George K. Baum & Company J.P. Morgan

Total Page:16

File Type:pdf, Size:1020Kb

George K. Baum & Company J.P. Morgan NEW ISSUE Ratings BOOK-ENTRY-ONLY Fitch: “AA” S&P: “AA-” In the opinion of Gilmore & Bell, P.C., Bond Counsel, under existing law and assuming continued compliance with certain requirements of the Internal Revenue Code of 1986, as amended, the interest on the Series 2010A Bonds (including any original issue discount properly allocable to an owner thereof) is excludable from gross income for federal income tax purposes, except as described herein, and is not an item of tax preference for purposes of the federal alternative minimum tax imposed on individuals and corporations. The interest on the Series 2010A Bonds is exempt from income taxation by the State of Missouri. The Series 2010A Bonds have not been designated as “qualified tax-exempt obligations” within the meaning of Section 265(b)(3) of the Internal Revenue Code of 1986, as amended. See “TAX MATTERS” in this Official Statement. $33,895,000 MISSOURI DEVELOPMENT FINANCE BOARD CULTURAL FACILITIES REVENUE BONDS (THE NELSON GALLERY FOUNDATION) SERIES 2010A Dated: March 9, 2010 Due: See Inside Cover The Series 2010A Bonds and the interest thereon are special, limited obligations of the Missouri Development Finance Board (the “Board”), payable solely from certain payments made under a Loan Agreement, dated as of February 15, 2010 (the “Loan Agreement”), between the Board and The Nelson Gallery Foundation (the “Foundation”). The Series 2010A Bonds are issued and secured under a Bond Trust Indenture, dated as of February 15, 2010 (the “Indenture”), between the Board and Commerce Bank, N.A., Kansas City, Missouri, as trustee (the “Trustee”), as described herein. The Series 2010A Bonds do not constitute a debt or liability of the State of Missouri (the “State”) or of any political subdivision thereof within the meaning of any State constitutional provision or statutory limitation and do not constitute a pledge of the faith and credit of the State or of any political subdivision thereof. The issuance of the Series 2010A Bonds will not, directly, indirectly or contingently, obligate the State or any political subdivision thereof to levy any form of taxation therefor or to make any appropriation for their payment. The Board has no taxing power. The Series 2010A Bonds are issuable as fully registered bonds and, when issued, will be initially registered in the name of Cede & Co., as nominee for The Depository Trust Company, New York, New York (“DTC”). Purchases of beneficial interests in the Series 2010A Bonds will be made in book-entry-only form in denominations of $5,000 or any integral multiple thereof. Payments of the principal of, and interest on the Series 2010A Bonds will be made directly to DTC or its nominee, Cede & Co., by the Trustee, so long as DTC or Cede & Co. is the sole registered owner. Disbursement of such payments to DTC’s Participants is the responsibility of DTC, and disbursements of such payments to the Beneficial Owners is the responsibility of DTC’s Participants and the Indirect Participants, as more fully described herein. See “BOOK- ENTRY-ONLY SYSTEM.” Principal of the Series 2010A Bonds will be payable on each December 1 in the years shown on the inside cover page. Interest on the Series 2010A Bonds is payable on each June 1 and December 1, beginning on June 1, 2010. The Series 2010A Bonds are subject to redemption as described herein. The Series 2010A Bonds are offered when, as and if issued by the Board and accepted by the Underwriters, subject to the approval of legality thereof by Gilmore & Bell, P.C., Kansas City, Missouri, Bond Counsel, and certain other conditions. Certain legal matters related to this Official Statement will be passed upon by Gilmore & Bell, P.C., Kansas City, Missouri. Certain legal matters will be passed upon for the Board by Gilmore & Bell, P.C., Kansas City, Missouri; and for the Foundation by Husch Blackwell Sanders, LLP, Kansas City, Missouri. It is expected that the Series 2010A Bonds in definitive form will be available for delivery at DTC on or about March 9, 2010. George K. Baum & Company J.P. Morgan The date of this Official Statement is February 24, 2010 $33,895,000 MISSOURI DEVELOPMENT FINANCE BOARD CULTURAL FACILITIES REVENUE BONDS (THE NELSON GALLERY FOUNDATION) SERIES 2010A MATURITY SCHEDULE Maturity Principal Interest (Dec. 1) Amount Rate Yield CUSIP 2010 $ 455,000 2.000% 0.700% 606037 BV0 2011 45,000 2.000 1.000 606037 BW8 2012 615,000 2.000 1.300 606037 BJ7 2012 1,785,000 5.125 1.300 606037 BX6 2013 500,000 2.250 1.550 606037 BK4 2013 2,005,000 5.125 1.550 606037 BY4 2014 125,000 2.500 1.900 606037 BL2 2014 2,495,000 5.000 1.900 606037 BZ1 2015 1,210,000 2.500 2.350 606037 BM0 2015 1,540,000 5.000 2.350 606037 CA5 2016 565,000 4.000 2.700 606037 BN8 2016 2,290,000 5.000 2.700 606037 CB3 2017 380,000 3.250 3.000 606037 BP3 2017 2,615,000 5.000 3.000 606037 CC1 2018 3,135,000 5.000 3.250 606037 BQ1 2019 285,000 4.000 3.450 606037 BR9 2019 3,005,000 5.000 3.450 606037 CD9 2020 3,450,000 5.000 3.550 606037 BS7 2021 2,380,000 3.500 3.650 606037 BT5 2021 1,245,000 5.000 3.600 606037 CE7 2022 1,770,000 3.500 3.750 606037 BU2 2022 2,000,000 5.000 3.650 606037 CF4 REGARDING USE OF THIS OFFICIAL STATEMENT No dealer, broker, salesman or other person has been authorized by the Board, the Foundation or the Underwriters to give any information or to make any representations, other than those contained in this Official Statement, and, if given or made, such other information or representations must not be relied upon as having been authorized by any of the foregoing. Statements contained in this Official Statement which involve estimates, forecasts or matters of opinion, whether or not expressly so described herein, are intended solely as such and are not to be construed as a representation of fact. The information set forth herein has been obtained from the Board, the Foundation and other sources believed to be reliable, but is not guaranteed as to accuracy or completeness and is not to be construed as a representation by the Board or the Underwriters. The information and expressions of opinion contained herein are subject to change without notice, and neither the delivery of this Official Statement nor any sale made hereunder shall under any circumstances create any implication that there has been no change in the affairs of the Board or the Foundation since the date hereof. The Underwriters have reviewed the information in this Official Statement in accordance with, and as part of, their responsibilities to investors under federal securities laws as applied to the facts and circumstances of this transaction, but the Underwriters do not guarantee the accuracy or completeness of that information. IN CONNECTION WITH THE OFFERING OF THE SERIES 2010A BONDS, THE UNDERWRITERS MAY OVER ALLOT OR EFFECT TRANSACTIONS THAT STABILIZE OR MAINTAIN THE MARKET PRICE OF THE SERIES 2010A BONDS AT A LEVEL ABOVE THAT WHICH MIGHT OTHERWISE PREVAIL IN THE OPEN MARKET. SUCH STABILIZING, IF COMMENCED, MAY BE DISCONTINUED AT ANY TIME. THE SERIES 2010A BONDS HAVE NOT BEEN REGISTERED WITH THE UNITED STATES SECURITIES AND EXCHANGE COMMISSION UNDER THE SECURITIES ACT OF 1933, AS AMENDED, NOR HAS THE INDENTURE BEEN QUALIFIED UNDER THE TRUST INDENTURE ACT OF 1939, AS AMENDED, IN RELIANCE UPON EXEMPTIONS CONTAINED IN SUCH ACTS. IN MAKING AN INVESTMENT DECISION INVESTORS MUST RELY ON THEIR OWN EXAMINATION OF THE FOUNDATION AND THE TERMS OF THE OFFERING, INCLUDING THE MERITS AND RISKS INVOLVED. THESE BONDS HAVE NOT BEEN RECOMMENDED BY ANY FEDERAL OR STATE SECURITIES COMMISSION OR REGULATORY AUTHORITY. FURTHERMORE, THE FOREGOING AUTHORITIES HAVE NOT CONFIRMED THE ACCURACY OR DETERMINED THE ADEQUACY OF THIS DOCUMENT. ANY REPRESENTATION TO THE CONTRARY IS A CRIMINAL OFFENSE. EXCEPT FOR INFORMATION CONCERNING THE BOARD IN THE SECTIONS OF THIS OFFICIAL STATEMENT CAPTIONED “THE BOARD” AND “LITIGATION - THE BOARD,” NONE OF THE INFORMATION IN THIS OFFICIAL STATEMENT HAS BEEN SUPPLIED OR VERIFIED BY THE BOARD, AND THE BOARD MAKES NO REPRESENTATION, EXPRESS OR IMPLIED, AS TO THE ACCURACY OR COMPLETENESS OF SUCH INFORMATION. ______________________________ CAUTIONARY STATEMENTS REGARDING FORWARD- LOOKING STATEMENTS IN THIS OFFICIAL STATEMENT ______________________________ Certain statements included or incorporated by reference in this Official Statement constitute “forward- looking statements” within the meaning of the United States Private Securities Litigation Reform Act of 1995, Section 21E of the United States Securities Exchange Act of 1934, as amended, and Section 27A of the United States Securities Act of 1933, as amended. Such statements are generally identifiable by the terminology used such as “plan,” “expect,” “estimate,” “anticipate,” “budget” or other similar words. Such forward looking statements include, among others, certain statements under “RESULTS OF OPERATIONS” – Management’s Discussion and Analysis of Results of Operations” in Appendix A to this Official Statement and certain statements under “BONDOWNERS’ RISKS” in the forepart of this Official Statement. THE ACHIEVEMENT OF CERTAIN RESULTS OR OTHER EXPECTATIONS CONTAINED IN SUCH FORWARD-LOOKING STATEMENTS INVOLVE KNOWN AND UNKNOWN RISKS, UNCERTAINTIES AND OTHER FACTORS WHICH MAY CAUSE ACTUAL RESULTS, PERFORMANCE OR ACHIEVEMENTS DESCRIBED TO BE MATERIALLY DIFFERENT FROM ANY FUTURE RESULTS, PERFORMANCE OR ACHIEVEMENTS EXPRESSED OR IMPLIED BY SUCH FORWARD-LOOKING STATEMENTS. THE FOUNDATION DOES NOT PLAN TO ISSUE ANY UPDATES OR REVISIONS TO THOSE FORWARD-LOOKING STATEMENTS IF OR WHEN THE EXPECTATIONS, OR EVENTS, CONDITIONS OR CIRCUMSTANCES UPON WHICH SUCH STATEMENTS ARE BASED OCCUR.
Recommended publications
  • Beautiful and Damned: Geographies of Interwar Kansas City by Lance
    Beautiful and Damned: Geographies of Interwar Kansas City By Lance Russell Owen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Geography in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Johns, Chair Professor Paul Groth Professor Margaret Crawford Professor Louise Mozingo Fall 2016 Abstract Beautiful and Damned: Geographies of Interwar Kansas City by Lance Russell Owen Doctor of Philosophy in Geography University of California, Berkeley Professor Michael Johns, Chair Between the World Wars, Kansas City, Missouri, achieved what no American city ever had, earning a Janus-faced reputation as America’s most beautiful and most corrupt and crime-ridden city. Delving into politics, architecture, social life, and artistic production, this dissertation explores the geographic realities of this peculiar identity. It illuminates the contours of the city’s two figurative territories: the corrupt and violent urban core presided over by political boss Tom Pendergast, and the pristine suburban world shaped by developer J. C. Nichols. It considers the ways in which these seemingly divergent regimes in fact shaped together the city’s most iconic features—its Country Club District and Plaza, a unique brand of jazz, a seemingly sophisticated aesthetic legacy written in boulevards and fine art, and a landscape of vice whose relative scale was unrivalled by that of any other American city. Finally, it elucidates the reality that, by sustaining these two worlds in one metropolis, America’s heartland city also sowed the seeds of its own destruction; with its cultural economy tied to political corruption and organized crime, its pristine suburban fabric woven from prejudice and exclusion, and its aspirations for urban greatness weighed down by provincial mindsets and mannerisms, Kansas City’s time in the limelight would be short lived.
    [Show full text]
  • Digital Collections
    MISSOURI HISTORICAL REVIEW llH i in <iV£2>» THE STATE HISTORICAL SOCIETY OF MISSOURI, COLUMBIA THE STATE HISTORICAL SOCIETY OF MISSOURI The State Historical Society of Missouri, heretofore organized under the laws of the State, shall be the trustee of this State-Laws of Missouri, 1899, R.S. of Mo., 1969, chapter 183, as revised 1978. OFFICERS, 1998-2001 LAWRENCE O. CHRISTENSEN, Rolla, President JAMES C. OLSON, Kansas City, First Vice President SHERIDAN A. LOGAN, St. Joseph, Second Vice President VIRGINIA G. YOUNG, Columbia, Third Vice President NOBLE E. CUNNINGHAM, JR., Columbia, Fourth Vice President R. KENNETH ELLIOTT, Liberty, Fifth Vice President ROBERT G. J. HOESTER, Kirkwood, Sixth Vice President ALBERT M. PRICE, Columbia, Treasurer JAMES W. GOODRICH, Columbia, Executive Director, Secretary, and Librarian PERMANENT TRUSTEES FORMER PRESIDENTS OF THE SOCIETY FRANCIS M. BARNES III, Kirkwood ROBERT C. SMITH, Columbia H. RILEY BOCK, New Madrid Avis G. TUCKER, Warrensburg LEO J. ROZIER, Perryville TRUSTEES, 1996-1999 BRUCE H. BECKETT, Columbia JAMES R. MAYO, Bloomfield CHARLES B. BROWN, Kennett W. GRANT MCMURRAY, Independence DONNA HUSTON, Marshall THOMAS L. MILLER SR., Washington TRUSTEES, 1997-2000 JOHN K. HULSTON, Springfield ARVARH E. STRICKLAND, Columbia JAMES B. NUTTER, Kansas City BLANCHE M. TOUHILL, St. Louis BOB PRIDDY, Jefferson City HENRY J. WATERS III, Columbia DALE REESMAN, Boonville TRUSTEES, 1998-2001 WALTER ALLEN, Brookfield VIRGINIA LAAS, Joplin CHARLES R. BROWN, St. Louis EMORY MELTON, Cassville VERA R BURK, Kirksville DOYLE PATTERSON, Kansas City DICK FRANKLIN, Independence JAMES R. REINHARD, Hannibal EXECUTIVE COMMITTEE Eight trustees elected by the board of trustees, together with the president of the Society, consti­ tute the executive committee.
    [Show full text]
  • Noelle Giuffrida Provenance Research on Chinese Paintings in American Collections of the 1950S: Sherman E
    ISSN: 2511–7602 Journal for Art Market Studies 2 (2020) Noelle Giuffrida Provenance Research on Chinese Paintings in American Collections of the 1950s: Sherman E. Lee, Walter Hochstadter, and the Cleveland Museum of Art ABSTRACT purchases, for example German Sinologist and art historian Ernst Aschwin Prinz zur Lippe-Bi- This essay provides a window into the circu- esterfeld, commonly known as Aschwin Lippe, lation of Chinese paintings during the tumul- who became a senior research fellow at the tuous political and economic environment of Metropolitan in 1949. Provenance research in the 1940s and 1950s by examining Sherman this field crucially relies on archival research. E. Lee’s acquisitions of paintings from Walter The Freer|Sackler Galleries at the Smithsonian Hochstadter during Lee’s early years as cura- Institution in Washington, D.C., regularly grant tor of Asian art at the Cleveland Museum of researchers access to its many collections of Art from 1952-1958. This essay demonstrates personal papers of important curators such as that the surge in collecting Chinese paintings Aschwin Lippe, James Cahill (1926-2014), and in postwar America and efforts to examine John Alexander Pope (1906-1902). The author the major figures and historical circumstanc- consulted Hochstadter’s papers at the Center es behind this phenomenon are crucial to for Jewish History and the Frank Caro Archive expanding our understanding of the history at the Institute of Fine Arts in New York. The of collecting Chinese art beyond its country author also consulted Sherman Lee’s personal of origin. Lee’s acquisitions of paintings from papers preserved by his family.
    [Show full text]
  • Real-Life Monuments Men Part of Nelson-Atkins History
    FOR IMMEDIATE RELEASE Real-Life Monuments Men Part of Nelson-Atkins History Legislation Would Award Congressional Gold Medals Kansas City, MO. Jan 21, 2014– As excitement builds for the release of the Sony film The Monuments Men, The Nelson-Atkins Museum of Art applauds six real-life Monuments Men who either worked in or closely with the museum. Monuments men and women, commissioned by Franklin D. Roosevelt during World War II, were tasked with the protection, recovery and preservation of millions of Europe’s masterpieces during the Nazi occupation. “The men and women involved in this selfless effort to keep art objects safe during a dangerous time in history showed immense courage,” said Julián Zugazagoitia, CEO & Director of the Nelson-Atkins. “We are deeply in their debt for preserving these treasures for humanity.” A display of archival materials will be on view in Bloch Lobby that includes postcards, manuscripts, newspaper clippings and biographies of the Nelson-Atkins’ Monuments Men. “My research has shown that these six men brought to their military duties the same passion for art and culture that made them so valuable to the Nelson-Atkins,” said MacKenzie Mallon, a researcher in the European Painting & Sculpture Department who has been working on this project for many months. “They took their responsibilities as protectors of these monuments very seriously.” The museum employed four of the Monuments Men and maintained strong ties with two others. Paul Gardner, the first director of the Nelson-Atkins, served as Director of the Fine Arts Section of the Allied Military Government in Italy. Another former director, Laurence Sickman, was assigned to General Douglas MacArthur’s Tokyo headquarters after the Japanese surrender and served as a technical advisor on collections and monuments, making trips to China and Korea to assess the level of damage to monuments in those countries.
    [Show full text]
  • Kansas City's Progressive Utopia
    City of the Future: Kansas City's Progressive Utopia Western Historical Manuscript Collection Kansas City Charles N. Kimball Lecture Harry Haskell April 10, 2008 © WHMC-KC, University of Missouri, 2008 HaskellWebMas.indd 1 9/12/2008 9:56:25 AM Harry Haskell April 10, 2008 Page 1 INTRODUCTION to the April 10, 2008 Charles N. Kimball Lecture David Boutros Associate Director, WHMC-KC Good aft ernoon. My name is David Boutros and I am the Associate Director of the Western Historical Manuscript Collection-Kansas City, host of the Charles N. Kimball Lecture series. Today I wish to bring you exciting news. Aft er various fi ts and starts, the Western Historical Manuscript Collection-Kansas City will defi nitely be building a new facility as part of the expanded Miller Nichols Library here on the University of Missouri-Kansas City campus. Our plan and hope is that completion will be within four years. As you have heard from me before, the mission of the Western Historical Manuscript Collection- Kansas City, a joint collection of the University of Missouri and the State Historical Society of Missouri, is to support the research needs of Missouri residents, University faculty and students, and the general public, by collecting, preserving, and making available various primary source materials documenting the history of the state and the region. During our 28 years of operation, we have grown to be one of the largest collections in the region with more than 15,000 linear feet of material containing: in excess of 15 million pages of manuscripts; more than 5 million negative and photographic images; 400,000+ sheets of architectural drawings and maps; 400 rolls of microfi lm and 80,000 aperture cards and microfi che; over 10,000 volumes of books, scrapbooks and ledgers; and more than 3,000 hours of audio visual material including oral histories, home movies, and promotional, educational, and commercial moving images.
    [Show full text]
  • City Research Online
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by City Research Online City Research Online City, University of London Institutional Repository Citation: Kim, J (2018). Museums and cultural heritage: to examine the loss of cultural heritage during colonial and military occupations with special reference to the Japanese occupation of Korea, and the possibilities for return and restitution. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: http://openaccess.city.ac.uk/20813/ Link to published version: Copyright and reuse: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. City Research Online: http://openaccess.city.ac.uk/ [email protected] Museums and Cultural Heritage: To Examine the Loss of Cultural Heritage During Colonial and Military Occupations with Special Reference to the Japanese Occupation of Korea, and the Possibilities for Return and Restitution Jongsok Kim This thesis is submitted to City, University of London as part of the requirements for the award of Ph.D. in Culture, Policy and Management School of Arts and Social Sciences September 2018 1 2 Table of Contents Acknowledgements……………………………………………………………..…….7 Declaration…………………………………………………………………………....8
    [Show full text]
  • Resources for Local History… Kansas City, Missouri
    Resources for Local History… Kansas City, Missouri Books These books are located in the Penn Valley Special Collections. Circulating copies of titles are indicated where they exist. Special arrangements for limited checkout can be made by an instructor’s request and the librarian’s permission. Other books on more specific topics or people related to Kansas City history can be found by doing a keyword search in WILO, our online catalog. PV Spec Coll At the River’s Bend: An illustrated history of Kansas City, PV Circ Independence and Jackson County 977.84 Sherry Lamb Schirmer & Richard D. McKinzie (1982) Sch3a Description: General history of the Kansas City metropolitan area, including Independence and Jackson County, including company profiles. PV Spec Coll City of the future: A Narrative history of Kansas City, 1850-1950 977.84 Henry C. Haskell, Jr. and Richard B. Fowler (c.1950) H27c Description: Looks at KC history by eras (decades) from 1850 to 1950, covering people and events. PV Spec Coll A Condensed history of the Kansas City area: its mayors and 977.84 some V.I.P.s G82c George Fuller Green (1968) Description: Biographies of Kansas City mayors. Short histories about banking, hospitals and sanitariums, the zoo, the American Royal, music and musicians, the Board of Education, fire and police departments, public utilities, airports, city physicians, and the Jackson County Medical Society. Invaluable information about funding and how people were selected for certain positions in local government. PV Spec Coll Crossroads of America, the story of Kansas City 977.84 Darrell Garwood (1948) G19c Description: Important people and events in Kansas City history such as the Border War, Order No.
    [Show full text]
  • The Hargrove Family History” Exhibit at the Nelson-Atkins Museum of Art, December 2012 - March 2013
    This book is a companion to “The Hargrove Family History” exhibit at the Nelson-Atkins Museum of Art, December 2012 - March 2013. You can find out more about this exhibit or download a free pdf of this book at www.jupiterkansas.com/hargrove The Hargrove or visit the author Tara Hargrove at Family History www.facebook.com/tara.hargrove.50 by Tara Hargrove ISBN 978-1-300-57982-3 90000 7813009 579823 KCSTAGE www.kcstage.com The Hargrove Family History by Tara Hargrove An exhibit at the Nelson-Atkins Museum of Art December 2012 - March 2013 Edited by Bryan Colley. Photos by Bryan Colley unless otherwise noted. Expanded Edition Copyright © 2013 by Tara Varney and Bryan Colley. All characters appearing in this work are fictitious or have had their lives fictitiously embellished. ISBN: 978-1-300-57982-3 Published by KC Stage, PO Box 410492, Kansas City, Missouri 64141- 0492, www.kcstage.com www.jupiterkansas.com Contents Introduction . 5 Perry Hargrove . 7 Edgar Hargrove . 11 Mortimer Hargrove . 17 Gilbert Hargrove . 21 Patrick Hargrove . 31 Benjamin Hargrove . 37 Roger Hargrove . 43 Exhibit Photos . 49 Faking It: Real Stuff, Fictitious Collectors . 59 About the Authors . 63 Introduction very family has a story . These stories can contain elements that are fascinating, inspir- Eing, and humorous . Other elements can be confusing, embarrassing, and illegal . Many times, we are tempted to highlight some elements, and conveniently forget to mention the others . One of the elements that binds the Hargroves together is their love of collecting beautiful and interesting items . Since my great-great- great-great grandfather, Perry Hargrove, came to this country at age six, every generation of the Hargrove family has had a member that represented an interest in art: collecting, importing, dealing, creating, authenticating, preserving, and even forging it .
    [Show full text]
  • Collecting Asian Art, Defining Gender Roles
    Journal of the History of Collections vol. no. ( ) pp. – Collecting Asian art, defi ning gender roles World War II, women curators and the politics of Asian art collections in the United States Chelsea Schlievert and Jason Steuber This paper explores collecting and collections of Asian art during World War II to illustrate how women Downloaded from temporarily assumed leadership roles in American museums. It details abrupt changes experienced by museums following the departure of men in these traditionally male-dominated professions. For example, understood to be the ‘ right man at the right place ’ at the Nelson-Atkins Museum, Ruth Lindsay Hughes was appointed Acting Curator of the Oriental collection in 1942 after Curator Laurence Sickman was called to active service. The chronicled museum activities, showing how Hughes fashioned the Asian art http://jhc.oxfordjournals.org/ and acquisitions combined with how she utilized the collection in the home front’s wartime efforts, illustrate changes in the ways collections were curated and interpreted. Within this framework, the lens of gender brings into focus the wider context of how American collections of Asian art were incorporated into the complicated international war effort involving politics, dealers and museums. N ARCH art history after World War II. In addition, and per- I M , the Metropolitan Museum of Art at University of Washington on December 12, 2011 hosted a programme on behalf of the Chinese Art haps more importantly, the biography of Hughes Society of America. Previous guest lecturers in this affords a glimpse into the political intricacies that sur- prestigious series included notable authorities on rounded collections and collecting during the war China and Chinese art, such as Hu Shih, Alfred period.
    [Show full text]
  • William Rockhill Nelson
    THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA RIVERSIDE WILLIAM ROCKHILL NELSON THE STORY OF A MAN A NEWSPAPER AND A CITY BY MEMBERS OF THE STAFF OF THE KANSAS CITY STAR CAMBRIDGE Printed at The Riverside Press 1915 COPYRIGHT, I915, BY IDA H. NELSON ANL LAURA NELSON KIRKWOOD ALL RIGJ'TS PESEKVED U. HE GAVE ALL TO KANSAS CITY William R. Nelson, owner and editor of The Kansas City Star, in making arrangements for the final dis- position of his estate, turns it over to Kansas Citv for an art gallery. The income from his property, carefully guarded, will go to the wife and daugh- ter during their lifetime. After that it will pass into the hands of a board of trustees to be sold and the proceeds used for the purchase of art treasures for the enjoyment of the people of Kansas City. We look upon this as a wise bequest. With Colo- nel Nelson art was not merely a rich man's fad. He was a lover of the beautiful. He appreciated its refining power. He knew that an appreciation of art is a matter of education. He loved Kansas City, the arena of his life struggles and his life triumphs, and in his desire to leave a perpetual monument, he has chosen wisely. In his life he made service to the people a dom- inating passion. It was an honest desire to benefit the masses which caused him to provide for the fu- ture art enjoyment of the city which he loved — a munificent gift which will make the name of William R.
    [Show full text]
  • Seventh Presentation of the Charles Lang Freer Medal
    N 7260 .F58 1983 FREER GALLERY OF ART c.2 SMITHSONIAN INSTITUTION FREER/SACKLER PUBLICATIONS PUBLICATIONS SEVENTH PRESENTATION OF THE CHARLES LANG FREER MEDAL WASHINGTON, D.C. MAY2.1983 OPENING REMARKS S. DILLON R I PLEY Secretary, Smithsonian Institution This convocation, which I now call to order, marks the seventh presenta­ tion of the Charles Lang Freer Medal. Established in 1956 in memory of the founder of the Freer Gallery of Art, this award was created for the pur­ pose of honoring a scholar of world renown "for distinguished contribu­ tion to the knowledge and understanding of Oriental civilizations as re­ flected in their arts." When Charles Lang Freer made his generous gift to the people of the United States in 1906, the extraordinary collections he had brought to­ gether, the handsome building he designed to house them, and the for­ tune he provided to endow them became part of the Smithsonian Institu­ tion. The Smithsonian Institution, itself a gift to the United States of a generous Englishman and great scientist, James Smithson, is directed by its basic 1€gislation to maintain a gallery of art; and today no less than seven museums of art come under the Smithsonian's aegis. The Gallery founded by Mr. Freer is unique among these in that, in keeping with the founder's wish, its emphasis is on the art of the Orient, and the principal activity of the Gallery staff is devoted to research on the civilizations which produced those works of art. In seeking to honor outstanding scholars in the field, the Gallery has al­ ready conferred the medal on six distinguished men.
    [Show full text]
  • The United States and Cultural Heritage Protection in Japan (1945-1952)
    8 ASIAN HISTORY Azimi in Japan (1945-1952) Protection Heritage Cultural and States United The Nassrine Azimi The United States and Cultural Heritage Protection in Japan (1945-1952) FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS The United States and Cultural Heritage Protection in Japan (1945-1952) FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The Asian History series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hägerdal, Linnaeus University, Sweden Editorial Board Members Roger Greatrex, Lund University David Henley, Leiden University Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS The United States and Cultural Heritage Protection in Japan (1945-1952) Nassrine Azimi Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Cover illustration: George Leslie Stout, Langdon Warner and Japanese officials at Nishi Honganji temple in Kyoto, Japan, May 29, 1946 / unidentified photographer Source: George Leslie Stout Papers, 1855, 1897-1978; Archives of American Art, Smithsonian Institution Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 132 5 e-isbn 978 90 4855 010 4 (pdf) doi 10.5117/9789463721325 nur 680 © Nassrine Azimi / Amsterdam University Press B.V., Amsterdam 2019 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book.
    [Show full text]