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ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
Sub-Group Ii—Thematic Arrangement
U.S. SHEET MUSIC COLLECTION SUB-GROUP II—THEMATIC ARRANGEMENT Consists of vocal and instrumental sheet music organized by designated special subjects. The materials have been organized variously within each series: in certain series, the music is arranged according to the related individual, corporate group, or topic (e.g., Personal Names, Corporate, and Places). The series of local imprints has been arranged alphabetically by composer surname. A full list of designated subjects follows: ______________________________________________________________________________ Patriotic Leading national songs . BOX 458 Other patriotic music, 1826-1899 . BOX 459 Other patriotic music, 1900– . BOX 460 National Government Presidents . BOX 461 Other national figures . BOX 462 Revolutionary War; War of 1812 . BOX 463 Mexican War . BOX 464 Civil War . BOXES 465-468 Spanish-American War . BOX 469 World War I . BOXES 470-473 World War II . BOXES 474-475 Personal Names . BOXES 476-482 Corporate Colleges and universities; College fraternities and sororities . BOX 483 Commercial entities . BOX 484 1 Firemen; Fraternal orders; Women’s groups; Militia groups . BOX 485 Musical groups; Other clubs . BOX 486 Places . BOXES 487-493 Events . BOX 494 Local Imprints Buffalo and Western New York imprints . BOXES 495-497 Other New York state and Pennsylvania imprints . BOX 498 Rochester imprints . BOXES 499-511 ______________________________________________________________________________ 2 U.S. Sheet Music Collection Ruth T. Watanabe Special Collections, Sibley Music Library Sub-Group II PATRIOTIC SERIES Leading National Songs Box 458 Ascher, Gustave, arr. America: My Country Tis of Thee. For voice and piano. In National Songs. New York: S. T. Gordon, 1861. Carey, Henry, arr. America: The United States National Anthem. -
The Atrocity Exhibition
The Atrocity Exhibition WITH AUTHOR'S ANNOTATIONS PUBLISHERS/EDITORS V. Vale and Andrea Juno BOOK DESIGN Andrea Juno PRODUCTION & PROOFREADING Elizabeth Amon, Laura Anders, Elizabeth Borowski, Curt Gardner, Mason Jones, Christine Sulewski CONSULTANT: Ken Werner Revised, expanded, annotated, illustrated edition. Copyright © 1990 by J. G. Ballard. Design and introduction copyright © 1990 by Re/Search Publications. Paperback: ISBN 0-940642-18-2 Limited edition of 300 autographed hardbacks: ISBN 0-940642-19-0 BOOKSTORE DISTRIBUTION: Consortium, 1045 Westgate Drive, Suite 90, Saint Paul, MN 55114-1065. TOLL FREE: 1-800-283-3572. TEL: 612-221-9035. FAX: 612-221-0124 NON-BOOKSTORE DISTRIBUTION: Last Gasp, 777 Florida Street, San Francisco, CA 94110. TEL: 415-824-6636. FAX: 415-824-1836 U.K. DISTRIBUTION: Airlift, 26 Eden Grove, London N7 8EL TEL: 071-607-5792. FAX: 071-607-6714 LETTERS, ORDERS & CATALOG REQUESTS TO: RE/SEARCH PUBLICATIONS SEND SASE 20ROMOLOST#B FOR SAN FRANCISCO, CA 94133 CATALOG PH (415) 362-1465 FAX (415) 362-0742 REQUESTS Printed in Hong Kong by Colorcraft Ltd. 10987654 Front Cover and all illustrations by Phoebe Gloeckner Back Cover and all photographs by Ana Barrado Endpapers: "Mucous and serous acini, sublingual gland" by Phoebe Gloeckner Phoebe Gloeckner (M.A. Biomedical Communication, Univ. Texas) is an award-winning medical illustrator whose work has been published internationally. She has also won awards for her independent films and comic art, and edited the most recent issue of Wimmin's Comix published by Last Gasp. Currently she resides in the San Francisco Bay Area. Ana Barrado is a photographer whose work has been exhibited in Italy, Mexico City, Japan the United States. -
A Dunaharaszti Nagyközségi Könyvtár
frissítve: 2016. november 30. KÖNNYŰZENE 3155. 50 Cent: Get Rich or Die Tryin’ 3632. 50 Cent: Massacre 3149. 100% Rai – Arab zene 518. ABBA : ABBA 635. ABBA : Arrival 763. ABBA : More ABBA Gold 519. ABBA : Ring Ring 554. ABBA : Super Trouper 634. ABBA : The Visitors 636. ABBA : Voulez-Vous 581. ABBA : Waterloo 2279. Abou-Khalil, Rabih: The Cactus of Knowledge 1586. AC / DC : Ballbreaker 1587. AC / DC : The Razors Edge 1980. AC / DC: Stiff Upper Lip 2846. Ace of Base: Da Capo 683. Ace of Base : Happy Nation 1039. Ace of Base : The Bridge 1638. Acoustic Alchemy: Arcanum 3840. Adagio: Adagio 1791. Ádám és Éva : Ádámtól Éváig 4367. Adams, Bryan: 11 1312. Adams, Bryan : 18 Til i Die 3502. Adams, Bryan : Room Service 836. Adams, Bryan : You Want it 1935. A.d. studio: Páratlan páros 4730. Adele: 21 4908. Adele: 25 643. Aerosmith : Aerosmith ’ s Greatest Hits 3349. Aerosmith: Honkin’ on Bobo 1360. Aerosmith : Nine Lives 2501. Aerosmith: Pump 2694. Afro Celt Sound System: Sound Magic Volume 1 2672. Afroman: The Good Times 3486. Ágnes Vanilla: Csak egy éjszaka volt 2550. Ágnes Vanilla: Déjá vu 4397. Ágnes Vanilla (Agnes): A Gömb 3972. 2 db Aguilera, Christina: Back to Basics 1929. Aguilera, Christina.: Christina Aguilera 2922. Aguilera, Christina: Stripped 2707. A-HA: Lifelines 706. A-HA : Memorial Beach frissítve: 2016. november 30. 2 1949. A-HA: Minor Earth Major Sky 3341. A.K.A.: Sad 3188. 2 db Ákos: Andante 2282. Ákos: Bestof Ákos – Ismerj fel 2552. Ákos: A hét parancsszó 3045. Ákos: Karcolatok 4612. 2 db Ákos: A katona imája 4046. -
U.S. Sheet Music Collection
U.S. SHEET MUSIC COLLECTION SUB-GROUP II: THEMATIC ARRANGEMENT Patriotic Leading national songs . BOX 458 Other patriotic music, 1826-1899 . BOX 459 Other patriotic music, 1900– . BOX 460 National Government Presidents . BOX 461 Other national figures . BOX 462 Revolutionary War; War of 1812 . BOX 463 Mexican War . BOX 464 Civil War . BOXES 465-468 Spanish-American War . BOX 469 World War I . BOXES 470-473 World War II . BOXES 474-475 Personal Names . BOXES 476-482 Corporate Colleges and universities; College fraternities and sororities . BOX 483 Commercial entities . BOX 484 Firemen; Fraternal orders; Women’s groups; Militia groups . BOX 485 Musical groups; Other clubs . BOX 486 Places . BOXES 487-493 Events . BOX 494 Local Imprints Buffalo and Western New York imprints . BOXES 495-497 Other New York state and Pennsylvania imprints . BOX 498 Rochester imprints . BOXES 499-511 Selected topics Abolition; Crime; Fashion; Sports; Temperance; Miscellaneous . BOX 512 Other special imprints Additional Pennsylvania imprints; Pennsylvania connections . BOX 513 Box 458 Ascher, Gustave, arr. America: My Country Tis of Thee. For voice and piano. In National Songs. New York: S. T. Gordon, 1861. Carey, Henry, arr. America: The United States National Anthem. For voice and piano. [s.l.: s.n., s.d.]. Loose sheet on cardboard. On reverse of publication: Anne Fricker. I built a Bridge of Fancies. For voice and piano. Philadelphia: Sep. Winner & Sons, [s.d.]. Smith, Samuel Francis. America: My Country! ‘Tis of Thee. For TTB voices and piano. Arranged by Harold Potter. New York: Mills Music Co., 1927. Shaw, David T. Columbia: The Land of the Brave. -
Complete Promotional Packet
“To sum up how I am, I’m a groove merchant, always searching for a groove. That’s my mission – to find the grooves, me grabbing it and locking it in. Every time I play, I want to be able to capture it.” Larry Vann has made an impressive mark on the Bay Area music scene over the years with his authentic, piercing, all-encompassing musical technique. Authentic “root music”, the essential substance of his artistic source, is the foundation of this superbly seasoned artist’s own music branding, which fuses the essence of soul-stirring blues, sweet, mellow jazz and genuine soul, R&B and funk. One listen to his compelling, penetrating and intoxicating grooves clearly demonstrates why he has been in such huge demand for sessions & tours with the likes of ELVIN BISHOP and MERL SAUNDERS. His top-notch drumming and percussion has garnered him popular and critical success throughout the United States and Europe, and Vann has also wowed critics and crowds alike with his sultry singing voice, buoyed by his melodic, inventive songwriting. A professional performer since age 15, Vann draws from a deep well of musical influence, including gospel, blues, funk, jazz and soul. These various genres have collectively shared his unique sound, his groove “brand”, which is in full display in his performances and music recordings. Vann’s resume’ reads like a “Who’s Who” list, having toured and recorded with those musicians listed above, as well as THE WHISPERS, MARTHA REEVES, THE MARVALETTES, CHARLES BROWN, BUFFY SAINT-MARIE, RANDY CRAWFORD and many more. -
Omid Victory Album Download Omid Victory Album Download
omid victory album download Omid victory album download. @ Music Database Search. Search › Artists › Omid. Important information: our site does not host any Omid mp3 downloads, no mp3 music, no music samples, no music ringtones, only tags. We can not provide you with the information about where you can download or purchase music CDs or individual tracks. You can Google the music you need and find loads of music sites to buy the music CDs or download music samples. Please fill free to comment what you think about our music database. Here is a list of all Omid albums, compilations and their versions that real people posted to various public data sources. Lyrics Piroozi (Victory) ﻋﮭﺪ و ﭘﯿﻤﻮﻧﯽ رو ﮐﮫ ﺑﺎ ﺳﺎدﮔﯿﮭﺎی ﺗﻮ ﺑﺴﺘﻢ آره ﭘﯿﺮوز ﺷﺪم ﻗﻠﺐ ﻏﻤﻮ ﺷﮑﺴﺘﻢ ﻗﺼﺮ ﻋﺸﻖ ﻓﺘﺢ ﮐﺮدم ﺗﻮ دﻟﺶ ﻧﺸﺴﺘﻢ ﺑﮫ ﻓﻠﮏ ﭼﯿﺰی ﻧﮕﻔﺘﻢ ﻧﮑﻨﮫ ﭼﺸﻢ ﺑﺰﻧﮫ ﻋﮭﺪ و ﭘﯿﻤﻮﻧﯽ رو ﮐﮫ ﺑﺎ ﺳﺎدﮔﯿﮭﺎی ﺗﻮ ﺑﺴﺘﻢ ﻧﮫ ﮔﻼﯾﮫ ﻧﮫ ﺷﮑﺎﯾﺖ ﻧﮫ ﯾﮏ ﺑﻐﺾ ﺑﯽ ﻧﮭﺎﯾﺖ ﯾﮏ ﺷﺮوﻋﯽ ﺗﺎزه دارم ﯾﮏ ﺗﺮاﻧﮫ ﯾﮏ ﺣﮑﺎﯾﺖ ﺻﺎف و ﺳﺎده ﭘﺎک و ﻣﻌﺼﻮم ﻋﺸﻖ و ﺗﻮ ﭼﺸﺎت ﻣﯿﺪﯾﺪم واﺳﮫ ﺑﮫ ﺗﻮ رﺳﯿﺪن دﯾﮕﮫ ھﯿﭻ ﻏﻤﯽ ﻧﺪﯾﺪم آره ﭘﯿﺮوز ﺷﺪم ﻗﻠﺐ ﻏﻤﻮ ﺷﮑﺴﺘﻢ ﻗﺼﺮ ﻋﺸﻖ ﻓﺘﺢ ﮐﺮدم ﺗﻮ دﻟﺶ ﻧﺸﺴﺘﻢ ﺑﮫ ﻓﻠﮏ ﭼﯿﺰی ﻧﮕﻔﺘﻢ ﻧﮑﻨﮫ ﭼﺸﻢ ﺑﺰﻧﮫ ﻋﮭﺪ و ﭘﯿﻤﻮﻧﯽ رو ﮐﮫ ﺑﺎ ﺳﺎدﮔﯿﮭﺎی ﺗﻮ ﺑﺴﺘﻢ ﻣﯿﺨﻮام ﺣﺎﻻ ﭘﺮش ﮐﻨﻢ ﺳﻔﺮ ﺑﮫ ﺷﮭﺮ ﻋﺸﻖ ﮐﻨﻢ ﻓﺮﻣﺎﻧﺪه ﺑﺎﺷﻢ ﺗﻮ ﺧﻮﺷﯽ زﻧﺪﮔﯿﻤﻮ ﺑﮭﺸﺖ ﮐﻨﻢ آره ﻓﺮداھﺎ ﻗﺸﻨﮕﮫ دل واﺳﮫ ﻓﺮدا ﺧﯿﻠﯽ ﺗﻨﮕﮫ دل دﯾﮕﮫ ﻗﮭﺮﻣﺎن ﺷﺪ ﺑﺎ ﻏﺼﮫ ھﺎ ﺑﺠﻨﮕﮫ آره .ﭘﯿﺮوز ﺷﺪم ﻗﻠﺐ ﻏﻤﻮ ﺷﮑﺴﺘﻢ ﻗﺼﺮ ﻋﺸﻖ ﻓﺘﺢ ﮐﺮدم ﺗﻮ دﻟﺶ ﻧﺸﺴﺘﻢ ﺑﮫ ﻓﻠﮏ ﭼﯿﺰی ﻧﮕﻔﺘﻢ ﻧﮑﻨﮫ ﭼﺸﻢ ﺑﺰﻧﮫ ﻋﮭﺪ و ﭘﯿﻤﻮﻧﯽ رو ﮐﮫ ﺑﺎ ﺳﺎدﮔﯿﮭﺎی ﺗﻮ ﺑﺴﺘﻢ Tragic Details About Robert Redford. -
David Bowie's Urban Landscapes and Nightscapes
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenEdition Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, « David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text », Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 19 April 2019. URL : http:// journals.openedition.org/miranda/13401 ; DOI : 10.4000/miranda.13401 This text was automatically generated on 19 April 2019. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. -
Big Country Book of Lyrics Was Originally Offered Online As a PDF File on a Web Site That Later Grew Into the Current Steeltown Site
D e s i g n e d b y R o b e r t O l i v e r Introduction Project History The Big Country Book of Lyrics was originally offered online as a PDF file on a web site that later grew into the current Steeltown site. Since I had not been pleased with the formatting restrictions of HTML, I had decided to create a file in Adobe PageMaker and then convert it into a PDF (Portable Document Format) file. This format allows complete control over layout and typography, but can result in very large files. Although PDF files are relatively small compared to their original documents (all of the original PageMaker files for this book total over 18 megabytes), a project as large and comprehensive as the Big Country Book of Lyrics results in an appropriately hefty PDF file. Even though I have since converted all lyrics to HTML and incorporated them into the Steeltown web site, the PDF version is still a handy and useful resource, especially when printed and bound for reference. As ubiquitous as the world wide web has become, a printed version of the Book of Lyrics is easier on the eyes, quicker to thumb through, and does not require an internet connection. Document Navigation The following methods are available for finding your way around the Big Country Book of Lyrics while using the Adobe Acrobat Reader: 1. Scan down the bookmark list on the left and click on the item of interest. 2. Use the keyboard arrow keys or the PAGE UP and PAGE DOWN keys depending on which version of the Acrobat Reader you are using. -
Miranda, 17 | 2018, « Paysages Et Héritages De David Bowie » [En Ligne], Mis En Ligne Le 19 Septembre 2018, Consulté Le 16 Février 2021
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie, Landscapes and Heritage Édition électronique URL : http://journals.openedition.org/miranda/12120 DOI : 10.4000/miranda.12120 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Miranda, 17 | 2018, « Paysages et héritages de David Bowie » [En ligne], mis en ligne le 19 septembre 2018, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/12120 ; DOI : https:// doi.org/10.4000/miranda.12120 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE Paysages et héritages de David Bowie David Bowie, Landscapes and Heritage Introduction – New ways ever free Philippe Birgy, David Roche et Nathalie Vincent-Arnaud “Come Tomorrow, May I Be Bolder Than Today?”: PinUps, Striptease, and Social Performance Shannon Finck Modern Death. La critique rock face à Blackstar Claude Chastagner Bowie’s Way : une analyse harmonique de « Life on Mars ? » Grégoire Tosser Paysages berlinois et héritage romantique : les univers culturels et sonores de la trilogie Low-’Heroes’-Lodger (1976-1979) Hugues Seress Hybridations et effacement du chanteur : l’emploi des codes de la lyric video dans le clip de « Where are we now? » Robin Cauche David Bowie, la dernière vidéo star ? Jonathan Broda et Thomas Schmitt Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Prospero's Island La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversion Émilie Herbert Defanging the Vampire : The Crushing Gaze of Metadiegesis in Shadow of the Vampire (E. -
Series Bible and Pilot Treatment by Daniel Knauf CONTENTS
Series Bible and Pilot Treatment by Daniel Knauf CONTENTS: DARKFALL LOGLINE 1. SERIES PREMISE 1. THE EVENT 1. THE WORLD OF DARKFALL 2. THE ATRUM TERRA 10. THE CREATURES OF DARKFALL 11. SUMMONERS 14. THE CHARACTERS 16. THE PILOT—TREATMENT 22. THE PILOT—OPENING SEQUENCE 38. FIRST SEASON ARCS 40. THE SCIENCE BEHIND DARKFALL 48. DARKFALL LOGLINE A catastrophic solar storm charges the Earth’s atmosphere, enabling a small group of humans known as Summoners to practice magic while obliterating electricity and chemical combustion. Mankind is thrust back into a new Dark Age. SERIES PREMISE What if science stopped working? What if magic started working? What if scientifically developed, sophisticated society is, in the blink of an eye, thrust back into what is effectively a new Dark Age? THE EVENT DarkFall’s main premise is that there are individuals who, due to a rare genetic mutation, are capa- ble of channeling power from a negative magnetic atmospheric charge, breaching the fabric of our dimensional plane and calling forth creatures from alternate dimensions. These individuals are known as Summoners. Earth is intermittently subjected to coronal mass ejections (CMEs) that charge our atmosphere like a battery. However, the strength of these events is rarely higher in magnitude than -300 nano- Teslas (nT). Within the DarkFall mythos, our planet has been subjected to CMEs in excess of -2,500 nT on only five occasions.¹ Depending on the magnitude of the initial event, residual charges persist any- where from 100 to 600 years. The most recent occurrence of this phenomenon was recorded by a Benedictine monk, Gregor Mortier, in 923 C.E.