In-Flight Sleep As a Pilot Fatigue Mitigation on Long Range and Ultra
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Heartthrob Can't Inject Life Into Latest Nicholas Sparks Tale
PAGE b8 THE STATE JOURNAL Ap RiL 19, 2012 Thursday ALMANAC 50 YEARS AGO Danny Rodgers set a new ‘Lucky One’ not Zac Efron school record for the high jump and Frankie Brown picked up 10 individual points in two hurdles events Heartthrob can’t inject life into latest Nicholas Sparks tale to lead the Franklin County Flyers to a 71.5 to 46.5 victory over Clark County in a dual By RogeR MooRe (Blythe Danner). Zac track meet at Kentucky State McT clA chy-TriBune news service Logan (Zac Efron) is a Efron College’s Alumni Field. brooding ex-soldier, and “The Lucky One” is the attends chivalrous. edgiest-ever film adaptation Warner 25 YEARS AGO “Isn’t he chivalrous, dear?” of the writings of Nicholas Bros. Franklin County School granny says, elbowing Beth. Sparks. Pic- board members attended Which isn’t saying much. And the viewer. tures the Kentucky School Boards Logan met Beth before she Yeah, it has the violence of “The Association conference in knew it. He found her photo Louisville. Mac Quarles, war, and the heat of near-sex. Lucky And profanity! Don’t forget in the dust after a fierce fire- Jack Badgett, Billy Perkins, fight in Iraq. He lost comrades One” Dr. Harry Cowherd and Lee the profanity! pre- But it still has the ro- that day, and one of them had Troutwine heard speakers miere mance novelist’s favorite her photo. Somehow, Logan offering national and state- tropes – most of them, any- manages to track Beth down held at wide perspectives on issues way. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Aerosafety World June 2010
AeroSafety WORLD PILOTS TALK AUTOMATION Coping strategies AUTOMATION DISTURBED Causes AMS crash CONTROLLING FATIGUE Which approach is best PROFESSIONAL BEHAVIOR An NTSB examination LATIN SAFETY RENEWAL São Paulo gathering LIGHTNING STRIKES PROTECTION BY DESIGN THE JOURNAL OF FLIGHT SAFETY FOUNDATION JUNE 2010 BASS-Asia Business Aviation Safety Seminar-Asia november 10–11, 2010 changi Village, singapore Today’s besT safeTy pracTices for The asia pacific region. The rapid growth of business aviation in the Asia Pacific region represents opportunity for organizations and national economies. As other regions have discovered, however, expansion is also a safety challenge. Fortunately, business aviation has already developed best practices that BASS-Asia can be applied in Asia Pacific. is a new safety seminar, sponsored by four leading organizations to transmit practicable knowledge and techniques supporting safe flight. To register or to see a preliminary agenda, go to <flightsafety.org/aviation- safety-seminars/business-aviation-safety- seminar-asia-2010>. SINGAPORE AVIATION AsBAA ACADEMY Asian Business Aviation Association PRESIDENT’sMESSAGE GENTLEMEN’s Agreement think it is time for us to be honest with ourselves. This isn’t a new idea. Many industries, includ- With all that is going on in the world today, is ing medicine, civil engineering, shipping and aviation safety really that much of a priority? mining, set their own standards and measure I find the answer to that depends on who you themselves by those criteria. It isn’t even a new Iask. If you put a television camera in the face of a idea in aviation. The bolts that hold the wing on politician or an airline CEO, then, of course, safety are built to an SAE standard. -
Awake to Woke to Work: Building a Race Equity Culture
AWAKE to WOKE to WORK: Building a Race Equity Culture About Equity in the Center Equity in the Center works to shift mindsets, practices, and systems within the social sector to increase racial equity. We envision a future where nonprofit and philanthropic organizations advance race equity internally while centering it in their work externally. Equity in the Center’s goals are: • Nonprofit and philanthropic organizations adopt a Race Equity Culture focused on proactive counteraction of social inequities • Organizations define, implement, and advance race equity internally while advocating for it in their work externally • Race equity is centered as a core goal of social impact across the sector Table of Contents Executive Summary 2 Introduction 4 Intended Audience 5 Methodology & Research 5 The Need for Race Equity Work 6 Building A Race Equity Culture 9 Race Equity Cycle 10 The Role of Levers 12 How to Get Started 20 Envisioning a Race Equity Culture 22 Appendices Call to Action 23 Glossary 24 Endnotes 26 Bibliography 29 Interview Summaries 32 Equity in the Center Partners and Advisors 33 Acknowledgments 35 Awake to Woke to Work • 1 Executive Summary Achieving race equity — the condition where one’s racial individuals, and to center race equity in our life and in our identity has no influence on how one fares in society — is work. A Race Equity Culture is the antithesis of dominant a fundamental element of social change across every issue culture, which promotes assimilation over integration area in the social sector. Yet the structural racism that endures and dismisses opportunities to create a more inclusive, in U.S. -
10 / National Identity and Global Television: Re-Making Australia's
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Humanities Commons The London Film & Media Reader 4 10 / National Identity and Global Television: Re-making Australia’s Rake for American Audiences K. Brenna Wardell Trans-national TV and Globalisation: The Re-make This essay considers questions of Australian and American identity, focusing on the U.S. remake of the Australian TV series Rake in order to unpack ideas to do with national and trans-national media. The U.S. Rake, which was launched in January 2014 by Fox Broadcasting, is of interest because the series complicates long-standing trends, including U.S. media dominance and the British heritage of most foreign re-makes on U.S. television. The U.S. Rake’s short, tumultuous history also exemplifies the diverse challenges of re-makes, many of which have had limited success or have failed completely, such as the U.S. re-makes (NBC, 2008-2009; NBC, 2003) of the Australian Kath & Kim (ABC, 2002-2005) and the British series Coupling (BBC2, 2000-2004). 95 The London Film & Media Reader 4 Given the voracious desire and disruptive behaviour traditionally associated with the figure of the rake, transferring the original’s frank tone and content to the U.S proved delicate work, complicated by the relatively restrictive nature of American network broadcasting, although the direct involvement of the original’s creators, particularly Peter Duncan, suggests a close connection between the Rakes. Key differences are evident in the broadcasters (the commercial Fox in the U.S.; the government-funded ABC1 in Australia); cast (Greg Kinnear in the U.S.; Richard Roxburgh in Australia); the nature of their respective television audiences; and the dissimilar rules governing each nation’s TV content. -
Human Fatigue Fact Sheet Download Complete
HUMAN FATIGUE FACT SHEET Human Fatigue as a Threat to Aviation Safety HUMAN FATIGUE FACT SHEET Introduction It can be stated that human fatigue – and especially pilot fatigue (i.e. airline, cargo, corporate and charter pilot fatigue) – is a real problem since the beginning of air travel1. Stressors for fatigue are for instance the long workdays, lengthy flights, time zone crossings and night flights. These factors are a threat to pilot performance and flight safety. This fact sheet explores different facets of human fatigue in the aviation industry within the context of human factors and safety; it discusses the impact, causes and countermeasures for fatigue. The information presented in this fact sheet is primarily based on a bachelor thesis on the effect of human fatigue on speech production2. 20 to 30% of transport accidents involve human fatigue Example 1: 6 July 2013 The National Transportation Safety Board (NTSB) estimates that fatigue contributes to twenty to thirty percent of all accidents considering all A relatively recent accident in which fatigue was implicated is Asiana Air- transportation types3. Therefore fatigue is a serious threat to aviation safe- lines flight 214 with a Boeing 777-200ER that crashed during landing at San ty (Example 1). A scientific study concluded that 20 to 25 hours of sus- Francisco International Airport5. Three of the 291 passengers were fatally tained wakefulness resulted in performance decrements that are equiva- injured; 40 passengers received serious injuries. The Boeing was destroyed lent to those of a blood alcohol concentration (BAC) of 0.10%4. This indi- by a post-crash fire and impact forces. -
MOTIVE PILOT "Creeping Tom" Written by Daniel Cerone
MOTIVE PILOT "Creeping Tom" written by Daniel Cerone EXECUTIVE PRODUCERS Rob Merilees Rob LaBelle Lindsay Macadam Daniel Cerone James Thorpe Louise Clark Erin Haskett MOTIVE “Creeping Tom” TEASER FADE IN: INT. THE LAMPLIGHTER - NIGHT A dimly lit tavern where every hour is happy hour. In ONE SHOT that will last the scene, we move down a mile-long bar filled with booze-happy REGULARS, through leatherette booths, and stop on a small karaoke stage. Everyone cheers as the immensely likable and slightly overweight MR. MARTIN, 30s, starts singing to the tune of The Archies’ Sugar, Sugar. MR. MARTIN Glucose -- ah, sugar sugar. You are my favorite fuel. From the blood- borne substrate pool. CAMERA ROAMS to the dance floor, where the crowd bumps and grinds. A lacy bra flies on stage, TAKING US back to Mr. Martin, clearly a favorite here. He gamely swivels his hips. MR. MARTIN (cont'd) Glucose -- mono saccharide sugar. You're sweeter than a woman's kiss. 'Cause I need you for glycolysis. A sexy REDHEAD runs on stage and starts go-go dancing. Mr. Martin sings to her for all he’s worth. MR. MARTIN (cont'd) I just can't believe the way my muscles take you in. For you, they'll open the door. All it takes is a little bit of insulin. To up- regulate glute four. FREEZE FRAME on Mr. Martin, in all his small-time glory, and WHOOSH to his smiling face. The words appear under him: The Victim FLARE TO WHITE. 2. EXT. HIGH SCHOOL FOOTBALL FIELD - NIGHT FADE FROM WHITE to a bank of STADIUM LIGHTS. -
Analysing Semi-Serialized Television Fictions: the Ethical Stakes of Narrative Structures
NARRATIVES / AESTHETICS / CRITICISM ANALYSING SEMI-SERIALIZED TELEVISION FICTIONS: THE ETHICAL STAKES OF NARRATIVE STRUCTURES SARAH HATCHUEL, CLAIRE CORNILLON Name Sarah Hatchuel (Mittell 2015: 20), as they include episodes that both Academic centre Université Paul-Valéry Montpellier 3, France stand on their own and advance various long-term narrative E-mail address [email protected] arcs. These semi-serial shows display a writing which, season after season, feeds on the very tension between Name Claire Cornillon their episodic and serial aspects, between short-term Academic centre Université de Nîmes, France and long-term features. This tension raises ethical stakes, E-mail address [email protected] particularly an ethics of care, which this essay will attempt to bring to the fore, drawing from the work of Sandra KEYWORDS Laugier (2014: 261). Laugier’s work invites us to understand Episodic; serial; ethics; ER; Angel; Awake; Lost; how television shows, through their durations and the Person of interest. various kinds of attachment they elicit, may educate viewers morally and make them attentive to what seems to be unremarkable within ordinary life. Her recent work on ABSTRACT TV series (2019) focuses on their representational contents The power of episodic television shows such as Columbo – situations, dialogues, gestures, dilemmas, identity (NBC, 1968-1978; ABC, 1989-2003), in which each episode politics and (political or moral) choices made by (groups tells a full story, has been highlighted by Jean-Pierre of) characters – but it does not take into account the way Esquenazi (2017: 107-28), who compares them to cubist specific narrative structures may encourage spectators to works, whose universes become denser over time. -
ATX Television Festival FROM: Fons PR RE: ATX Television Festival / Publicity Status Report
DATE: June 20, 2014 TO: ATX Television Festival FROM: Fons PR RE: ATX Television Festival / Publicity Status Report Please find our Online Publicity Status Report for ATX Television Festival INTERVIEWS ARRANGED AUSTIN AMERICAN STATESMAN Podcast / Omar Gallaga - Interview with Caitlin & Emily AUSTIN 360 / Gary Dinges - Interview with Caitlin & Emily AUSTIN CHRONICLE / Amy Gentry - Interview with Caitlin & Emily KOOP (LIGHTS, CAMERA, AUSTIN) / Robert Sims - Interview with Caitlin & Emily KUT (NPR) / Laura Rice - Interview with Caitlin & Emily TEXAS LIVING MAGAZINE / Kimberly Sutra - Interview with Caitlin & Emily THE CW AUSTIN / Taylor Ellison - Interview with Caitlin & Emily BLOG TALK RADIO / Dennis Tarden – Interview with Caitlin & Emily TV LINE / Robyn Ross – Interview with Adriane Palicki PRESS CONFERENCES ARRANGED HEY DUDE Reunion: Press Attendees: All Media Network ATX Gossip Bitch Magazine CNN Entertainment College Movie Review CW Austin Do512 E! Online Fanboy TV International Business Times KUT-FM Mad Betty Blog See Saw Austin Too Fab Urban Life & Style Variety HENRY WINKLER Press Attendees: ATX Gossip All Media Network FOX-TV (Austin) KUT KEYE-TV Mad Betty Blog Retina See Saw Austin Sneak Peek TV Spiderwood TV Star Pulse Too Fab Urban Life & Style WNEW All News EVERWOOD Reunion: Press Attendees: Pajiba Fanbolt Too Fab ATX Gossip Variety Chickster Mag All Media Network The Televixen We Heart TV ATL CW.TV US Weekly The Televixen Bitch Magazine Urban Life & Style Snakkle International Business Times Star Pulse ROSWELL Reunion: Press -
REM Written by Kyle Killen
REM Written by Kyle Killen TEASER EXT. HILLSIDE - NIGHT A gentle slope. The city shimmers like a postcard below. Peaceful. Calm. SILENT. Perfect. Then- SCREECHING TIRES. Suddenly a CAR COMES CRASHING THROUGH THE FRAME, a flipping blur of flying metal and BREAKING GLASS. And then it’s gone. Everything’s still, just as we found it. DR. LEE (V.O.) So, tell me how it works. ANGLE ON the wrecked car. CLOSE ON the eyes of MARK BRITTEN, unconscious, hanging upside down by his seatbelt. We can hear the WHEELS STILL SPINNING helplessly in the air. BRITTEN (V.O.) I don’t know. I close my eyes. I open them. Just like you. Very slowly pull back from his eyes until we see other passengers in the car: HIS WIFE (HANNAH BRITTEN) and a TEENAGE SON (REX BRITTEN) - more on them in a moment. They’re also hanging from their seatbelts, bloody and unconscious. DR. LEE (V.O.) Let’s just start at the beginning. Suddenly, Britten’s eyes flutter open. He looks around. As he takes in his wife and son hanging from their belts- SMASH TO: INT. DR. LEE’S OFFICE CLOSE ON Det. Mark Britten, 40ish, handsome, healed, but a weight to his stare. He’d rather not remember the beginning. BRITTEN No. Let’s start at right now. REVEAL DR. LEE, late 30’s, Asian-American, a cerebral presence in a muted, calming, vaguely Zen environment. He makes a note in his book then looks back at Britten. DR. LEE Very well. You’re back to work? BRITTEN Yes. -
“Turn His Sleep to Wake:” Sleeplessness in Macbeth
“Turn His Sleep to Wake:” Sleeplessness in Macbeth The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Smith, Sarah C. 2016. “Turn His Sleep to Wake:” Sleeplessness in Macbeth. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797380 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA “Turn His Sleep to Wake:” Sleeplessness in Macbeth Sarah C. Smith A Thesis in the Field of English for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 © 2016 Sarah Smith Abstract This thesis will consider how sleeplessness functions in Macbeth. Many consider Macbeth’s sleeplessness to be the product of his guilty conscience after he murders Duncan for the throne. While a case can be made for that argument, readings of the play that focus exclusively on Macbeth’s personal sleeplessness overlook the fact that virtually every character in the play experiences sleeplessness as well. Additionally, many of the unnatural events that mark Macbeth’s reign connect back to sleeplessness, suggesting the theme is more significant than merely denoting the emotional state of one character. Historical accounts of English life in Shakespeare’s time illustrate that sleep was a precarious state closely tied to safety and security; without the latter, the former became impossible. -
Pilot Fatigue: Unresponsive Federal Aviation Regulations
Journal of Air Law and Commerce Volume 65 | Issue 3 Article 8 2000 Pilot Fatigue: Unresponsive Federal Aviation Regulations and Increasing Cockpit Technology Threaten to Rock the Nation's Pilots to Sleep and Compromise Consumer Safety Temesha Evans-Davis Follow this and additional works at: https://scholar.smu.edu/jalc Recommended Citation Temesha Evans-Davis, Pilot Fatigue: Unresponsive Federal Aviation Regulations and Increasing Cockpit Technology Threaten to Rock the Nation's Pilots to Sleep and Compromise Consumer Safety, 65 J. Air L. & Com. 567 (2000) https://scholar.smu.edu/jalc/vol65/iss3/8 This Comment is brought to you for free and open access by the Law Journals at SMU Scholar. It has been accepted for inclusion in Journal of Air Law and Commerce by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. PILOT FATIGUE: UNRESPONSIVE FEDERAL AVIATION REGULATIONS AND INCREASING COCKPIT TECHNOLOGY THREATEN TO ROCK THE NATION'S PILOTS TO SLEEP AND COMPROMISE CONSUMER SAFETY TEMESHA EVANS-DAVIS* As cockpit technology and automation advance and crews endure longerflights over more time zones, the problem of pilot fatigue is grow- ing ever more serious. According to a NASA study, more airlinepilots are falling asleep at the wheel due to this improved technology and an increased demand for flights. The resultingparadox is becoming dan- gerously clear. While the technology allows pilots tofly long distancesfor great durations, their bodies remain programmed to be awake during the day and asleep at night. To reconcile modern aviation capability and pilots' very human and biological need for sleep, the FAA began a cam- paign under the Reagan Administration to bring old regulations in line with current usage and technology.