Documentaries on Acting
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Presumed Innocent Free Ebook
FREEPRESUMED INNOCENT EBOOK Scott Turow | 432 pages | 01 Apr 2010 | Penguin Books Ltd | 9780141049212 | English | London, United Kingdom Presumed Innocent by Scott Turow | Hachette Book Group I n the final days before the Senate vote on the confirmation of Supreme Court nominee Brett Kavanaugh, the national debate over the right course of action was distilled into one key Presumed Innocent Whom to believe? The hearing process provided a stage for the striking testimony of Dr. Christine Blasey Ford, who accuses Kavanaugh of sexual assault when Presumed Innocent were in high school, and the emotional rebuttal of Kavanaugh, who denies those claims. The news has also drawn attention to a fundamental principle of law that, it turns out, is more complicated than it seems: the presumption of innocence. Senate Majority Leader Presumed Innocent McConnell has defended Kavanaugh on the principle that he is innocent until proven guilty, while Senate Minority Leader Chuck Schumer has made the point that the hearings are not a lawsuit and thus the legal presumed innocence rule is basically irrelevant. The two senators, despite working within the same system, are able to find very different guidance from the same concept. He found that the ancient Babylonian Code of Hammurabi put the burden of proof on the accuser; that the ancient Presumed Innocent statesman Demosthenes wrote about the importance of not calling people criminals before they were convicted; that a key third-century Roman legal document set forward rules about the evidence an accuser must supply; and that a Medieval European legal principle specified that conviction, Presumed Innocent accusation, defined a criminal. -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
Filmography 1963 Through 2018 Greg Macgillivray (Right) with His Friend and Filmmaking Partner of Eleven Years, Jim Freeman in 1976
MacGillivray Freeman Films Filmography 1963 through 2018 Greg MacGillivray (right) with his friend and filmmaking partner of eleven years, Jim Freeman in 1976. The two made their first IMAX Theatre film together, the seminal To Fly!, which premiered at the Smithsonian National Air and Space Museum on July 1, 1976, one day after Jim’s untimely death in a helicopter crash. “Jim and I cared only that a film be beautiful and expressive, not that it make a lot of money. But in the end the films did make a profit because they were unique, which expanded the audience by a factor of five.” —Greg MacGillivray 2 MacGillivray Freeman Films Filmography Greg MacGillivray: Cinema’s First Billion Dollar Box Office Documentarian he billion dollar box office benchmark was never on Greg MacGillivray’s bucket list, in fact he describes being “a little embarrassed about it,” but even the entertainment industry’s trade journal TDaily Variety found the achievement worth a six-page spread late last summer. As the first documentary filmmaker to earn $1 billion in worldwide ticket sales, giant-screen film producer/director Greg MacGillivray joined an elite club—approximately 100 filmmakers—who have attained this level of success. Daily Variety’s Iain Blair writes, “The film business is full of showy sprinters: filmmakers and movies that flash by as they ring up impressive box office numbers, only to leave little of substance in their wake. Then there are the dedicated long-distance specialists, like Greg MacGillivray, whose thought-provoking documentaries —including EVEREST, TO THE ARCTIC, TO FLY! and THE LIVING Sea—play for years, even decades at a time. -
Films for Exploring Peace and Justice Themes
Films for Exploring Peace and Justice Themes Many youth and adult groups have discovered the value of films for education and outreach. Films may be shown singly or as part of a series. One group organized a “Tuesday Evenings at the Movies” series, served popcorn, and had a great time. Most of these films have short segments that can be used to teach specific peace and justice insights or skills, and can encourage folks to see the rest of the film. Below are films that we’ve found to be especially effective. (Well-known stars and directors are in parentheses.) All the President’s Men, young reporters, step-by- Missing, wife and father pursue the truth of a young step, uncover the Watergate conspiracy (Dustin journalist missing during the bloody US-backed Hoffmann, Robert Redford, Jason Robards) coup in Chile (Sissy Spacek, Jack Lemon, Oscar) Beyond Rangoon, grieving young American woman Norma Rae, moving story of a young woman’s is transformed by the heroic human rights efforts efforts to win better working conditions in textile of Aung San Suu Kyi in Burma (Patricia Arquette) plant in the South (Sally Field, Oscar) Cry Freedom, a journalist’s friendship with Steven Northern Lights, rich chronicle of Swedish farmers Biko, the South African nonviolent hero (Denzel in the Dakotas in the early twentieth century Washington, Kevin Kline; dir. by Attenborough) Romero, heartfelt struggle for human rights by the Dave, an average guy hired to impersonate the presi- courageous archbishop of El Salvador (Raul Julia) dent wants to do good in this wise comedy (Kevin Shindler's List, one man’s struggle to save the lives Kline, Sigourney Weaver, Ben Kingsley) of 1000 Jews during the holocaust (Liam Neeson, Dead Man Walking, illuminating story of a nun’s Ben Kingsley, Ralph Fines; dir. -
New Hollywood As Political Discourse
CAPTURING TURMOIL: NEW HOLLYWOOD AS POLITICAL DISCOURSE by DANA ALSTON A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2018 An Abstract of the Thesis of Dana Alston for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2018 Title: Capturing Turmoil: New Hollywood as Political Discourse Approved: _______________________________________ Dr. Erin Hanna This thesis is an argumentative close analysis of themes, aesthetics, and political meanings within three New Hollywood films. It emerged out of an interest in the films of the 1960s and 70s and the changes within that era’s film industry. Those changes granted young, educated filmmaker opportunities to helm studio-driven projects, weaving material into their narratives that would have been impossible in a system ruled by the Hollywood Production Code. The era also included significant social and political unrest, and the films therein reflect that reality. In this project, I perform content analyses for three films within the New Hollywood movement — Bonnie and Clyde (1967), Dog Day Afternoon (1975), and Nashville (1975) — in order to understand how films in the movement used themes of celebrity, violence, and oppression to act as a form of discourse. All three films employ on-screen violence to complicate the audience’s initial assumptions of characters, and each film critiques the social and political issues of its time through this violence. For each analysis, I discuss several sequences’ mise-en-scène — the arrangement of elements within the entire frame — and connect them to broad socio-political ideas. -
Film Streams Programming Calendar Westerns
Film Streams Programming Calendar The Ruth Sokolof Theater . July – September 2009 v3.1 Urban Cowboy 1980 Copyright: Paramount Pictures/Photofest Westerns July 3 – August 27, 2009 Rio Bravo 1959 The Naked Spur 1953 Red River 1948 Pat Garrett & High Noon 1952 Billy the Kid 1973 Shane 1953 McCabe and Mrs. Miller 1971 The Man Who Shot Liberty Valance 1962 Unforgiven 1992 The Magnificent Seven 1960 The Assassination of Jesse James by the Coward The Good, the Bad Robert Ford 2007 and the Ugly 1966 Johnny Guitar 1954 There’s no movie genre more patently “American” True Westerns —the visually breathtaking work of genre auteurs like Howard than the Western, and perhaps none more Hawks, John Ford, Sam Peckinpah, and Sergio Leone—are more like Greek generally misunderstood. Squeaky-clean heroes mythology set to an open range, where the difference between “good” and versus categorical evil-doers? Not so much. “bad” is often slim and sometimes none. If we’re missing one of your favorites here, rest assured this is a first installment of an ongoing salute to this most epic of all genres: the Western. See reverse side for full calendar of films and dates. Debra Winger August 28 – October 1, 2009 A Dangerous Woman 1993 Cannery Row 1982 The Sheltering Sky 1990 Shadowlands 1993 Terms of Endearment 1983 Big Bad Love 2001 Urban Cowboy 1980 Mike’s Murder 1984 Copyright: Paramount Pictures/Photofest From her stunning breakthrough in 1980’s URBAN nominations to her credit. We are incredibly honored to have her as our COWBOY to her critically acclaimed performance special guest for Feature 2009 (more details on the reverse side), and for in 2008’s RACHEL GETTING MARRIED, Debra her help in curating this special repertory series featuring eight of her own Winger is widely regarded as one of the finest films—including TERMS OF ENDEARMENT, the Oscar-winning picture actresses in contemporary cinema, with more that first brought her to Nebraska a quarter century ago. -
My Screentest, Or, I Coulda Been Debra Winger
MY SCREENTEST, OR, I COULD’VE BEEN DEBRA WINGER On a hot September afternoon in 1969, four months past my college graduation, I found myself dozing on a hand-me-down convertible sofa in pre-gay West Hollywood, Sweetzer Avenue, to be exact, a street on which many have begun their pursuit of the Hollywood dream. It was here, in a drab fifties apartment complex which looked more like Army base housing – no charming Spanish courtyard bungalow dripping in bouganvilla –that I found myself wasting away yet another afternoon. I had been an English major which meant I had given no particular thought to a “career.” I had spent the summer writing a series of unfinished short stories in varying states of inebriation. My ongoing fantasy was to become a latter day Anais Nin crossed with Katherine Mansfield and a dash of Virginia Woolf. After all, I kept a journal. In truth, I had no idea what kind of a writer I really was. I had been a student all my life and the fact that I wasn’t going back to school in the ninth month of the year had thrown me into a vague state of confusion I was loathe to call an identity crisis, let alone a depression. When the wall phone rang, I half-expected Lindsay, my roommate, to answer it until I remembered she was at UCLA in her senior seminar on Thackeray, so I dragged my lazy ass over to answer it. “Hey Lizzie. It’s Charlie.” Charlie didn’t wait for me to return the salutation. -
PATRICIA ANDROFF MAKE-UP ARTIST [email protected] 213-399-5164 · 707-367-8917
PATRICIA ANDROFF MAKE-UP ARTIST [email protected] 213-399-5164 · 707-367-8917 FILM RESPONSIBILITY DIRECTOR Jayne Mansfield’s Car Key Makeup Billy Bob Thornton/Director Project X Key Makeup Nima Nourizadeh Love Don’t Let Me Down Tim McGraw’s Hairstylist Shana Feste The Blindside Tim McGraw’s Hairstylist John Lee Hancock Four Christmases Tim McGraw’s Hairstylist Seth Gordon Mr. Woodcock Department Head David Dobkin Gods and Generals Department Head Ron Maxwell Jay and Silent Bob Strike Back Department Head Kevin Smith Chrystal Department Head Ray McKinnon Big Bad Love Department Head Arliss Howard Iron Will Department Head/Hair Charles Haid The Hangover Key Makeup Todd Phillips Obsessed Key Makeup Steve Shill Superhero Key Makeup Craig Mazin The Heartbreak Kid Key Makeup Farrelly Brothers Bad News Bears Key Makeup Rick Linklater Tombstone Key Hair George Cosmatos Dances With Wolves Key Makeup Kevin Costner Silent Tongue Key Makeup Sam Shepard Thunderheart Key Makeup Michael Apted King of California Key Makeup Michael Cahill TELEVISION RESPONSIBILITY PRODUCTION COMPANY/DIRECTOR Big Love Department Head Various Directors Saturday Night Live Tim McGraw’s Hairstylist Various Directors Unhitched Department Head John Blanchard The Elian Gonzales Story Department Head Chris Leitch Bloodhounds Department Head Michael Kattleman Fishbowl Department Head Kayo Hatta David Cassidy Story Department Head Peter Werner The 70’s Project Department Head Peter Werner Pirates of Silicon Valley Department Head Martyn Burke Hefner Department Head Peter Werner -
American Repertory Theater in Association with Harvard University Office for the Arts and Stagesource Will Hold a Memorial Servi
For Immediate Release: February 24, 2012 Contact: Kati Mitchell 617-495-2668 [email protected] American Repertory Theater in association with Harvard University Office for the Arts and StageSource will hold a Memorial Service for Director DAVID WHEELER Monday, May 14 at 6:00pm Loeb Drama Center Cambridge, Mass — The American Repertory Theater (A.R.T.), in association with Harvard University Office for the Arts and StageSource, will host a memorial service to celebrate the life and accomplishments of its longtime Resident Director, Harvard University alumnus, and Boston director David Wheeler, who passed away unexpectedly on January 4th of this year. The celebration will include friends, colleagues, and family who knew and loved David, and all are invited to attend. The memorial will be held at 6:00pm on Monday, May 14th in the theater of the Loeb Drama Center, 64 Brattle Street, Cambridge where many of David’s productions were performed, and will be followed by a reception in the lobby of the theater. David Wheeler directed over two hundred plays in his long career. As Resident Director at the A.R.T. since 1984 and later Associate Artist, he directed over twenty productions, most recently Harold Pinter’s No Man’s Land in 2007 (receiving the Elliot Norton and IRNE Awards for Best Director, and IRNE for Best Production). Other highlights at A.R.T. include The Homecoming, The Caretaker, Misalliance, Man and Superman (Eliot Norton, Best Production), David Mamet’s adaptation of Uncle Vanya (with Christopher Walken), Don DeLillo’s Valparaiso and The Day Room, How I Learned to Drive (with Debra Winger), What the Butler Saw, Picasso at the Lapin Agile, Waiting for Godot, Gillette, and Sam Shepard’s Angel City and True West. -
I Knew It Was You (2009) La Straordinaria Storia Di John Cazale, Talento Immenso Mai Riconosciuto Dal Grande Pubblico
I Knew It Was You (2009) La straordinaria storia di John Cazale, talento immenso mai riconosciuto dal grande pubblico. Un film di Richard Shepard con Steve Buscemi, Steve Casale, Francis Ford Coppola, Robert De Niro, Richard Dreyfuss, Olympia Dukakis, Robyn Goodman, Gene Hackman, Mark Harris (III), Philip Seymour Hoffman. Genere Documentario durata 40 minuti. Produzione USA 2009. Lo conosciamo tutti anche se non sappiamo ricollegare quel nome a quel volto. Ha fatto solo 5 film ma è stato uno degli attori più importanti di Hollywood Gabriele Niola - www.mymovies.it Tutti ci ricordiamo di lui anche se non sappiamo chi sia. Ha realizzato solo 5 film in carriera, tutti nominati all'Oscar come miglior film e i cui attori in totale hanno collezionato 15 nomination. Compare in 'Il padrino', 'Il padrino parte II', 'Quel pomeriggio di un giorno da cani', 'Il cacciatore' e 'La conversazione' e in ogni film ha un ruolo importante. Al Pacino ne parla come del suo vero grande maestro, un attore immenso da cui si poteva solo imparare e che riusciva sempre a nascondere se stesso per far recitare meglio gli altri, Meryl Streep è stata sua compagna fino alla precoce morte per cancro ai polmoni poco prima dell'uscita di 'Il cacciatore', Coppola ne parla come del vero autore del personaggio di Fredo, Sidney Lumet ne rimase foglorato e gli attori di oggi lo venerano come un Dio. E' John Cazale, talento misconosciuto di Hollywood. Il documentario di appena una quarantina di minuti girato da Richard Shepard sembra quasi un finto documentario per la sorpresa che coglie lo spettatore nello scoprire che un attore così marginale per il grande pubblico (eppure così fortemente stampato nell'immaginario collettivo) è stata una personalità così importante all'interno della new Hollywood, ovvero quel nucleo di autori e attori che negli anni '70 rivoluzionarono l'industria del cinema americano, riportandola al centro dell'interesse mondiale, con un cinema tutto nuovo. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter