Three SAS Endowed Chairs Wind Energy to Power Penn Dean Samuel H
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Vol. 65 No. 21 January 29, 2019
UNIVERSITY OF PENNSYLVANIA Tuesday January 29, 2019 Volume 65 Number 21 www.upenn.edu/almanac Penn Medicine: 25 Years of Charles Bernstein: Bollingen Prize for Poetry Integration, Innovation and Ideals University of Pennsylvania Professor Charles is the Donald T. Re- After 25 years, the combined mission of pa- Bernstein has been named the winner of the gan Professor of Eng- tient care, medical education and research that 2019 Bollingen Prize for American Poetry; it lish and Compara- defines Penn Medicine is a proven principle. As is is among the most prestigious prizes given to tive Literature in the Penn Medicine’s model has evolved over this American writers. School of Arts and Sci- quarter century, it has continually demonstrat- The Bollingen Prize is awarded biennially to ences (Almanac Febru- ed itself to be visionary, collaborative, resilient an American poet for the best book published ary 8, 2005). He is also and pioneering, all while maintaining Frank- during the previous two years, or for lifetime known for his transla- lin’s core, altruistic values of serving the greater achievement in poetry, by the Yale University tions and collabora- good and advancing knowledge. Library through the Beinecke Rare Book and tions with artists and Penn Medicine’s reach and impact would im- Manuscript Library. The Prize was originally libretti. With Al Filreis, press the lifelong teacher and inventor as well. conferred by the Library of Congress with funds Penn’s Kelly Family One of the first integrated academic health sys- established in 1948 by the philanthropist Paul Professor of English, tems in the nation, the University of Pennsylva- Mellon. -
Remembrances and Thank Yous by Alan Cotler, W'72
Remembrances and Thank Yous By Alan Cotler, W’72, WG’74 When I told Mrs. Spitzer, my English teacher at Flushing High in Queens, I was going to Penn her eyes welled up and she said nothing. She just smiled. There were 1,100 kids in my graduating class. I was the only one going to an Ivy. And if I had not been recruited to play basketball I may have gone to Queens College. I was a student with academic friends and an athlete with jock friends. My idols were Bill Bradley and Mickey Mantle. My teams were the Yanks, the New York football Giants, the Rangers and the Knicks, and, 47 years later, they are still my teams. My older cousin Jill was the first in my immediate and extended family to go to college (Queens). I had received virtually no guidance about college and how life was about to change for me in Philadelphia. I was on my own. I wanted to get to campus a week before everyone. I wanted the best bed in 318 Magee in the Lower Quad. Steve Bilsky, one of Penn’s starting guards at the time who later was Penn’s AD for 25 years and who helped recruit me, had that room the year before, and said it was THE best room in the Quad --- a large room on the 3rd floor, looked out on the entire quad, you could see who was coming and going from every direction, and it had lots of light. It was the control tower of the Lower Quad. -
Download February at Penn Calendar
Year of Proof: Making & Unmaking 21 One Book, One Philadelphia: Speakeasy: Poetry, Prose and Race; Penn Museum. Through August 18. Picture Bride. Anything Goes!; 7:30 p.m. Ongoing 22 Exhumed Films presents 18 A Salute to the Pioneering John Cage: How to Get Started; ZOMBIES!: Video Dead, Dead Heat; 8 Journalists of the 1960s: A Talk with interactive installation of a rarely heard p.m.; $15, $12/students. Mark Bowden; noon. February performance; Slought Foundation. 23 Chris Marker: Réalisateur—A 19 Release Party for “I Let a Song Go Human Evolution: The First 200 Grin without a Cat (Le Fond de l’air est Out of My Heart” by Sam Allingham; 7 p.m. Million Years; Hover Gallery, 2nd floor, rouge); 2 p.m. 21 7 Up on Camp; 6 p.m. Penn Museum. Chris Marker: Réalisateur—Level Five. The History of Nursing as Seen 25 Live at the Writers House; 7 p.m. A T P E N N Through the Lens of Art; Carol Ware 26 Reelback Presents Wolf. 27 3808 Reading; 5:30 p.m. Lobby, Fagin Hall. MEETINGS Penn Bookstore Wherever these symbols appear, more images or audio/video clips are Amarna, Ancient Egypt’s Place in Info.: www.upenn.edu/bookstore available on our website, www.upenn.edu/almanac. the Sun; Worlds Intertwined: Etruscans, 12 PPSA Board Meeting; 1 p.m.; Greeks and Romans Canaan and Ancient 6 The Political Worlds of Slavery and ; Board Room, Dunning Coaches; RSVP: Freedom; Steven Hahn,; 5:30 p.m. Israel; Living in Balance: The Universe of [email protected] Burrison Gallery, University Club the Hopi, Zuni, Navajo and Apache; In the 12 Fans, Not Consumers: Creating ACADEMIC CALENDAR at Penn: free; Mon.-Fri., 7:30 a.m.-5 19 WPPSA Meeting; 12:30-1:30 p.m.; Super Growth in a No-Growth Industry; Artifact Lab: Conserving Egyptian Mum- first floor, Stiteler Hall. -
Southwest Digest (2009-2010)
Texas rcch l'm\cr-ity South".:st Collection 1'.0 Box41Q.ll lubbocl., Texas 7~409-1 Q.ll Bozeman Elementary Students Talk 'Red Raider Power'! Stllcl• ntl "' Bo:emtJn lltmtnlttry· Schooll\1'r<' tNafn/lo tl"' WI pep rail) ern ~qtmr~r 9 c nr M• & Mr> (i B Johmoa of Poll of Sbal101>atcr Jtm Jilhn pltltMrlha Rmdc~/'., rl!nnr.gcomf"'tlt""ln/bJ(htTo<BT. "'Churlcotd. Th.- \fmr{ar ..c, <;ballol\ator c<lcbu!QI lhetr >OD ((.'bn"mc), Ju!Jc Uflg nnd '"'"'' Dil, ~uta" upporlllmtrfor tud niJ l<>ltam abo1111h lq;u•pen~nu f<mng 10 1>11 T"'u 6Sth \\cd.loog '""" <r><&ry \\1lh 3 (oiQnJ D.mford, oil of I uhbock.. ft't.·lt ~ultural l>aen11l Rc-pn·u•ntatn-e.ltllf1((c r .fiuucn 1111J J,, u.~k111g 'lU(~flOttf Q) Tt-dt tude'.nt R~nac; rctc1phc.10 .tt the M.1X81t TreJn Jc.1hn~o.un and lhe (onncr Auu.bc: naunt,•f '" the pltoru tJIIlKhl, BQ~f'"UI" ,~,,,,f ;:radt r {)'JIUJ.H' Rahl(l 'M1 \lwlw.\ lum.l• ,, Hh font rn ,, Supcr Cemer SJturd.e) St-ptcm• F rccnun mJm~d Sc:pt I,., I Q44. ma_\; nt Rauk; ReJ b<r 12th '" \1.uhn Tbey M\'C se,en fbm dlildtcn WJd ape-cui fam gr;mdch1 dm..l4 JWII pand- oly fncnd. \\:and.~ Youngoff..ub. chtldn:n and oue gr-c:~-grnt- 100 BJack Men of West Texas Receives the 2009 bod. booted the celebration grandchild .. Robert Duncan Community Champion Award" lloey on: 1he porent of :.t.• ol' Un s:-nwddy,,\u ·u~t2J 20()9 IOQ IJia<l Men of \\e>t T<. -
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UNIVERSITY OF PENNSYLVANIA Tuesday July 16, 2019 Volume 66 Number 1 www.upenn.edu/almanac The Mark Foundation for Cancer Research: $12 Million Funding for Major Expansion of Gene Therapy New Center at Penn to Study Radiation Therapy and Immune Signaling Collaboration Between Amicus Therapeutics and Penn The Mark Foundation for Cancer Research radiation oncology in Penn’s Perelman School announced that it has awarded a grant of $12 of Medicine. The primary efforts of the center Amicus Therapeutics and the Perelman million to establish The Mark Foundation Cen- will comprise five key projects that converge School of Medicine at the University of Penn- ter for Immunotherapy, Immune Signaling and on understanding the signaling pathways elic- sylvania announced a major expansion to their Radiation at the University of Pennsylvania. ited by radiation therapy and how those path- collaboration with rights to pursue collaborative The Center will bring together cross-depart- ways can be exploited therapeutically to enable research and development of novel gene thera- mental teams of basic scientists and clinical re- the immune system to recognize and eradicate pies for lysosomal disorders (LDs) and 12 addi- searchers who will focus on better understand- cancer. tional rare diseases. The collaboration has been ing the interconnected relationships between “These projects have the chance to change expanded from three to six programs for rare advances in radiation therapy, important signal- the paradigm when it comes to cancer treat- genetic diseases and now includes: Pompe dis- ing pathways in cancer and immune cells, and ment,” said Dr. Minn. “Understanding impor- ease, Fabry disease, CDKL5 deficiency disorder the immune system’s ability to effectively con- tant and potentially targetable mechanisms of (CDD), Niemann-Pick Type C (NPC), next gen- trol cancer. -
University of Pennsylvania A0141
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180141 Gramts.gov Tracking#: GRANT12660040 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180141 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (T6 2018 GEPA Statement) e12 6. Grants.gov Lobbying Form e13 7. Dept of Education Supplemental Information for SF-424 e14 8. ED Abstract Narrative Form e15 Attachment - 1 (T6 2018 Abstract) e16 9. Project Narrative Form e17 Attachment - 1 (T6 2018 Table of Contents revised) e18 Attachment - 2 (T6 2018 Narrative FINAL) e19 10. Other Narrative Form e69 Attachment - 1 (T6 2018 Abbreviations) e70 Attachment - 2 (T6 2018 Diverse Perspectives) e72 Attachment - 3 (T6 2018 Areas of National Need) e73 Attachment - 4 (T6 2018 Applicant Profile) e74 Attachment - 5 (T6 2018 Appendix A Course List) e75 Attachment - 6 (T6 2018 Appendix B Staff Bios) e86 Attachment - 7 (T6 2018 Appendix C New Position) e129 Attachment - 8 (T6 2018 Appendix D PMFs) e130 Attachment - 9 (T6 2018 Appendix E Letters of Support) e136 11. Budget Narrative Form e144 Attachment - 1 (T6 2018 Budget) e145 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. -
As We Forgive Those
City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 As We Forgive Those Therese O'Neil CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/401 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] As We Forgive Those By Tracy O’Neill Mentor: Salar Abdoh April 30, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at the City College of the City University of New York. 1 CUT HIM Most all the stories Ted tells are quoting movies, and some of the movies are even movies we’ve seen together, but I don’t let on that I know. Problems are intrepid to all of us. Like last month, we’re at the Silver Dollar Stack pancake house, when bang! We’ve reared right back into this guy’s minivan. Guy gets out real steamed, saying he’s going to call 911 and get the police over. My mind is spinning like bicycle pedals on a downhill. I’ve got a D‐Dub from driving home from a high school party nine months back, and here we are in the parking lot not having learned our lesson, Ted drinking rum in his orange juice. I can see the whole scenario in cop eyes. “Dump it,” I told Ted. -
Imposter Next Door: a Study on Authenticity in The
IMPOSTER NEXT DOOR: A STUDY ON AUTHENTICITY IN THE MODERN POP STAR by Chris Cantu HONORS THESIS Submitted to Texas State University in partial fulfillment of the requirements for graduation in the Honors College May 2020 Thesis Supervisor: Rachel Romero Second Reader: Amber Lupo IMPOSTER NEXT DOOR: A STUDY ON AUTHENTICITY IN THE MODERN POP STAR by Chris Cantu May 2020 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Chris Cantu, authoriZe duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGMENTS Putting together this thesis has been something of a lifelong endeavor. In essence, it is the blueprint by which I intend to launch my career as a recording artist and songwriter. I could have never imagined combining my greatest passions – academia and pop culture – without the incredible guidance of Dr. Rachel Romero. The critical curiosity she has sparked within me, class after class, has completely changed the way I approach the world. Throughout my tenure at Texas State, Dr. Romero has been a gifted educator, wise mentor, and ultimately a genuine friend. I’d like to thank her for her unyielding support throughout this process, and her incredible impact on my life. -
Water Bottle Filling Stations
42 41 40 39 38 37 36 34 33 32 31 30 29 COLLEGE HOUSES: Street Street OTHER BUILDINGS: Street Street Street Street Street Advanced Mabel Pew Care 31st 37th 37th • Myrin Pavilion 30th 33rd Four-Year Houses 36th 34th 34th • ARCH: (1) basement32nd near restrooms Pavilion Expressway Wright/Saunders • Gregory Van Pelt: (4) every floor near stairwell Building Cupp • Houston Hall: (4) Quench stations near restrooms on each floor Pavilion 3810 nd th st nd • Gregory C’25: (4) one in basement; 3 near stairwell on 2 – 4 floors • Van Pelt Library: (7)1 floor in ST Lee Lounge; 2 floor in LippincottSchuylkill Street Presbyterian I Scheie I Medical MedicalCenter Medical st Eye rd • Stouffer Mayer: (1) near mailboxes on 1 floor Science of the Office Bldg Research Institute University of Library and outside restrooms; 3 floor in Class of 1952 Lounge and 43rd 43rd Lab Pennsylvania • st HealthSystem th Stouffer: (1) across from D section lounge on 1 floorHeart Parking near restrooms on Lippincott side; 4 floor in Class of 2003 Parents Andrew Institute Garage 30th StreetStation JFK Boulevard • New College House: (7) one on every floor Mutch Bldg Lounge; 5th floor near elevators in East Asia Section Filbert Street • High-Rises Medical 3100 3737 3711 3701 3665 3535 3501 3401 Arts J Bldg J • Rodin: (1) basement near restrooms 3615 Market Street• Harnwell: (2) 1st floor lounge near comp. lab and house office Market Street 3750 3700 3624 3550 3508 3500 3440 • Harrison: (1) near mailboxes on mezzanine 3600 University City ScienceCenter Ludlow Street• Sansom West: (1) lobby 4124Ludlow Ralston IRS House Axis 3335 Chestnut Garage • 4039 The St. -
Makeup-Hairstyling-2019-V1-Ballot.Pdf
2019 Primetime Emmy® Awards Ballot Outstanding Hairstyling For A Single-Camera Series A.P. Bio Melvin April 11, 2019 Synopsis Jack's war with his neighbor reaches a turning point when it threatens to ruin a date with Lynette. And when the school photographer ups his rate, Durbin takes school pictures into his own hands. Technical Description Lynette’s hair was flat-ironed straight and styled. Glenn’s hair was blow-dried and styled with pomade. Lyric’s wigs are flat-ironed straight or curled with a marcel iron; a Marie Antoinette wig was created using a ¾” marcel iron and white-color spray. Jean and Paula’s (Paula = set in pin curls) curls were created with a ¾” marcel iron and Redken Hot Sets. Aparna’s hair is blow-dried straight and ends flipped up with a metal round brush. Nancy Martinez, Department Head Hairstylist Kristine Tack, Key Hairstylist American Gods Donar The Great April 14, 2019 Synopsis Shadow and Mr. Wednesday seek out Dvalin to repair the Gungnir spear. But before the dwarf is able to etch the runes of war, he requires a powerful artifact in exchange. On the journey, Wednesday tells Shadow the story of Donar the Great, set in a 1930’s Burlesque Cabaret flashback. Technical Description Mr. Weds slicked for Cabaret and two 1930-40’s inspired styles. Mr. Nancy was finger-waved. Donar wore long and medium lace wigs and a short haircut for time cuts. Columbia wore a lace wig ironed and pin curled for movement. TechBoy wore short lace wig. Showgirls wore wigs and wig caps backstage audience men in feminine styles women in masculine styles. -
Ellie Dean Warren Pendleton Aug
Ellie Dean Warren Pendleton Aug. 29, 1930 ~ Jan. 8, 2021 If you noticed that the world felt a little less bright on Friday, January 08, 2021, it was because Ellie Dean Warren Pendleton (90) of Salt Lake City (SLC) — a compassionate soul with many talents and a phenomenal wit, embarked on her next adventure, rejoining her eternal companion, M. Keith Pendleton. Those who knew her called her by first name, of course, but also, she was Daughter, Granddaughter, Sister, Cousin, Wife, Mom, Aunt, Ellie Oma/Grandma, Great-grandma, Sister Pendleton, Mrs. Pendleton, and Teacher. When one of the aforementioned conditions didn’t fit — although she never allowed a silly thing like genetics from holding you back from using a familial term — you surely called her Friend. Ellie was born on August 29, 1930, in SLC to Charles Albert Warren and Effie Dean Woolley Warren. She had an enterprising single mom, one who moved the family multiple times in search of the best opportunities. This semi-nomadic experience influenced Ellie’s resiliency, ingenuity, and appreciation for diversity. As a five-year-old, she began cooking for her older brothers and performing household chores, so her mother could focus on working and providing necessities for their family unit. Ellie reported that her mother, who was a hair stylist, or beautician as the profession was known then, would experiment on her with the latest colors, bleaching, permanents (“perms”), and styles — some of which had less-than-ideal outcomes. Because her mother recognized Ellie’s natural beauty, she enrolled a young Ellie in an open casting for a movie production company that was looking for a child actress similar to Shirley Temple.