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1 Evolving Authorship, Developing Contexts: 'Life Lessons'
Notes 1 Evolving Authorship, Developing Contexts: ‘Life Lessons’ 1. This trajectory finds its seminal outlining in Caughie (1981a), being variously replicated in, for example, Lapsley and Westlake (1988: 105–28), Stoddart (1995), Crofts (1998), Gerstner (2003), Staiger (2003) and Wexman (2003). 2. Compare the oft-quoted words of Sarris: ‘The art of the cinema … is not so much what as how …. Auteur criticism is a reaction against sociological criticism that enthroned the what against the how …. The whole point of a meaningful style is that it unifies the what and the how into a personal state- ment’ (1968: 36). 3. For a fuller discussion of the conception of film authorship here described, see Grist (2000: 1–9). 4. While for this book New Hollywood Cinema properly refers only to this phase of filmmaking, the term has been used by some to designate ‘either something diametrically opposed to’ such filmmaking, ‘or some- thing inclusive of but much larger than it’ (Smith, M. 1998: 11). For the most influential alternative position regarding what he calls ‘the New Hollywood’, see Schatz (1993). For further discussion of the debates sur- rounding New Hollywood Cinema, see Kramer (1998), King (2002), Neale (2006) and King (2007). 5. ‘Star image’ is a concept coined by Richard Dyer in relation to film stars, but it can be extended to other filmmaking personnel. To wit: ‘A star image is made out of media texts that can be grouped together as promotion, publicity, films and commentaries/criticism’ (1979: 68). 6. See, for example, Grant (2000), or the conception of ‘post-auteurism’ out- lined and critically demonstrated in Verhoeven (2009). -
The Museum of Modern Art Presents a Discussion of the HBO Series the Sopranos with the Series Writer/Director David Chase and No
MoMA | press | Releases | 2001 | Discussion on The Sopranos Page 1 of 3 For Immediate Release February 2001 THE MUSEUM OF MODERN ART HOSTS DISCUSSION ON THE SOPRANOS Discussion with David Chase and media writer Ken Auletta February 12, 2001 The Sopranos February 3-13, 2001 The Roy and Niuta Titus Theatre 1 The Museum of Modern Art presents a discussion of the HBO series The Sopranos with the series writer/director David Chase and noted media writer and author Ken Auletta, February 12, 2001 at 6:00 p.m. at the Roy and Niuta Titus Theatre 1. Recording the domestic dramas and business anxieties of family living the bourgeois life in a pleasant New Jersey suburb, The Sopranos is a saga of middle-class life in America at the turn of the century. Chronicled in twenty-six hour-long episodes, the first two seasons from the series will be shown in two four-day sequences at The Museum of Modern Art, from February 3-13 at the Roy and Niuta Titus Theatre 1. "The Sopranos is a cynical yet deeply felt look at this particular family man," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the program. "David Chase and his team have created a series distinguished by its bone-dry humor and understated, quirky, and stinging perspective - not usually seen on television." Renowned for his savvy profiles of power players in the media, Ken Auletta will join David Chase for a discussion of The Sopranos at The Museum on February 12. The Department of Film and Video gratefully acknowledges HBO for making the series available for public viewing. -
Dangerio, Alan
Alan Dangerio Hair Stylist IATSE LOCAL 706 & 798 FEATURE FILMS (Partial Credits): Ocean’s Eight department head – Universal PIctures Dir: Gary Ross – LP: Mike Tadross Cast: Anne Hathaway, Helena Bonham Carter, Mindy Kaling, Sarah Paulson Wonderstruck Hairstylist for Julianne Moore – Amazon Studios Dir: Todd Haynes – LP: Brian Bell Crisis in Six Scenes d epartment head – Amazon Studios (series) Dir: Woody Allen – UPM: Helen Robin Cast: Miley Cyrus, Michael Rapaport, Elaine May, Joy Hehr The Girl on the Train department head – Universal PIctures Dir: Tate Taylor – LP: Celia Costas Cast: Rebecca Ferguson, Edgar Ramierez, Luke Evans, Lisa Kudrow Can You Ever Forgive Hairstylist for Julianne Moore/department head – Fox Searchlight Me Dir: Nicole Holofcener – LP: Pamela Hirsch Zoolander 2 department head – Paramount Pictures Dir: Ben Stiller – LP: Clayton Townsend Cast: Ben Stiller, Kristen Wiig, Penelope Cruz, Owen Wilson Ricki And The Flash Hairstylist for Meryl Streep / department head – TriStar Pictures Dir: Jonathan Demme – LP: Ron Bozman Train Wreck department head – Universal Pictures Dir: Judd Apatow – UPM: Dana Robin Cast: Tilda Swinton, Amy Schumer, Brie Larson, Bill Hader, LeBron James Run All Night Department Head – Warner Bros. Dir: Jaume Collet-Serra – UPM: Ray Quinlan Cast: Joel Kinnaman, Ed Harris, Vincent D’Onofrio, Common, Genesis Rodriquez Seventh Son Hairstylist for Julianne Moore – Universal Pictures Dir: Sergei Bodrov – LP: Brent O’Connor Maps to the Stars Hairstylist for Julianne Moore – Prospero PIctures Dir: David Cronenberg – LP: Joseph Boccia This is Where I Leave Department Head –Warner Bros. You Dir: Shawn Levy – LP: Mary McLaglen Cast: Rose Byrne, Tina Fay, Jane Fonda, Connie Britton, Timothy Olyphant Winter’s Tale Department Head –Warner Bros. -
Camilla Huey
CAMILLA HUEY FILM Sex and the City 2 Special Couture Projects & Costume Construction New Line Cinema Director: Michael Patrick King Producers: M.P. King, John P. Melfi, Sarah Jessica Parker, Darren Star Designer: Patricia Field & Molly Rogers, Asst. Cast: Sarah Jessica Parker, Kristin Davis, Kim Cattrall, Cynthia Nixon Confessions of a Shopaholic Special Projects & Costume Construction Touchstone Pictures Director: P.J. Hogan Producer: Jerry Bruckheimer Designer: Patricia Field & Molly Rogers, Asst. Cast: Isla Fisher, Krysten Ritter, Joan Cusack Sex and the City Special Couture Projects & Costume Construction New Line Cinema Director: Michael Patrick King Producers: M.P. King, John P. Melfi, Sarah Jessica Parker, Darren Star Designer: Patricia Field & Molly Rogers, Asst. Cast: Sarah Jessica Parker, Kristin Davis, Kim Cattrall, Cynthia Nixon The Devil Wears Prada Special Couture Projects & Costume Construction 20th Centruy Fox Director: David Frankel Producer: Wendy Finerman Designer: Patricia Field & Molly Rogers, Asst. Cast: Meryl Streep, Anne Hathaway, Emily Blunt Day On Fire Costume Designer Lodestar Director: Jay Anania Producer: William Fisch, Larry Rattner, Susan P Rosgers, Ten Travis Cast: Carmen Chaplin, Olympia Dukakis, Judy Kuhn, Alyssa Sutherland Issaquena Costume Designer Alluvial Films Director: Lance Hammer Producers: Lance Hammer, Emily Lundin Cast: Katie Allen, Oriana Carpenter, Biana Chapman The Guru Marisa Tomei’s Wardrobe & Turbans Universal Pictures Director: Daisy von Scherler Mayer Producer: Tim Bevan, Eric Fellner, Michael London Designer: Michael Clancey & Pilar Limosner, Asst. Cast: Heather Graham, Marisa Tomei, Christine Baranski My Best Friend’s Wedding Lobster & Waitress Costumes Tristan Pictures Director: P.J. Hogan Producer: Ronald Bass & Jerry Zucker Designer: Jeffrey Kurland Cast: Julia Roberts, Dermot Mulroney, Cameron Diaz, Rupert Everrett. -
Current P SYCHIATRY
CP_0606_Editorial.FinalREV 5/18/06 11:42 AM Page 15 Current p SYCHIATRY From the editor Psychiatry seesaws with stars’ ups and downs ane Pauley is well-known for hosting NBC television’s Today Show but also J for developing manic symptoms from corticosteroid therapy. Dr. Michael Cerullo (page 43) mentions® herDowden case in his excellent Health discussion Media of how to treat steroid-induced mania or mixed bipolar symptoms and reduce the risk in patients who requireCopyright sustained corticosteroids. Jane (we are on a first-nameFor personal basis, aren’t we?)use revealed only in her autobiography1 that she developed mania after taking corticosteroids for urticaria. In this case, a widely admired broadcaster’s revelation probably helped reduce the stigma of psychiatric illness. But last year Hollywood celebs Tom Cruise and Brooke Shields debated the merits of antidepressant therapy for postpartum depression. That highly publicized exchange—he on the “con” side, she on the “pro”—certainly raised public awareness of depression in new mothers, but its effects on psychiatry’s image might have been more negative than positive. And what do we make of actress Lorraine Bracco, who plays a psychiatrist on the HBO TV series, The Sopranos? Her character, Dr. Jennifer Melfi, treats mobster Tony Soprano’s panic attacks but not his, well, antisocial traits. Speaking at last year’s American Psychiatric Association meeting, Bracco stated that “in real life, I’m actually someone who has suffered from depression and had to seek the help of a psychiatrist.” So we have a real patient portraying a psychiatrist treating an imaginary patient and then lecturing to real psychiatrists. -
Dismemberment Diaries
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-2-2019 Dismemberment Diaries Elizabeth B. Englander CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/485 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Dismemberment Diaries by Elizabeth Englander Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts Studio Art, Hunter College The City University of New York 2019 Thesis Sponsor: May 13, 2019 Date Signature Thomas Weaver May 13, 2019 Date Signature of Second Reader Susan Crile 1 Acknowledgments I would like to thank all of the thoughtful faculty, staff, and students at Hunter College. I am particularly indebted to my thesis advisor, Thomas Weaver, for his close reading and helpful suggestions. Jenna Gribbon asked me to collaborate on our thesis exhibition; while that work is documented but not discussed in this text, our dialogue informed my writing and I am grateful to her for the enriching opportunity to work together. I am also grateful to Entrance and Kimberly-Klark. In providing me the opportunity to exhibit the work discussed in this text, they allowed me to fully realize it. I must also thank my family and friends for putting up with me as a graduate student. Finally, I would like to thank you, tireless reader, for the patience with which I am sure you will peruse this text. -
Intersection of Gender and Italian/Americaness
THE INTERSECTION OF GENDER AND ITALIAN/AMERICANESS: HEGEMONY IN THE SOPRANOS by Niki Caputo Wilson A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL December 2010 ACKNOWLEDGEMENTS I could not have completed this dissertation without the guidance of my committee members, the help from my friends and colleagues, and the support of my family. I extend my deepest gratitude to my committee chair Dr. Jane Caputi for her patience, guidance, and encouragement. You are truly an inspiration. I would like to thank my committee members as well. Dr. Christine Scodari has been tireless in her willingness to read and comment on my writing, each time providing me with insightful recommendations. I am indebted to Dr Art Evans, whose vast knowledge of both The Sopranos and ethnicity provided an invaluable resource. Friends, family members, and UCEW staff have provided much needed motivation, as well as critiques of my work; in particular, I thank Marc Fedderman, Rebecca Kuhn, my Aunt Nancy Mitchell, and my mom, Janie Caputo. I want to thank my dad, Randy Caputo, and brother, Sean Caputo, who are always there to offer their help and support. My tennis friends Kathy Fernandes, Lise Orr, Rachel Kuncman, and Nicola Snoep were instrumental in giving me an escape from my writing. Mike Orr of Minuteman Press and Stefanie Gapinski of WriteRight helped me immensely—thank you! Above all, I thank my husband, Mike Wilson, and my children, Madi and Cole Wilson, who have provided me with unconditional love and support throughout this process. -
For Programming One Hour Or More
Outstanding Animated Program (for How I Met Your Mother • CBS • Twentieth Century Fox Programming Less Than One Hour) Steve Olson, Production Designer Susan Eschelbach, Set Decorator Avatar: The Last Airbender • City Of Walls And Secrets • Nickelodeon • Nickelodeon Animation Studio Outstanding Art Direction For A Single-Camera Nominees TBD Series Robot Chicken • Lust For Puppets • Cartoon Network • Deadwood • HBO • Red Board Productions and Paramount ShadowMachine Films Television in association with HBO Entertainment Nominees TBD Maria Caso, Production Designer David Potts, Art Director The Simpsons • The Haw-Hawed Couple • Fox • Gracie Ernie Bishop, Set Decorator Films in association with 20th Century Fox Nominees TBD Heroes • Genesis • NBC • Tailwind Productions in association with NBC Universal Television Studio South Park • Make Love, Not Warcraft • Comedy Central • Curtis A. Schnell, Production Designer Central Productions Daniel J. Vivanco, Art Director Nominees TBD Crista Schneider, Set Decorator SpongeBob SquarePants • Bummer Vacation / Wig Struck Rome • HBO • HBO Entertainment in association with the • Nickelodeon • Nickelodeon Animation Studio in BBC association with United Plankton Pictures, Inc. Joseph Bennett, Production Designer Nominees TBD Anthony Pratt, Production Designer Outstanding Animated Program (for Carlo Serafini, Art Director Programming One Hour Or More) Cristina Onori, Set Decorator Good Wilt Hunting (Foster’s Home For Imaginary Friends) Shark • Teacher’s Pet • CBS • An Imagine Television • Cartoon Network -
Commendatori
Commendatori "Commendatori" is the seventeenth episode of the HBO original series The Sopranos and the fourth of the show's second season. It was written by David Chase and directed by Tim Van Patten, and originally aired on February 6, 2000. James Gandolfini as Tony Soprano. Lorraine Bracco as Dr. Jennifer Melfi *. Edie Falco as Carmela Soprano. Michael Imperioli as Christopher Moltisanti. Dominic Chianese as Corrado Soprano, Jr. Vincent Pastore as Pussy Bonpensiero. Steven Van Zandt as Silvio Dante. Commendatore ┠Det italienske ord commendatore betegner oprindelig en standsperson som forvalter en ridderordens jordegods. Senere er ordet gået over til at være en ren ærestitel. Titlen svarer til tysk Komthur. Den nærmeste danske oversættelse er kommandør . I ⦠Danske encyklopædi. English examples for "Commendatore" - She was the recipient of many major awards including Commendatore of the Italian Republic. He was named Commendatore of the Order of the Crown of Italy. "How the devil can I guess who she is?" said the Commendatore. Commander (Italian: Commendatore, French: Commandeur, German: Komtur, Spanish: Comandante, Portuguese: Comendador), or Knight Commander, is a title of honor prevalent in chivalric order and fraternal orders. The title of Commander occurred in the medieval military orders, such as the Knights Hospitaller, for a member senior to a Knight. Variations include Knight Commander, notably in English, sometimes used to denote an even higher rank than Commander. In some orders of chivalry, Commander ranks above Commendatore definition is - a member of an Italian honorary order of chivalry who ranks next above an officer and next below a grand officer. : a member of an Italian honorary order of chivalry who ranks next above an officer and next below a grand officer. -
BADA BING! the SOPRANOS and QUIXOTIC REALISM August Braddock1
BADA BING! THE SOPRANOS AND QUIXOTIC REALISM August Braddock1 ABSTRACT Often considered the television series that brought about the second golden age of television, The Sopranos can be viewed as a quixotic narrative. This is especially true when looking at the sixth and final season of the series, with particular focus on the final sequence of the series finale, titled “Made in America.” Not only is the entire series quixotic through its acknowledgement of the impact of real-life East coast Italian- American mafia families and previous cinematic portrayals of mob life, the most noteworthy being The Godfather trilogy and Goodfellas, but also through its Byronic hero, Anthony “Tony” Soprano. Furthermore, the series finale of The Sopranos invites audience participation through the act of leaving the narrative open – no member of the audience knows exactly what happened to their beloved Byronic hero and are left to their own devices to craft an individual conclusion. Through the acts of calling back to the nonfictional and cinematic renditions of mobster life and culture, including a Byronic hero as the series‟ protagonist, and through the act of inviting audience participation to conclude the much beloved series, The Sopranos proves itself to be a modern quixotic mobster crime drama. KEYWORDS: The Sopranos; Quixotic; DeCavelcante; Byronic Hero. BADA BING! THE SOPRANOS E REALISMO QUIXÓTICO RESUMO Considerada muitas vezes a série de televisão responsável pela segunda era dourada da televisão, The Sopranos pode ser lida como uma narrativa quixotesca. Isso é especialmente verdade no que toca à última temporada da série, em especial a sequência final do final da série, intitulada “Made in America”. -
The BG News September 10, 1999
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 9-10-1999 The BG News September 10, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News September 10, 1999" (1999). BG News (Student Newspaper). 6520. https://scholarworks.bgsu.edu/bg-news/6520 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. OPINION WORLD NEWS CAMPUS SPORTS Louis Lomasky informs University Blake's turkey farm Faculty members study affect of Falcon football he is not Amish. gets reaOy for decrease in zebra mussels in Lake team takes on upcoming holiday Erie. Tennessee Tech. season. Saturday. Weather Today: Friday partly cloudy September 10. 1999 High 68, Low 47 Volume 87 & Issue 13 GNewsA doily independent student press Health Festival's popularity grows Center By AMYJO L. BROWN hours. The Park District felt we selected for the show beforehand me and tell me the festival is a The BG News ^ should do something else." by judges) and uninjured (art yearly family event for them," He said at that point he was not selected) shows that attract- Kalmar said. offers The first Black Swamp Arts contacted by the Downtown ed people from around the coun- Kalmar also said the festival Festival almost never happened Business Association, which sug- try. -
KTU Cares Presents All-Star Celebrity Softball Game to Benefit the American Red Cross Hurricane Relief Fund
KTU Cares Presents All-Star Celebrity Softball Game to Benefit the American Red Cross Hurricane Relief Fund New York, NY, October 3, 2005 (NYSE:CCU) – Clear Channel Radio’s The Beat of New York, 103.5fm The New KTU (WKTU-FM), is teaming up with Jeff Marchetti, The American Red Cross, Staten Island Yankees, Footlocker and many celebrities for a star studded softball game to raise money for the Hurricane Relief Funds. The KTU Cares presents “All Star Celebrity Softball Game” will take place at Richmond County Bank Ball Park, Home of the 2005 New York Penn League Champions Staten Island Yankees on Saturday, October 15th, 75 Richmond Terrace, Staten Island, NY. Doors open at 11:00AM, game starts at Noon. (Rain date: Sunday, October 16th) Jeff Marchetti who wears a few hats on HBO's hit series The Sopranos, along with some of his celebrity friends including James Gandolfini, Edie Falco, Lorraine Bracco, Michael Imperioli, Steve Buscemi, Robert Iler, ‘Little’ Steven VanZandt, Maureen VanZandt, Vincent Curatola, AidaTurturro, Steven Schirripa, John Ventimiglia, Joe Ganniscoli, Vincent Pastore, Susan Sarandon, Tim Robbins, Chris Noth, John Seda, David Eigenberg, also KTU’s Goumba Johnny, Baltazar, Speedy, Diane Prior, Broadway Bill Lee and many other film, television, and music industry celebrities will take the field for the one day softball fundraiser. 100% of proceeds from the event will benefit the American Red Cross Disaster Relief Fund for the victims affected by Hurricane Katrina and Rita. Tickets to the event will be General Admission only for $10.35 and will be available to the general public starting this week at the Staten Island Yankee Box Office, by calling (718) 720-9200 or at www.siyanks.com.