DOCSLIB.ORG

Seabees Leave for States, Group Left May 7, Other Goes May 19 After Six Months of Hard Work, MCB-1 Is Getting That Long Awaited Stateside Rest

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Seabees Leave for States, Group Left May 7, Other Goes May 19 After Six Months of Hard Work, MCB-1 Is Getting That Long Awaited Stateside Rest 11 Seniors To Be Graduated Friday At Exercises In School Auditorium COVERS GTMO LIKE THE SUNSHINE U. S. Naval Base, Guantanamo Bay, Cuba Volume VII, No. 19 Saturday, 12 May 1956 Seabees Leave For States, Group Left May 7, Other Goes May 19 After six months of hard work, MCB-1 is getting that long awaited stateside rest. The Seabees are leaving Guantanamo Bay in two echelons. The First group left May 7 and the second one is scheduled to depart May 19. The construction battalion arrived in Gtmo, their "second home", in Nov., 1955 and picked up where they had left off in August of that year. This was the third time that the outfit had been stationed in Gtmo Bay. INDIAN Photo In the past, all of the Mobile at times and the little amount of Members of the Naval Base High School Class of 1956 are left to Construction Battalions stationed time available, an excellent, high right: Dolores Rogoz, Eunice Avila, Maryalice on the East Coast have spent some quality job was done. Murphy, Anita Sierra, Sarah Upp, Rebecca Dobbins, time in Cuba. But MCB-1 started Philip Keenan, Timothy Reffett, Roger Getzewich and Patricia Fojt. Roberta and finished the new housing Not satisfied with what they had Johnson is missing from the picture. projects. done, the Seabees made a good A four year scholastic journey for 11 Naval start on three more projects to be Base School As soon as the "First and the completed in the future by others. seniors will end May 18. The young adults will be graduated Finest", as MCB-1 is called, ar- These consist of stripping and from the Base school in commencement exercises next Friday rived in Gtmo lalt November, they grading for quarters at Leeward evening beginning at 8:00 p.m. in the Chapel Hill auditorium. started work on the two main pro- Point, grading Sherman Avenue jects which consisted of building from Nob Hill to Northeast Gate RADM W. G. Cooper, Command- 60 units of the MEMQ type (mar- and repairs to the present Seabee er Naval Base, is slated to deliver Naval Station Library ried enlisted men's quarters) at living quarters. the commencement address to this Northwest Granadillo and 40 units Class of 1956. RADM Cooper will Closed May 22-25 of the MOQ type (married officers' The first of those projects will be inactive for sometime, but re- be introduced by T. G. Scarbor- quarters) at Caravella Point and Mrs. H. L. Broughton, Naval pairs to the living quarters will be ough, school superintendent. West Bargo. Station librarian, has announced completed later this year since the During the graduation program, that the Naval Station Library will Aside from these projects there security detachment which is left Miss Patricia Fojt, class valedic- be closed for annual inventory May were smaller ones which also had in Guantanamo Bay is working torian, will give a short talk as 22-25. to be done. The first one of these on it. will Miss Rebecca Dobbins, class No one will be allowed to was the Seabee Trailer Park which check salutatorian. out books after May was completed in December. 18. Mrs. Broughton said that all books will School Band Will Play The Chief Petty Officers' Lounge Busy Day Tomorrow be due and must be returned to was the next added addition and The evening's exercises will open the library before Monday, May 21. was finished in January. For Phone Exchange; with a musical processional by the Naval Base school band. Fol- In February the Base had its Mother's Day Calls lowing the processional, CDR J. J. annual Carnival and MCB-1 had its Leeward Pt. Paper Sullivan will give the invocation. part in it. They built three power- The long distance telephone driven rides which were a big hit wires on the Base are expected to The band will furnish the tradi- Changes Pub. Day with the children on the Base and burn all day tomorrow when Amer- tional graduation marches. Includ- The publication day they took part in numerous other ican children send either kisses or ed in the program is a vocal solo of the LEEWARD POINTER, a activities during the Carnival. greetings to their mothers. by Miss Maryalice Murphy. Naval Air Station paper, has been The last small project to be com- The Base Public Works Tele- Presentation of the diplomas to changed to Mondays instead of pleted by the builders was the re- phone Department has announced the graduates will be made by Fridays. The new publication day pair of the Seabee's galley roof that "in order to meet the expected CAPT G. M. Holley, Naval Base took effect April 30 according to which was done in March, A sew- high tide of callers come Mother's Chief of Staff. an announcement made by the age treatment plant was also start- Day, May 13, three long-distance NAS Special Services Office. Legion Award Given ed back in December and is now 85 telephone operators will be on hand The LEEWARD POINTER is a percent complete awaiting special to accommodate every patron." H. P. McNeal will bestow the four-page mimeographed paper materials required to seal the tank. and is published In was also disclosed that the American Legion Award to a boy weekly at the NAS Ad Building Approximately 1,000 eight-hour service will be made on a "first- and a girl in the graduating class. in accordance with NAVEXOS P-35, Rev 1945. man-days were put into these come-first-serve" basis. Winners of the award were chosen smaller jobs which took away earlier The paper features the NAS Long distance call rates on a by their instructors and precious help from the main pro- classmates. Suttlebutt column and local news 3-minute duration range from The two winners will jects. $2.00 bits on the front page. The second to $10.00, depending upon the receive handsome bronze medals. page is devoted to front page story distance of the receiving end from As of this May, however, the LCDR K. G. Peterson will deliver jumps, movie schedule and laff the local office. 100 units of housing is finished the benediction near the end of lines. The third page carries sports having a total of 50,000 eight-hour The telephone office is situated the program which will be closed news and the last page bills the man-days expended. Taking into on Building No. 609, Marine Site by the playing of a recessional by entire day-by-day menu of the consideration the lack of materials No. 2. the school band. week. m 4m Page Two THE INDIAN Saturday, 12 May 1956 THE INDIAN The Chaplain's Corner The Indian's mission-To inform and entertain all hands; to serve MOTHER WEARS AN APRON the efficiency, welfare, and content- as a possible factor in promoting Some people say that wearing an apron is a sign that company is ment of personnel. coming. Now you may laugh at that but mother doesn't think it's RADM WILLIAM G. COOPER, Commander, Naval Base, Guantanamo so funny. Bay, Cuba. How many times have I heard her embarrassed and apologetic for CAPT G. M. HOLLEY, Chief of Staff being caught in her apron in the midst of her work. It seems that CAPT WILLIAM R. CARUTHERS, C.O. Naval Station, Guantanamo mother classifies this event as a number one crime. Hmm, let's see-a Bay, Cuba. carpenter doesn't apologize for his overalls, nor the serviceman for his are signs of their Editorial Staff uniform, -nor the chef for his big white hat- they profession. I believe that a mother's work is best symbolized by the apron. LTJG D. G. LaCasse -------------------------------- Officer-Advisor Since cooking and cleaning are a part of the vocation of motherhood, G. L. Henderson, -JOC --------------------------------------- Editor God wills to look with infinite approval upon mothers in aprons. Come to Managing Editor J. C. Current:JOSN ------------------------------ think of it, God sees mother in her apron more than not. E. U. Orias, J03 ------------------------------------ Feature Editor Somehow in the course of almost every day mother's best lamp gets D. D. Hinton, JOSN --------------------------------- Staff Reporter knocked over, or footprints find themselves on the newly scrubbed floor, weekly at the Naval Station in accordance THE INDIAN is published or cowboys and running Indians flatten that nice cake in the oven, or with NavExos P.35, Revised Nov. 1945, and financed with non-appropri- any one of a million other things. ated funds. Where mother receives the patience and strength to bear up under Materials marked AFPS may be used by news media provided credit all this-God only knows. But, thank heavens, God sees all this so that may not be used. All material is given. Features marked "copyright" not even the smallest difficulty patiently borne according to God's will originated by THE INDIAN may be used in whole or in part or shall go unrewarded. without credit. Jerome J. Sullivan photos unless otherwise credited. All photographs are official U.S. Navy Chaplain, U. S. Navy EMs Should Grasp Opportunities It's up to the individual to make his place in the world and to make his own opportunities, or so someone has said. But this isn't always so. Sometimes all he has to do is recognize the opportunities which have been made for him. Such situation exists right now with the numerous opportunities for service in the navy as an officer. Recently it was announced that about 1,960 enlisted men received regular or reserve officer appointments yearly through seven programs.
Load more

Recommended publications
  • Ellington-Lambert-Richards) 3
    1. The Stevedore’s Serenade (Edelstein-Gordon-Ellington) 2. La Dee Doody Doo (Ellington-Lambert-Richards) 3. A Blues Serenade (Parish-Signorelli-Grande-Lytell) 4. Love In Swingtime (Lambert-Richards-Mills) 5. Please Forgive Me (Ellington-Gordon-Mills) 6. Lambeth Walk (Furber-Gay) 7. Prelude To A Kiss (Mills-Gordon-Ellington) 8. Hip Chic (Ellington) 9. Buffet Flat (Ellington) 10. Prelude To A Kiss (Mills-Gordon-Ellington) 11. There’s Something About An Old Love (Mills-Fien-Hudson) 12. The Jeep Is Jumpin’ (Ellington-Hodges) 13. Krum Elbow Blues (Ellington-Hodges) 14. Twits And Twerps (Ellington-Stewart) 15. Mighty Like The Blues (Feather) 16. Jazz Potpourri (Ellington) 17. T. T. On Toast lEllington-Mills) 18. Battle Of Swing (Ellington) 19. Portrait Of The Lion (Ellington) 20. (I Want) Something To Live For (Ellington-Strayhorn) 21. Solid Old Man (Ellington) 22. Cotton Club Stomp (Carney-Hodges-Ellington) 23. Doin’The Voom Voom (Miley-Ellington) 24. Way Low (Ellington) 25. Serenade To Sweden (Ellington) 26. In A Mizz (Johnson-Barnet) 27. I’m Checkin’ Out, Goo’m Bye (Ellington) 28. A Lonely Co-Ed (Ellington) 29. You Can Count On Me (Maxwell-Myrow) 30. Bouncing Buoyancy (Ellington) 31. The Sergeant Was Shy (Ellington) 32. Grievin’ (Strayhorn-Ellington) 33. Little Posey (Ellington) 34. I Never Felt This Way Before (Ellington) 35. Grievin’ (Strayhorn-Ellington) 36. Tootin Through The Roof (Ellington) 37. Weely (A Portrait Of Billy Strayhorn) (Ellington) 38. Killin’ Myself (Ellington) 39. Your Love Has Faded (Ellington) 40. Country Gal (Ellington) 41. Solitude (Ellington-De Lange-Mills) 42. Stormy Weather (Arlen-Köhler) 43.
    [Show full text]
  • John Cornelius Hodges “Johnny” “Rabbit”
    1 The ALTOSAX and SOPRANOSAX of JOHN CORNELIUS HODGES “JOHNNY” “RABBIT” Solographers: Jan Evensmo & Ulf Renberg Last update: Aug. 1, 2014, June 5, 2021 2 Born: Cambridge, Massachusetts, July 25, 1906 Died: NYC. May 11, 1970 Introduction: When I joined the Oslo Jazz Circle back in 1950s, there were in fact only three altosaxophonists who really mattered: Benny Carter, Johnny Hodges and Charlie Parker (in alphabetical order). JH’s playing with Duke Ellington, as well as numerous swing recording sessions made an unforgettable impression on me and my friends. It is time to go through his works and organize a solography! Early history: Played drums and piano, then sax at the age of 14; through his sister, he got to know Sidney Bechet, who gave him lessons. He followed Bechet in Willie ‘The Lion’ Smith’s quartet at the Rhythm Club (ca. 1924), then played with Bechet at the Club Basha (1925). Continued to live in Boston during the mid -1920s, travelling to New York for week-end ‘gigs’. Played with Bobby Sawyer (ca. 1925) and Lloyd Scott (ca. 1926), then from late 1926 worked regularly with Chick webb at Paddock Club, Savoy Ballroom, etc. Briefly with Luckey Roberts’ orchestra, then joined Duke Ellington in May 1928. With Duke until March 1951 when formed own small band (ref. John Chilton). Message: No jazz topic has been studied by more people and more systematically than Duke Ellington. So much has been written, culminating with Luciano Massagli & Giovanni M. Volonte: “The New Desor – An updated edition of Duke Ellington’s Story on Records 1924 – 1974”.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next.
    [Show full text]
  • Devil Tune Song List- Final
    That Devilin' Tune: A Jazz History, 1900-1951 Volume 1 CD 1 1. Standard Quartette Who Broke The Lock 1895/1896 2. Voss’ 1st Regiment Band Aunt Dinah’s Supper Party Late 1890s 3. Len Spencer Clime De Golden Fence Late 1890s 4. Metropolitan Orchestra Coon Town Capers 1897-1899 5. Sousa Band Whistlin’ Rufus 1899 6. Len Spencer You’ve Been a Good Old Wagon 1900 or 1901 7. Williams and Walker My Little Zulu Babe Nov. 10 1901 8. Arthur Collins Bill Bailey ca. May, 1902 9. Len Spencer On Emancipation Day late 1902 10. Hager’s Orchestra Rooster Dance 1904 11. Vess Ossman Buffalo Rag 1905 12. Prince’s Orchestra St. Louis Tickle Aug., 1905 13. Pryor’s Band St. Louis Rag 1906 14. Orquestra Typicas La Patti Negra 1906 15. Sir Herbert Clarke Bride of the Waves Dec. 21, 1907 16. May Irwin When You Ain’t Got No Money You Needn’t Come Around May 21, 1907 17. Arthur Collins Parson Jones’ Three Reasons ca. 1909 18. Stella Mayhew/Billie Taylor That Beautiful Rag July 5, 1910 19. Sophie Tucker That Lovin’ Rag Jan. 5, 1910 20. Stella Mayhew That Devilin’ Tune Apr. 24, 1911 21. Collins and Harlan Alexander’s Ragtime Band 1911 22. Sophie Tucker Some of These Days Feb. 24, 1911 23. Grupo Bahianainho El Cavito ca. 1911 24. Grupo Bahianainho Bambino ca. 1911 25. Grupo Bahianainho Destimido ca. 1911 26. Prince’s Orchestra Red Pepper Rag May, 1911 27. Gene Greene King of the Bungaloos Feb. 17, 1911 CD 2 1.
    [Show full text]
  • BC with Henri Chaix and His Orchestra
    UPDATES TO VOLUME 2, BENNY CARTER: A LIFE IN AMERICAN MUSIC (2nd ed.) As a service to purchasers of the book, we will periodically update the material contained in Vol. 2. These updates follow the basic format used in the book’s Addendum section (pp. 809-822), and will include 1) any newly discovered sessions; 2) additional releases of previously listed sessions (by session number); 3) additional recordings of Carter’s arrangements and compositions (by title); 4) additional releases of previously listed recordings of Carter’s arrangements and compositions (by artist); 5) additional recorded tributes to Carter and entire albums of his music; and 6) additional awards received by Carter. We would welcome any new data in any of these areas. Readers may send information to Ed Berger ([email protected]). NOTE: These website additions do not include those listed in the book’s Addendum Section One (Instrumentalist): Additional Issues of Listed Sessions NOTE: All issues are CDs unless otherwise indicated. BC = Benny Carter Session #25 (Chocolate Dandies) Once Upon a Time: ASV 5450 (The Noble Art of Teddy Wilson) I Never Knew: Columbia River 220114 (Jazz on the Road) [2 CDs] Session #26 (BC) Blue Lou: Jazz After Hours 200006 (Best of Jazz Saxophone)[2 CDs]; ASV 5450 (The Noble Art of Teddy Wilson); Columbia River 120109 (Open Road Jazz); Columbia River 120063 (Best of Jazz Saxophone); Columbia River 220114 (Jazz on the Road) [2 CDs] Session #31 (Fletcher Henderson) Hotter Than ‘Ell: Properbox 37 (Ben Webster, Big Ben)[4 CDs] Session #33 (BC)
    [Show full text]
  • Frank Driggs Collection of Duke Ellington Photographic Reference Prints [Copy Prints]
    Frank Driggs Collection of Duke Ellington Photographic Reference Prints [copy prints] NMAH.AC.0389 NMAH Staff 2018 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents note................................................................................................ 2 Biographical/Historical note.............................................................................................. 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Series 1: Band Members......................................................................................... 3 Series 2: Ellington at Piano...................................................................................... 5 Series 3: Candid Shots............................................................................................ 6 Series : Ellington
    [Show full text]
  • History of Jazz Tenor Saxophone Black Artists
    HISTORY OF JAZZ TENOR SAXOPHONE BLACK ARTISTS 1940 – 1944 SIMPLIFIED EDITION INTRODUCTION UPDATE SIMPLIFIED EDITION I have decided not to put on internet the ‘red’ Volume 3 in my Jazz Solography series on “The History of Jazz Tenor Saxophone – Black Artists 1940 – 1944”. Quite a lot of the main performers already have their own Jazz Archeology files. This volume will only have the remainders, and also auxiliary material like status reports, chronology, summing ups, statistics, etc. are removed, to appear later in another context. This will give better focus on the many good artists who nevertheless not belong to the most important ones. Jan Evensmo June 22, 2015 INTRODUCTION ORIGINAL EDITION What is there to say? That the period 1940 - 1944 is a most exciting one, presenting the tenorsax giants of the swing era in their prime, while at the same time introducing the young, talented modern innovators. That this is the last volume with no doubt about the contents, we know what is jazz and what is not. Later it will not be that easy! That the recording activities grow decade by decade, thus this volume is substantially thicker than the previous ones. Just wait until Vol. 4 appears ... That the existence of the numerous AFRS programs partly compensates for the unfortunate recording ban of 1943. That there must be a lot of material around not yet generally available and thus not listed in this book. Please help building up our jazz knowledge base, and share your treasures with the rest of us. That we should remember and be eternally grateful to the late Jerry Newman, whose recording activities at Minton's and Monroe's have given us valuable insight into the developments of modern jazz.
    [Show full text]
  • Record Review- Duke Ellington & Frank Sinatra- Francis A. & Edward K
    Records ore reviewed by Don DeMichcol, Gi lbert M. Erskine, Kenny Dorho m, Borboro Gordner, Bifl Moth ieu, Morion Mc Portland, Dan Ma, ,,nue, 8 Bill Quinn, Harvey Pekor, W illian, Russo, Harvey Siders, Pete Weldi ng, John S. Wilson, and Michael Zwerin. Reviews ore signed by 11,.. w 't n ,r1 er~ Ratings ore: * * * * * excel lent, * * * * very good, * * * good, * * foir, * poor. · When two catalog numbers ore listed, the first is mono, and . the second is stereo. ' times ( especially on Yell ow Days) • his Thad Jones-Me l Lewi& touch is uncannily c,lose to the master's. 'LIVE AT Tall VILLAGE V ANGtJ BIG BANDS Two ringers were brought in to beef up Sotld Srare SS 1801·6: ,;Jul~ Plx.fc II; a !P Pre;dom; &,cba. F#.11/11';Do11 !•t Gh Sms,-•· ~'If Duke Ellingto-n the trumpet section, currently the band's low T~••l Sa111b11Co11 Ge1,:b11, ' ti weakest link. Everybody was on best be­ · Puson.ncl: Jones, ducgctbofu; Snooky ~ SOUL CALL-V erve V/V6-870l: La Plus Btl/e Jf.mmy N!)ldf\sllam ; Mar:vio Stamm, Ricba ·~ Africaine; Jl?est Indian Pml(a/i:e; Soul Call; Skin havior, it seems-the band sounds tight ham,, B,ll lletey ttumPe!cS; Bob Broo Deep: Jam Wiel, Sam. and together at all times. The superb re ­ Garncrt Brown, tom . ..Mdn1osb, Cliff Persor.iocl:C~r Anderson, Herble Jones, Coo1ie uombones· Jerome -IU.cbirdso11, Jctr:y D" , Williams Mercer 1lLUn111on, trumpets: Busier cording brings out the full flavor of the Joe J'lirretl, 'l!ddfo Daniels, Pepper Adams J~'!o Cooper, l;ii.wrcii<:e Browti, Chuck C.onnocs,tto111 - magnificent Ellington sound; the reeds, in Roland.
    [Show full text]
  • Dems Bulletin Duke Ellington Music Society
    THE INTERNATIONAL DEMS BULLETIN DUKE ELLINGTON MUSIC SOCIETY FOUNDER: BENNY AASLAND HONORARY MEMBER: FATHER JOHN GARCIA GENSEL EDITOR: SJEF HOEFSMIT ASSISTED BY: ROGER BOYES Voort 18b, Meerle, Belgium Telephone: +32 3 315 75 83 Email: [email protected] If you are like me, you save your DEMS Bulletins and consult them with reasonable frequency. I often have trouble remembering when something was published in DEMS, thus I thought to make this Table of Contents for the DEMS Bulletins (with Sjef Hoefsmit's permission, of course). The items below are listed in the order that they were published in DEMS. Issues are arranged in reverse chronological order. Each item consists of the DEMS issue and the title and page number of each article. You can search the article titles using the search function on your internet brower, which in Netscape is Ctrl + F (both keys at the same time). Thus, if you remember reading about a good place to buy discographies somewhere in a DEMS Bulletin, hit Ctrl + F, type discog into the search window (you don't have to type the whole word) and hit enter. You will be taken to the following entry: 2001/3 DEMS 4 : Discographies available from Arthur Newman Here you learn that Arthur Newman is the man and that the information you seek is in the 2001 DEMS Bulletin, issue number 3, on page 4. Admittedly you can only find entries if you remember a word from the title of the DEMS article, but I still found this useful. I began with the most current DEMS Bulletin and am working backwards.
    [Show full text]
  • Norgran Label Discography
    Norgran Label Discography Norgran Label 10 Inch Series MGN 1 - Swing - Johnny Hodges [11/54] Reissue of Clef MG-C-151. Wham/Latino/Through For the Night/Sheik of Araby//Hodgepodge/Jappa/My Reward/Something To Pat Your Foot To MGN 2 - Dizzy Gillespie & Stan Getz Sextet - Dizzy Gillespie & Stan Getz Sextet [195?] It Don’t Mean a Thing/It’s the Talk of the Town/Exactly Like You/I Let a Song Go Out of My Heart MGN 3 - Buddy DeFranco Quartet - Buddy DeFranco Quartet [2/54] Reissue of Clef MG-C-149. But Not For Me/When Your Lover Has Gone/Ferdinando/The Things We Did Last Summer MGN 4 – Al Hibbler Favorites - Al Hibbler [195?] Please/Believe It, Beloved/There is No Greater Love/It Must Be True/As Time Goes By/Anne/You and I/I’m Getting Sentimental Over You MGN 5 – Lester Young with the Oscar Peterson Trio Number 1 - Lester Young & Oscar Peterson Trio [195?] Ad Lib Blues/Just You, Just Me/I Can’t Get Started/Almost Like Being in Love MGN 6 - Lester Young with the Oscar Peterson Trio Number 2 - Lester Young & Oscar Peterson Trio [195?] Tea for Two/Indiana/On the Sunny Side of the Street/There’ll Never Be Another You MGN 7 - Amazing Artistry of Louis Bellson - Louis Bellson [195?] Fascinatin’ Rhythm/Copasetic/Percussionistally Speaking/All God’s Chillun Got Rhythm/A Peart for Louie MGN 8 - Charlie Ventura Quartet - Charlie Ventura Quartet [195?] Ain’t Misbehavin’/Blue Prelude/Girl of My Dreams/Limehouse Blues/Blues for Two/Somebody Loves Me/Crazy Rhythm/All the Things You Are MGN 9 - Second Afro-Cuban Jazz Suite - Chico O’Farrill [6/54] The Second
    [Show full text]
  • Benjamin Francis Webster “Ben” “Frog” “Brute” Part 2
    1 The TENORSAX of BENJAMIN FRANCIS WEBSTER “BEN” “FROG” “BRUTE” PART 2 (1943 – 1954) Solographer: Jan Evensmo Last update: October 23, 2017 2 Born: Kansas City, Missouri, March 27, 1909 Died: Amsterdam, Holland, Sept. 20, 1973 Introduction: Ben Webster got his fame through his association with Duke Ellington in the early forties, but he certainly managed on his own for his remaining forty years as active and highly respect artist. Intermediate History: Led own band on 52nd Street, short stay in Sid Catlett’s band (early 1944), with Raymond Scott on C.B.S. and two months with John Kirby (June – July 1944). Brief spell with Stuff Smith early in 1945, but from October 1944 mostly led own small groups for various residencies including: Spotlite and Three Deuces in New York and at Garrick Bar in Chicago (also guested with Henry Allen’s Band at the Garrick). Rejoined Duke Ellington from November 1948 until September 1949, worked with Jay McShann in Kansas City, also toured with ‘Jazz At The Philharmonic’. Returned to Kansas City, worked regularly with Bob Wilson’s band and free-lanced. Moved back to New York in late 1952, led own small groups, did studio work and free-lance recordings, then lived for several years in California (ref. John Chilton). 3 BEN WEBSTER SOLOGRAPHY Continued from 1943 and Duke Ellington. Ben Webster left Duke Ellington in Aug. 13, 1943. WOODY HERMAN AND HIS ORCHESTRA NYC. Nov. 8, 1943 Bobby Guyer, Ray Wetzel, Cappy Lewis, Benny Stabler, Nick Travis (tp), Al Mastren, Eddie Bert, Ed Kiefer (tb), Woody Herman (cl, as, vo, ldr), Johnny Bothwell, Chuck DiMaggio (as), Pete Mondello, Ben Webster, Allen Eager (ts), Skippy DeSair (bar), Dick Kane (p), Hy White (g), Chubby Jackson (b), Cliff Leeman (dm), Frances Wayne (vo-98,00).
    [Show full text]
  • Guide to the Al Celley Collection of Duke Ellington Materials
    Guide to the Al Celley Collection of Duke Ellington Materials NMAH.AC.1240 Alison Oswald 2014 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Personal Materials, 1943 - 1962.............................................................. 4 Series 2: Correspondence, 1945 - 1963.................................................................. 5 Series 3: Subject Files, 1947 - 1989....................................................................... 6 Series 4: Financial Materials, 1944 - 1964.............................................................
    [Show full text]