CONGRESSIONAL RECORD— Extensions Of

Total Page:16

File Type:pdf, Size:1020Kb

CONGRESSIONAL RECORD— Extensions Of April 30, 2009 CONGRESSIONAL RECORD — Extensions of Remarks E1037 World Famous Apollo Theatre, over the years TRIBUTE TO JAMES GRABAU and completed the Advanced Placement Insti- has been the home club of choice and hang- tute at Millsaps College. out for many of Harlem’s renowned entre- HON. TOM LATHAM Prior to teaching at Murrah H.S., Ms. Don- preneurs and personalities. Since 1942, Show- OF IOWA aldson taught at Bassfield High School in the man’s Jazz Cafe has showcased top musi- IN THE HOUSE OF REPRESENTATIVES Jefferson Davis School District and at Sumner cians for Harlem and International audiences, Hill Junior High in Clinton, MS. ‘‘The art of Thursday, April 30, 2009 as Mona, Co-Owner and retired Son of Sam teaching is bigger than the subject one teach- New York City Police Detective Al Howard, Mr. LATHAM. Madam Speaker, I rise to rec- es,’’ Donaldson said. It is no surprise to those and former barmaid ‘‘Lil’’ Pierce refer to as ognize James Grabau, a resident of Boone, who know Stacey best that she would be rec- ‘‘family.’’ Iowa, and president of R. H. Grabau Construc- ognized for her achievements. Donaldson’s fa- tion Inc. ther, Allen Hall, ‘‘noticed his daughter’s poten- Madam Speaker, The Friends of Show- James, who has been the president of R.H. man’s roster include luminaries and enter- tial and encouraged her to be the best she Grabau Construction Inc. since 1984, was re- could be’’. With this in mind, Stacey serves as tainers like Count Basie, Billy Eckstine, cently honored with The Master Builders of a member of the Murrah site council and Sammy Davis, Jr., Charles Honi Coles, Leroy Iowa ‘‘Build Iowa Award.’’ The award is given sponsor of the school’s Not Here Club, which Myers, Gregory Hines, Pop Brown, Nat Davis to one Master Builder member each year who discourages students from substance abuse, and Savion Glover. Personalities like Jesse best exemplifies skill, integrity, and responsi- as well as coordinates Murrah’s Seatbelt Safe- Walker, Joe Yancy and Jimmy Booker. Per- bility in the construction industry and in the ty Project. formers like Bill Doggett, George Benson, member’s community. Stacey’s husband, Johnny Donaldson, de- Seleno Clarke, Irene Reid, Jimmy ‘‘Preacher’’ James has offered his time and talents to scribes her as passionate, hardworking and Robins, Gloria Lynne, Joey Morant, Akiko many community organizations. Among many devoted. She is the mother of two daughters, Tsuruga, Grady Tate, Frank Dell and the other contributions, he has served as Presi- 10-year old Camaryn and 5-year old Cailyn. In Prince of Harlem Lonnie Youngblood. dent of Boone’s Future, the Boone Chamber addition to her role as wife, mother and teach- Mona has always been, and still is a of Commerce, Boone’s Industrial Development er, Stacey finds time to give back to her ‘‘Hands-On’’ person and as Operations Man- Corporation, and the Master Builder’s of Iowa. church and community. She is a member of ager she along with her dedicated and ener- He has served on the boards of Boone County Greater New Jerusalem’s scholarship com- gized staff, is responsible for the reputation YMCA and Hawkeye Federal Savings Bank. mittee and is a young women’s ministry volun- that Showman’s has maintained for being Additionally, he has served as Global Ambas- teer for the Sims House Stewpot Ministries. sador for the Rotary Group Study Exchange to ‘‘The Jazz Club in Harlem’’ since it was found- I am very proud of Ms. Donaldson and all of Australia, Church Elder, and Chairman of the ed back in 1942. For her service to the com- her accomplishments. She is truly a remark- Congregation of the Trinity Lutheran Church. munity, Mona has been honored to receive a able example of the talented, dedicated and Through his work, he has been honored with ‘‘Woman of the Year’’ award from the Tioga hardworking teachers that help to educate such awards as the Al Kinney Award, DMACC Democratic Club, the Women’s Ministry Mississippi’s best and brightest children. Alumni Award, National Leadership Award, Achievement Award, and a special award from and the Associated General Contractors of Please join me today in congratulating Ms. the Greater Harlem Uptown Chamber of Com- America Chapter President of the Year Award Stacey Donaldson, the 2009 Mississippi merce Association. In 2009 Ms. Lopez be- while President of the Master Builders of Iowa. Teacher of the Year. came a partner in Showman’s Jazz Club. I know that my colleagues in the United States Congress join me in commending f f James Grabau for his professional contribu- PERSONAL EXPLANATION tions to the construction industry, his leader- PERSONAL EXPLANATION ship and dedication to representing Iowa in his career, and committing time to his community. HON. MICHAEL C. BURGESS I consider it an honor to represent James and OF TEXAS HON. MICHAEL C. BURGESS his family in Congress, and I wish him the IN THE HOUSE OF REPRESENTATIVES OF TEXAS best in his future endeavors. Thursday, April 30, 2009 IN THE HOUSE OF REPRESENTATIVES f Mr. BURGESS. Madam Speaker, on Thursday, April 30, 2009 CONGRATULATING STACEY DON- ALDSON 2009 MISSISSIPPI TEACH- Wednesday, April 29, 2009, on rollcall number Mr. BURGESS. Madam Speaker, on ER OF THE YEAR 223 I am not recorded. This rollcall vote on Wednesday, April 29, 2009, on rollcall number H.R. 1913, the Local Law Enforcement Hate 216 I am not recorded. This rollcall vote on S. Crimes Prevention Act of 2009, to provide HON. BENNIE G. THOMPSON Federal assistance to States, local jurisdic- Con. Res. 13, the Conference Report to a OF MISSISSIPPI tions, and Indian tribes to prosecute hate Concurrent Resolution setting forth the Con- IN THE HOUSE OF REPRESENTATIVES crimes, and for other purposes, occurred while gressional Budget for the United States Gov- Thursday, April 30, 2009 I was absent from the floor of the U.S. House ernment for fiscal year 2010 and budgetary of Representatives. Had I been present, I levels for fiscal years 2009 and 2011 through Mr. THOMPSON of Mississippi. Madam would have voted ‘‘nay.’’ 2014, occurred while I was absent from the Speaker, I would like to congratulate the 2009 Violence, whether it’s based on a perceived floor of the U.S. House of Representatives. Mississippi Teacher of the Year, Stacey Don- or actual threat, is of enormous concern when Had I been present, I would have voted ‘‘nay.’’ aldson. The Teacher of the Year program, spon- it is combined with constitutionally protected I would have voted ‘‘nay’’ on S. Con. Res. sored by the state Department of Education rights. Race. Color. National Origin. Religion. 13 because the budget significantly increases and the Mississippi Teacher Center, awards Gender. Disability. All of these fundamental the Federal deficit and passes the burden of certified public school teachers for their out- rights are protected by our Constitution and payment on to future generations of Ameri- standing performance. Donaldson, a 37-year- hate crimes themselves have additional pro- cans. The reserve funds singled out for old Murrah High School English teacher, was tection in Section 280003(a) of the Violent healthcare reform, climate change, affordable selected for exhibiting leadership, excelling in Crime Control and Law Enforcement Act of housing, and Medicare alone represent a dra- the classroom and being active in her commu- 1994. Any hate crimes perpetrated in violation matic expansion of the powers of the Federal nity. of either law should be fully prosecuted by the government. I am committed to voting to im- Stacey, a graduate of University of Southern U.S. Department of Justice and we, as the prove fiscal responsibility and to reduce the Mississippi, obtained a bachelor’s degree in DOJ’s appropriators, should give them all the size and power of the federal government. As Broadcast Journalism and a minor in speech resources they need to prevent any hate a result of that commitment, I would not sup- communications. She worked as a broadcast crimes from occurring. port this resolution. On April 2, 2009 the journalist before changing careers and becom- I believe existing federal law is more than House of Representatives voted in favor of the ing a teacher. Stacey earned a master of adequate to prosecute hate crimes and, as House Budget Resolution (233–196), on that teaching degree from William Carey College such, should I have been present I would vote, I am recorded as voting ‘‘nay.’’ and became a national board certified teacher have voted ‘‘nay.’’ VerDate Nov 24 2008 05:46 May 01, 2009 Jkt 079060 PO 00000 Frm 00017 Fmt 0626 Sfmt 0634 E:\CR\FM\A30AP8.041 E30APPT1 wwoods2 on PRODPC68 with REMARKS.
Recommended publications
  • Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 Pm
    Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/02/2011 to 11/08/2011 Last Period (TP) = 10/25/2011 to 11/01/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Jeff McLaughlin Quartet Blocks Owl Studios 2011 11 12 -1 2 27 Christian McBride Big The Good Feeling Mack Avenue 2011 9 3 6 Band 3 308 Pat Martino Undeniable: Live At Blues HighNote 2011 8 0 8 Alley 4 4 Dr. Michael White Adventures In New Basin Street 2011 7 9 -2 Orleans Jazz Pt. 1 4 8 Stefon Harris, David Ninety Miles Concord Picante 2011 7 8 -1 Sanchez, Christian Scott 4 14 Warren Wolf Warren Wolf Mack Avenue 2011 7 6 1 4 308 Houston Person So Nice HighNote 2011 7 0 7 8 4 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 6 9 -3 8 10 Orrin Evans Freedom Posi-Tone 2011 6 7 -1 10 1 Roy Haynes Roy-Alty Dreyfus 2011 5 13 -8 10 3 Cedar Walton The Bouncer High Note 2011 5 10 -5 10 8 Afro Bop Alliance Una Mas OA2 2011 5 8 -3 10 20 Alan Leatherman Detour Ahead AJL 2011 5 4 1 10 20 Dave Valentin Pure Imagination HighNote 2011 5 4 1 10 43 Sir Roland Hanna Colors From A Giant's Kit IPO 2011 5 2 3 10 43 Denise Donatelli What Lies Within Savant 2008 5 2 3 17 4 Bill O'Connell Triple Play Plus Three Zoho 2011 4 9 -5 17 10 John Stein Hi Fly Whaling City Sound 2011 4 7 -3 17 18 Gerald Beckett Standard Flute Summit 2011 4 5 -1 17 20 Denise Donatelli When Lights Are Low Savant 2010 4 4 0 17 27 Sammy Figueroa Urban Nature
    [Show full text]
  • Selected Observations from the Harlem Jazz Scene By
    SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan.
    [Show full text]
  • Lee Morgan Chronology 1956–1972 by Jeffery S
    Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC).
    [Show full text]
  • Uptown Conversation : the New Jazz Studies / Edited by Robert G
    uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M.
    [Show full text]
  • So the Date Is November 22Nd, and This Is Molly Whitehorn, with Dr
    mabern Page 1 of 38 Molly Whitehorn, John Bass, Harold Mabern Molly Whitehorn: So the date is November 22nd, and this is Molly Whitehorn, with Dr. John Bass, interviewing Harold Mabern for Echoes of Memphis. So thank you so much for being here today. Harold Mabern: My pleasure. Molly Whitehorn: And if you could just start off, could you tell us a little bit about your childhood and the music you were exposed to when you were younger? Harold Mabern: Okay. My childhood, I was born in Memphis, Tennessee, John Gaston Hospital, March 20th, 1936. Childhood, I didn’t get into music until I was about 15, 16 years old, because I’m self-taught. I never had the privilege to study the piano. And I was going to Douglas High School, and I graduated from Hyde Park High School, and then I went to Douglas. And my first year, I got in the marching band, and I wanted to play a trumpet, but I couldn’t, so I played the drums. And the second year, I was able to play – learn how to play the baritone horn, euphonium. And a friend of mine, his name is Frank Strozier, he’s from Memphis Tennessee, alto player, wonderful alto player. [00:01:01] Harold Mabern: He was saying to me, “Why don't you transfer to Manassas High School?” But during that time, you had to go to school in the district where you lived. So I was able to some kind of way transfer to his high school, which was Manassas, and he was playing alto, saxophone, and clarinet in the marching band.
    [Show full text]
  • Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, History Commons, and the Music Commons Recommended Citation anderson, Benjamin Park, "Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement" (2005). Dissertations, Theses, and Masters Projects. Paper 1539626478. https://dx.doi.org/doi:10.21220/s2-9ab3-4z88 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. BLUE NOTES AND BROWN SKIN Five African-American Jazzmen and the Music they Produced in Regard to the American Civil Rights Movement. A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts By Benjamin Park Anderson 2005 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts imin Park Anderson Approved by the Committee, May 2005 Dr. Arthur Knight, Chair Ids McGovern . Lewis Porter, Rutgers University, outside reader ii TABLE OF CONTENTS Page Acknowledgements iv List of Illustrations V List of Musical Examples vi Abstract vii Introduction 2 Chapter I.
    [Show full text]
  • WNCU-FM 90.7 Playlist Report for Past 7 Days Beginning 12/04/2009 This Period (TP) = 12/04/09 to 12/10/09 Last Period (LP) = 11/27/09 to 12/03/09
    WNCU-FM 90.7 Playlist Report For Past 7 Days Beginning 12/04/2009 This Period (TP) = 12/04/09 to 12/10/09 Last Period (LP) = 11/27/09 to 12/03/09 TP Rank LP Rank Artist Release Label Release Year TP Plays LP Plays +/- 1 78 Various Artists Strictly The Best VP 2009 8 0 +8 40 2 6 Dana Hall Into The Light Origin 2009 7 7 0 2 16 Steve Davis Eloquence Jazz Legacy 2009 7 5 +2 2 20 Joe Locke Sticks And Jazz Eyes 2007 7 4 +3 Strings 5 1 Jake Langley Here And Now Tonepoet 2009 6 11 -5 5 11 The Wayne Bien Bien Patois 2009 6 6 0 Wallace Latin Jazz Quintet 5 20 Michael O'Neill Still Dancin' Jazzmo 2007 6 4 +2 8 3 The Mike Longo Sting Like A Bee C.A.P. 2009 5 8 -3 Trio 8 6 James Weidman Three Worlds Inner Circle 2009 5 7 -2 8 11 Madame Pat Madame Pat Blue Ark 2009 5 6 -1 Tandy Tandy Remembers Irene Reid 8 20 Deep Blue Organ Folk Music Origin 2007 5 4 +1 Trio 8 78 Kermit Ruffins Have A Crazy Basin Street 2009 5 0 +5 Cool Christmas 13 2 Rodney Jones A Thousand 18th & Vine 2009 4 9 -5 Small Things 13 3 Angela The Way They Resonance 2009 4 8 -4 Hagenbach Make Me Feel 13 16 Miguel Zenon Esta Plena Marsalis 2009 4 5 -1 13 20 Poncho Sanchez Psychedelic Concord Jazz 2009 4 4 0 Blues 13 33 Ben Allison Think Free Palmetto 2009 4 2 +2 13 33 Cassandra Blue Skies JMT 1988 4 2 +2 Wilson 13 33 Ella Fitzgerald & The Complete Verve 1997 4 2 +2 Louis Armstrong Ella Fitzgerald & Louis Armstrong On Verve 13 78 Steve Nelson Sound-Effect HighNote 2007 4 0 +4 13 78 Thomas Marriott The Cool Origin 2007 4 0 +4 Season: An Origin Records Holiday Collection, Vol.
    [Show full text]
  • Jazz-Inside-Magazine-2020-01
    Eric Nemeyer’s WWW.JAZZINSIDEMAGAZINE.COM December-Janauary 2020 Interviews DaveDave StrykerStryker Jazz Standard, Jan 24--26 LewisLewis NashNash omprehensive DirectoryDirectory of NY ClubS, ConcertS HaroldHarold MabernMabern KnowingKnowing HowHow toto StayStay OutOut ofof thethe WayWay TheThe FinalFinal InterviewInterview To Advertise CALL: 215-887-8880 December 2015 Jazz Inside Magazine www.JazzInsideMagazine.com 1 COVER-2-JI-15-12.pub Wednesday, December 09, 2015 15:43 page 1 MagentaYellowBlacCyank ORDER THIS 200+ Page Book + CD - Only $19.95 Call 215-887-8880 To Advertise CALL: 215-887-8880 December-January 2020 Jazz Inside Magazine www.JazzInsideMagazine.com 1 Eric Nemeyer’s Jazz Inside Magazine ISSN: 2150-3419 (print) • ISSN 2150-3427 (online) December-January 2020 – Volume 10, Number 7 Cover Photo and photo and at right of Harold Mabern By Eric Nemeyer Publisher: Eric Nemeyer Editor: Wendi Li Marketing Director: Cheryl Powers Advertising Sales & Marketing: Eric Nemeyer Circulation: Susan Brodsky Photo Editor: Joe Patitucci Layout and Design: Gail Gentry Contributors: Eric Nemeyer, Ken Weiss, Joe Patitucci. ADVERTISING SALES 215-887-8880 Eric Nemeyer – [email protected] ADVERTISING in Jazz Inside™ Magazine (print and online) Jazz Inside™ Magazine provides its advertisers with a unique opportunity to reach a highly specialized and committed jazz readership. Call our Advertising Sales Depart- ment at 215-887-8880 for media kit, rates and information. SUBSCRIPTION INFORMATION SUBMITTING PRODUCTS FOR REVIEW Jazz Inside™ Magazine | Enthusiasm Corporation Jazz Inside™ (published monthly). To order a subscription, call 215-887-8880 or visit Companies or individuals seeking reviews of their recordings, books, videos, software P.O. Box 8811, Elkins Park, PA 19027 Jazz Inside on the Internet at www.jazzinsidemagazine.com.
    [Show full text]
  • One for Bob Full Score
    Jazz Lines Publications one for bob Presents Arranged by oliver nelson prepared by dylan canterbury, rob duboff, and jeffrey sultanof full score jlp-7705 Music by Oliver Nelson Copyright © 1966 (Renewed) by Noslen Music Co., LLC (BMI) International Copyright Secured All Rights Reserved Used by Permission Logos, Graphics, and Layout Copyright © 2018 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Estate of Oliver Nelson. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA oliver nelson small band series one for bob (1966) Background: Oliver Edward Nelson was born on June 4, 1932 in St. Louis, into a musical family, as is often the case with jazz greats. His brother was a saxophonist who played with Cootie Williams and his sister was a singing pianist as well. He began to learn piano as a child, moving on to saxophone a few years later, and eventually played in what were then called “territory bands” in the St. Louis area. Johnny Hodges was his idol and he worked hard at becoming proficient at the alto saxophone before joining Louis Jordan’s big band as an altoist and arranger as the 1950s began. During the bulk of the decade he served in the Marines in the Far East and then returned to St. Louis to study music. It was during these years that he was exposed to many kinds of music, apparently being especially moved by the Tokyo Philharmonic, and his endlessly curious and fertile mind was stimulated to begin creating what would be some of the greatest music in jazz history.
    [Show full text]
  • The Swingin' Swamis-Song List
    THE SWINGIN’ SWAMIS-SONG LIST Vocal Tunes (4 and 5 Piece Band) 1. Bang The Drum…Todd Rundgren 60. Where It's At…Beck 2. Black Magic Woman/Gypsy Queen…Santana 61. Will It Go ‘Round In Circles…Billy Preston 3. Brick House… The Commodores 62. Wooly Bully…Sam The Sham & Pharaohs 4. But I Was Cool...Oscar Brown Jr. 63. Wrap It Up…Sam & Dave 5. Comin' Home Baby...Mel Torme 64. Young Blood…The Coasters 6. Cool Jerk…The Capitols 7. Cry Cry Baby...Johnny Conquet 8. Dancing Shoes…The Swingin’ Swamis Kerra Holtgren Song List 9. Do You Love Me…the Contours 10. Don't Lay Your Funky Trip On Me...Senor Soul 1. Agua De Beber… Stan Getz & Joao Gilberto 11. Down in Mexico…The Coasters 2. All the Way… Jimmy Van Heusen with lyrics by 12. Feelin’ Alright…Dave Mason, Joe Cocker Sammy Cahn 13. Flip Flop & Fly…Big Joe Turner 3. And I Love Her…The Beatles 14. Foxy Lady…Jimi Hendrix 4. At Last…Etta James 15. Get Out of My Life Woman…Lee Dorsey 5. Big Fat Daddy…Irene Reid 16. Good Lovin’…The Rascals 6. Black Coffee...Peggy Lee 17. Groove Me…King Floyd 7. Build Me Up Butter Cup…The Foundations 18. Hard To Handle…Otis Redding 8. Chica Chica Boom Chic…Carmen Miranda 19. Hey Mrs. Jones...Jimmy Forrest 9. Come On A My House...Della Reese 20. Hold On, I’m Coming…Sam & Dave 10. Crazy...Gnarls Barkley 21. I Ain’t Got You…Jimmy Reed 11. Daddy…Julie London 22.
    [Show full text]
  • Guide to the Melba Liston Collection
    Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Melba Liston Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COLLEGE CHICAGO CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Melba Liston Collection, 1941-1999 EXTENT 44 boxes, 81.6 linear feet COLLECTION SUMMARY The Melba Liston Collection primarily documents her careers as arranger, composer, and educator rather than her accomplishments as a trombonist. It contains lead sheets to her own and other people’s compositions and manuscript scores of many of her arrangements for Duke Ellington, Dizzy Gillespie, Clark Terry, and Mary Lou Williams, among others. One extensive series contains numerous arrangements for Randy Weston, and her late computer scores for him are also present. PROCESSING INFORMATION The collection was processed, and a finding aid created, by Kristin McGee in 2000 and the finding aid was updated by Laurie Lee Moses in 2010 and Heidi Marshall in 2020. BIOGRAPHICAL NOTE Melba Liston was a jazz composer, arranger, and performer born in 1926. She was a trombonist during an era (1942–1985) when few women played brass instruments and even fewer toured with jazz bands. She played in the bands of several important jazz musicians, including Count Basie, Dexter Gordon, Dizzy Gillespie, Charles Mingus, Randy Weston, and Quincy Jones. Liston had an active career as an arranger for important jazz composers as well as popular music record labels. She also worked with youth orchestras in the troubled neighborhood of Watts, California, leaving the United States to teach at the Jamaica Institute of Music for six years (1973–1979).
    [Show full text]
  • Jacksonville Jazz Festival Collection Materials Jacksonville Jazz Festival Collection
    University of North Florida UNF Digital Commons Jacksonville Jazz Festival Collection Materials Jacksonville Jazz Festival Collection 10-1986 Jacksonville Jazz Festival '86 Souvenir Program Jacksonville Jazz Festival Follow this and additional works at: https://digitalcommons.unf.edu/jacksonville_jazz_text Part of the Music Performance Commons BAPTIST MEDICAL CENTER Baptist Medical Center Wolfson Children's Hospital SunCare Plans Inc. JAZZ FESTIVAL I am proud to have played a role 1986 Schedule in creating the Jazz Festival. May it continue to focus a spotlight Thursday, October 9 on Jacksonville and bring many 4th Annual Great American Jazz Piano Competition 6 pm in the Florida National Pavilion OFFICE OF THE MAYOR 2nd Annual Jacksonville Jam No other cultural event held in Follows Piano Competition in the Pavilion Northeast Florida compares with the Jacksonville Jazz Festival in stature Friday, October l O and prestige. Indeed, no other event Dixieland Festival has brought, in seven short years, 7 pm in Metropolitan Park such international recognition to Festival Benefit Party our city. 6:30 pm at Civic Auditorium Over the years, the name and loca­ Exhibition Hall tion of the festivals have changed, Saturday, October 11 but not the spirit and enthusiasm behind them. WJCT has carried on Jacksonville Jazz Festival "Super Saturday" 12 hours of non-stop jazz and fun begins a tradition initiated by the city, and hours oflistening pleasure to citizens at 10:30 am in Metropolitan Park each year the music, the food and the and visitors alike for many decades 10:30 am - Pili-Pili featuring togetherness get better. It takes to come.
    [Show full text]