DOCSLIB.ORG

Shaw Festival's Saint Joan to Be Presented at Chicago Shakespeare

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Shaw Festival's Saint Joan to Be Presented at Chicago Shakespeare Shaw Festival’s Saint Joan to be Presented at Chicago Shakespeare Theater Media Release #9 Niagara-on-the-Lake, Ontario, April 23, 2007 … The Shaw Festival’s flagship Shaw production, the iconic Saint Joan, directed by Artistic Director Jackie Maxwell, will be presented at the Chicago Shakespeare Theater from January 8-20, 2008. The production began preview performances on Saturday at the Festival Theatre for its regular run as part of The Shaw’s 2007 Season. The production will be presented within the Chicago Shakespeare Theater’s 2007-2008 The World’s Stage Series for a limited two-week run at the Courtyard Theater. Chicago Shakespeare Theater is one of the fastest-growing producing and presenting theater institutions in the United States today. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST has achieved a reputation for consistently high production values and artistic standards. Jackie Maxwell noted: “It has been my strong desire to get the extraordinary work we do here at The Shaw out on the road, making contacts with renowned theatre companies and their communities. The Chicago Shakespeare Theater is a world-class theatre company producing work of the highest quality and with a history of presenting American and international productions of distinction. The Shaw Festival is thrilled to join those ranks, and debut in Chicago, with Saint Joan.” In 1431 Jeanne d’Arc (Tara Rosling) – a young peasant girl who led an army and crowned a king – was burned at the stake as a heretic. Afterwards, in the smouldering ashes, one thing remained untouched – her heart. In 1920 she was made a saint. In 1923 Bernard Shaw took her extraordinary story and brilliantly retold it, revealing it also as the beginning of a nationalism which dictated the very make-up of Europe until our own 20th-century apocalypse, World War I. The Shaw’s production moves between the France of WWI and Joan’s War to re-examine Shaw’s continually resonant play, asking all the while: if Joan were alive today, would we recognize her – and would we listen? Ben Carlson, who appears as Cauchon in Saint Joan, won critical acclaim for his portrayal of the title character in the CST’s 2006 production of Hamlet. The cast also includes Harry Judge as the Dauphin, Peter Krantz as de Stogumber, Patrick McManus as Dunois, and Blair Williams as Warwick, as well as Norman Browning, Andrew Bunker, Martin Happer, Douglas E. Hughes, Billy Lake, Thom Marriott, Jesse Martyn, Marla McLean, Ric Reid and Michael Strathmore. …/2 -2- Saint Joan is designed by Sue LePage, with lighting design by Kevin Lamotte and original music by Paul Sportelli. The stage management team includes Stage Manager Allan Teichman and Assistant Stage Manager Amy Jewell. Saint Joan began preview performances Saturday, April 21; opens Wednesday, May 9; and plays in repertory until Saturday, October 27. Saint Joan is sponsored by CIBC World Markets. The 2007 season is proudly presented by HSBC Bank Canada/HSBC Bank USA. -30- Please visit our website at www.shawfest.com for other Shaw Festival media releases. For more information, or to download pictures from our image bank to accompany this release, members of the media may contact: Odette Yazbeck Patti Broughton Director, Public Relations Public Relations Co-ordinator 905-468-2153 or 905-468-2153 or 1-800-657-1106 ext 222 1-800-657-1106 ext 224 [email protected] [email protected] …/2 .
Load more

Recommended publications
  • {PDF} the First Quarto of Hamlet 1St Edition Ebook
    THE FIRST QUARTO OF HAMLET 1ST EDITION PDF, EPUB, EBOOK William Shakespeare | 9780521653909 | | | | | The First Quarto of Hamlet 1st edition PDF Book The Murder of Gonzago is played before the assembled court, but is interrrupted when Claudius suddenly rises and leaves. This is the only modernised critical edition of the quarto in print. Scarce thus. The First Quarto of Hamlet. A handful of sources contributed significantly to the creation of Hamlet. King Richard II. Condition: Very Good. The first critic of the , first Spanish translation of Shakespeare's Hamlet. British Library copies of Hamlet contains detailed bibliographic descriptions of all the quarto copies of the play. Great Neck, N. Perhaps most crucially, Amleth lacks Hamlet's melancholy disposition and long self-reflexive soliloquies, and he survives after becoming king" British Library. Nevertheless, there is some evidence that Shakespeare did at least consult Saxo. There is an entire scene between Horatio and Gertrude in which Horatio tells her that Hamlet has escaped from the ship after discovering Claudius' plan to kill him. Protected under mylar cover. Published by Printed for P[hilip] C[hetwinde], London Theatrical adaption. Some scenes take place at a different point in the story — for example Hamlet's " To be, or not to be " soliloquy occurs in Act Two, immediately after Polonius proposes to set up an "accidental" meeting between Hamlet and Ophelia. According to the title page, the play was printed 'as it is now acted at His Highness the Duke of York's Theatre. Namespaces Article Talk. Occasional neat underlinings and scholarly notes, some minor marginal wormholes.
    [Show full text]
  • MISALLIANCE : Know-The-Show Guide
    The Shakespeare Theatre of New Jersey MISALLIANCE: Know-the-Show Guide Misalliance by George Bernard Shaw Know-the-Show Audience Guide researched and written by the Education Department of The Shakespeare Theatre of New Jersey Artwork: Scott McKowen The Shakespeare Theatre of New Jersey MISALLIANCE: Know-the-Show Guide In This Guide – MISALLIANCE: From the Director ............................................................................................. 2 – About George Bernard Shaw ..................................................................................................... 3 – MISALLIANCE: A Short Synopsis ............................................................................................... 4 – What is a Shavian Play? ............................................................................................................ 5 – Who’s Who in MISALLIANCE? .................................................................................................. 6 – Shaw on — .............................................................................................................................. 7 – Commentary and Criticism ....................................................................................................... 8 – In This Production .................................................................................................................... 9 – Explore Online ...................................................................................................................... 10 – Shaw: Selected
    [Show full text]
  • Joan of Arc in History and in Shaw Department of Enclish
    Joan of Arc in history and in Shaw Item Type text; Thesis-Reproduction (electronic) Authors Covey, Jewyl Monica, 1925- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 14:04:43 Link to Item http://hdl.handle.net/10150/551296 JOAN OF ARC IN HISTORY AND IN SHAW by Jewyl Covey A Thesis Submitted to the Faculty of the DEPARTMENT OF ENCLISH In Partial Fulfillment of the Requirements For the Degree of . ^ MASTER OF ARTS In the Graduate College UNIVERSITY OF ARIZONA 1957 3 flu to -too S'? 3fi 5 od &Ovd n s i 1 3 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from ttiis thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quota­ tion from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholar­ ship. In all other instances, however, permission must be obtained from the author.
    [Show full text]
  • HEARTBREAK HOUSE by George Bernard Shaw Directed by John Going
    2006—2007 SEASON HEARTBREAK HOUSE by George Bernard Shaw Directed by John Going CONTENTS 2 The 411 3 A/S/L & HTH 4 FYI 5 RBTL 6IRL 7 F2F 8 SWDYT? STUDY GUIDES ARE SUPPORTED BY A GENEROUS GRANT FROM CITIGROUP MISSOURI ARTS COUNCIL MIHYAP: TOP TEN WAYS TO STAY CONNECTED AT THE REP At The Rep, we know that life moves fast— 10. TBA Ushers will seat your school or class as a group, okay, really fast. so even if you are dying to mingle with the group from the But we also know all girls school that just walked in the door, stick with your that some things friends until you have been shown your section in the are worth slowing down for. We believe that live theatre is theatre. one of those pit stops worth making and are excited that 9. SITD The house lights will dim immediately before the you are going to stop by for a show. To help you get the performance begins and then go dark. Fight off that oh-so- most bang for your buck, we have put together immature urge to whisper, giggle like a grade schooler, or WU? @ THE REP—an IM guide that will give you yell at this time and during any other blackouts in the show. everything you need to know to get at the top of your 8. SED Before the performance begins, turn off all cell theatergoing game—fast. You’ll find character descriptions phones, pagers, beepers and watch alarms. If you need to (A/S/L), a plot summary (FYI), biographical information text, talk, or dial back during intermission, please make sure on the playwright (F2F), historical context (B4U), and to click off before the show resumes.
    [Show full text]
  • Hamlet and Saint Joan
    FOR IMMEDIATE RELEASE Contact: Ami Bennitt 617.797.8267, [email protected] ARTSEMERSON WELCOMES BEDLAM’S HAMLET AND SAINT JOAN IN REPERTORY | MARCH 7-25, 2018 EMERSON CUTLER MAJESTIC THEATRE, BOSTON ------------ ON-STAGE SEATS JUST ADDED -- TICKETS ON SALE NOW ------------ The Press Performance for Hamlet is Thursday, March 8, 2018 at 7:30pm The Press Performance for Saint Joan is Saturday, March 10, at 2:00pm email [email protected] for tickets, more information, images, and select interviews [Boston, MA—February 2, 2018] ArtsEmerson, Boston’s leading presenter of contemporary world theatre, proudly welcomes New York’s Bedlam for Hamlet and Saint Joan in repertory. The two productions feature a brand new cast of 4 actors, playing a total of 49 characters for two riveting, stripped down, stagings, both directed by Bedlam founder Eric Tucker. The productions run three weeks, March 7 through 25, 2018 at the Emerson Cutler Majestic Theatre, located at 219 Tremont Street in Downtown Boston. Tickets range from $20-80, and may be purchased online at www.ArtsEmerson.org, by phone at 617.824.8400, or in person at the box office. Student, senior and group discounts are available. Bedlam’s Hamlet. About Hamlet Prince Hamlet is depressed. Having been summoned home to Denmark to attend his father’s funeral, he is shocked to find his mother already remarried — to his father’s brother, Claudius. Worse still, Claudius has had himself crowned king despite the fact that Hamlet is heir to the throne. No wonder Hamlet suspects foul play. Bedlam brings their unique performance style to Shakespeare’s greatest play — arguably the greatest play in the English language — and four actors perform all 25 roles! Click here to 1 view the video trailer: https://youtu.be/A-sDIBflIFI.
    [Show full text]
  • July 11, 2021 15Th Sunday in Ordinary Time
    July 11, 2021 15th Sunday in Ordinary Time Welcome to St. Joan of Arc Church Parish Staff: Very Rev. Joseph L. Newton, JCL Pastor Ext. 1118 [email protected] Molly Ellsworth Business Manager Ext 1110 [email protected] Janet Andriole Principal Ext. 1114 [email protected] Robyn Baker Early Learning Director [email protected] Audrey Brown Bookkeeper [email protected] Joseph Burrows Director of Music Ext. 1121 [email protected] Martha Horvath Parish Secretary Ext. 1112 [email protected] Kyle Murphy Pastoral Associate Ext. 1124 [email protected] Melinda Rivelli Pastoral Associate Ext. 1116 [email protected] SJOA Website www.sjoa.org Mass Schedule Monday, Tuesday , Thursday 8:00 AM Wednesday & Friday 5:30 PM Saturday 5:30 PM Sunday 8:30 & 10:30 AM, 5:30 PM SJOA Parish Office SJOA School Office SJOA Early Learning Center AYS Office 4217 North Central Avenue 500 East 42nd Street 4186 Broadway St 500 East 42nd Street Indianapolis, IN 46205-1896 Indianapolis, IN 46205-1897 Indianapolis, IN 46205-2733 Indianapolis, IN 46205-1897 P: 317.283.5508 P: 317.283.1518 P: 317.644.2700 P: 317.283.6710 F: 317-283-5511 F: 317-931-3380 F: 317.931.3380 Introduction from Fr. Newton Greetings in the Lord! As we prepare to celebrate our Centennial next week, it is an honor and a privilege to be named your new Pastor. Ever since my first assignment at Saint Luke’s in 2008, the parish of Saint Joan of Arc has always had special meaning to me. As the mother Church of the North Deanery, and the daughter Church of the Cathedral of Saints Peter and Paul, as well as being the most beautiful Church in the city, Saint Joan of Arc and the history of the Archdiocese are entwined.
    [Show full text]
  • Theater Bernard Shaw John Bull's Other London's Alan Strachman, TRS Caedmon 4 VG+ Island Mermaid Dir
    The Theatre Bernard Shaw Misalliance London's Alan Strachan, TRS Caedmon 3 VG+ Mermaid dir. 365 Discs Theater Bernard Shaw John Bull's Other London's Alan Strachman, TRS Caedmon 4 VG+ Island Mermaid dir. 346 Discs Theater Bernard Shaw Pygmalion US Production Peter Wood, dir. TRS Caedmon 3 VG/ 354 Discs VG+ Bernard Shaw Major Barbara National Theater Howard Sackler, TRS Caedmon 4 VG+ (London) dir. 319 Discs Bernard Shaw Heartbreak House Niagra-On-The- Val Gielgud, dir. TRS Caedmon 3 VG+ Lake (Canada) 335 Dics Bernard Shaw Saint Joan Cambridge Albert Marre, dir. LOC RCA Victor 3 VG+ Drama Festival 6133 Discs Bernard Shaw Saint Joan The Theater Howard Sackler, TRS Caedmon 3 VG+ Recording dir. 311 Discs Society Eugene Dramatic Readings Amanda Frances Lloyd Richards, OL Columbia 1 VG+ O'Neill From Eugene O'Neill production dir. 5900 Disc Eugene Mourning Becomes The American Michael Kahn, TRS Caedmon 4 VG+ O'Neill Electra Shakespeare dir. 345 Discs Festival Theater Eugene More Stately Center Theater Jose Quintero, dir. TRS Caedmon 3 VG+ O'Neill Mansions Group 331 Discs Eugene Long Day's Journey Edgar Lansbury Arvin Brown, dir. TRS Caedmon 4 VG+ O'Neill Into Night production 350 Discs Eugene The Iceman Cometh The American John TRS Caedmon 5 VG+ O'Neill Film Theater Frankenheimer, 359 Discs dir. Arthur Miller An Enemy Of The The Repertory Jules Irving, dir. TRS Caedmon 3 VG+ People Theater Of 349 Discs Lincoln Center Arthur Miller The Crucible The Repertory Jules Irving, dir. TRS Caedmon 4 VG+ Theater Of 356 Discs Lincoln Center Hal Holbrook Mark Twain Tonight New York Hal Holbrook, dir.
    [Show full text]
  • Saint Joan by Bernard Shaw
    Education Saint Joan by Bernard Shaw Travelex £10 Tickets Background pack Contents The production and synopsis 2 Interview: Anne-Marie Duff (Joan) 7 Interview: Marianne Elliott (Director) 9 The visual language 11 Company interviews: Paul Ready 13 Simon Bubb 14 Polly Lister 15 Further production details: This workpack is published by Director NT Education Workpack contributors nationaltheatre.org.uk and copyright The Royal Marianne Elliott National Theatre Lyn Haill National Theatre Board South Bank Kate Varney Reg. No. 1247285 London SE1 9PX Editor T 020 7452 3388 Registered Charity No. Emma Gosden 224223 F 020 7452 3380 E educationenquiries@ Design Views expressed in this nationaltheatre.org.uk Patrick Eley workpack are not necessarily Lisa Johnson those of the National Theatre The production and synopsis IN ORDER OF SPEAKING SYNOPSIS Robert de Baudricourt BRENDAN O’HEA Stewards and Pages LUKE TREADAWAY Scene 1: The castle of Vaucouleurs, France, Joan ANNE-MARIE DUFF February 1429 Bertrand de Poulengey ROSS WAITON Captain ROBERT DE BAUDRICOURT is storming at his STEWARD because there are Duke de la Tremouille, the Lord Chamberlain no eggs and no milk; the Steward claims they JAMES BARRISCALE are bewitched, until Robert agrees to see The JAMES HAYES The Archbishop of Rheims Maid who is waiting outside. Robert insists she Gilles de Rais (Bluebeard) GARETH should be sent back to her father in Lorraine, KENNERLEY but it seems the girl will not go. “She really Captain La Hire FINN CALDWELL doesn’t seem to be afraid of anything”. When Charles, The Dauphin PAUL READY he reluctantly agrees to talk to her, JOAN tells Dunois, bastard son of the Duke of Orleans Robert that he is to give her a horse, armour CHRISTOPHER COLQUHOUN and some soldiers: “Those are your orders Richard, Earl of Warwick ANGUS WRIGHT from my Lord”.
    [Show full text]
  • Joan: a Play with Broken Songs Colton James Neidhardt Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2015 Joan: A Play With Broken Songs Colton James Neidhardt Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Neidhardt, Colton James, "Joan: A Play With Broken Songs" (2015). LSU Master's Theses. 3896. https://digitalcommons.lsu.edu/gradschool_theses/3896 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. JOAN: A PLAY WITH BROKEN SONGS A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Colton Neidhardt M.A., University of Nebraska- Omaha, 2012 B.A., Chadron State College, 2010 May 2015 TABLE OF CONTENTS ABSTRACT……………………………………………………………………….iii CHAPTER 1 INTRODUCTION…………………………………………………………1 2 RESEARCHING JOAN…………………………………………………..4 3 THE MUSIC……………………………………………………………..13 4 REHEARSALS / PERFORMANCE…………………………………….17 5 CONCLUSION…………………………………………………………..22 6 JOAN: A PLAY WITH BROKEN SONGS…….………………………..26 BIBLIOGRAPHY……………………………………………………………..….44 VITA………………………………………………………………………………45 ii ABSTRACT This thesis details the writing process, rehearsals and performance of the author‘s devised play, Joan: A Play With Broken Songs. The play aims to reimagine events occurring the evening before the death of French folk hero and Catholic Saint, Joan of Arc.
    [Show full text]
  • SAINT JOAN by George Bernard Shaw Directed by Paul Mason Barnes
    2008—2009 SEASON SAINT JOAN by George Bernard Shaw Directed by Paul Mason Barnes CONTENTS 2 The 411 3 A/S/L & RMAI 4 FYI 5 HTH 6 F2F 8 B4U 9 RBTL 10 IRL 12 SWDYT? Major Sponsor: MISSOURI ARTS COUNCIL At The Rep, we know MIHYAP: Top Ten Ways to that life moves Stay Connected at The Rep fast—okay, really 10. TBA Ushers will seat your school or class as a group, fast. But we also so even if you are dying to mingle with the group from the know that some all girls school that just walked in the door, stick with your things are worth friends until you have been shown your section in the theatre. slowing down for. We believe that live theatre is one of those pit stops worth making and are excited that you 9. SITD The house lights will dim immediately before the performance begins and then go dark. Fight off that oh-so- are going to stop by for a show. To help you get the most immature urge to whisper, giggle like a grade schooler or yell bang for your buck, we have put together WU? @ THE at this time and during any other blackouts in the show. REP—an IM guide that will give you everything you need to know to get at the top of your theatergoing game—fast. 8. SED Before the performance begins, turn off all cell You’ll find character descriptions (A/S/L), a plot summary phones, pagers, beepers and watch alarms. If you need to (FYI), biographical information on the playwright (F2F), text, talk or dial back during intermission, please make sure historical context (B4U), and other bits and pieces (HTH).
    [Show full text]
  • A Chronology of Works by and About Bernard Shaw
    A Chronology of Works By and About Bernard Shaw CONTENTS A. Shaw’s Novels, Plays and Commentary 2 B. Shaw’s Reviews and Criticism 5 C. Shaw’s Collected Writings and Letters 5 D. Biographies and Biographical Studies 8 E. Critical Works: Monographs and Essay Collections 10 F. Online Monographs 15 G. Translated Monographs 15 H. Foreign-Language Monographs 16 I. Scholarly Editions of Shaw’s Plays 18 J. Reference Works 19 K. Bibliographies 19 L. Websites 20 M. Miscellanea 21 compiled by Michel Pharand last updated 1 January 2021 2 A. Shaw’s Novels, Plays and Commentary First date: year(s) written Second date: year of first performance Third date(s): year(s) of publication [in brackets] 1878 My Dear Dorothea: A Practical System of Moral Education for Females Embodied in a Letter to a Young Person of that Sex (ed. S. Winsten) [1906; 1956] 1878 Passion Play (fragment) [1971] 1879 Immaturity (novel) [1930] 1880 The Irrational Knot (novel) [ser. 1885-7; 1905] 1881 Love Among the Artists (novel) [ser. 1887-8; 1900] 1882 Cashel Byron’s Profession (novel) [ser. 1885-6; 1886; rev 1889, 1901] 1883 An Unsocial Socialist (novel) [ser. 1884; 1887] 1884 Un Petit Drame (playlet) [1959] 1884/92 Widowers’ Houses 1893 [1893; rev. 1898] 1887-88 An Unfinished Novel (novel fragment) [1958] 1889 Fabian Essays in Socialism (ed. Shaw) [1889; rev. 1908, 1931, 1948] 1890 Ibsen Lecture before the Fabian Society [1970] 1891 The Quintessence of Ibsenism (criticism) [1891; rev. 1913] 1893 The Philanderer 1905 [1898] 1893 Mrs Warren’s Profession 1902 [1898; rev. 1930] 1893-94 Arms and The Man 1894 [1898; rev.
    [Show full text]
  • Bedlam: Hamlet + Saint Joan Apr 5 - 15
    BEDLAM: HAMLET + SAINT JOAN APR 5 - 15 Directed by Eric Tucker © C. King Photography © C. King Theater at The Broad Stage made possible in part by generous gifts from Bill & Laurie Benenson and Susan Stockel. Run time for each work: 3 hours including two intermissions. Saint Joan is presented by special arrangement with SAMUEL FRENCH, INC. The Actors and Stage Manager employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Very Special Thanks to Carolyn Elliott, Eric Bloom, Jane Deknatel, Ernest Figueroa and the amazing staff at Broad Stage. 16 MAR/APR 2018 HAMLET by William Shakespeare SAINT JOAN by George Bernard Shaw Directed by Eric Tucker Set Design by John McDermott Lighting Design by Les Dickert Costume/Sound Design by Eric Tucker Fight Direction by Trampas Thompson Production Management by Juliana Beecher Stage Management by Caroline Englander Associate Set Designer, Clifton Chadick US premiere tour produced in association with ArKtype / Thomas O. Kriegsmann ENSEMBLE Actor 1 Actor 2 Aubie Merrylees Aundria Brown Hamlet in Hamlet Gertrude/Ophelia and others in Hamlet Dunois/Warwick and others in Saint Joan Joan in Saint Joan Actor 3 Actor 4 Kahlil Garcia Sam Massaro Polonius/Horatio and others in Hamlet Claudius/Rosencrantz and others in Hamlet Dauphin/John de Stogumber and others Cauchon/Poulengey and others in Saint Joan in Saint Joan MAR/APR 2018 VISIT THEBROADSTAGE.ORG 17 BIO AUBIE MERRYLEES (Actor #1) Regional credits include Hand to God (Philadelphia AUNDRIA BROWN (Actor #2) Regional: Theatre Company), Caucasian Chalk Actions & Objectives (Triad Stage) Crumbs Circle (Yale Rep), Stupid Fucking Bird, and from the Table of Joy (Martha’s Vineyard Rachel Bonds’ At the Old Place (Arden Playhouse).
    [Show full text]