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Insights Into Children's Literature Dr. Abdel Mohsen Ibrahim Hashim Enriching the Child's World in Selected Poems by Christina Rossetti, Shel Silverstein, and Valerie Bloom: Insights into Children's Literature Dr. Abdel Mohsen Ibrahim Hashim Associate Professor of English Literature, Department of English, Faculty of Arts, The New Valley University, Egypt. Abstract: Employing English language children's literature as a theoretical framework that sheds light on the definition of the term and its historical development, this paper strives to explore a variety of insights into enriching the child's world. To achieve this goal, the paper focuses on selected poems for children written by three poets who have varied backgrounds of place and time. The first of these figures is the nineteenth- century English poet Christina Rossetti (1830 –1894); the second is the twentieth-century American poet and cartoonist Shel Silverstein (1930 –1999); and the third is the contemporary Jamaican-born poet Valerie Bloom (b.1956). Depending on the poems selected for discussion, the researcher argues that each of these authors writes a kind of poetry that enriches the child's world in a specific way. The various ideas and experiences offered by the three writers in the selected poems are beautifully integrated, providing young readers with comprehensive insights and useful mechanisms that enable them to achieve success and lead a happy life. Keywords: Children's Literature, insights, poems, Christina Rossetti, Shel Silverstein, Valerie Bloom 65 مجلة وادي النيل للدراسات والبحوث اﻹنسانية واﻻجتماعية والتربوية )مجلة علمية محكمة( )ISSN : 2536 - 9555( امللخص العربي إثراء عامل الطفل يف قصائد خمتارة لـ "كريستينا روسيتي" و"شيل سيلفرستني" و"فالريي بلوم": رؤى يف أدب اﻷطفال د. عبد احملسن إبراهيم هاشم أستاذ مساعد اﻷدب اﻹنجليزي – قسم اللغة اﻹنجليزية كلية اﻵداب– جامعة الوادي الجديد، مصر. تقدم هذهاالدرسة رؤى متنوعة في إث ارء عالم الطفل في قصائد مختارة لثﻻثة من الشع ارء ذوي الخلفيات المتفاوتة في المكان والزمان. وهؤﻻء الشع ارء هم "كريستينا روسيتى" )1830– 1890(، الشاعرة اﻹنجليزية المعروفة والتي عاشت خﻻل القرن التاسع عشر، و"شيل سيلفرستين" )1930– 1999(، الشاعر والرسام اﻷمريكي المشهور والذي ينتمي إلى القرن العشرين، و"فاليري بلوم"، الشاعرة المعاصرة التي ولدت عام 1956 في جامايكا ثم انتقلت للعيش والدراسة في إنجلتار حيث ذاع صيتها هناك كمؤلفة متميزة لكتب اﻷطفال. وفي ضوء القصائد المختارة في هذه الد ارسة، يرى الباحث أن الشع ارء الثﻻثة يثرون عالم الطفل بشكٍل ٍ ٍ شي ٍق ومتميٍز، ك ٌل بطريقة معينة. هذا، وإن اختلفت اﻷفكار وتباينت الرؤى التي يعرضها المؤلفون الثﻻثة في كتاباتهم، فإنها تتﻻقى معا لتشكل كﻻً متناغماً يقدم للقارئ الطفل خب ارت ثرية ووجهات نظر متنوعة تثري عالمه وتوسع مداركه وتزوده باﻵليات الﻻزمة التي تمكنه من تحقيق النجاح والسعادة في حياته. الكلمات الدﻻلية: أدب اﻷطفال، رؤى، قصائد، كريستينا روسيتي، شيل سيلفرستين، فاليري بلوم. 66 Enriching the Child's World in Selected Poems by Christina Rossetti, Shel Silverstein, and Valerie Bloom: Insights into Children's Literature Dr. Abdel Mohsen Ibrahim Hashim مجلة وادي النيل للدراسات والبحوث اﻹنسانية واﻻجتماعية والتربوية )مجلة علمية محكمة( Enriching the Child's World in Selected Poems by Christina Rossetti, Shel Silverstein, and Valerie Bloom: Insights into Children's Literature Dr. Abdel Mohsen Ibrahim Hashim Who has seen the wind? Neither you nor I; But when the trees bow down their heads The wind is passing by. (Rossetti, Selected Poems 140) ــــــ Oh, if you’re a bird, be an early bird And catch the worm for your breakfast plate. If you’re a bird, be an early early bird— But if you’re a worm, sleep late. (Silverstein, A Light in the Attic 169) ــــــ The river's a baby, He gurgles and hums, And sounds like he's happily Sucking his thumbs. (Bloom, Let Me Touch The Sky 41) ــــــ Children are like soft flowers that need care and attention in order to bloom and grow properly. Hence, the process of developing their characters and preparing them for real life has been a significant interest of parents, educators, and psychologists. Writers have also played a major role in the child development process through children's literature which is recognized as a highly effective tool for instilling good 67 مجلة وادي النيل للدراسات والبحوث اﻹنسانية واﻻجتماعية والتربوية )مجلة علمية محكمة( )ISSN : 2536 - 9555( habits, noble values, and desirable attitudes; it is also an inspiring doorway that takes the child into an exciting world of amusement and instruction. However, critics and scholars differ in defining children's literature. Some view it as a subject that has been brought into mainstream literature, whereas others see it as a genre in its own, with distinctive norms and characteristics. Whether regarded as a part of adult literature or seen as a separate genre, children's literature can generally be defined as that body of literary works that address children, meet their needs, and expose them to the real world, with the aim to entertain, inform, and instruct them. According to Perry Nodelman, the first true children's book in English did not come into sight until 1744 when the British writer and publisher John Newbery, the father of children's literature as he was called, published A Little Pretty Pocket- Book: Intended for the Instruction and Amusement of Little Master Tommy and Pretty Miss Polly. Interestingly, this collection of games and rhymes was sold with a free gift, a ball for a boy or a pincushion for a girl (17). Nevertheless, legends, nursery rhymes, and fairy tales were narrated for children since the dawn of human civilization. These forms of literature were orally transmitted from one generation to the next. In the mid-fifteenth century, hornbooks1 were invented to teach children the alphabet, numerals, and prayers. Significantly, the advent of printing in England in 1476 at the hands of William Caxton (Tokunaga 151) led to the emergence of books which children could enjoy, though these books did not address young readers as a separate audience. As children learn to read, they "also take over adult books which appeal to them, a process helped by the fact that the early printed literature in any society is likely to draw on traditional stories which…appeal to every age group" (Hunt 4). However, a significant development of children's books 68 Enriching the Child's World in Selected Poems by Christina Rossetti, Shel Silverstein, and Valerie Bloom: Insights into Children's Literature Dr. Abdel Mohsen Ibrahim Hashim مجلة وادي النيل للدراسات والبحوث اﻹنسانية واﻻجتماعية والتربوية )مجلة علمية محكمة( took place when Caxton printed and published an English translation of Aesop's Fables2 in1484 and Sir Thomas Malory's Le Morte d'Arthur3 or The Death of Arthur in 1485. In the sixteenth century, the works written for children were mainly moralistic and didactic. Therefore, there was a rise in the books intended for educational purposes such as the courtesy books and etiquette guides; these were works that taught children the proper bahaviour, morals, and etiquette. Prominent among these works was A Handbook on Good Manners for Children: De Civilitate Morum Puerilium Libellus that was first published in Latin by the Dutch humanist scholar Erasmus of Rotterdam in 1530 and translated into English for the first time in 1532 by Robert Whittington. In A Handbook on Good Manners for Children, Erasmus guides the child into how to master table manners, how to get dressed, how to address one's elders, how to speak to members of the opposite sex, how to show respect for others, and many other good manners. In the seventeenth century, the emergence of chapbooks satisfied children's need for knowing about popular literature. Usually sold by chapmen or peddlers, a chapbook was something like a pamphlet or a pocket-sized booklet that contained fairy tales, legends, ballads, poems, farces, traditional stories, or religious tracts. It is noteworthy that the second half of the seventeenth century witnessed the production of the first children's picture-book. This was precisely in 1658 when the Czech philosopher and pedagogue John Comenius, who was widely recognized as the father of modern education, published Orbis Sensualism Pictus or The World of Things Obvious to the Senses Drawn in Pictures. The book was originally published by Comenius in Latin and German, and a year later, it was translated into English by 69 مجلة وادي النيل للدراسات والبحوث اﻹنسانية واﻻجتماعية والتربوية )مجلة علمية محكمة( )ISSN : 2536 - 9555( Charles Hoole (Murphy 200). Towards the end of the century, the English thinker John Locke and his views on education greatly influenced the development of children's literature. In his well-known work An Essay Concerning Human Understanding (1690), Locke emphasizes the notion that the mind of the child at birth is like a 'tabula rasa', that is, a blank state or a white page which is gradually inscribed with the data or knowledge deriving from sensory experience (Androne 75). Therefore, "writers for children adopted and adapted Lockean principles in order to shape children on all social levels and prepare them for life in a swiftly changing, upwardly mobile society" (Rosenthal). However, Locke's comparison of the minds of young children to passive blank states reflected his disbelief in the existence of the child's innate faculties, a view that was later criticized by many critics and academics. The eighteenth century was the starting point for establishing a solid foundation for children's literature written in English. During that century, authors turned to compose books that were solely meant for children, books that did not confine its focus to instructing children but also included entertainment as an essential consideration. Even famous books that were mainly written for adults were adapted to suit and amuse children such as Daniel Defoe's Robinson Crusoe (1719) and Jonathan Swift's Gulliver’s Travels (1726). In 1729, Charles Perrault's Contes de ma Mère l'Oye, a fairy tale collection that was originally published in French in 1695, was first translated into English as Tales of My Mother Goose.
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