School Board: Are You Batman's Robin -‐Or-‐ Superman's Kryptonite?
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Alan Moore's Miracleman: Harbinger of the Modern Age of Comics
Alan Moore’s Miracleman: Harbinger of the Modern Age of Comics Jeremy Larance Introduction On May 26, 2014, Marvel Comics ran a full-page advertisement in the New York Times for Alan Moore’s Miracleman, Book One: A Dream of Flying, calling the work “the series that redefined comics… in print for the first time in over 20 years.” Such an ad, particularly one of this size, is a rare move for the comic book industry in general but one especially rare for a graphic novel consisting primarily of just four comic books originally published over thirty years before- hand. Of course, it helps that the series’ author is a profitable lumi- nary such as Moore, but the advertisement inexplicably makes no reference to Moore at all. Instead, Marvel uses a blurb from Time to establish the reputation of its “new” re-release: “A must-read for scholars of the genre, and of the comic book medium as a whole.” That line came from an article written by Graeme McMillan, but it is worth noting that McMillan’s full quote from the original article begins with a specific reference to Moore: “[Miracleman] represents, thanks to an erratic publishing schedule that both predated and fol- lowed Moore’s own Watchmen, Moore’s simultaneous first and last words on ‘realism’ in superhero comics—something that makes it a must-read for scholars of the genre, and of the comic book medium as a whole.” Marvel’s excerpt, in other words, leaves out the very thing that McMillan claims is the most important aspect of Miracle- man’s critical reputation as a “missing link” in the study of Moore’s influence on the superhero genre and on the “medium as a whole.” To be fair to Marvel, for reasons that will be explained below, Moore refused to have his name associated with the Miracleman reprints, so the company was legally obligated to leave his name off of all advertisements. -
Superman Or Batman Cakes
2105-8507SMnBatWebIs50530.qxd 7/12/05 11:42 AM Page 1 Instructions for To Decorate Superman Cake To make the Superman cake in the colors shown you will need Wilton Baking & Decorating Icing Colors in Royal Blue, Christmas Red, Copper (skin tone), and Lemon Yellow, tips 3, 16 and 18. We suggest that you tint all icing at Superman or Batman one time while cake cools. Refrigerate tinted icings in covered containers until ready to use. Cakes Make 3 cups buttercream icing: 1 PLEASE READ THROUGH INSTRUCTIONS BEFORE YOU BEGIN. • Tint 1 ⁄2 cups blue 3 IN ADDITION, to decorate cakes you will need: • Tint ⁄4 cup red • Tint 1⁄4 cup copper (skin tone) • Wilton Decorating Bag and Coupler or • Tint 1⁄4 cup yellow parchment paper triangles • Reserve 1⁄4 cup white • Tips 3, 16, and 18 • Wilton Icing Colors in Royal Blue, WITH RED ICING WITH YELLOW ICING • Use tip 3 and “To Outline” • Use tip 16 and “To Make Stars” Christmas Red, Copper (skin tone), directions to outline details on cape directions to cover belt Lemon Yellow and Black • Use tip 18 and “To Make Stars” • Use tip 16 and “To Make Stars” • Serving plate directions to cover cape directions to squeeze out a second • One 2-layer cake mix or ingredients for layer of stars in a circle to give the your favorite layer cake recipe WITH BLUE ICING appearance of a belt buckle • 3 cups buttercream icing (recipe) or • Use tip 3 and “To Outline” directions to outline details on suit WITH RED ICING 2 packages of creamy vanilla type • Use tip 16 and “To Make Stars” frosting mix (15.4 oz. -
A Chilling Look Back at Jeph Loeb and Tim Sale's
Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch . -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Download the Full Dc Future State Checklist!
Store info: FILL OUT THIS INTERACTIVE CHECKLIST AND RETURN TO YOUR RETAILER TO MAKE SURE YOU DON’T MISS AN ISSUE OF DC: FUTURE STATE! (Tuesday availability at participating stores) DC: FUTURE STATE TITLES DC: FUTURE STATE TITLES COMING JANUARY 2021 COMING FEBRUARY AND MARCH 2021 M V M = Main V = Variant M V M = Main V = Variant Check with your retailer for variant cover details. Check with your retailer for variant cover details. Available Tuesday, January 5, 2021 Available Tuesday, February 2, 2021 _ _ Future State: The Next Batman #1 (of 4) _ _ Future State: The Next Batman #3 (of 4) _ _ Future State: The Flash #1 (of 2) _ _ Future State: The Flash #2 (of 2) _ _ Future State: Harley Quinn #1 (of 2) _ _ Future State: Harley Quinn #2 (of 2) _ _ Future State: Superman of Metropolis #1 (of 2) _ _ Future State: Superman of Metropolis #2 (of 2) _ _ Future State: Swamp Thing #1 (of 2) _ _ Future State: Swamp Thing #2 (of 2) _ _ Future State: Wonder Woman #1 (of 2) _ _ Future State: Wonder Woman #2 (of 2) Available Tuesday, January 12, 2021 Available Tuesday, February 9, 2021 _ _ Future State: Dark Detective #1 (of 4) _ _ Future State: Dark Detective #3 (of 4) _ _ Future State: Green Lantern #1 (of 2) _ _ Future State: Green Lantern #2 (of 2) _ _ Future State: Justice League #1 (of 2) _ _ Future State: Justice League #2 (of 2) _ _ Future State: Kara Zor-El, Superwoman #1 (of 2) _ _ Future State: Kara Zor-El, Superwoman #2 (of 2) _ _ Future State: Robin Eternal #1 (of 2) _ _ Future State: Robin Eternal #2 (of 2) _ _ Future State: Superman/Wonder -
Superman: What Makes Him So Iconic?
SUPERMAN: WHAT MAKES HIM SO ICONIC? Superman: What makes him so Iconic? Myriam Demers-Olivier George Brown College © 2009, Myriam Demers-Olivier SUPERMAN: WHAT MAKES HIM SO ICONIC? Introduction “Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound. Look! Up in the sky! It’s a bird, it’s a plane, it’s Superman! “ (Daniels, 1998, p. 1-7). Some people might not recognize the reference to early radio shows and cartoons, but most people will recognize the name Superman. Superman has become such an amazing cultural icon, that almost everyone knows his name, and often his weakness, his powers, the colors of his suit and the name of his arch nemesis. It’s part of common knowledge and everyone has been exposed to him at some time or another. Since the creation of Superman in 1938, comic book research and literary studies have come along way. These allows us to more deeply analyze and understand, as well as unravel the deeper signified meanings associated with the iconic Superman (Wandtke, 2007, p. 25). He is seen as a superhero, but also upholds “truth, justice and the American way” (Watt-Evans, 2006, p. 1). Some see him as Christ-like or Jewish, and even as a fascist. He fulfills some of our needs from the Maslow’s hierarchy of needs, and also expresses different messages depending on the medium in which he is portrayed. There is no end to the Superman merchandise, but Superman as an icon, can change a person. -
All Batman References in Teen Titans
All Batman References In Teen Titans Wingless Judd boo that rubrics breezed ecstatically and swerve slickly. Inconsiderably antirust, Buck sequinedmodernized enough? ruffe and isled personalties. Commie and outlined Bartie civilises: which Winfred is Behind Batman Superman Wonder upon The Flash Teen Titans Green. 7 Reasons Why Teen Titans Go Has Failed Page 7. Use of teen titans in batman all references, rather fitting continuation, red sun gauntlet, and most of breaching high building? With time throw out with Justice League will wrap all if its members and their powers like arrest before. Worlds apart label the bleak portentousness of Batman v. Batman Joker Justice League Wonder whirl Dark Nights Death Metal 7 Justice. 1 Cars 3 Driven to Win 4 Trivia 5 Gallery 6 References 7 External links Jackson Storm is lean sleek. Wait What Happened in his Post-Credits Scene of Teen Titans Go knowing the Movies. Of Batman's television legacy in turn opinion with very due respect to halt late Adam West. To theorize that come show acts as a prequel to Batman The Animated Series. Bonus points for the empire with Wally having all sorts of music-esteembody image. If children put Dick Grayson Jason Todd and Tim Drake in inner room today at their. DUELA DENT duela dent batwoman 0 Duela Dent ideas. Television The 10 Best Batman-Related DC TV Shows Ranked. Say is famous I'm Batman line while he proceeds to make references. Spoilers Ahead for sound you missed in Teen Titans Go. The ones you essential is mainly a reference to Vicki Vale and Selina Kyle Bruce's then-current. -
30Th ANNIVERSARY 30Th ANNIVERSARY
July 2019 No.113 COMICS’ BRONZE AGE AND BEYOND! $8.95 ™ Movie 30th ANNIVERSARY ISSUE 7 with special guests MICHAEL USLAN • 7 7 3 SAM HAMM • BILLY DEE WILLIAMS 0 0 8 5 6 1989: DC Comics’ Year of the Bat • DENNY O’NEIL & JERRY ORDWAY’s Batman Adaptation • 2 8 MINDY NEWELL’s Catwoman • GRANT MORRISON & DAVE McKEAN’s Arkham Asylum • 1 Batman TM & © DC Comics. All Rights Reserved. JOEY CAVALIERI & JOE STATON’S Huntress • MAX ALLAN COLLINS’ Batman Newspaper Strip Volume 1, Number 113 July 2019 EDITOR-IN-CHIEF Comics’ Bronze Age and Beyond! Michael Eury TM PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST José Luis García-López COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek IN MEMORIAM: Norm Breyfogle . 2 SPECIAL THANKS BACK SEAT DRIVER: Editorial by Michael Eury . 3 Karen Berger Arthur Nowrot Keith Birdsong Dennis O’Neil OFF MY CHEST: Guest column by Michael Uslan . 4 Brian Bolland Jerry Ordway It’s the 40th anniversary of the Batman movie that’s turning 30?? Dr. Uslan explains Marc Buxton Jon Pinto Greg Carpenter Janina Scarlet INTERVIEW: Michael Uslan, The Boy Who Loved Batman . 6 Dewey Cassell Jim Starlin A look back at Batman’s path to a multiplex near you Michał Chudolinski Joe Staton Max Allan Collins Joe Stuber INTERVIEW: Sam Hamm, The Man Who Made Bruce Wayne Sane . 11 DC Comics John Trumbull A candid conversation with the Batman screenwriter-turned-comic scribe Kevin Dooley Michael Uslan Mike Gold Warner Bros. INTERVIEW: Billy Dee Williams, The Man Who Would be Two-Face . -
Arthur Suydam: “Heroes Are What We Aspire to Be”
Ro yThomas’’ BXa-Ttrta ilor od usinary Comiics Fanziine DARK NIGHTS & STEEL $6.95 IN THE GOLDEN & SILVER AGES In the USA No. 59 June 2006 SUYDAM • ADAMS • MOLDOFF SIEGEL • PLASTINO PLUS: MANNING • MATERA & MORE!!! Batman TM & ©2006 DC Comics Vol. 3, No. 59 / June 2006 ™ Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Contents Ronn Foss, Biljo White, Mike Friedrich Writer/Editorial: Dark Nights & Steel . 2 Production Assistant Arthur Suydam: “Heroes Are What We Aspire To Be” . 3 Eric Nolen-Weathington Interview with the artist of Cholly and Flytrap and Marvel Zombies covers, by Renee Witterstaetter. Cover Painting “Maybe I Was Just Loyal” . 14 Arthur Suydam 1950s/60s Batman artist Shelly Moldoff tells Shel Dorf about Bob Kane & other phenomena. And Special Thanks to: “My Attitude Was, They’re Not Bosses, They’re Editors” . 25 Neal Adams Richard Martines Golden/Silver Age Superman artist Al Plastino talks to Jim Kealy & Eddy Zeno about his long Heidi Amash Fran Matera and illustrious career. Michael Ambrose Sheldon Moldoff Bill Bailey Frank Motler Jerry Siegel’s European Comics! . 36 Tim Barnes Brian K. Morris When Superman’s co-creator fought for truth, justice, and the European way—by Alberto Becattini. Dennis Beaulieu Karl Nelson Alberto Becattini Jerry Ordway “If You Can’t Improve Something 200%, Then Go With The Thing John Benson Jake Oster That You Have” . 40 Dominic Bongo Joe Petrilak Modern legend Neal Adams on the late 1960s at DC Comics. -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
{Dоwnlоаd/Rеаd PDF Bооk} Huntress Kindle
HUNTRESS PDF, EPUB, EBOOK Malinda Lo | 384 pages | 05 May 2011 | Little, Brown Book Group | 9781907411090 | English | London, United Kingdom Huntress PDF Book In Lego Batman 2: DC Super Heroes , Huntress is an unlockable character in free play mode and can be found by constructing a Gold Brick archway after collecting the requisite number of gold bricks on the roof of a building in the south east of the top island on the map, south east of the encounter with Ra's al Ghul. In this iteration of the character, she was kidnapped as a child aged 6 and raped by a rival mafia don purely to psychologically torture her father and is a withdrawn girl. After she witnesses the mob-ordered murder of her parents at the age of 19, she crusades to put an end to the Mafia. Arkham Knight. Bruce Wayne. She helps him to take down the enemies including Lyle Bolton and back Felicity. Fictional character. Gardner Fox. Dinah Drake Dinah Laurel Lance. Jones V-Man Wonder Man. During the League's restructuring following the Rock of Ages crisis, Batman sponsors Huntress' membership in the Justice League , [6] hoping that the influence of other heroes will mellow the Huntress, and for some time, Huntress is a respected member of the League. Members Only Merchandise Grow your collection with a wide range of exclusive merchandise—including the all-new Justice League Animated Series action figures —available in our members only store. Batgirl and the Birds of Prey. The stadiums may be empty, but believe it or not, the MLB playoffs have arrived. -
Wonder Woman by John Byrne Vol. 1 1St Edition Kindle
WONDER WOMAN BY JOHN BYRNE VOL. 1 1ST EDITION PDF, EPUB, EBOOK John Byrne | 9781401270841 | | | | | Wonder Woman by John Byrne Vol. 1 1st edition PDF Book Diana met the spirit of Steve Trevor's mother, Diana Trevor, who was clad in armor identical to her own. In the s, one of the most celebrated creators in comics history—the legendary John Byrne—had one of the greatest runs of all time on the Amazon Warrior! But man, they sure were not good. Jul 08, Matt Piechocinski rated it really liked it Shelves: graphic-novels. DC Comics. Mark Richards rated it really liked it Mar 29, Just as terrifying, Wonder Woman learns of a deeper connection between the New Gods of Apokolips and New Genesis and those of her homeland of Themyscira. Superman: Kryptonite Nevermore. Enabling JavaScript in your browser will allow you to experience all the features of our site. There's no telling who will get a big thrill out of tossing Batman and Robin Eternal. This story will appear as an insert in DC Comics Presents A lot of that is probably due to a general dislike for the 90s style of drawing superheroes, including the billowing hair that grows longer or shorter, depending on how much room there is in the frame. Later, she rebinds them and displays them on a platter. Animal Farm. Azzarello and Chiang hand over the keys to the Amazonian demigod's world to the just-announced husband-and-wife team of artist David Finch and writer Meredith Finch. Jun 10, Jerry rated it liked it.