Leonardo The Fire of "Prometheus": Music-Kinetic Art Experiments in the USSR Author(s): Bulat M. Galeyev Reviewed work(s): Source: Leonardo, Vol. 21, No. 4 (1988), pp. 383-396 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/1578701 . Accessed: 15/03/2012 08:55 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. The MIT Press and Leonardo are collaborating with JSTOR to digitize, preserve and extend access to Leonardo. http://www.jstor.org The Fire of Prometheus: Music-Kinetic Art Experiments in the USSR Bulat M. Galeyev Abstract-In this article, the authordiscusses the principalSoviet experimentsin music-kinetic art. As can be judged from the available literature, most of these experimentsstill remain 'blank spaces' for Westernreaders. This article testifies to the existence of long-standingtraditions that have inspiredthe Soviet school of music-kinetic art and have contributedto its original features. Perhaps the results have not always been as successful or as extensive as one would want them to be, but the prospects for future developments look promising, if only on the basis of the theoretical foundationsthat were laid in Russia itself in the beginningof this century.To provide a context for his discussionof music-kinetic art consideredin this review,the authorhas included an article (see Appendix)in which he examines the history of the idea of 'seeing music' in Russia in previous centuries.