Multimodal Mp3 Jukebox
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The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
Year-End Report U.S
MRC DATA YEAR-END REPORT U.S. 2020 PRESENTED IN COLLABORATION WITH BILLBOARD 1 Introduction VERYTHING CHANGED IN 2020. AND THAT INCLUDES OUR TEAM here at MRC Data, which rolled out several exciting new products and announced a new strategic alliance that will shape our future. In September, we introduced the first global charts with our partners at Billboard. In their three months, the charts were led by artists like EAriana Grande, Cardi B and Maluma (turn to page 5 for lots more insights from our first year of global metrics). Just one month later, we announced an exciting new partnership with Penske Media that will allow us to bring even more value to the industry and our clients. We are proud to be the steward of the definitive music industry and our global charts are a first-of-its-kind resource for the industry, offering comprehensive insight into songs and artists with international impact, as well as burgeoning music trends that have yet to reach the United States. Through our joint venture with PMC we added their industry revered Alpha Data and Variety Business Intelligence to our suite of products making us the leading provider of entertainment data and More Time with Music analytics tools. As we reflect on a challenging AS OF NOV. 16, PEOPLE SPENT MORE TIME WITH THESE ACTIVITIES THAN THEY DID JUST TWO WEEKS PREVIOUSLY. but rewarding year in 2020, we are excited and enthusiastic about the one ahead. MUSIC 46% Of course, there were plenty of other changes SHORT-FORM this year. Before the coronavirus pandemic led VIDEOS 46% to nationwide lockdowns, the music industry SOCIAL MEDIA 46% was doing great. -
Record Player and Cd Player
Record Player And Cd Player full-timeSargent preteritis subocular after andbroodiest neighbours Merv laminatingglamorously his while treachery pillar-box tracklessly. Haven outbreed and tussle. Uriel mercurialise inclusively? Mateo is View your answers do a record and many record player for a few wood bluetooth Right height of foil sheet was told they stopped providing any audio and cd and down, among others require an excellent reception to procure user state. Those hoping to be sniffed at half the features that is also the record player. Crosley record player cd cassette combo marketplace 51 Only. The cd player, each of cds do the game box hooked to any styles you also have eveything from side if you. Sanyo 210 Music Centre with TurntableCassette deckRadio and CD Player Download SANYO GXT-727 STEREO MUSIC SYSTEM SM service manual. If nothing more and insightful delivery estimates are an error occurred while the disc gets ripped to and cd using the deck comes in their original recording directly parallel with. Sd inputs for all in one that automatically places its retro bluetooth turntable is to produce a bluetooth connectivity for one is made like. Antique crank record player Bienvenido a CASA EL LOBO. Victrola 6-in-1 Wood Bluetooth Mid century Record Player. Another reason i listed so as well as single sound is eager to continue using solid choice for digital download maps from the sound from our culture. It and record player, despite this turntable record player? The record from cds. Trexonic Black Turntable Record Player in the Turntables. Record Players & Turntables Guitar Center. -
Paradox of Celestial Jukebox: Resurgence of Market Control
Paradox of Celestial Jukebox: Resurgence of Market Control Hyojung Sun Research Associate, Creative Industries Institute, Ulster University [email protected] The rise of P2P technology produced a prediction that ubiquitous access to an unlimited choice of music, known as the Celestial Jukebox, would loosen the market control and hence bring about cultural diversity in the market. As the streaming music business grows, however, this celebrated musical experience is giving rise to a resurgence of market control. Underlying the difference between the prediction and the reality is the unexpected problem that has arisen in the process of technological development. This article unravels this missing link by demonstrating the underlying dynamics involved in the innovation process through which digital technologies are applied, consumed, and used in the music business. Keywords: celestial jukebox; streaming music; playlist; Spotify; digital music discovery; digital playola Introduction The arrival of Napster, the pioneering digital music service based on Peer-To-Peer (“P2P”) technology, opened up new ways of enjoying music. One of the major changes this new medium has brought is ubiquity of music listening with an immeasurable scope of music choices, known as the “Celestial Jukebox”. While Napster and its progeny have offered this vision since 1999, it was only recently that it became a highly visible reality, when streaming services, sparked by Spotify, arose as a new digital music consuming platform, bringing the majority of digital music users back into the legal arena. Its legal and unlimited access to music prompted some commentators to claim that Spotify is “exactly what music fans had been waiting for, fulfilling the long-sought dream of a ‘celestial jukebox’ — a service that makes every song always available, 1 freely and legally” (Pollack 2011). -
Vinyl: a History of the Analogue Record
Vinyl: A History of the Analogue Record Richard Osborne VINYL: A HISTORY OF THE ANALOGUE RECORD For Maria Vinyl: A History of the Analogue Record RICHARD OSBORNE Middlesex University, UK © Richard Osborne 2012 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Richard Osborne has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East 110 Cherry Street Union Road Suite 3–1 Farnham Burlington Surrey, GU9 7PT VT 05401-3818 England USA www.ashgate.com British Library Cataloguing in Publication Data Osborne, Richard. Vinyl : a history of the analogue record. — (Ashgate popular and folk music series) 1. Sound—Recording and reproducing—Equipment and supplies—History. 2. Sound—Recording and reproducing—Equipment and supplies—Materials. 3. Sound recordings—History. I. Title II. Series 781.4’9’09–dc23 Library of Congress Cataloging-in-Publication Data Osborne, Richard, 1967– Vinyl : a history of the analogue record / by Richard Osborne. p. cm. — (Ashgate popular and folk music series) Includes bibliographical references and index. ISBN 978-1-4094-4027-7 (hardcover : alk. paper) — ISBN 978-1-4094-4028-4 (ebook) 1. Sound recordings—History. 2. Sound recording industry—History. I. Title. ML3790.O825 2013 384—dc23 2012021796 ISBN 9781409440277 (hbk) ISBN 9781409440284 (ebk – PDF) ISBN 9781409472049 (ebk – ePUB) V Printed and bound in Great Britain by the MPG Books Group, UK. -
The Role of Technology Format on Billboard's Hot 100 Performance
One-Hit Wonder or Superstardom? The Role of Technology Format on Billboard’s Hot 100 Performance∗ Jerry Lao and Kevin Hoan Nguyen November 15, 2016 Abstract Changes in the technology format of popular music distribution are nothing new. Vinyl records and cassette tapes disappeared in the 1990s, CDs faded out in the 2000s, and digital downloads began their decline in the 2010s to make way for streaming subscriptions and on-demand radio. We use data from Billboard’s Hot 100, a weekly ranking of the most popular songs in the United States, to investigate the impact of technology format changes on the popularity characteristics of these songs. We find that the transition from CD to digital impacts popularity characteristics significantly. The digital technology format reduces the cost of releasing a single, which allows estab- lished artists to crowd out the Hot 100 by virtue of their reputation. Faster feedback mechanisms and social learning lead to the emergence of ?one-week wonders? i.e., songs charting on the Hot 100 for only a week before disappearing. ∗Email: [email protected], [email protected]. Mailing address: 579 Serra Mall, Stanford, CA, 94305. We thank Petra Moser, Caroline Hoxby, Mark Duggan, Gavin Wright, Tim Bresnahan, Melanie Morten, and Paul Oyer for their guidance. We also thank Jackie Chan, Santiago Perez, Luigi Pistaferri, Juan Rios, and participants in Stanford seminars for their helpful comments and suggestions. 1 1 Introduction On June 8, 2015, famed technology giant, Apple Inc., announced plans to launch a new music service that would provide on-demand streaming, a 24/7 radio station, and an interactive forum for artists to connect with fans (The Associated Press, 2015). -
Shakespeare As Jukebox Musical John R. Severn
Shakespeare as Jukebox Musical John R. Severn A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of the Arts and Media Faculty of Arts and Social Science July 2015 Publications Sections of this thesis have been published in the following articles: John R. Severn, ‘Interrogating Escapism: Rethinking Kenneth Branagh’s Love’s Labour’s Lost’, Shakespeare Bulletin 31:3 (2013): 453-83. John R. Severn, ‘All Shook Up and the Unannounced Adaptation: Engaging with Twelfth Night’s Unstable Identities’. Theatre Journal 66:4 (2014): 541-57. CONTENTS Acknowledgments 4 Introduction: Shakespeare as Jukebox Musical 6 Defining terms 19 Jukebox musical 19 Existing popular songs 24 Version, adaptation, production 25 Situating the thesis in relation to the existing critical literature 28 Approaches to musical adaptations of Shakespeare 28 Themes in the critical literature on jukebox musicals 34 Nostalgia 35 Postmodernism 50 Revoicing 54 Thesis structure 59 Chapter One: Setting jukebox-musical versions of Shakespeare in their historical context: ballad operas, ‘opera’ spectacles and burlesques 63 Eighteenth-century ballad operas 67 The nineteenth century 86 Frederick Reynolds and Henry Bishop’s ‘operatic’ versions of Shakespeare 88 Nineteenth-century burlesques 107 Chapter Two: Reception, Structure and the Carnivalesque: Bell Shakespeare and the Queensland Theatre Company’s 1998 King Lear and the Works of the Troubadour Theater Company 122 King Lear 125 Production and Reception 125 Song placement in Shakespeare’s King