BBC Trust Is the Governing Body of the BBC and It Is Our Responsibility to Get the Best out of the BBC for Licence Fee Payers

Total Page:16

File Type:pdf, Size:1020Kb

BBC Trust Is the Governing Body of the BBC and It Is Our Responsibility to Get the Best out of the BBC for Licence Fee Payers Service review BBC Red Button November 2010 Getting the best out of the BBC for licence fee payers BBC Red Button service review Contents Contents 1 Introduction 1 Background 1 Scope & methodology 1 Summary of findings 4 Key findings and actions 4 Main Report 11 Current performance 11 BBC Red Button’s remit 11 BBC Red Button’s core strategic purposes and proposition 11 Service overview 12 Reach 15 Quality 25 Impact 31 Value for money 37 BBC Red Button’s future 45 BBC Red Button service review Introduction Background 1. The BBC Trust is the governing body of the BBC and it is our responsibility to get the best out of the BBC for licence fee payers. As part of this commitment, we carry out an in- depth review of each of the BBC’s services at least once every five years. In this report we review the BBC Red Button service. 2. BBC Red Button (known as BBCi until 2008) is the BBC’s interactive television service. It provides viewers with a range of video, audio, pictures, text and applications accessible through their digital televisions and it replaces Ceefax (the BBC’s analogue teletext service) as digital switchover takes place. 3. The Trust sets out what it expects from each of the BBC’s services in a published service licence. Our review had three main aims: first, to assess how well BBC Red Button is performing against the commitments set out in its service licence; second, to consider the service’s future direction; and, third, to determine whether amendments to the existing service licence are necessary. 4. Our review has considered evidence from several sources, taking in opinions and evidence from licence fee payers, BBC management and the wider industry. In addition to our audience research, performance monitoring and financial analysis, a public consultation in late 2009 produced over 5,600 responses. This has given us a clear understanding of BBC Red Button’s strengths and weaknesses. Scope & methodology Review scope 5. The scope of our review was set out in our terms of reference, which were published in September 2009. The main questions which the review set out to answer were: How well is the BBC Red Button service performing in terms of reach, quality, delivery of the public purposes and value for money and against the terms of its service licence (offering continuously updated news, information, education and entertainment to digital TV viewers)? Should the BBC Red Button service change in any way to take account of changing audience needs or technologies? This may include the move towards digital switch- over, the growth of home internet access or the future potential of internet protocol television (IPTV).i Methodology 6. This review was carried out for the Trust by its independent advisers in the Trust Unit under the direction of the review’s lead Trustee, Diane Coyle. We gathered evidence from a wide range of sources, as summarised below. i BBC Trust review of BBC One, BBC Two, BBC Four and the BBC Red Button / Terms of reference – 24 September 2009 November 2010 1 BBC Red Button service review - Consultation 7. We used the service licence to develop a set of questions for public consultation. The consultation ran for 12 weeks from September to December 2009, and encouraged participation through an online questionnaire and by post through a printed leaflet. We received over 5,600 responses from licence fee payers and interested organisations as a result. 8. We also received responses from the Trust’s Audience Councils in England, Northern Ireland, Wales and Scotland. These Councils are chaired by the BBC Trust member for that nation and have links with various local communities in their area. The Councils organise events and activities to advise the Trust on how well the BBC is serving licence fee payers in different parts of the UK. 9. In addition we consulted with the BBC Executive Board and received responses from interest groups such as the Voice of the Listener & Viewer and Mediawatch-UK. - Performance data analysis 10. We analysed performance data using the BBC’s RQIV performance framework, which considers four drivers of public value: reach, quality, impact and value for money. This framework is set out in Figure 1. Figure 1: The BBC's RQIV performance framework Reach: The extent to which BBC services are used by the audience. In this report, unless otherwise stated, the reach of interactive services is expressed as the number of people who claim to have used a particular service within the last week, as measured by the Nunwood New Media Tracker. Quality: Quality is often measured in terms of audience perception. The BBC measures the content characteristics set out in the Agreement: ‘high quality’, ‘original’, ‘challenging’, ‘innovative’ and ‘engaging’. Impact: The extent to which BBC content creates public value by delivering the BBC’s public purposes. The purposes are set out in the BBC’s Royal Charter and can be summarised as follows: · Citizenship – sustaining citizenship and civil society · Education – promoting education and learning · Creativity – stimulating creativity and cultural excellence · Nations & regions – representing the UK, its nations, regions and communities · Global – bringing the UK to the world and the world to the UK · Digital – helping to deliver to the public the benefit of emerging communications technologies and services. Value for Money: A consideration of performance (reach, quality and impact) alongside cost to provide a perspective on cost effectiveness. Source: BBC Trust 11. We carried out our performance analysis using the following evidence sources: · audience data on usage and appreciation of interactive TV services from the Nunwood New Media Tracker, based on regular monthly surveys of around 1,900 people across the UK. This is the BBC’s primary data source for BBC Red Button performance, since moving from a TNS survey in 2008 November 2010 2 BBC Red Button service review · BARB data for BBC Red Button video services. BARB is the industry standard TV measurement body, which provides TV viewing data based on a panel of around 5,000 homes. During the period of this review, BARB could only capture data on the video content provided by BBC Red Button. The digital text part of the service could not be measured through BARB, due to the inherent limitations of the system. This data is therefore most useful in measuring the audiences for specific event TV output and additional linear viewing provided by BBC Red Button, whereas overall reach is better measured by the Nunwood survey · regular BBC audience surveys which measure perceptions of content from the BBC and other providers · financial data taken from the BBC’s Annual Report and management accounting system. - Bespoke audience research 12. In addition to the evidence sources cited above, the Trust also carried out a bespoke piece of audience research on BBC Red Button. We commissioned Kantar Media to carry out a representative survey of BBC Red Button users. This primarily sought to establish how well the service is seen to be delivering the BBC’s public purposes. Kantar spoke to about 650 members of the public, interviewing some online and some face to face, between November and December 2009. 13. Further information about the Trust’s approach to service reviews can be found on the Trust website at www.bbc.co.uk/bbctrust. November 2010 3 BBC Red Button service review Summary of findings Conclusion BBC Red Button is a very widely used service, providing access to interactive television content for a large and diverse group of users. It has a substantial cost however, particularly as a result of its high distribution costs, and appreciation of the service is moderate rather than high. BBC Red Button should continue to focus on the things it does well and which its audience uses the most: the provision of news and information through digital text, and additional coverage of major live events. It should seek to reduce its broadcast content costs where possible by increasing the focus of the service on these areas, and we also expect it to reduce its distribution costs by providing a more consistent level of service across different digital TV platforms. It may be able to play a useful part in the development of IPTV, though it is too early to know exactly what this contribution will be. In the short term, costs for the re-versioning of BBC content for IPTV will be captured within the BBC Red Button service licence budget. There will be no increase in BBC Red Button’s service licence budget to cover IPTV activity. The Trust will monitor the development of the BBC’s IPTV activities and BBC Red Button’s role in this context, particularly with regard to the allocation of IPTV costs, will be re-assessed at the time of the next BBC Trust review of BBC Online, due in 2012. Key findings and actions BBC Red Button is a very widely used service 14. BBC Red Button has high reach relative to other BBC services and interactive TV services from other broadcasters. It is used by nearly 12 million people every week, making it the most used interactive TV service in the UK. Its users represent a broad cross-section of the population, and every week there are 5 million people who are reached by BBC Red Button but not by BBC Online. 15. Although overall reach is high, a large number of BBC Red Button programmes achieve very low reach. These are often minority sports broadcast to fulfil specific objectives as part of the BBC Sport strategy. It is important that these are monitored to ensure that they are providing value to viewers and fulfilling their stated objectives.
Recommended publications
  • Managing the BBC's Estate
    Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 BRITISH BROADCASTING CORPORATION Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty January 2015 © BBC 2015 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money study: Managing the BBC’s estate This year the Executive has developed a BBC Trust response new strategy which has been reviewed by As governing body of the BBC, the Trust is the Trust. In the short term, the Executive responsible for ensuring that the licence fee is focused on delivering the disposal of is spent efficiently and effectively. One of the Media Village in west London and associated ways we do this is by receiving and acting staff moves including plans to relocate staff upon value for money reports from the NAO. to surplus space in Birmingham, Salford, This report, which has focused on the BBC’s Bristol and Caversham. This disposal will management of its estate, has found that the reduce vacant space to just 2.6 per cent and BBC has made good progress in rationalising significantly reduce costs.
    [Show full text]
  • PSB Report Definitions
    Definitions: Channel groups (1) Channel group Output & Spend definition TV Viewing Audience Opinion Legal Definition BBC One, BBC Two, BBC Three, BBC All BBC channels (BBC Four, BBC News, BBC Parliament, CBBC, One, BBC Two, BBC CBeebies, BBC streaming channels, BBC Three, BBC Four, BBC BBC One, BBC Two, BBC HD (to March 2013) and BBC Olympics News , BBC Parliament Three, BBC Four, BBC News, channels (2012 only). ITV Network* (inc ,CBeebies, CBBC, BBC PSB Channels BBC Parliament, ITV/ITV ITV Breakfast), Channel 4, Channel 5 and Alba, all BBC HD Breakfast, Channel 4, Channel S4C (S4C is added to C4 2008-2009 and channels), the Channel 3 5,, BBC CBBC, CBeebies excluded from 2010 onwards post-DSO in services (provided by ITV, Wales). HD variants are included where STV and UTV), Channel 4, applicable (but not +1s). Channel 5, and S4C. BBC One, BBC Two, ITV Network (inc ITV BBC One, BBC Two, ITV/ITV Main five PSB Breakfast), Channel 4, Channel 5. HD BBC One, BBC Two, Breakfast, Channel 4, Channel channels variants are included where applicable ITV/STV/UTV, Channel 4, 5 (but not +1s). Channel 5 BBC One, BBC Two, BBC Three, BBC Four , BBC Main PSB channels News, ITV/STV/UTV, combined Channel 4, Channel 5, S4C Commercial PSB ITV/ITV Breakfast, Channel 4, Channels Channel 5 ITV+1 Network (inc ITV Breakfast) , ITV2, ITV2+1, ITV3, ITV3+1, ITV4, ITV4+1, CITV, Channel 4+1, E4, E4 +1, More4, CITV, ITV2, ITV3, ITV4, Commercial PSB More4 +1, Film4, Film4+1, 4Music, 4Seven, E4, Film4, More4, 5*, Portfolio Channels 4seven, Channel 4 Paralympics channels 5USA (2012 only), Channel 5+1, 5*, 5*+1, 5USA, 5USA+1.
    [Show full text]
  • Strictly Private and Confidential
    The BBC’s distribution arrangements for its UK public services A study examining whether the BBC’s distribution arrangements represent value for money By Mediatique on behalf of the BBC Trust November 2013 Mediatique Limited is a registered limited company in England and Wales. Company No. 4575079. VAT registration 927 5293 00 Contents 1. Overview of key findings and recommendations ........................................................................................ 4 Distribution expenditure measured against universality obligations and commercial benchmarks .................................... 4 Decision-making in relation to key principles and objectives: Governance and internal reporting lines ............................. 7 Fit for future purpose ........................................................................................................................................................... 8 Summary of key recommendations ................................................................................................................................... 10 2 Introduction .............................................................................................................................................. 11 The BBC’s current distribution footprint ............................................................................................................................ 12 Television ..........................................................................................................................................................................
    [Show full text]
  • Media Nations 2019
    Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube.
    [Show full text]
  • BBC World Service Report by the Comptroller and Auditor General Presented to the BBC Trust Value for Money Committee, 14 June 2016
    BBC World Service Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 14 June 2016 BRITISH BROADCASTING CORPORATION BBC World Service Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 14 June 2016 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty June 2016 © BBC 2016 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money review: BBC World Service In the four years to 2014-15 the government BBC Trust response cut core funding to the World Service by As the governing body of the BBC, the around 8% and, in response, the World Trust is responsible for ensuring that the Service reduced its annual expenditure by licence fee is spent efficiently and effectively. £46.8 million. Two thirds of these savings Value-for-money reviews like this one (almost £31 million) have been achieved are an integral part of the governance through greater efficiency and without framework through which the Trust fulfils an impact on audiences. For example, this responsibility. better integration with the BBC newsroom at Broadcasting House has created a The BBC Trust welcomes richer experience for both domestic and the National Audit Office’s international audiences while also saving conclusion that, through its money.
    [Show full text]
  • I Am Mediacityuk
    Useful information Events Cycle Contacts I am MediaCityUK is easy to MediaCityUK is a new Commercial office space: reach by bike and there waterfront destination for 07436 839 969 are over 300 cycle bays Manchester with digital [email protected] dotted across our site. creativity, learning and The Studios: MediaCityUK leisure at its heart. We host 0161 886 5111 a wide range of exciting Eat and drink studiobookings@ events: mediacityuk.co.uk/ We have a wide selection of dock10.co.uk destination/whats-on more than 40 venues for you The Pie Factory: to choose from. To find out 0161 660 3600 Getting here more visit: mediacityuk.co.uk/ [email protected] destination/eat-and-drink Road and parking Apartments: Two minutes from the 0161 238 7404 Manchester motorway Shopping anita.jolley@ network via Junctions 2 The Lowry Outlet at mediacityuk.co.uk and 3 of the M602. We have MediaCityUK is home to Hotel: 6,000 secure car parking a range of designer, high 0845 250 8458 spaces at key locations street and individual brands reservations@ across MediaCityUK. Sat offering discounts of up to himediacityuk.co.uk nav reference: M50 2EQ. 70%. lowryoutlet.co.uk Serviced apartments: 0161 820 6868 Tram reservations@ There are tram stops at Studio audiences theheartapartments.co.uk MediaCityUK, Broadway The Studios, MediaCityUK, and Harbour City and it are operated by dock10. General: takes just 15 minutes to To find out more details 0161 886 5300 get to Manchester city on tickets for shows go to: [email protected] centre for all inter-city mediacityuk.co.uk/studios/ connections.
    [Show full text]
  • HD Digital Box GFSAT200HD/A Instruction Manual Welcome to Your
    HD Digital Box GFSAT200HD/A Instruction Manual Welcome to your new freesat+ HD digital TV recorder Now you can pause, rewind and record both HD and SD television, and so much more Goodmans GFSAT200HD-A_IB_Rev2_120710.indd 1 12/07/2010 14:11:18 Welcome Thank you for choosing this Goodmans freesat HD Digital Box. Not only can it receive over 140 subscription free channels, but if you have a broadband service with a minimum speed of 1Mb you can access IP TV services, which you can watch back at a time to suit you. It’s really simple to use; it’s all done using the clear, easy to understand on screen menus which are operated from the remote control. It even has a reminder function so that you won’t miss your favourite programmes. For a one off payment, you can buy a digital A digital box lets you access digital channels box, satellite dish and installation giving you that are broadcast in the UK. It uses a digital over 140 channels covering the best of TV signal, received through your satellite dish and more. and lets you watch it through your existing television. This product is capable of receiving and This product has a HDMI connector so that decoding Dolby Digital Plus. you can watch high definition TV via a HDMI lead when connected to a HD Ready TV. Manufactured under license from Dolby HDMI, the HDMI logo and High-Definition Laboratories. Dolby and the double-D symbol Multimedia Interface are trademarks or are trademarks of Dolby Laboratories.
    [Show full text]
  • Tv Uk Freesat
    Tv uk freesat loading Skip to content Freesat Logo TV Guide Menu. What is Freesat · Channels · Get Freesat · THE APP · WHAT'S ON · Help. Login / Register. My Freesat ID. With over channels - and 13 in high definition - it's not hard to find unbelievably good TV. With Freesat's smart TV Recorders you can watch BBC iPlayer, ITV Hub*, All 4, Demand 5 and YouTube on your TV. Tune into our stellar line-up of digital radio channels and get up to date ​Get Freesat · ​What's on · ​Sport. If you're getting a new TV, choose one with Freesat built in and you can connect directly to your satellite dish with no need for a separate box. You can now even. With a Freesat Smart TV Recorder you can enjoy the UK's favourite Catch Up services: BBC iPlayer, ITV Hub*, All 4 & Demand 5, plus videos on YouTube. Freesat TV Listings. What's on TV now and next. Full grid view can be viewed at Freesat is a free-to-air digital satellite television joint venture between the BBC and ITV plc, . 4oD launched on Freesat's Freetime receivers on 27 June , making Freesat the first UK TV platform to host the HTML5 version of 4oD. Demand Owner​: ​BBC​ and ​ITV plc. Freesat, the satellite TV service from the BBC and ITV, offers hundreds of TV and radio channels to watch Lifestyle: Food Network UK, Showcase TV, FilmOn. FREESAT CHANNEL LIST - TV. The UK IPTV receiver now works on both wired internet and WiFi which , BET Black Entertainment TV, Entertainment.
    [Show full text]
  • FREEVIEW DTT Multiplexes (UK Inc NI) Incorporating Planned Local TV and Temporary HD Muxes
    As at 07 December 2020 FREEVIEW DTT Multiplexes (UK inc NI) incorporating planned Local TV and Temporary HD muxes 3PSB: Available from all transmitters (*primary and relay) 3 COM: From *80 primary transmitters only Temp HD - 25 Transmiters BBC A (PSB1) BBC A (PSB1) continued BBC B (PSB3) HD SDN (COM4) ARQIVA A (COM5) ARQIVA B (COM6) ARQIVA C (COM7) HD ARQIVA D (COM8) HD LCN LCN LCN LCN LCN LCN LCN 1 BBC ONE 65 TBN UK 12 QUEST 11 Sky Arts 22 Ideal World 64 Free Sports BBC RADIO: 1 BBC ONE NI Cambridge, Lincolnshire, 74 Shopping Quarter 13 E4 (Wales only) 17 Really 23 Dave ja vu 70 Quest Red+1 722 Merseyside, Oxford, 1 BBC ONE Scot Solent, Somerset, Surrey, 101 BBC 1 Scot HD 16 QVC 19 Dave 26 Yesterday 83 NOW XMAS Tyne Tees, WM 1 BBC ONE Wales 101 BBC 1 Wales HD 20 Drama 30 4Music 33 Sony Movies 86 More4+1 2 BBC TWO 101 BBC ONE HD 21 5 USA 35 Pick 36 QVC Beauty 88 TogetherTV+1 (00:00-21:00) 2 BBC TWO NI BBC RADIO: 101 BBC ONE NI HD 27 ITVBe 39 Quest Red 37 QVC Style 93 PBS America+1 726 BBC Solent Dorset 2 BBC TWO Wales BBC Stoke 102 BBC 2 Wales HD 28 ITV2 +1 42 Food Network 38 DMAX 96 Forces TV 7 BBC ALBA (Scot only) 102 BBC TWO HD 31 5 STAR 44 Gems TV 40 CBS Justice 106 BBC FOUR HD 9 BBC FOUR 102 BBC TWO NI HD 32 Paramount Network 46 Film4+1 43 HGTV 107 BBC NEWS HD Sony Movies Action 9 BBC SCOTLAND (Scot only) BBC RADIO: 103 ITV HD 41 47 Challenge 67 CBS Drama 111 QVC HD (exc Wales) 734 Essex, Northampton, CLOSED 24 BBC FOUR (Scot only) Sheffield, 103 ITV Wales HD 45 Channel 5+1 48 4Seven 71 Jewellery Maker 112 QVC Beauty HD 201 CBBC
    [Show full text]
  • ('Sky') to the BBC Trust Review of BBC Red Button and Online Services
    Response of British Sky Broadcasting Limited (‘Sky’) to the BBC Trust review of BBC Red Button and Online services 1. Introduction 1.1 BBC Trust service licence reviews are an important part of the overall regulatory framework for BBC services established by the BBC Framework Agreement, and are one of the ways in which the BBC Trust exercises independent oversight of the BBC’s activities. 1.2 The Framework Agreement requires that the Trust conduct reviews at least every five years and that there be public consultation. In this way, service reviews sit alongside Public Value Tests, conducted when new services are proposed or changes put forward to existing services, as the key opportunities for robust and detailed scrutiny of the BBC’s public services. 1.3 It is therefore incumbent on the Trust to consider, as part of its service reviews, the market impact of the relevant services and, particularly, the Trust’s duty to require the BBC “endeavour to minimise its negative competitive impacts on the wider market” under the competitive impact principle.1 If the Trust did not consider such impacts as part of the service review, then it is conceivable that such matters would only be considered on launch of the service, and never again, irrespective of changes in the service or the market context in which it operated. This cannot have been intended by Government in settling the Framework Agreement and requiring reviews every five years. 1.4 Sky’s interest in the BBC’s red button and online services arises principally from its role as the provider of a direct to home satellite television platform by which certain of the BBC’s services are made available to over 10 million homes.
    [Show full text]
  • August 2016 • Issue 4
    The newspaper for BBC pensioners Getting ready for Rio Page 9 August 2016 • Issue 4 Award for first OB truck The new female foreign brought back State Pension correspondent to life Page 2 Page 4 Page 6 NEWS • MEMORIES • CLASSIFIEDS • YOUR LETTERS • OBITUARIES 02 PENSIONS & STATE BENEFITS The new State Pension: what the changes mean for you he new State Pension has been after the introduction of the new State introduced for people who reach Pension will have been ‘contracted-out’ of State Pension age on or after the additional State Pension at some time – Benefits in brief 6 April 2016. This applies to: something they may be unaware of. • The guarantee part of Pension Credit increased in April to £155.60 (single person) T• men born on or after 6 April 1951, and The old State Pension has two parts: and £237.55 (couples). Government figures show that every year millions of • women born on or after 6 April 1953. • basic State Pension pensioners miss out on as much as £3.7 billion in money benefits, with many If you were born before those dates you’ll • additional State Pension (sometimes also forgoing benefits designed to help with the increased cost of having an be able to claim your State Pension under called State Second Pension, S2P or SERPS). illness and disability. Charities like Age UK are encouraging pensioners to check the old system instead. Anyone who has been contracted-out if they are eligible for Pension Credit. Pension Credit works by topping up your You can check when you’ll reach either paid National Insurance at a lower household income to a guaranteed minimum level.
    [Show full text]
  • Annual Report on the BBC 2019/20
    Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third
    [Show full text]