Moving Image Arts Careers

Total Page:16

File Type:pdf, Size:1020Kb

Moving Image Arts Careers INDUSTRY PARTNERS & STAKEHOLDERS CCEA’s Moving Image Arts qualification was conceived in parallel with the development of Northern Ireland Screen’s Wider Literacy strategy, our vision for moving image education for all our young people in Northern Ireland. Northern Ireland Screen has been supporting this exciting qualification since its inception through specialist teacher training in Northern Ireland’s three Creative Learning Centres (CLCs) – the Nerve Centre in Derry/Londonderry, Nerve Belfast and the Amma Centre in Armagh. Northern Ireland Screen has also been closely involved in supporting the BFI’s Film Academy scheme that focuses on identifying, training and nurturing young filmmaking talent in Northern Ireland. The programme is delivered in partnership with the three CLCs and Cinemagic. Work experience for MIA students and BFI Academy participants Northern Ireland Screen helps source work experience opportunities for 16-18 year olds on Northern Ireland Screen funded productions. The programme provides work experience opportunities for 16-18 year olds who are either studying Moving Image Arts (MIA) at AS or A level or are already selected for the BFI Academy (BFIA) in Northern Ireland. MIA and BFIA students will gain meaningful real world industry experience guided by industry professionals. Work experience opportunities will be on live action or animated factual or fiction projects across film, television or digital content. Work experience opportunities in writing, directing, producing or acting are not offered. Work experience opportunities will be timed to suit each production’s schedule and may be offered during schools holiday periods or other busy periods during the academic year. Schools, BFIA delivery organisations, teachers and students should allow for this possibility when applying for placements. How to apply Applications will be in the form of nominations by the school where the pupil is studying MIA or by the BFI Academy in Northern Ireland. Nominations will only be accepted by email on Northern Ireland Screen’s Work Experience Nomination Form which can be found at http://www.northernirelandscreen.co.uk/about/faqs/ Northern Ireland Screen will only accept up to 2 nominations per school and 2 nominations per Northern Ireland based BFI Academy delivery organisation (Cinemagic, The Nerve Centre, Nerve Belfast, The AmmA Centre) per academic year (September to August). http://www.northernirelandscreen.co.uk/ The Foyle Film Festival launched CCEA’s Moving Images Arts Awards Showcase in 2003, with the support and sponsorship of Michael Bond from City of Derry Crystal. The showcase was conceived as a way of marking and celebrating the work produced by students undertaking the new Moving Image Arts subject. Since its introduction 14 years ago, this annual student showcase has gone from strength to strength, and has become one of the highlight events of the Foyle Film Festival’s Education Programme. The festival is delighted to highlight and celebrate the talent, imagination, and creativity of the MIA students by awarding the beautiful City of Derry Crystal Awards for the best films. It is with a great deal of pride and pleasure that Foyle Film Festival provides a platform for the work of these budding young filmmakers. The festival looks forward to be accepting the work of MIA students into the Light In Motion (LIM) Competition - which are Oscar® and BAFTA affiliated - in future years. In order to capitalise on Foyle Film Festival’s unique position as an Oscar® affiliated festival through its Light In Motion (LIM) Short Film Competition, the Festival launched its Shorts to Features Conference in 2014. Shorts To Features brings award-winning industry professional to the city in order to inspire and upskill the next generation of filmmakers. Up and coming filmmakers have the chance to learn how they can make the transition ‘From Shorts To Features’ through an exciting programme of panels, workshops, case studies and special screenings. Past guests have included Oscar® and BAFTA award winning director Andrea Arnold, Oscar® winning producer Mia Bays. Other conference events have included script writing and pitching sessions with Slumdog Millionaire associate producer Ivana MacKinnon and London-based producer Tristan Goligher. Other previous conference highlights have included a case study on biopic Good Vibrations with local producer Chris Martin and director Glenn Leyburn. Moving Image Arts students and BFI Academy students are given direct access to all conference events, and if possible special guests will also provide additional talks and support. Foyle Film Festival’s Shorts To Features Conference provides local students with another step up in the ladder - after studying filmmaking through the Moving Image Arts qualification and BFI Academy - to gaining direct advice and tips from industry professionals. The Light In Motion Short Film Competition completes the circle by giving filmmakers a platform to showcase their work and potentially win a LIM Award - enabling the winning film to be submitted for Oscar® consideration. This year marks the 15th Anniversary since Foyle Film Festival launched the Moving Image Arts Showcase, in association with CCEA, and sponsored by City of Derry Crystal. To celebrate this important milestone, the festival has introduced the Moving Image Arts Programme at this year's Shorts To Features Conference (Saturday 24 November). The programme aims to give a platform to successful students to screen their work and network with top film industry professionals on the day. The festival looks forward to accepting the work of MIA students into the Light In Motion (LIM) Competition - which is Oscar® and BAFTA affiliated - in future years. The introduction of MIA students' work into the annual Shorts To Features Conference goes a long way towards ensuring such a result. https://foylefilmfestival.org/ The Nerve Centre is Northern Ireland’s leading creative media arts centre. More than 120,000 people a year benefit from the Nerve Centre’s wide-ranging programme of arts events, cutting edge projects, creative learning centres, training opportunities, and state- of-the-art production facilities. A successful social economy enterprise, the Nerve Centre employs more than 40 staff at sites in Derry/Londonderry and Belfast. The Nerve Centre Creative Learning Centre fuses the industry strengths of the Nerve Centre, as an Oscar and BAFTA nominated Film and Television production centre, with over 20 years of experience in working with teachers and schools around creative digital skills. The Creative Learning Centres jointly work with over 5000 teachers per year in providing CPD, resources and advice around embedding digital creativity at all Key Stages and across a range of subjects within the NI Curriculum. At the Nerve Centre CLC we connect industry practitioners with education to ensure that the skills and technology used in the classroom matches that used in the workplace as far as possible. Our work goes beyond specific skills development to look at cross-cutting themes such as Critical Thinking, Problem-Solving, Collaborative Working and Communication and reaches beyond film and moving image into digital fabrication, design, coding and music. For the last 5 years we have led the delivery of the BFI Film Academy in Derry~Londonderry, working with almost 100 young filmmakers to prepare them for careers in the Film and TV Industries through a programme of accredited learning which connects them with filmmakers and industry figures from across Northern Ireland and the UK. Through programmes such as the BFI Film Academy and our industry experience scheme we seek to provide direct pathways into creative industries careers and further study opportunity for young people across Northern Ireland. We are very proud to have led on CPD and Resource support for teachers and students of Moving Image Arts for over a decade, and of the impact that it has already had on the film and television industry here. For further information on support for Moving Image Arts and wider opportunities visit: www.nervecentre.org Nerve Belfast Creative Learning Centre is a welcoming, supportive and fun place where young people, teachers and youth/community workers can explore how new technologies can be used in creative and inspiring ways. Working with the education sector and the creative industries in Northern Ireland, we are committed to promoting and developing the effective use of ICT in teaching and learning. We provide opportunities for training, in- school and community programmes in a wide range of multi-media areas including film making, use of mobile technology, animation, web-design, games design, music technology, coding, 3D design and fabrication. BFI Film Academy at Nerve Belfast offers a unique opportunity to young people already studying Moving Image Arts at higher level to participate in a skills-based academy of workshops and masterclasses delivered by industry professionals such as Greg Spence, post-production producer on Game of Thrones and John McClean, director of Slow West. Every September Nerve Belfast seeks talented young people aged between 16 and 19 years of age to join our acclaimed BFI Film Academy programme. As Project Coordinator Jennifer McAlorum explains: 'We are looking for enthusiastic and very committed young people to participate in this unique programme. This course brings together students and industry professionals in order to help young people interested in a career in the film industry
Recommended publications
  • Adding Value Report Vol.1
    ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland.
    [Show full text]
  • 22 April 2016
    CELTIC MEDIA FESTIVAL 20 - 22 APRIL 2016 FÉILE NA MEÁN CEILTEACH DÚN GARBHÁN 20-22 AIBREÁN 2016 celtic media festival wELCOME PÁDHRAIC Ó CIARDHA áilte go Dún Garbhán! Failt erriu, Ócáid ar leith í an Fhéile seo. Tá idir chomhdháil, Croeso, Fàilte, Dynergh, Degemar, chomórtais, aonach agus oireachtas i gceist. Benvidos. Tapaíonn na toscairí an deis luachmhar bhliantúil seo teacht le chéile, bualadh le sean-chairde, Táimid bailithe le chéile anseo don nascanna nua a bhunú lena gcomhghleacaithe ó Fhéile bhliantúil cheiliúrtha, chomhrá agus chríocha eile lenár saothair sna teangacha comórtas. I mbliain seo an chomórtha céid in Ceilteacha (agus eile) a cheiliúradh agus a mhalartú. Éirinn, fearaim fáilte is fiche romhat agus súil agam Bíonn cur agus cúiteamh againn, breithiúnas ar go mbainfidh tú idir thairbhe agus thaitneamh as do an ábhar agus iomarbhá freisin b’fhéidir faoin chuairt chugainn. Tá tú tagtha go Déise Mumhan mbealach chun cinn. ar chiumhais na Gaeltachta agus i lár bhaile ina bhfuil an stair, an cultúr, an ceol agus an Ghaeilge Is ábhar mórtais dúinn an fás agus an fhorbairt atá ar fáil i ngach sráid, cearnóg agus cé. tagtha ar Fhéile na Meán Ceilteach le cúpla bliain anuas. Is í seo an 37ú Féile againn. Táimid ag teacht le chéile ag am na cinniúna. Ar an oileán seo, tá Agus muid ag iarraidh freastal ar an raon leathan Comóradh Céid 1916 tar éis aird an phobail a toscairí a thagann chugainn – léiritheoirí, craoltóirí tharraingt ar na meáin ar bhealach ar leith. Is cinnte raidió agus teilifíse, rialtóirí, riarthóirí cistí léiriúcháin freisin go bhfuil ról lárnach ag na meáin agus micléinn – féachann muid le deis a thabhairt chumarsáide, idir chló agus chraolta, sa bhfeachtas dóibh éisteacht agus bualadh le máistrí na ceirde géar-iomaíoch atá a fhearadh sa Ríocht Aontaithe agus leo sin atá i mbun ceannródaíochta agus nuá- faoi láthair maidir le todhchaí na dtíortha sin leis an la don earnáil sa tréimhse chinniúnach atá amach Aontas Eorpach.
    [Show full text]
  • Policy Solutions and International Perspectives on the Funding of Public Service Media Content for Children: a Report for Stakeholders
    Policy Solutions and International Perspectives on the Funding of Public Service Media Content for Children: A Report for Stakeholders Communications and Media Research Institute (CAMRI) May 2016 © Communications and Media Research Institute (CAMRI), University of Westminster, 2016. Published by CAMRI, University of Westminster, Harrow Campus, Watford Road, Harrow, Middlesex. HA1 3TP. All content, unless otherwise noted in the text, is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License (CC BY-NC-ND 3.0). For details see https://creativecommons.org/licenses/by-nc-nd/3.0/. ISBN: 978-0-9934614-2-2 This research project was undertaken by Professor Jeanette Steemers at the University of Westminster working with Research Associate Feryal Awan. 2 CONTENTS Preface Page 6 Executive Summary Page 7 1. Children’s Content in Australia: Funding and Policies Page 24 1.1. Market Overview Page 24 1.2. Key Players Page 25 1.3. Viewing Trends/Viewing Shares Page 26 1.4. Expenditure and Output Page 26 1.5. Public Interventions in Children’s Content Page 28 1.5.1. Production and Investment Quotas Page 28 1.5.2. Direct Funding Page 31 1.5.3. Screen Australia Page 31 1.5.4. Australian Children’s Television Foundation (ACTF) Page 33 1.5.5. Indirect Production Investment – Producer Offset Page 33 2. Children’s Content in Canada: Funding and Policies Page 35 2.1. Market Overview Page 35 2.1.1. Regulatory and Market Changes 2015/2016 Page 36 2.1.2. Programmes of National Interest (PNI) Page 37 2.2. Key players Page 38 2.3.
    [Show full text]
  • BBC Week 14 Programme Information Week Commencing 5 / 4
    BBC Week 14 Week Commencing 5 / 4 / 2014 Programme Information Television & Radio BBC Northern Ireland Press Office Email: [email protected] bbc.co.uk/mediacentre bbc.co.uk/iplayer Pictures are available at: www.bbcpictures.co.uk @bbconeni @bbctwoni THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEK 14 _____________________________________________________________________________________________________ SUNDAY 6 APRIL Five Fables: The Preaching of the Swallow BBC Radio Ulster MONDAY 7 APRIL Scup NEW BBC Two NI THURSDAY 10 APRIL Five Fables: The Fox, the Wolf and the Farmer BBC Two NI EDITORIAL 2014 / BBC WEEK 14 _____________________________________________________________________________________________________ SUNDAY 6 APRIL TELEVISION & RADIO HIGHLIGHTS / BBC WEEK 14 _____________________________________________________________________________________________________ Five Fables: The Preaching of the Swallow 4/5 Sunday 6 April BBC Radio Ulster, 2.04pm bbc.co.uk/radioulster Five medieval Scots fables, translated by Seamus Heaney, have been brought into the 21st century as enchanting tales for BBC Radio Ulster to complement the full animation series for BBC Northern Ireland television. Narrated by acclaimed comedian/actor Billy Connolly and with a specially-composed score by internationally renowned pianist Barry Douglas, Five Fables, made by local animation studio Flickerpix, is an ambitious re-telling of stories written 500 years ago by the medieval Scots poet, Robert Henryson. Continuing on BBC Radio Ulster, in the fourth episode on Sunday 6 April at 2.04pm a swallow watches a farmer sow flax seed and pleads with her fellow birds to gobble the seed up while they have the chance. Three times she warns them, but they pay no heed. The flax grows and is harvested by the farmer and turned into linen thread to make a net… but be warned….It doesn’t end well.
    [Show full text]
  • BBC Northern Ireland Management Review 2013/14 Management Review 2013/14 – Northern Ireland
    BBC Northern Ireland Management Review 2013/14 Management Review 2013/14 – Northern Ireland BBC Northern Ireland will work to further develop the range and appeal of its local and network content – meeting the needs of our local and UK-wide audiences If you wish to find out more about the BBC’s year – including full financial statements and performance against other public commitments – then please visit www.bbc.co.uk/annual report Contents 01 National Director introduction 02 Two minute summary 04 Service performance 14 Key priorities for next year 15 Northern Ireland management Front cover 16 Contacts Sons and Daughters Gala Concert Management Review 2013/14 – Northern Ireland Management Review 2013/14 – Northern Ireland National Director introduction ‘‘ We want to continue to deliver more public value by creating great content, encouraging innovation and developing our partnerships and staff.’’ As the BBC approaches its 90th anniversary, of local broadcasting This year, we also increased the volume and value of locally in Northern Ireland, we can reflect on a busy and productive year produced programmes for BBC network television. We want to during which our programmes and services enjoyed broad appeal, achieve more in this area; bringing real benefits for BBC audiences critical acclaim and some of the highest levels of audience approval. and the wider economy in Northern Ireland. In many ways, it was a remarkable year with lots of memorable All this activity is prioritised against a background of ongoing events and programmes. A stand-out moment was the Sons and financial challenges and rapid development in new technology.
    [Show full text]
  • 2015 Film Festival Programme
    15th Belfast Film Festival 16th to 25th April 2015 TITLE OUR OFFICIAL MEDIA SPONSOR FUNDERS PARTNERS VENUE ACCOMMODATION PARTNERS PARTNERS OFFICIAL DRINKS SPONSOR Directors Introduction Chairpersons Introduction Spring is here and it’s time once again to roll out the red carpet for the I am thrilled to be able to write a small introduction to this year’s 15th Belfast Film Festival. Join us as we take you around the world with magnificent programme after the uncertainty of continuing funding over 100 films in 10 glorious days of cinematic excellence. for many of our significant Festivals and Arts events. The exceptional response from all those groups and the robust negotiations led by The big change in this year’s programme is the move of our special Northern Ireland Screen have limited the impact to much smaller events out of festival to other points in the year. Festival time will focus reductions than feared; for the meantime. on the best of new world cinema and highlight our local film-making talent. Our programmer’s top 3 films from from a fantastic international Belfast Film Festival is not only the most important annual celebration line-up are ‘A Pigeon Sat on a Branch Reflecting on Existence’, ‘Horse of Northern Irish and World Cinema, but also continues as Belfast Money’ and ‘Magical Girl’. The opening night will be a homecoming Film throughout the year with Special Events, Outreach programmes, moment for Belfast-raised critic and filmmaker Mark Cousins whose co-productions with other Arts and Community groups as well as wonderful feature, ‘I Am Belfast’ will leave audiences looking at the city supporting other Festivals with our programming expertise.
    [Show full text]
  • Policy Solutions and International Perspectives on the Funding of Public Service Media Content for Children: a Report for Stakeholders
    Policy Solutions and International Perspectives on the Funding of Public Service Media Content for Children: A Report for Stakeholders Communications and Media Research Institute (CAMRI) May 2016 © Communications and Media Research Institute (CAMRI), University of Westminster, 2016. Published by CAMRI, University of Westminster, Harrow Campus, Watford Road, Harrow, Middlesex. HA1 3TP. All content, unless otherwise noted in the text, is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License (CC BY-NC-ND 3.0). For details see https://creativecommons.org/licenses/by-nc-nd/3.0/. ISBN: 978-0-9934614-2-2 This research project was undertaken by Professor Jeanette Steemers at the University of Westminster working with Research Associate Feryal Awan. 2 CONTENTS Preface Page 6 Executive Summary Page 7 1. Children’s Content in Australia: Funding and Policies Page 24 1.1. Market Overview Page 24 1.2. Key Players Page 25 1.3. Viewing Trends/Viewing Shares Page 26 1.4. Expenditure and Output Page 26 1.5. Public Interventions in Children’s Content Page 28 1.5.1. Production and Investment Quotas Page 28 1.5.2. Direct Funding Page 31 1.5.3. Screen Australia Page 31 1.5.4. Australian Children’s Television Foundation (ACTF) Page 33 1.5.5. Indirect Production Investment – Producer Offset Page 33 2. Children’s Content in Canada: Funding and Policies Page 35 2.1. Market Overview Page 35 2.1.1. Regulatory and Market Changes 2015/2016 Page 36 2.1.2. Programmes of National Interest (PNI) Page 37 2.2. Key players Page 38 2.3.
    [Show full text]
  • OFFICIAL REPORT (Hansard)
    Committee for Culture, Arts and Leisure OFFICIAL REPORT (Hansard) BBC NI: Briefing from Director 28 November 2013 NORTHERN IRELAND ASSEMBLY Committee for Culture, Arts and Leisure BBC NI: Briefing from Director 28 November 2013 Members present for all or part of the proceedings: Miss Michelle McIlveen (Chairperson) Mr Dominic Bradley Mr David Hilditch Mr William Humphrey Ms Rosaleen McCorley Mr Basil McCrea Mr Michael McGimpsey Mrs Karen McKevitt Mr Oliver McMullan Mr Cathal Ó hOisín Witnesses: Mr Peter Johnston BBC Northern Ireland The Chairperson: I welcome Peter Johnston, director of BBC Northern Ireland, who is no stranger to our Committee. The session is being recorded by Hansard. I invite you to make an opening statement, after which colleagues will ask some questions. Mr Peter Johnston (BBC Northern Ireland): Thank you very much. Obviously, we welcome the interest that you continue to show in our work. The last time that I was here, it was to discuss the savings plans, on which I will provide an update and answer questions. The conversation at that meeting ranged quite widely after that and included the general health of the creative industries. I have another role as the chairman of Creative Skillset Northern Ireland, although my term in that role is nearly up, with this being my last month. The skills agenda is obviously part of the brief, so I am happy to talk about that too if it would be useful to do so. I have provided a paper that has some key facts and some of the key issues and developments since we last met.
    [Show full text]
  • Bbcni Television Commissioning
    BBCNI TELEVISION COMMISSIONING Autumn 2015 Meet the BBC Northern Ireland Television Team Susan Lovell HEAD OF TV COMMISSIONING Deirdre Devlin Justin Binding Karen Kirby EXECUTIVE PRODUCER COMMISSIONING EXECUTIVE EDITOR & COMMISSIONER, IRISH LANGUAGE PROGRAMMES William Johnston Ian McTear Linda McCarter COMMISSIONING & CHANNELS MANAGER COMMISSIONING PRODUCER COMMISSIONING ASSISTANT BBC Northern Ireland complements and enhances the total BBC television offering available to viewers in Northern Ireland through opt-out programming on BBC ONE NI and BBC TWO NI. Our programmes range across all genres, embracing the experience of life in Northern Ireland and the impact of NI in the wider UK and beyond. We make both contemporary and historical programmes, reflecting and celebrating the distinctive social, cultural and political activities and context of the nation. Our TV Opts continue to add value to BBC One and BBC Two channel share Added 5.5% points Added 1.7% points The Year in Stats • 400 hours - just over 8 hrs per week - of non-news television • Reached 90% of the Northern Ireland population • Generated over 19.3 million viewer hours. • The average adult watched 15 hours and 20 minutes of non- news content over this time Comparing September 13 to July 14: (% change) 12 12 7 Hours Broadcast Total Viewer Hours Generated Average Hours Watched The Year in Audience Groups Non – news TV continues to skew heavily over 45 but good spread across social class. Men spent some 25% more time with opts than women, with heavier watching of politics, current
    [Show full text]
  • Adding Value Vol
    Adding Value Vol. 2 A report by Northern Ireland Screen boosting our celebrating our enhancing our children's economy culture education 08 Large-Scale Production 78 New Talent 122 Creative Learning Centres 38 Television Drama 82 CCG 126 Moving Image Arts 44 Independent Film 86 ILBF 128 Into Film 50 Factual / Entertainment 94 USBF Television 100 Film Culture 56 Animation 110 Film Heritage & 62 Gaming & Interactive Digital Film Archive 70 Skills Development 114 Award Wins & Training & Nominations Introduction Northern Ireland Screen is the screen agency for The strategy is designed to support about the performance indicators – Northern Ireland committed the delivery of 3 strategic aims: which are reported elsewhere to our to maximising the economic, government funders – and more about cultural and educational value ● To take the Northern Ireland screen seeking to illustrate the everyday value industry towards its target to be that the screen industries deliver. of the screen industries for the the strongest in the UK and Ireland benefit of Northern Ireland. outside of London within 10 years; The central theme of Opening Doors is to create opportunities across the ● To support vibrant and diverse full range of the screen industries, cultural voices that will be culture and education and by doing so This goal is pursued through our mission recognised and celebrated ensure that opportunities are open to to accelerate the development of a equally at home and abroad; the widest possible range of people. dynamic and sustainable screen industry and culture in Northern Ireland. ● To continue to grow the most This report – the 2nd of its type – seeks successful and universally accessed to celebrate the spectacular range of Launched by the then Enterprise, Trade screen and digital technologies opportunities, jobs and experiences & Investment Minister Arlene Foster and education provision in Europe.
    [Show full text]