Salvation—Sons of God
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Translation Review Number Sixty-Six • 2003
Translation Review Number Sixty-Six • 2003 The University of Texas at Dallas TRANSLATION REVIEW No. 66, 2003 TABLE OF CONTENTS Interview with Breon Mitchell and Uwe Timm: Collaboration Between Translator and Author . .1 Rainer Schulte Not Getting it Right . .8 David Ferry From Dean to Deantrepreneur: The Academic Administrator as Translator . .14 Abby Kratz and Dennis Kratz Translating Diversity: The Distinct and Variegated Voice of Clifford Geertz . .20 Gregory Conti Sad Tropics, or Tristes Tropiques? . .27 Liane Gutman Renditions: 30 Years of Bringing Chinese Literature to English Readers . .30 Audrey Heijns Whispered Urgency: Translating Sound and Momentum in . .34 Raffaello Baldini’s “E’ Malan” Adria Bernardi On the Cathay Tour with Eliot Weinberger’s New Directions Anthology of Classical Chinese Poetry . .39 Steve Bradbury Method or Maestri: Two Approaches to (Teaching) Translation . .53 Gregory Conti Translating India: Enabling Tamil and Sanskrit Poems to be Heard in English . .58 R. Parthasarathy The Mexican Poet Homero Aridjis . .69 Rainer Schulte BOOK REVIEW The Return of the River by Roberto Sosa, tr Jo Anne Engelbert . .72 Steven F. White, Reviewer Translation Review 1 INTERVIEW WITH BREON MITCHELL AND UWE TIMM: COLLABORATION BETWEEN TRANSLATOR AND AUTHOR [An interview conducted with the German novelist Uwe Timm and his translator Breon Mitchell at Indiana University, May 2003] By Rainer Schulte RS: Breon, how did you develop your relationship with also took a fictional approach to the material. It was pre- Uwe Timm while you were working on the translation of cisely the combination of fact and fiction that interested his novel Morenga? me. The novel is about a rebellion in the former German colony of South West Africa between 1904 and 1907, BM: The first thing I think of when I translate is what when Germany was a colonial power, when the Hereros sort of questions I can ask that would be meaningful and and the Hottentots rose up against the Germans. -
JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history. -
1 Crèdits | Créditos | Credits
Hiro (2003), Pierre Gonnord Hiro (2003), Pierre Gonnord www.asianfilmfestival.barcelona 1 CRÈDITS | CRÉDITOS | CREDITS DIRECCIÓ | DIRECCIÓN | DIRECTION Menene Gras Balaguer PROGRAMACIÓ I PRODUCCIÓ | PROGRAMACIÓN I PRODUCCIÓN | PROGRAMING AND PRODUCTION Menene Gras Balaguer | Rodrigo Escamilla Sandoval COORDINACIÓ GENERAL | COORDINACIÓN GENERAL | GENERAL COORDINATION Rodrigo Escamilla Sandoval COORDINACIÓ TÈCNICA | COORDINACIÓN TÉCNICA | TECHNICAL COORDINATION Sandra Mur Puyuelo ASSISTENT DE COORDINACIÓ | ASISTENTE DE COORDINACIÓN | COORDINATOR ASSISTANT Cristina Grau Gómez | Jorge Ramón Gómez Cordero | Juan Manuel Rodríguez Pérez | Cristina De la Rosa Díaz | Eva Silvestre Riera | Sara Sevilla Segura | Pamela Taveras Pérez DIRECCIÓ CINEMES GIRONA | DIRECCIÓN CINEMES GIRONA | CINEMES GIRONA DIRECTION Toni Espinosa ASSISTÈNCIA TÈCNICA | ASISTENCIA TÉCNICA | TECHNICAL ASSISTANCE Giulliana Burneo TRADUCCIÓ I SUBTÍTOLS | TRADUCCIÓN Y SUBTÍTULOS | TRANSLATION AND SUBTITLES 36 Caracteres Esteban Andueza | Sandra Mur Puyuelo | Teresa Vidaurre | Mercè Blasco | Esther Arias Valor | James Burke | Victoria Morales | Gesara Sert DISSENY I MAQUETACIÓ DEL CATÀLEG | DISEÑO Y MAQUETACIÓN DEL CATÁLOGO | CATALOGUE DESIGN AND LAYOUT Pamela Taveras Pérez COMUNICACIÓ | COMUNICACIÓN | COMMUNICATION Departament de Comunicació de Casa Àsia | Departamento de Comunicación de Casa Asia | Casa Asia Communication Department PÀGINA WEB DEL FESTIVAL | PÁGINA WEB DEL FESTIVAL | FESTIVAL WEBSITE www.asianfilmfestival.barcelona SÖMI Graphic Studio (www.somistudio.com) GESTIÓ -
Contemporary Japanese Literature in the Japan Foundation Toronto Library
Contemporary Japanese Literature in The Japan Foundation Toronto Library * In alphabetical order by author and title. Exceptions include same titles in different languages **【 JLJL 】stand for “Japanese Literature for Japanese Learners” Authors A-D Author Title Language Local Call Number 阿部 和重 Deluxe edition [jpn] 895.636 A23 D44 2013 阿部 和重 グランド・フィナーレ = Grand finale [jpn] 895.636 A23 G87 2005 阿部 和重 キャプテンサンダーボルト [jpn] 895.636 A23 K92 2014 阿部 和重 ピストルズ [jpn] 895.636 A23 P57 2010 Abe, Kazushige Projection priveé [fre] 895.636 A23 P75 2000 阿部 和重 IP/NN : 阿部和重傑作集 = Individual Projection Nipponia Nippon [jpn] 895.636 A23 I66 2011 阿部 和重 しかく [jpn] 895.636 A23 S54 2013 Abe, Kazushige Sin semillas : roman [fre] 895.636 A23 S56 2013 阿部 和重 シンセミア : 上・下 = Sin semillas [jpn] 895.636 A23 S54 2013 Abe, Kobo L'arche en toc : roman [fre] 895.635 A23 A72 1987 Abe, Kobo Beyond the curve [eng] 895.635 A23 B49 1991 Abe, Kobo The box man [eng] 895.635 A23 B69 1990 Abe, Kobo Cahier kangourou : roman [fre] 895.635 A23 C33 1995 Abe, Kobo The face of another [eng] 895.635 A23 F32 1992 Abe, Kobo Inter ice age 4 [eng] 895.635 A23 I57 1989 安部 公房 壁 [jpn] 895.635 A23 K32 1969 Abe, Kobo Kangaroo notebook : a novel [eng] 895.635 A23 K36 1996 Abe, Kobo Mort anonyme [fre] 895.635 A23 M67 1994 Abe, Kobo The ruined map [eng] 895.635 A23 R84 1993 Abe, Kobo Secret rendezvous [eng] 895.635 A23 S42 1993 Abe, Kobo The woman in the dunes [eng] 895.635 A23 W65 1991 安部 龍太郎 等伯 : 上・下 [jpn] 895.635 A23 2012 Agawa, Hiroyuki Citadel in spring : a novel of youth spent at war [eng] 895.635 -
Harga Sewaktu Wak Jadi Sebelum
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The Practices of Japan's Cultural Diplomacy
THE PRACTICES OF JAPAN’S CULTURAL DIPLOMACY THROUGH THE JAPAN FOUNDATION IN PROMOTING JAPANESE MOVIES IN INDONESIA (2013-2016) By ANDINI YULINDASARI 016201300011 A thesis presented to the Faculty of Humanities, International Relations Study Program President University In partial fulfilment of the requirements for Bachelor Degree in International Relations Major in Diplomacy Studies January 2019 THESIS ADVISER RECOMMENDATION LETTER i DECLARATION OF ORIGINALITY ii PANEL OF EXAMINER APPROVAL SHEET iii ABSTRACT Andini Yulindasari, (016201300011), The Practices of Japan’s Cultural Diplomacy through The Japan Foundation in Promoting Japanese Movies in Indonesia (2013-2016) Advisors: Drs. Teuku Rezasyah, M.A., Ph.D. Practices in diplomacy has been shifting as globalization pushes further the importance of establishing relations between states and its people. This also influence the methods and approaches that are being used by state actors in planning its foreign policy. Most state actors nowadays, if not all, have been actively pursuing its national interest with any means necessary. For Japan, correcting its image it gained from the World War II one of the most important national interests for them as stated in Article 9 of the Constitution of Japan paragraph 1 and 2. One of its ways in order to restore its image into a peace-loving democratic state is to design and plan its public and cultural diplomacy as Japan is rich with cultures both traditional and modern. One of Japan’s institutions that plays an active part in cultural diplomacy is the Japan Foundation. There has been many activities, projects, and programs that the institution has done over the years. -
Kinotayo 2013 — Section Classique — Retour Sur Le Film De
ittle Girl in Me” Film Partners L 2012 “The © nc. I pache A Film Partners © 2013 “The Great Passage” Film Partners Passage” 2013 “The © Great IES © 2012 L AN AN P JA 8e 3 > 21 © 2012 ÉDITION DÉCEMBRE 2013 第八回 JANVIER 2014 EN RÉGIONS Programme : 22 films dont 7 en compétition Rencontres avec trois réalisateurs FEstivaL Hommage à Yasujiro Ozu : 現 DU FILM JAPonais ses chefs-d’œuvre en couleurs restaurés ContEMPORain Documentaires : culture et société 代 Avant-premières : WWW.KinotaYO.FR WARA NO TATE de Takashi Miike OUtraGE BEYOND de Takeshi Kitano 日 Section classique : retour sur le film de gangster, un genre majeur du cinéma japonais 本 ” Film Partners 映 BLACK DAWN 画 © 2012 “ 祭 tory of Yonosuke” Film Partners Yonosuke” tory of S ueki Ressha Film Partners ueki Ressha A K © 2013 “ © © 2012 © Fidèle à sa volonté de vous faire voyager dans l’actualité MARDI 3 DÉCEMBRE 2013 À 20H du septième art japonais, le Festival Kinotayo, est CÉRÉMONIe d’OUVERTURE DU FEstivaL KINOTAYO 2013 e KINOTAYO 2013 heureux de vous présenter, pour sa 8 édition, 7 longs Avant-PREMIÈRE PARISIENNE métrages de grande qualité, produits et sortis entre AU GAUMONT OPÉRA PREMIER — 2012 et 2013, en sélection officielle pour l’attribution — des Soleils d’Or 2013. ÉDito Plusieurs réalisateurs viendront présenter leur ÉVÉNEMENTS film : Tatsushi Omori pour BOZO (2012), Shoji Kubota pour The Little Girl in Me (2012), et Shuichi Okita pour A Story of Yonosuke (2013). Parallèlement à la sélection officielle, Kinotayo proposera en avant-première au public parisien OUtragE BEyond de Takeshi Kitano. Suite indépen- dante d’OUtragE, ce film de gangster est un huis-clos féroce sur le monde de la pègre qui, fort heureuse- elluloid Dreams ment, ne manque pas d’humour… À cette occasion, C des films marquants de ce genre majeur au Japon sont © 2013 © proposés dans notre section classique initiée en 2012 : La pivoine rouge, Le cimetière de la morale et des œuvres comme Romance noire de Tatsuoki Hosono WARA NO TATE avec Koji Yakusho dans un rôle inattendu de truand en 藁の楯 (wara no tate) mal d’amour. -
ACCS/ACAS/IICJ 2016 Art Center Kobe, Japan Official Conference Proceedings Iafor ISSN: 2187 - 4751
The International Academic Forum ACCS/ACAS/IICJ 2016 Art Center Kobe, Japan Official Conference Proceedings iafor ISSN: 2187 - 4751 “To Open Minds, To Educate Intelligence, To Inform Decisions” The International Academic Forum provides new perspectives to the thought-leaders and decision-makers of today and tomorrow by offering constructive environments for dialogue and interchange at the intersections of nation, culture, and discipline. Headquartered in Nagoya, Japan, and registered as a Non-Profit Organization 一般社( 団法人) , IAFOR is an independent think tank committed to the deeper understanding of contemporary geo-political transformation, particularly in the Asia Pacific Region. INTERNATIONAL INTERCULTURAL INTERDISCIPLINARY iafor The Executive Council of the International Advisory Board IAB Chair: Professor Stuart D.B. Picken Mr Mitsumasa Aoyama Professor June Henton Professor Baden Offord Director, The Yufuku Gallery, Tokyo, Japan Dean, College of Human Sciences, Auburn University, Professor of Cultural Studies and Human Rights & Co- USA Director of the Centre for Peace and Social Justice Professor Tien-Hui Chiang Southern Cross University, Australia Professor and Chair, Department of Education Professor Michael Hudson National University of Tainan, Taiwan/Chinese Taipei President of The Institute for the Study of Long-Term Professor Frank S. Ravitch Economic Trends (ISLET) Professor of Law & Walter H. Stowers Chair in Law Professor Don Brash Distinguished Research Professor of Economics, The and Religion, Michigan State University College of Law Former Governor of the Reserve Bank, New Zealand University of Missouri, Kansas City Former Leader of the New National Party, New Professor Richard Roth Zealand Professor Koichi Iwabuchi Senior Associate Dean, Medill School of Journalism, Adjunct Professor, AUT, New Zealand & La Trobe Professor of Media and Cultural Studies & Director of Northwestern University, Qatar University, Australia the Monash Asia Institute, Monash University, Australia Professor Monty P. -
Yosano Akiko and the Tale of Genji / G.G
Yosano Akiko and The Tale ofGenji "Akiko on a Certain Day," from the early years of the Taisho period. Courtesy of Chikuma Shobo Publishing Co., Ltd. Yosano Akiko and The Tale ofGenji G. G. Rowley Ann Arbor 2000 Center for Japanese Studies The University of Michigan Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 2000 The Regents of the University of Michigan Published by the Center for Japanese Studies, The University of Michigan 202 S Thayer St., Ann Arbor, MI 48104-1608 Michigan Monograph Series in Japanese Studies Number 28 PERMISSIONS Material for chapter three draws upon an article "Literary Canon and National Iden- tity: The Tale ofGenji in Meiji Japan," Japan Forum 9.1 (1997): 1-15 and is reprinted here with permission of the British Association for Japanese Studies and Routledge. Material for chapter six first appeared in an article "Textual Malfeasance in Yosano Akiko's Shiny aku Genji monogatari" Harvard Journal of Asiatic Studies 58.1 (June 1998): 201-19 and is reprinted here with permission of the editors. Library of Congress Cataloging-in-Publication Data Rowley, Gillian Gaye, 1960- Yosano Akiko and the Tale of Genji / G.G. Rowley. p. cm. — (Michigan monograph series in Japanese studies no. 28) Includes bibliographical references and index. ISBN 0-939512-98-X (cloth : alk. paper) 1. Yosano, Akiko, 1878-1942—Criticism and interpretation. 2. Murasaki Shikibu, b. 978? Genji monogatari. I. Murasaki Shikibu, b. 978? Genji monogatari. II. Title. III. Series. PL819.O8R68 2000 895.6f144—dc21 99-089978 This book was set in Janson Text Jacket design by Seiko Semones This publication meets the ANSI/NISO Standards for Permanence of Paper fo Publications and Documents in Libraries and Archives (Z39.48-1992). -
Ausgeliehene / Vermißte Bücher
ベルリン日独センター 図書室 Ausgeliehene / vermißte Bücher Inv.Nr. Titel Autorenname Ausgeliehen von 阿部, 昭 2013-265 913 Urlaub für die Ewigkeit : Abe, Akira <BA37337129> Abe Erzählung 17.03.2016 IP/NN : 阿部和重傑作集 阿部, 和重 2018-145 913 IP/NN : Abe Kazushige kessaku shû Abe, Kazushige <BB06325031> Abe 29.05.2018 安部, 公房 2009-43 913 Die Frau in den Dünen Abe, Kôbô NACSIS-CAT Abe (26.10.2009) 安部, 公房 2009-249 913 Die vierte Zwischeneiszeit Abe, Kôbô NACSIS- Abe CAT<BA27733866> 安部, 公房 2009-250 913 Die Erfindung des R 62 ; Abe, Kôbô NACSIS- Abe Erzählungen CAT<BA30878801> 密会 安部, 公房 2013-139 913 Mikkai Abe, Kôbô <BN01501324> Abe 21.01.2016 安部, 公房 2015-363 913 The face of another Abe, Kôbô Abe 砂の女 安部, 公房 2018-244 913 Suna no onna Abe, Kôbô <BN01499765> Abe 12.06.2018 安部, 公房 2019-264 913 Der Schachtelmann Abe, Kôbô Abe 安部, 公房 2015-176 913 Die Känguruhhefte : Roman Abe, Kôbô ; Stalph, Jürgen <BA29458117> Abe (Übers.) 23.06.2015 泣けない魚たち 阿部夏丸 2013-635 913 Nakenai uotachi Abe, Natsumaru <BN13130999> Abe 02.02.2017 Seite 1 ベルリン日独センター 図書室 Ausgeliehene / vermißte Bücher Inv.Nr. Titel Autorenname Ausgeliehen von 等伯 上 安部, 龍太郎 2017-138 913 Tôhaku, Jô Abe, Ryûtarô <BB19521633>30.08. Abe 2017 等伯 下 安部, 龍太郎 2017-139 913 Tôhaku, Ge Abe, Ryûtarô <BB19521633>30.08. Abe 2017 さくら動物病院 相戸, 結衣 2014-244 913 Sakura dôbutsu byôin Aito, Yui <BB16279906> Ait 19.08.2014 赤川, 次郎 2009-185 913 Japanischer Alltag : Akagawa, Jirô <BB01584644>10.01. Aka Kurzgeschichten : Japanisch- 2019 Deutsch 藻屑蟹 赤松, 利市 2019-375 913 Mokuzugani Akamatsu, Riichi <BB28377174>12.05. -
LAAPFF 2015 Catalog
VISUAL COMMUNICATIONS presents the LOS ANGELES ASIAN PACIFIC FILM FESTIVAL APRIL 23 – 30, 2015 No. 31 LITTLE TOKYO _ KOREATOWN _ WEST HOLLYWOOD SEE YOU NEXT YEAR! CONTENTS 7 Festival Welcome 8 Festival Sponsors 10 Community Partners 12 “About VC” Update for 2015 14 Friends of Visual Communications 16 AWC Indiegogo Supporters 18 Year of The Question of the Year! 26 Why Arthur Dong Still Matters 32 Festival Awards: Past Awardees 36 Festival Award Nominees: Feature Narrative 39 Festival Award Nominees: Feature Documentary 42 Festival Award Nominees: Short Film 48 Programmers’ Recommendations 51 Conference for Creative Content 2015 56 Filmmaker Panels & Seminars 60 Program Schedule 61 Box Office Info 62 Venue Info 63 Parties & Afterhours 65 Festival Galas 75 Festival Special Presentations 83 Artist’s Spotlight: Arthur Dong 87 Narrative Competition Films 97 Documentary Competition Films 107 International Showcase Films 123 Short Film Programs 144 Acknowledgements 146 Print & Tape Sources 150 Title/Artist Index 152 Country Index The Los Angeles Asian Pacific Film Festival • 2 The Los Angeles Asian Pacific Film Festival • 3 The Los Angeles Asian Pacific Film Festival • 4 The Los Angeles Asian Pacific Film Festival • 5 The Los Angeles Asian Pacific Film Festival • 6 WELCOME Welcome to the 31st edition of presentations, we are extremely proud to showcase the Los Angeles Asian Pacific returning, seasoned, and emerging Asian Pacific Film Festival! American and International artists and their stories to After a 5-year absence, Visual our communities throughout the Festival at the JACCC, Communications is excited to Japanese American National Museum, Downtown open the Festival at the Japanese Independent, The Great Company, CGV Cinemas, and American Cultural & Community the Directors Guild of America. -
Ronald Hendel Remembering Abraham Culture, Memory, And
4 The Exodus in Biblical Memory tradition (which is a product of oblivion and memory) —Jorge Luis Borges, El Aleph Mnemohistory The Exodus from Egypt is a focal point of ancient Israelite religion. Virtually every kind of religious literature in the Hebrew Bible— prose narrative, liturgical poetry, didactic prose, and prophecy—cele- brates the Exodus as a foundational event.1 Israelite ritual, law, and ethics are often grounded in the precedent and memory of the Exo- dus. In the Decalogue, Yahweh identifies himself as the one “who brought you out of the land of Egypt, out of the house of bondage” (Exod 20:2 ϭ Deut 5:6). In the covenantal language of this passage and many others, the deliverance from Egypt is the main historical warrant for the religious bond between Yahweh and Israel; it is the gracious act of the great lord for his people on which rests the su- perstructure of Israelite belief and practice. In some texts (and fea- tured prominently in the Passover Haggadah), the historical distance of the Exodus event is drawn into the present by the elastic quality of genealogical time: “You shall tell your son on that day, ‘It is be- cause of what Yahweh did for me when he brought me out of Egypt’ ” (Exod 13:8; cf. Deut 6:20–25). In its existential actuality, the 58 remembering abraham Exodus, more than any other event of the Hebrew Bible, embodies Faulkner’s adage: “The past is never dead. It’s not even past.”2 Given the centrality of the Exodus, it is not suprising that scholars have expended much energy trying to ascertain its historical content.