Jhajjar Through Ages
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Page-6-Editorial.Qxd
SUNDAY, APRIL 11, 2021 DAILY EXCELSIOR, JAMMU Excelsiordaily Established 1965 Emperor Lalitaditya Muktapida of Kashmir Founder Editor S.D. Rohmetra Autar Mota MARTAND SUN TEMPLE Lalitaditya established many cities and towns . " If I had sent against you the King of King Lalitaditya built the Martand Sun These could be listed as under:- Kashmir on whose royal threshold the other Celebrations at CRPF alitaditya Muktapida (r.c. 724 CE-760 Temple in Kashmir on the plateau near Mattan 1. Sunishchita-pura. rulers of Hind had placed their heads, who sways CE) was a powerful Kayastha ruler of the town in South Kashmir. The location of the tem- 2. Darpita-pura. the whole of Hind, even the countries of Makran LKarkota dynasty of Kashmir . Kalhana , ple proves the skill and expertise of Kashmiri 3. Phala-pura. and Turan, whose chains a great many noblemen commando's house the 12th century chronicler ,calls him universal artisans of the period. It is said that from this M. A. Stein has identified this place with near and grandees have willingly placed on their monarch or the conqueror of the world, crediting on of the soil and a courageous CoBRA com- temple, one could see the entire Lidder valley present-day Shadipura town in Kashmir. knees." him with far-reaching conquests from Central and the Shikhara of the demolished 4. Parnotsa. The king of Kashmir referred to here is none mando of the CRPF, constable Rakeshwar Asia to shores of Arbian sea in India. According Vijeyshawara Shrine near the present-day M. A. Stein has identified this place as pres- other than Lalitaditya. -
THE COMMUNICATIONS Journal of Applied Research in Open and Distance Education
ISSN: 0975-6558 THE COMMUNICATIONS Journal of Applied Research in Open and Distance Education The Communications–an applied journal of research in open and distance education, is an official publication of the Directorate of Distance Education, University of Kashmir, Srinagar. The Journal seeks to bridge and integrate the intellectual, methodological and substantive diversity of educational scholarship and to encourage a vigorous dialogue between educational scholars and practitioners. The journal seeks to foster multidisciplinary research and collaboration among policy makers, professionals, teacher educators, research scholars and teachers. The journal also intends to exert its efforts in capacity building for the future of learning and teaching among the new researchers across the broadest range of research activities internationally. The directorate seeks to offer spaces for more critical thinking and reflection grounded in rigorous scholarship as to ways in which higher education might go on being further reshaped in the future. Vol. 25 2017 No. 01 PATRON Prof. Khurshid Iqbal Andrabi Chief Editor Prof. Neelofer Khan Editor Dr. Habibullah Shah Directorate of Distance Education University of Kashmir, Srinagar - 190006 www.ddeku.ed.in Published By: Prof. Neelofer Khan Director Directorate of Distance Education University of Kashmir Srinagar. Year: December, 2017 Contact Us Editor The Communications Directorate of Distance Education University of Kashmir Srinagar-190006 Email: [email protected] ISSN: 0975-6558 Designed By: Habibullah Shah Printed At: The results/findings/ideas/thoughts expressed by the author(s)i n their research papers published in the journal The Communications is the original contribution of the author(s). The editorial board may not be responsible for the originality of the content/ideas or may not necessarily agree with them. -
1000+ Question Series PDF -Jklatestinfo
JKLATEST INFO https://jklatestinfo.com/ Q1) The kashmir Valley was originally a huge lake called ? a) Manesar b) Neelam c) Satisar d) Both ‘b’ & ‘c’ Q2) Kalhana , a famous historian wrote ? a) Nilmatpurana b) Rajtarangini c) Both d) None of these Q3) The First king mentioned by Kalhana is ? a) Gonanda I b) Durlabha Vardhana c) Ashoka d) Jalodbhava Q4) The outer plains doesn’t cover which of the following ? a) RS Pura b) Kathua c) Akhnoor d) Udhampur Q5) When J&K became Union Territory ? a) August 5, 2019 b) October 31, 2019 c) September 5, 2019 d) October 1 , 2019 JKLATEST INFO https://jklatestinfo.com/ Q6) Which among the following is the welcome dance for spring season ? a) Bhand Pathar b) Dhumal c) Kud d) Rouf Q7) Total number of districts in J&K ? a) 22 b) 21 c) 20 d) 18 Q8) On which hill the Vaishno Devi Mandir is located ? a) Katra b) Trikuta c) Udhampur d) Aru Q9) The SI unit of charge is ? a) Ampere b) Coulomb c) Kelvin d) Watt Q10) The filament of light bulb is made up of ? a) Platinum b) Antimony c) Tungsten d) Tantalum JKLATEST INFO https://jklatestinfo.com/ Q11) Battle of Plassey was fought in ? a) 1757 b) 1857 c) 1657 d) 1800 Q12) Indian National Congress was formed by ? a) WC Bannerji b) George Yuli c) Dada Bhai Naroji d) A.O HUme Q13) The Tropic of cancer doesn’t pass through ? a) MP b) Odisha c) West Bengal d) Rajasthan Q14) Which of the following is Trans-Himalyan River ? a) Ganga b) Ravi c) Yamuna d) Indus Q15) Rovers cup is related to ? a) Hockey b) Cricket c) Football d) Cricket JKLATEST INFO https://jklatestinfo.com/ -
According to the Syllabus of University of Azad Jammu & Kashmir
LLB FIVE YEARS DEGREE PROGRAMME NOTES According to the Syllabus of University of Azad Jammu & Kashmir Muzaffarabad and Other Public, Private Sector Universities of Pakistan Prepared By Advocate Muhammad Adnan Masood Joja Sardar Javed Zahoor Khan (Advocate) CITI Law College Rawalakot 05824-442207, 444222, 0332-4573251, 051-4852737 Near CMH Rawalakot AJK Web:-www.clc.edu.pk Citi Law College, Near CMH, Rawalakot Ph: 05824-442207, 051-4852737 www.clc.edu.pk Page | 1 Citi Law College, Near CMH, Rawalakot Ph: 05824-442207, 051-4852737 www.clc.edu.pk Page | 2 Citi Law College, Near CMH, Rawalakot Ph: 05824-442207, 051-4852737 www.clc.edu.pk Page | 3 Citi Law College, Near CMH, Rawalakot Ph: 05824-442207, 051-4852737 www.clc.edu.pk Page | 4 Citi Law College, Near CMH, Rawalakot Ph: 05824-442207, 051-4852737 www.clc.edu.pk Page | 5 FUNCTIONAL ENGLISH Citi Law College, Near CMH, Rawalakot Ph: 05824-442207, 051-4852737 www.clc.edu.pk Page | 6 Parts of Speech NOUNS A noun is the word that refers to a person, thing or abstract idea. A noun can tell you who or what. There are several different types of noun: - There are common nouns such as dog, car, chair etc. Nouns that refer to things which can be counted (can be singular or plural) are countable nouns. Nouns that refer to some groups of countable nouns, substances, feelings and types of activity (can only be singular) are uncountable nouns. Nouns that refer to a group of people or things are collective nouns. Nouns that refer to people, organizations or places are proper nouns, only proper nouns are capitalized. -
Catalogue of the Papers of Prof. Pramod Kumar Srivastava
OF CONTEMPORARY INDIA Catalogue Of The Papers of Prof. Pramod Kumar Srivastava Plot # 2, Rajiv Gandhi Education City, P.O. Rai, Sonepat – 131029, Haryana (India) Prof. Pramod Kumar Srivastava Renowned historian and a pioneer in the field of oral history, Prof. Pramod Kumar Srivastava was born on 7 October 1952 at Ballia, Uttar Pradesh. Prof. Srivastava received his initial education at King Edward Government Inter College, Deoria, U.P., and obtained a Master‟s degree from the Department of Western History, University of Lucknow, UP. He obtained his doctorate on „American Imperialism in Philippines‟ (1983), and D.Lit. on the „Struggle for Existence of British Colonies of South Pacific Islands, Fiji Islands, Solomon Islands, Islands of New Hebrides and Tonga‟ (1990) also from the University of Lucknow. He initially joined the Western History Department of Lucknow University as a Research Associate (1983), was appointed lecturer (1994), promoted as Professor in 2007, retired as its Head in 2015, and after retirement, became Emeritus Fellow (UGC), 2015-2017. During his distinguished teaching and research career, Prof. Pramod Kumar Srivastava headed many research projects such as „Oral History of Freedom Struggle with special reference to Ex-Andaman Freedom Fighters, 1921-1947‟ for Indian Council of Historical Research, New Delhi, (1991); „Segregating Dangerous Ideas: Colonial and Criminal Justice in the Andaman Islands, 1898-1948‟ as UGC Major Research Project (2006-2010); and „Political Protests from Behind the Bars: Escapes, Assaults, Work and Hunger Strikes in British Colonial Prisons‟ as UGC-Emeritus Fellow (2015-2017). He is acclaimed for documenting the role and experiences of political prisoners transported to Cellular Jail, Andaman Islands during the colonial rule. -
Traditional Knowledge Systems and the Conservation and Management of Asia’S Heritage Rice Field in Bali, Indonesia by Monicavolpin (CC0)/Pixabay
ICCROM-CHA 3 Conservation Forum Series conservation and management of Asia’s heritage conservation and management of Asia’s Traditional Knowledge Systems and the Systems Knowledge Traditional ICCROM-CHA Conservation Forum Series Forum Conservation ICCROM-CHA Traditional Knowledge Systems and the conservation and management of Asia’s heritage Traditional Knowledge Systems and the conservation and management of Asia’s heritage Rice field in Bali, Indonesia by MonicaVolpin (CC0)/Pixabay. Traditional Knowledge Systems and the conservation and management of Asia’s heritage Edited by Gamini Wijesuriya and Sarah Court Forum on the applicability and adaptability of Traditional Knowledge Systems in the conservation and management of heritage in Asia 14–16 December 2015, Thailand Forum managers Dr Gamini Wijesuriya, Sites Unit, ICCROM Dr Sujeong Lee, Cultural Heritage Administration (CHA), Republic of Korea Forum advisors Dr Stefano De Caro, Former Director-General, ICCROM Prof Rha Sun-hwa, Administrator, Cultural Heritage Administration (CHA), Republic of Korea Mr M.R. Rujaya Abhakorn, Centre Director, SEAMEO SPAFA Regional Centre for Archaeology and Fine Arts Mr Joseph King, Unit Director, Sites Unit, ICCROM Kim Yeon Soo, Director International Cooperation Division, Cultural Heritage Administration (CHA), Republic of Korea Traditional Knowledge Systems and the conservation and management of Asia’s heritage Edited by Gamini Wijesuriya and Sarah Court ISBN 978-92-9077-286-6 © 2020 ICCROM International Centre for the Study of the Preservation and Restoration of Cultural Property Via di San Michele, 13 00153 Rome, Italy www.iccrom.org This publication is available in Open Access under the Attribution Share Alike 3.0 IGO (CCBY-SA 3.0 IGO) license (http://creativecommons.org/licenses/by-sa/3.0/igo). -
Splendours of Odishan Paintings.Pmd
1 Splendours of Odishan Painting 2 3 Splendours of Odishan Painting Dr. Dinanath Pathy ILA PANDA Centre for Arts Bhubaneswar 4 1st ILA PANDA Memorial Lecture delivered by Dr. Dinanath Pathy on 12th March 2016 at Bhubaneswar. Published by ILA PANDA Centre for Arts Designed at and Produced by Third Eye Communications N4, 252, IRC Village, Nayapalli, Bhubaneswar, Odisha, India 5 ILA PANDA was educated in visual art at Shantiniketan under the tutelage of Acharya Nandalal Bose and at The Royal College of Art, London. She was married to Dr. Bansidhar Panda and was the partner in the formation of the IMFA Group of Companies in Odisha. She was a member of Indian Parliament. IPCA has been instituted in Bhubaneswar to perpetuate her memory and ideals. IPCA aims at promoting Odia art and artists in the country and on the international level. IPCA’s activities are supported by UMSL Limited, Bhubaneswar. 6 Dr. Dinanath Pathy (1942) has a Government Diploma in Fine Art and Crafts from Khallikote School of Art. He has been awarded two Ph.Ds., including one from Visva Bharati and a D. Litt. honoris causa from Berhampur University. He is the recipient of Jawaharlal Nehru Fellowship, International Rietberg Award and President of India Silver Plaque for Painting. Dr. Pathy is a practicing artist, art historian and writer. He has designed and curated a number of national and international exhibitions including the Festival of India in Sweden and USSR as well as the International Kalinga-Bali Jatra. He has been collaborating with Swiss Scholar Dr. Eberhard Fischer on a number of research projects on Odishan Art since 1978. -
Downloaded by [University of Defence] at 21:30 19 May 2016 South Asian Religions
Downloaded by [University of Defence] at 21:30 19 May 2016 South Asian Religions The religious landscape of South Asia is complex and fascinating. While existing literature tends to focus on the majority religions of Hinduism and Buddhism, much less attention is given to Jainism, Sikhism, Islam or Christianity. While not neglecting the majority traditions, this valuable resource also explores the important role which the minority traditions play in the religious life of the subcontinent, covering popular as well as elite expressions of religious faith. By examining the realities of religious life, and the ways in which the traditions are practiced on the ground, this book provides an illuminating introduction to Asian religions. Karen Pechilis is NEH Distinguished Professor of Humanities and Chair and Professor of Religion at Drew University, USA. Her books for Routledge include Interpreting Devotion: The Poetry and Legacy of a Female Bhakti Saint of India (2011). Selva J. Raj (1952–2008) was Chair and Stanley S. Kresge Professor of Religious Studies at Albion College, USA. He served as chair of the Conference on the Study of Religions of India and co-edited several books on South Asia. Downloaded by [University of Defence] at 21:30 19 May 2016 South Asian Religions Tradition and today Edited by Karen Pechilis and Selva J. Raj Downloaded by [University of Defence] at 21:30 19 May 2016 First published 2013 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2013 Karen Pechilis and the estate of Selva J. -
Re-Contextualization and Representation of Folk Art in Advertising
Re-contextualization and Representation of Folk Art in Advertising Dr. Manash Pratim Goswami Associate Professor, Dept. of Media and Communication, Central University of Tamil Nadu ([email protected]) Dr. Soubhagya Ranjan Padhi Professor, Dept. of Sociology & Social Anthropology, Indira Gandhi National Tribal University ([email protected]) Abstract: Although art and advertising are ideologically distant apart, yet they share a close and entwined relationship. Art imitates life and advertising imitates art to persuade. Advertising connects diverse and disconnected pieces of art to create semantic meaning in a message. The magic of an image with dots and lines can create powerful impact in an advertising message with a potential to influence people. The idea of appropriation of art or elements of art have been in practice for a long time. Advertising campaigns often re-contextualise popular imageries to influence people. The re- contextualization and representation of art, culture, motifs, patterns and designs of painting often help communicating advertising message effectively and lucidly. The current study focuses on investigating the appropriation of cultural characteristics and elements of folk-art and paintings to re-contextualise the creative expression of artists to communicate advertising messages. The study makes a qualitative analysis of ‘GE Works’- the advertising campaign of General Electric (GE) launched a decade ago, which recontextualised and represented four distinct and colourful Indian folk-art forms. Keywords: Appropriation, Recontextualization, Representation, Folk-art and Painting, Advertising. Introduction Art and advertising, although separated by ideological notions, share a close and intertwined relationship. Art is a commentary presented to be appreciated for its beauty or emotional power (Oxford University Press, n.d.) and advertising persuades, influences and convinces the individual for something. -
Unit 7 Reforms in Religions
UNIT 7 REFORMS IN RELIGIONS Structure 7.1 Introduction Aims and Objectives 7.2 Sources of Gandhi’s Religious Thought 7.3 Gandhi’s Concept of Religion 7.4 Gandhi and the Reconstruction of Hinduism 7.5 Gandhi and Other Religions 7.5.1 Gandhi on Buddhism 7.5.2 Gandhi on Christianity 7.5.3 Gandhi on Islam 7.6 Religious Pluralism: Equal Respect for All Religions 7.7 Summary 7.8 Terminal Questions Suggested Readings 7.1 INTRODUCTION “If a man reaches the heart of his own religion, he has reached the heart of the others too”. Gandhi M.G. Polak, Mr. Gandhi: The Man, London, 1931, p.41 “Personally, I think the world as a whole will never have, and need not have, a single religion”. Gandhi The Collected Works of Mahatma Gandhi (CWMG), Vol. 12, 30 May 1913, p. 94. Religion was central to Mahatma Gandhi’s life, thought and work. Gandhi’s political philosophy and political techniques are only two corollaries of his religious and moral principles. It is a strange paradox that though Gandhi’s attitude to religion holds the key to the understanding of his life and thoughts, its nuances and significance have been often missed or underestimated by his admirers and critics. He has been often misunderstood or deliberately misrepresented by his political opponents. On Gandhi’s seminal contribution to religious and political thought, Sir Dr. S. Radhakrishnan, eminent philosopher and the second President of India, wrote in 1939 that “The greatest fact in the story of man on earth is not his material achievement, the empires he has built and broken, but the growth of his soul from age to age in its search for truth and goodness. -
Saura Painting - Raghurajpur, Orissa Mural Painting Art by Prof
D’source 1 Digital Learning Environment for Design - www.dsource.in Design Resource Saura Painting - Raghurajpur, Orissa Mural Painting Art by Prof. Bibhudutta Baral, Divyadarshan C. S. and Aakash Sharma NID Campus, Bengaluru Source: http://www.dsource.in/resource/saura-painting-ra- ghurajpur-orissa 1. Introduction 2. Tools and Raw Materials 3. Making Process 4. Products 5. Video 6. Contact Details D’source 2 Digital Learning Environment for Design - www.dsource.in Design Resource Introduction Saura Painting - Raghurajpur, Orissa is an enhanced cultural city and is rich in the tribal culture. Off which saura is one of the most popular Orissa tribes in the country with some attractive murals and paintings, this art is prominent on the walls of this tribal Mural Painting Art group. This form of art is frequently found in Raghurajpur Rayagada, Gajapati and Koraput districts of Orissa. A by study of their arts and painting traditions reveals the rich ancient tribal art idiom, which is still in vogue with Prof. Bibhudutta Baral, Divyadarshan C. S. and popular appeal. The Sauras are particularly famous for rich variety of their paintings based on spiritual and Aakash Sharma ceremonial themes. Their deity instructions great religious dedication from the tribal people. Sauras establish a NID Campus, Bengaluru very significant and ancient tribe of our country. Each Ideal contains various symbols and signs to convey spe- cial meaning for which it is meant. The pictograms are categorized into different sections as per their meaning and purpose. These paintings convey great aesthetic sense even the painting activities are getting commercial- ized now a days. -
Living Traditions Tribal and Folk Paintings of India
Figure 1.1 Madhubani painting, Bihar Source: CCRT Archives, New Delhi LIVING TRADITIONS Tribal and Folk Paintings of India RESO RAL UR U CE LT S U A C N D R O T R F A E I N R T I N N G E C lk aL—f z rd lzksr ,oa izf’k{k.k dsUn Centre for Cultural Resources and Training Ministry of Culture, Government of India New Delhi AL RESOUR UR CE LT S U A C N D R O T R F A E I N R T I N N G E C lk aL—f z rd lzksr ,oa izf’k{k.k dsUn Centre for Cultural Resources and Training Ministry of Culture, Government of India New Delhi Published 2017 by Director Centre for Cultural Resources and Training 15A, Sector 7, Dwarka, New Delhi 110075 INDIA Phone : +91 11 25309300 Fax : +91 11 25088637 Website : http://www.ccrtindia.gov.in Email : [email protected] © 2017 CENTRE FOR CULTURAL RESOURCES AND TRAINING Front Cover: Pithora Painting (detail) by Rathwas of Gujarat Artist unknown Design, processed and printed at Archana Advertising Pvt. Ltd. www.archanapress.com All Rights Reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the Director, CCRT. Photo Credits Most of the photographs used in this publication are from CCRT Archives. We also thank National Museum, New Delhi; National Handicrafts & Handlooms Museum (Crafts Museum), New Delhi; North Zone Cultural Centre (NZCC), Patiala; South Central Zone Cultural Centre (SCZCC), Nagpur; Craft Revival Trust, New Delhi and Sanskriti Museum, New Delhi for lending valuable resources.