reflections (and with special thanks to those who came to Sunday-night Sopranos fests), I offer much gratitude to Barbara Peter- son, Bill Peterson, Kara Kirk, Doug Thomas, Ann Chisholm, Marianne Hirsch, Leo Spitzer, Kristin Ross, Harry Harootunian, Nick Mirzoeff, Kathleen Wilson, Nick Couldry, Louise Edwards, Noah Isenberg, Melanie Rehak, Tom Kemper, Alison Trope, Lesley Stern, Jeffrey Min- son, Toby Miller, Andrew Sheppard, Jeff Sconce, Cynthia Chris, Scott Bukatman, and Chris Anderson. -
University of Huddersfield Repository
University of Huddersfield Repository Senior, Jordan Walk Like a Man: Hegemonic Masculinity and Un-Made Men in 'The Sopranos' Original Citation Senior, Jordan (2017) Walk Like a Man: Hegemonic Masculinity and Un-Made Men in 'The Sopranos'. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34156/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ WALK LIKE A MAN: HEGEMONIC MASCULINITY AND UN-MADE MEN IN THE SOPRANOS JORDAN SENIOR A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Masters by Research in English Literature. May 2017 ABSTRACT This thesis is intended to provide a re-evaluation of The Sopranos in response to recent contributions made to the field of film and television studies regarding the rise of “Quality Television” (Albrecht 2015 p.