Opera Australia

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Travel Agents & Tour Operators Welcome to Opera Australia Opera on Sydney Harbour Sydney’s most spectacular event. For four weeks, an astonishing purpose-built outdoor venue is created in the Royal Botanic Gardens on Sydney Harbour. Highlights • A pop-up wonderland on Sydney Harbour • Combine all the things Sydney does best: world-class opera, fine dining, champagne, sunsets, and fireworks • 3000 seats at the harbour’s edge with 5 food & beverage venues on site Season Dates • March – April Other Annual Events • New Year’s Eve at the Sydney Opera House • Opera at the Arts Centre Melbourne (May & November) • Madama Butterfly at the Capitol Theatre (24 October - 4 November 2017) Opera Australia is Australia’s national opera company, presenting more than 700 performances and playing to more than half a million people each year. Opera at the Sydney Opera House No trip to Sydney is complete without a visit to its most famous building. And the best thing to do when you visit the Sydney Opera House is to come inside and see an opera performance. Highlights • The best way to experience Sydney’s #1 attraction Opera on Sydney Harbour • Sip champagne while you overlook the harbour from the foyer Cost • Choose from a range of the most popular operas Ticket price varies depending on the type of performance and seats [email protected] Season Dates chosen. Contact for commissionable rates. • Seat maps are available at opera.org.au/theatres. • Summer Opera Season, January – March Winter Opera Season, June – October Dress code Casual dress is perfectly acceptable. Surtitles English translations are projected above the stage for all performances..

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Artist Biographies
ARTIST BIOGRAPHIES Richard Gill AO | Artistic Director & Conductor in March 2019 Australian conductor and educator, Richard Gill, one of Australia's best-known and best-loved musical figures, is a significant and vital key member of ARCO. His career has taken him from teaching music in Sydney's western suburbs to Music Director of the Victorian Opera, Artistic Director of the Sydney Symphony Education Program, and along the way an involvement with almost every major opera company and orchestra in Australia. He is one of this country's pre-eminent conductors and a passionate advocate of music education. He specialises in opera, music theatre and vocal and choral training and his work in developing young musicians and creating opportunities for them is recognised world-wide. His appearances on the ABC’s “Spicks and Specks” and “Q&A” have made him a household name within and beyond Australia’s musical world. What truly distinguishes Richard is his passion and enthusiasm for spreading not just the joy of music, but its myriad benefits. He is Australia’s greatest musical educator, and many say one of the best in the world. His life's work - alongside his other roles - has been advocating music in our education system, and furthering the development of those who have gone on to choose music as a vocation. He brings music to life, and his knowledge and deep enjoyment of his subject is as inspiring and enlightening to a class of primary school students as it is to the cast of a major opera. The majority of Australia’s young contemporary professional musicians count Richard as a powerful influence on their musical development.
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Emma Matthews
Emma Matthews Soprano Curriculum Vitae Opera Repertoire Monteverdi LIncoronazione di Poppea Damigella OA Gillian Whitehead Bride of fortune Fiorina WAO Offenbach Orpheus in the Underworld Cupid WAO Les Contes d’Hoffmann Olympia, Giulietta, Antonia, Stella OA, SOSA Berg Lulu Lulu, OA Handel Alcina Morgana OA Rinaldo Almirena OA Orlando Angelica OA Giulio Cesare Cleopatra OA Mozart Die Zauberflote Papagena, WAO, OA Pamina OA Queen of the Night OA Le Nozze di Figaro Barbarina WAO, OA Cherubino OA Idomeneo Ilia OA La Clemenza di Tito Servillia OA Die Entfuhrung aus dem Serail Blonde OA, Konstanze OA Mitridate, Re di Ponto Ismene, Sydney Festival Gilbert and Sullivan The Priates of Penzance Mabel OA The Mikado Yum Yum OA Alan Johns The Eighth Wonder Sky, Tour Guide Aunt Olive OA Bellini La Sonnambula Amina OA, SOSA I Capuleti e I Montecchi Giulietta OA Donizetti Lucia di Lammermoor Lucia OA, WAO La Fille du Regiment Marie OA L’Elisir d’amore Giannetta WAO Delibes Lakme Lakme OA Bizet Les Pecheurs de Perles Leila OA, WAO, OQ Janacek The Cunning Little Vixen The Vixen OA, ROH Richard Mills Batavia Zwaantie OA, WAO The Love of the Nightingale Philomele OA, WAO Gounod Romeo et Juliette Juliette OA Puccini Suor Angelica Genovieffa OA Kalman The Gypsy Princess Stasi OA J. Strauss Die Fledermaus Adele OA Massenet Werther Sophie OA R. Strauss Arabella Zdenka OA Der Rosenkavalier Sophie OA Rossini Il Barbiere di Siviglia Rosina OA, WAO Il Turco in Italia Fiorilla OA Il Signor Bruschino Sofia OA Verdi Un Ballo in Maschera Oscar OA Falstaff Nannetta OA Rigoletto Gilda OQ, OA La Traviata Violetta HOSH, OA Berlioz Beatrice et Benedict Hero OA Orchestral Repertoire Faure Requiem, Carmina Burana, C.
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Opera Australia's 60Th Anniversary Costume and Memorabilia
MEDIA RELEASE Own a piece of opera history: Opera Australia’s 60th anniversary costume and memorabilia exhibition and auction Exhibition | Saturday 24 – Thursday 29 June 2017 | The Opera Centre, Surry Hills, Sydney Auction | Friday 30 June – Saturday 1 July 2017 | The Opera Centre, Surry Hills, Sydney Opera Australia is diving into sixty years of costumes, accessories, artworks and memorabilia in an anniversary exhibition at The Opera Centre. The week-long event will culminate in an auction where the public can bid for an exclusive piece of Australia’s operatic story. This is the first time Opera Australia has opened its vaults to give thousands of opera fans the opportunity to get up close to over 2,000 items costumes, accessories, artworks and memorabilia worn and inspired by their idols. Highlights of the exhibition and auction include: Costumes from Baz Luhrmann’s famous 1990 production of La Bohème Dame Kiri Te Kanawa ONZ DBE AC’s costume for the role as ‘Violetta’ in the 1978 production of La Traviata Yvonne Kenny AM’s costume for the roles of ‘Sylva Varescu’ in the 2001 production of The Gypsy Princess, ‘Hanna’ in the 2004 production of The Merry Widow and ‘Armida’ in the 1999 production of Rinaldo Sigrid Thornton’s costume for the role of Desirée in 2009 production of A Little Night Music. Dame Heather Begg DNZM OBE’s costume for the role of ‘The Countess Di Coigny’ in the 2001 production of Andrea Chénier Cheryl Barker AO’s costume for the role of ‘Lauretta’ in 2007 production of Gianni Schicchi Opera Australia CEO Craig Hassall explained the motivation behind the historic move.
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SYDNEY OPERA HOUSE TM Sydney, New South Wales, Australia
SYDNEY OPERA HOUSE TM Sydney, New South Wales, Australia Booklet available in English on Heft in deutscher Sprache erhältlich auf Livret disponible en français sur Folleto disponible en español en Folheto disponível em português em A füzet magyarul ezen a honlapon olvasható: Architecture.LEGO.com www.sydneyoperahouse.com 21012_BI.indd 1 13/10/2011 12:08 PM SYDNEy OpERa HOUSE™ Sydney Opera House is a masterpiece of late The massive concrete sculptural shells that form modern architecture and an iconic building of the 20th the roof of Sydney Opera House appear like billowing century. It is admired internationally and proudly treasured sails filled by the sea winds with the sunlight and cloud by the people of Australia. It was created by a young shadows playing across their shining white surfaces. Danish architect, Jørn Utzon (1918-2008), who understood Utzon envisaged it as being like to a Gothic cathedral the potential provided by the site against the stunning that people would never tire of and never be finished with. backdrop of Sydney Harbour. Today Sydney Opera House does not operate solely as a venue for opera or symphony, but also hosts a wide range of performing arts and community activities. These include classical and contemporary music, ballet, opera, theatre, dance, cabaret, talks and large scale public programs. Since its opening in 1973 over 45 million people have attended more than 100 000 performances, and it is estimated that well over 100 million people have visited the site. It is one of Australia's most visited tourist attractions, being the most internationally recognized symbol of the nation.
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Opera Australia 2018 Annual Report
2018 ANNUAL REPORT Cover image: Simon Lobelson as Gregor in Metamorphosis, which played at the Opera Australia Scenery Workshop in Enriching Australia’s Surry Hills and the Malthouse cultural life with Theatre in Melbourne. exceptional opera. One of Opera Australia’s new Vision productions, it was written by Australian Brian Howard, performed by an all Australian cast To present opera that excites and produced by an all Australian audiences and sustains and creative team. Photo: develops the art form. Prudence Upton Mission TABLE OF CONTENTS At a glance 3 Artistic Sydney Screens on stage 32 Director’s Report 12 Conservatorium Productions: of Music 2018 awards 34 performances and Regional Tour 13 Internships 23 attendances 4 China tour 36 Regional Student Professional and Artists 38 Season star ratings 5 Scholarships 16 Talent Development 24 Orchestra 39 Revenue and expenditure 6 Schools Tour 18 Evita 26 Philanthropy 40 Australia’s biggest Auslan Handa Opera arts employer 7 shadow-interpreting 20 on Sydney Harbour – Opera Australia Community reach 8 Community events 21 La Bohème 28 Capital Fund 43 Chairman’s Report 10 NSW Regional New works Staff 46 Conservatoriums in development 30 Partners 48 Chief Executive Project 22 Officer’s Report 11 opera.org.au 2 At a glance 77% Self-generated revenue $61mBox office 1351 jobs provided 543,500 58,000 attendees student attendees 7 637 productions new to Australia performances opera.org.au 3 Productions Productions Performances Attendance A Night at the Opera, Sydney 1 2,182 Performances and total attendances Aida, Sydney 19 26,266 By the Light of the Moon, Victorian Schools tour 85 17,706 Carmen, Sydney 13 18,536 Die Meistersinger von Nürnberg, Melbourne 4 6,175 Don Quichotte, Melbourne 4 5,269 Don Quichotte, Sydney 6 7,889 Great Opera Hits 2018 27 23,664 La Bohème, Handa Opera on Sydney Harbour 26 48,267 La Bohème, Melbourne 7 11,228 La Bohème, New Year 1 1,458 The chorus of Bizet’s Carmen, directed by John Bell.
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Richard Gill AO (1941 - 2018)
Having trouble viewing this email? You can view it online. Like | @LivePerfAust | Follow | Forward VALE Richard Gill AO (1941 - 2018) We are very saddened to hear of the passing of world-renowned composer, conductor and music educator Richard Gill AO. The inaugural Dean of the West Australian Conservatorium of Music and Founding Director of Victorian Opera died on Sunday 28 October after a year-long battle with cancer. Born in Sydney, Richard started his career as a music teacher. These humble beginnings led him to become one of Australia's greatest music advocates and educators. 'Richard spent a life systematically addressing the widespread shortcomings and neglect of music in Australia’s education system' the Australian Romantic & Classical Orchestra said in a statement posted on social media. For almost 50 years Richard's career compromised many prominent roles as Director of orchestral ensembles around Australia. Richard was Dean of the Western Australian Conservatorium of Music, Chorus Director for Opera Australia, Founding Music Director of Victorian Opera and Musical Director of the Sydney Chamber Choir. Richard also hosted music-education concerts and was a regular guest on TV quiz show Spicks and Specks. One of Richard's lasting legacies is the National Music Teaching Mentoring Program which commenced in 2015. With Richard as the Founder and Director, the program was established to give school teachers the skills and confidence to teach music in their classrooms. Richard will be remembered for his enormous contribution to the arts and his passion to inspire and educate the next generation. He is survived by his wife Maureen, children Claire and Anthony, and grandchildren Camille, Elise and Antoinette.Our thoughts and sincerest condolences are with Richard's family, friends and colleagues.
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SOH-Annual-Report-2016-2017.Pdf
Annual Report Sydney Opera House Financial Year 2016-17 Contents Sydney Opera House Annual Report 2016-17 01 About Us Our History 05 Who We Are 08 Vision, Mission and Values 12 Highlights 14 Awards 20 Chairman’s Message 22 CEO’s Message 26 02 The Year’s Activity Experiences 37 Performing Arts 37 Visitor Experience 64 Partners and Supporters 69 The Building 73 Building Renewal 73 Other Projects 76 Team and Culture 78 Renewal – Engagement with First Nations People, Arts and Culture 78 – Access 81 – Sustainability 82 People and Capability 85 – Staf and Brand 85 – Digital Transformation 88 – Digital Reach and Revenue 91 Safety, Security and Risk 92 – Safety, Health and Wellbeing 92 – Security and Risk 92 Organisation Chart 94 Executive Team 95 Corporate Governance 100 03 Financials and Reporting Financial Overview 111 Sydney Opera House Financial Statements 118 Sydney Opera House Trust Staf Agency Financial Statements 186 Government Reporting 221 04 Acknowledgements and Contact Our Donors 267 Contact Information 276 Trademarks 279 Index 280 Our Partners 282 03 About Us 01 Our History Stage 1 Renewal works begin in the Joan 2017 Sutherland Theatre, with $70 million of building projects to replace critical end-of-life theatre systems and improve conditions for audiences, artists and staf. Badu Gili, a daily celebration of First Nations culture and history, is launched, projecting the work of fve eminent First Nations artists from across Australia and the Torres Strait on to the Bennelong sail. Launch of fourth Reconciliation Action Plan and third Environmental Sustainability Plan. The Vehicle Access and Pedestrian Safety 2016 project, the biggest construction project undertaken since the Opera House opened, is completed; the new underground loading dock enables the Forecourt to become largely vehicle-free.
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Vehicle-Access-Project Ebook.Pdf
SYDNEY OPERA HOUSE Vehicle Access and Pedestrian Safety Project NIO M O UN IM D R T IA A L • P • W L O A I R D L D N H O E M R I E TA IN G O E • PATRIM United Nations Sydney Opera House Educational, Scientiﬁc and inscribed on the World Cultural Organization Heritage List in 2007 2 1 2 1 2 3 SYDNEY OPERA HOUSE Vehicle Access and Pedestrian Safety Project 2 3 4 5 IN MEMORY OF Robert Leece AO RFD (1947 – 2015) This book is dedicated to the memory of our colleague, mentor, philanthropist and friend Robert (Bob) Leece AO RFD, Sydney Opera House Trustee from 2002 to 2013 and Chair of the Trust’s Building Committee from 2002 to 2015. The Opera House owes Bob a tremendous debt for his expert stewardship through many important developments. His passion, professionalism and perseverance were crucial to the significant achievements of the Vehicle Access and Pedestrian Safety project. He presided over the Building Committee as the Opera House was inscribed on the State (2003), National (2005) and UNESCO World Heritage (2007) lists, which recognise the unique qualities of Jørn Utzon’s extraordinary landmark and help to ensure it will be appropriately protected and conserved. Bob also played a key role in establishing the Eminent Architects Panel and in the publication of the Conservation Management Plan (3rd Edition), the Sydney Opera House Renewal Framework and Utzon’s Gold Book, as well as countless building improvement and major maintenance projects. Bob was a true gentleman, whose wise guidance was always coupled with kindness and respect.
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Season Premiere of Tosca Glitters
2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B.
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CULTURAL ATTRACTIONS of AUSTRALIA Cultural Attractions of Australia Fast Facts
CULTURAL ATTRACTIONS OF AUSTRALIA Cultural AttractiONS OF AustraliA Fast FACTS BEst iN SHOW AustraliA’S DiVErsE THE CULTURAL ATTRACTIONS MOST OF THE INSTITUTIONS GEograpHiC, ETHNiC and CULTURAL ATTRACTIONS OF Australia is a mecca for cultural exploration. These high-end, commissionable experiences AUSTRALIA OFFERS 28 HIGH-END EXPERIENCES TAKE YOU BEHIND THE HOSTING THE CULTURAL There are galleries of international significance are impeccably suited to cornerstone your event. cultural oriGins makE COMMISSIONABLE SIGNATURE SCENES OF SOME OF THE COUNTRY’S EXPERIENCES ARE ALSO that are also home to some of the largest They offer exclusive access to attractions, iT A MEcca for cultural MOST LAUDED ART, SPORTING AND OUTSTANDING MEETING EXPERIENCES. HISTORICAL INSTITUTIONS. AND CONFERENCE VENUES. Aboriginal art collections in the world; action- whether pre- or post-opening, behind-the-scenes ExploratiON. packed sporting events held in superlative experiences or access to experts, including stadiums; and World Heritage-listed historic cultural identities that have helped shape the sites. Highlighting some of the country’s nation. Additionally, most of these attractions HAVE THE NATIONAL GALLERY OF VICTORIA best experiences from the most celebrated are outstanding conference and meeting (NGV) IN MELBOURNE TO YOURSELF FOR THE attractions is Cultural Attractions of Australia. venues in their own right and their dedicated EVENING AND HOST A PRIVATE FUNCTION OR This collective, made up of 18 organisations, has staff are eager to assist. Let Australia’s iconic FINE DINING DINNER. created a repository of premium experiences institutions help you plan your next, that celebrate Australia’s geographic, ethnic truly memorable event. Fremantle Prison, WA and cultural origins.
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RICHARD GILL TRIBUTE, PT. I -- Annotated Chronology AOSA Is
RICHARD GILL TRIBUTE, PT. I -- Annotated Chronology AOSA is comprised of members for whom the Schulwerk approach to music pedagogy is a significant feature of their teaching. Richard Gill is a unique and very talented Australian musician—conductor, composer, performer--and throughout all, a superb music educator who was profoundly influenced by the Schulwerk approach. He directly impacted US music educators in 1982 when he was the featured teacher at the AOSA Conference in Portland, and subsequently at teacher courses and workshops in various locations. Plans were in place for him to be featured at this Cincinnati conference, but due to serious ill health, he cannot be with us. However, we want him to know how much he is valued as a master music educator, and are declaring him an Honorary Member of AOSA. Please read the following summary of his professional development and activities. (The quotes, in italics, are taken from his 2012 memoir, Give Me Excess of It.) Nov. 4, 1941: Born in Clovelly, a beachside suburb of Sydney, New South Wales (NSW), Australia. He was aware of and attracted to music from his earliest years, beginning with enthusiasm for singing. 1946: Began primary school at St. Anthony’s, Clovelly, a convent school run by the Sisters of St. Joseph. All students learned to sing the chants and hymns for the entire church year; Richard knows them still. 1950: Entered 3rd year of primary school at Marist Brothers’ School, followed by 5 years of secondary school. Singing continued to be his main interest; choir was the motivation for attending school.
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Annual Report Sydney Opera House Financial Year 2019-20
Annual Report Sydney Opera House Financial Year 2019-20 2019-20 03 The Sydney Opera House stands on Tubowgule, Gadigal country. We acknowledge the Gadigal, the traditional custodians of this place, also known as Bennelong Point. First Nations readers are advised that this document may contain the names and images of Aboriginal and Torres Strait Islander people who are now deceased. Sydney Opera House. Photo by Hamilton Lund. Front Cover: A single ghost light in the Joan Sutherland Theatre during closure (see page 52). Photo by Daniel Boud. Contents 05 About Us Financials & Reporting Who We Are 08 Our History 12 Financial Overview 100 Vision, Mission and Values 14 Financial Statements 104 Year at a Glance 16 Appendix 160 Message from the Chairman 18 Message from the CEO 20 2019-2020: Context 22 Awards 27 Acknowledgements & Contacts The Year’s Our Partners 190 Activity Our Donors 191 Contact Information 204 Trade Marks 206 Experiences 30 Index 208 Performing Arts 33 Precinct Experiences 55 The Building 60 Renewal 61 Operations & Maintenance 63 Security 64 Heritage 65 People 66 Team and Capability 67 Supporters 73 Inspiring Positive Change 76 Reconciliation Action Plan 78 Sustainability 80 Access 81 Business Excellence 82 Organisation Chart 86 Executive Team 87 Corporate Governance 90 Joan Sutherland Theatre foyers during closure. Photo by Daniel Boud. About Us 07 Sydney Opera House. Photo by by Daria Shevtsova. by by Photo Opera House. Sydney About Us 09 Who We Are The Sydney Opera House occupies The coronavirus pandemic has highlighted the value of the Opera House’s online presence and programming a unique place in the cultural to our artists and communities, and increased the “It stands by landscape.
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