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Built of Living Stones: Art, Architecture, and Worship

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Built of Living Stones: Art, Architecture, and Worship Issued by NCCB/USCC, November 16, 2000. Copyright © 2000, United States Catholic Conference, Inc. All rights reserved. Order Copies of This Statement Built of Living Stones: Art, Architecture, and Worship Guidelines of the National Conference of Catholic Bishops Table of Contents Preface Key to Reference Abbreviations Chapter One: The Living Church The Living Church: God's Building The Church Building Worship in Time and Space Christ's Presence in Sign and Symbol Liturgical Principles for Building and Renovating Churches Chapter Two: The Church Building and the Sacred Rites Celebrated There The Eucharist The Building: The Place for the Liturgical Assembly Gathered as One Body in Christ The Congregation's Area The Sanctuary Area The Altar The Ambo The Chair for the Priest Celebrant The Baptistry The Reservation of the Eucharist The Location of the Tabernacle The Chapel of Reservation The Tabernacle in the Sanctuary Holy Week and the Paschal Triduum The Altar of Reposition The Veneration of the Cross on Good Friday The Blessing of the Fire at the Vigil Service Accommodating the Liturgical Postures of the Congregation Seating The Place for the Pastoral Musicians Other Ritual Furnishings The Cross Candles The Paschal Candle The Gathering Space or Narthe The Area Surrounding the Church Building The Role of the Church Building in Other Liturgical Rites The Rites of Initiation Holy Orders The Rite of Penance or Reconciliation The Rite of Marriage The Rite of Anointing of the Sick Christian Funerals The Liturgy of the Hours Sunday Celebrations in the Absence of a Priest The Place for the Sacred Oils The Rite of Dedication of a Church and an Altar The Liturgical Year: Seasonal Decorations The Church Building and Popular Devotions The Stations of the Cross Sacred Images Conclusion Chapter Three: The Work of Our Hands: Art and Artists Assisting the Church at Prayer The Role of Religious Art Components of True and Worthy Art The Artist Within the Christian Community The Special Requirements of Liturgical Art The Integration of Art Within the Liturgical Setting Materials of the Artist Vessels and Vestments Suitable for the Liturgy The Disposition of Works of Art No Longer Needed for Sacred Use Chapter Four: Building A Church: Practical Considerations The Master Plan Beginning the Process The Role of the Apostolic See and the Diocesan Church The Role of the Parish Community The Assessment of Need Roles Within the Parish The Pastor The Parish Building Committee The Parish Pastoral Council, the Parish Worship Committee and the Finance Council The Parish Self-Study Liturgical Education Priorities and Stewardship of Resources Surveying Eisting Churches The Role of Professionals The Architect The Liturgical Consultants The Contractor Compensation and Professional Standards Collaboration The Design of the Church and Its Surroundings: Special Concerns The Site Plan Accessibility The Choice of Building Materials Change Orders and Modifications Building Maintenance Sound in the Place of Worship The Placement of the Organ & Other Musical Instruments Lighting the Place of Worship Sacristies Security Issues The Sacrarium Special Issues in the Renovation of Churches Alteration of Historic Structures Renovation of Churches The Altar The Space for the Reservation of the Blessed Sacrament Preservation of the Artistic Heritage of the Church Conclusion Notes Index Excerpts from the Catechism of the Catholic Church: Second Edition, copyright © 2000, Libreria Editrice Vaticana–United States Catholic Conference, Inc., Washington, D.C. Used with permission. All rights reserved. Excerpts from the Code of Canon Law, Latin-English Edition, copyright © 1998, Canon Law Society of America, Washington, D.C. Used with permission. All rights reserved. Excerpts from documents of the Second Vatican Council are taken from The Documents of Vatican II, Walter M. Abbott, SJ, general editor, copyright © 1966, The American Press, New York, New York. Used with permission. All rights reserved. Excerpts from the English translation of the Holy Communion and Worship of the Eucharist outside Mass © 1974, International Committee on English in the Liturgy, Inc. (ICEL); excerpts from the English translation of the Rite of Penance © 1974, ICEL; excerpts from the English translation of Dedication of a Church and an Altar © 1978, ICEL; excerpts from the English translation of the Address to participants in a national congress of diocesan liturgical commissions of Italy, Address to the Pontifical Commission for Sacred Art, Doctrina et Exemplo, Eucharisticum Mysterium, Laudis Canticum, Mysterium Fidei, and Opera Artis from Documents on the Liturgy, 1963-1979: Conciliar, Papal, and Curial Texts; excerpts from the General Introduction of the Order of Christian Funerals © 1985, ICEL; excerpts from the English translation of the Rite of Christian Initiation of Adults © 1985, ICEL; excerpts from the English translation of the Directory for Sunday Celebrations in the Absence of a Priest © 1988, ICEL; excerpts from the General Instruction of the Roman Missal from The Sacramentary (Revised Edition) © 1997, ICEL. All rights reserved. Scripture texts are taken from the New American Bible, copyright © 1970, 1986, 1991 by the Confraternity of Christian Doctrine, Inc., Washington, D.C. Used with permission. All rights reserved. No part of the New American Bible may be reproduced by any means without permission in writing from the copyright holder. Copyright © 2000, United States Catholic Conference, Inc., Washington, D.C. All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright holder. Built of Living Stones: Art, Architecture, and Worship is available in print edition and may be ordered by telephoning (800) 235-8722. Ask for publication number 5-395 for the unbound edition (three-hole- punched, with tabbed dividers) or 5-408 for the bound edition; the cost is $9.95 for a single copy. __________________________________ Committee on the Liturgy United States Conference of Catholic Bishops 3211 4th Street, N.E., Washington, DC 20017-1194 (202) 541-3060 July 20, 2001 Copyright © by United States Conference of Catholic Bishops Preface One of the most significant and formative experiences in the life of a parish community is the process of building or renovating a church. As part of that process, parish members are called upon to study the Church's teaching and liturgical theology and to reflect upon their personal pieties, their individual tastes, and the parish history. By bringing together these personal and ecclesial elements in faith and in charity, parishioners help to build a new structure and to renew their parish community. The decision-making process and the parish education component that are part of the building experience can assist the parish and its individual members to deepen their sense of Catholic identity. This identity is shaped by the history of the particular parish, by its relationship to other parishes in the local Church known as the diocese, and by its relationship within the communion of local Churches known as the Roman Catholic Church. Built of Living Stones: Art, Architecture, and Worship is presented to assist the faithful involved in the building or renovation of churches, chapels, and oratories of the Latin Church in the United States. In addition, the document is intended for use by architects, liturgical consultants and artists, contractors, and other professionals engaged in the design and/or construction of these places of worship. The text also may be helpful to those who wish to understand the Catholic Church's tradition regarding church buildings, the arts, and architecture. While the suggestions and guidelines within the document have been carefully prepared, they are not exhaustive of the subject matter. They are intended to serve as the basis for decision making at the local level and also can become the foundation for the development of diocesan guidelines and legislation governing liturgical art and architecture.1 Catholics who live and worship in the United States in the twenty-first century celebrate a liturgy that is the same as that of earlier generations in all its essentials but significantly different in its language, style, and form. Recent shifts in the visual arts and in building styles as well as the development of new materials and sound amplification systems have created both opportunities and challenges for those engaged in the building and renovation of places for worship. To be able to make specific recommendations about building and renovation projects, parish members need to understand the nature of the liturgy, the space it requires, and the ways in which the physical building can help or hinder worship. Because of the spectrum of ideas, opinions, spiritualities, and personal preferences present in every parish, the assistance of church documents and teachings and of consultants and facilitators is beneficial in the processes of learning and making decisions. With such assistance, parish leaders and members can develop the skills needed for building consensus and resolving conflicts. The challenges of building or renovating church buildings increase as the Church grows. The richness of ethnic and cultural groups in the Church in the United States today presents opportunities as we strive to become truly "catholic." The Church
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