Literacy Through Cooking: Upper Key Stage Two

Total Page:16

File Type:pdf, Size:1020Kb

Literacy Through Cooking: Upper Key Stage Two LITERACY THROUGH COOKING: UPPER KEY STAGE TWO Cooking is a fantastic way to support teaching and learning within this age group. These contexts show how you can use various different types of texts alongside cooking activities, supporting key points of the curriculum. THE CONTEXT: WRITE IN STYLE Food writing is all around us, and the chefs, celebrities and food journalists behind the writing all use a different style and tone. Gather a range of recipe books or articles that focus on making a specific dish (eg a tomato-based sauce) then follow the instructions to make the recipe. Consider how successful each style of writing is. Use an instructional text These include recipes, technical manuals, non-fiction texts, timetable or map directions, lists of rules, posters, notices, signs, instructions on packaging and instruction leaflets. Here are some possible authors to consider: Nigel Slater Valentina Harris • Food descriptions linked to emotion • Organised by region • Uses rough quantities • Notes about region and agriculture • Glossy photos • Words and phrases in another • Emphasis on flavour and texture language Delia Smith Madhur Jaffrey • Prose rather than step by step • Info on how food is eaten in India • Serving suggestions • Suggested recipe combinations • Asides to the reader • Spice glossary and illustrations Jamie Oliver • Casual, uses slang • Personal anecdotes • Links to his TV shows www.jamieoliver.com/jamies-30-minutes-meals THE ACTIVITIES • In style: Explore authorial style and the use of oral and written language • Go compare: Look at a range of cookbooks and TV cooking shows to compare and contrast the styles and presentation of information • Star features: Use your findings to draw up a checklist of features that make cookbooks and food shows effective • Steal their style: Choose an author’s style and use it as a model for speaking and writing – eg a TV-style chef presentation using a video camera / writing up new recipes WWW.FOCUSONFOOD.ORG THE CONTEXT: FOOD MILES In today’s global society, our food is rarely homegrown. This activity offers the chance to find out where our foods are from and the distance they’ve travelled. It also gives you the chance to discuss sustainability, supporting local producers and growing your own fruit and veg. Use a persuasive text Examples of persuasive texts include advertisements, posters or fliers, book blurbs, newspaper or magazine articles, letters eg to the editor or editorial, propaganda leaflets, catalogues, travel brochures and political manifestoes. Here is a great text for this activity that allows you to follow the journey of a banana: • https://www.oxfam.org.uk/education/resources/go-bananas THE ACTIVITIES • A multinational meal: Focus on one recipe to make in class and investigate where all the ingredients have come from (remember one ingredient may contain parts from more than one country) • Map it out: Label maps to show the journey of particular foods • Headline news: Write a newspaper article to express your concern about increasing food miles. Choose examples to help make your point clearly and suggest helpful ideas to inspire us all to help cut food miles WWW.FOCUSONFOOD.ORG THE CONTEXT: WASTE NOT, WANT NOT Food waste is a growing problem in today’s society, but there are plenty of ways to avoid food you’ve bought or grown going to waste. Compare modern and traditional ways to make the most of foods produced throughout the year. Some ideas include jellies and jams; butter and cheese; salting, smoking and curing; preserving in fat eg confit; bottling; freezing; canning; clamping; and freezing. Use a report or information text Examples of report texts include information leaflets, school website pages, visitor guidebooks, magazine or newspaper articles, non-fiction books, encyclopedia entries, letters and catalogues. Suggested texts for this context include: • BBC programme Victorian Farm • Cookbooks – old and new (ask grandparents to donate books) • River Cottage Handbook No. 2, Preserves, Pam Corbin THE ACTIVITIES • Read up: Read a range of cookbooks and information sources about preserving food • Write idea: Write an information text on preserving, featuring recipes and instructions • Healthy profits: Preserve produce from the school garden and sell it at the school fair or farmers’ market THE CONTEXT: WORLD FOOD Food is an integral part of every culture – so the world offers us a wealth of food attitudes, flavours and differences to explore. Why not focus on the food of a particular country or group of countries and their food? Suggested texts • Cookbooks and travel guides related to particular countries • COOK SCHOOL website and app (www.focusonfoodcookschool.co.uk) THE ACTIVITIES • Countryfile: Focusing on a country, investigate the differences in attitudes to food, food availability, cultural significance of food and seasonal and regional variations • School dinners: Compare school meals in different countries to ours • Taste of culture: Cook and try a variety of recipes from the country being studied WWW.FOCUSONFOOD.ORG THE CONTEXT: FOOD ADDITIVES Many of our favourite food products (eg tomato ketchup, jams, fish fingers, cereals) contain added salt, sugar and colouring – and we might not even know it’s there. Discuss cause and effect and what can happen if we have too much salt, sugar or colouring in our diets. Suggested explanation texts Examples of explanation texts include: Q&A articles and leaflets, letters, part of a newspaper article, encyclopedia entries, non-fiction texts, textbooks, conclusion to science experiments, technical manuals. A good text to start with is: • Food and Farming – from farm to table by R&S Spilsbury THE ACTIVITIES • Food detective: Find out the salt and sugar content of popular foods by looking at the ingredients on the label and watch out for ‘secret’ names for sugar (such as sucrose and fructose) and salt (such as sodium and monosodium glutamate) • Recipes reworked: Create your own low-salt or low-sugar version of a popular product (eg tomato ketchup) and design packaging to promote its health benefits • Traffic lights: Compare the nutritional profiles of different shop-bought products and compare the traffic lights to Focus on Food recipes • Ask the experts: Jigsaw activity to read texts and discuss in expert group and then feedback to the main group • Educate everyone: Produce Q & A health education leaflets based on your findings • Spot the difference: Create charts showing a comparison between factory products and home-grown or home-prepared foods TIP: Find recipes online at www.focusonfoodcookschool.co.uk or order a Skill Up, Start Cooking pack at www.focusonfood.org WWW.FOCUSONFOOD.ORG.
Recommended publications
  • Donna Lee Brien Writing About Food: Significance, Opportunities And
    Donna Lee Brien Writing about Food: Significance, opportunities and professional identities Abstract: Food writing, including for cookbooks and in travel and food memoirs, makes up a significant, and increasing, proportion of the books written, published, sold and read each year in Australia and other parts of the English-speaking world. Food writing also comprises a similarly significant, and growing, proportion of the magazine, newspaper and journal articles, Internet weblogs and other non-fiction texts written, published, sold and read in English. Furthermore, food writers currently are producing much of the concept design, content and spin-off product that is driving the expansion of the already popular and profitable food-related television programming sector. Despite this high visibility in the marketplace, and while food and other culinary-related scholarship are growing in reputation and respectability in the academy, this considerable part of the contemporary writing and publishing industry has, to date, attracted little serious study. Moreover, internationally, the emergent subject area of food writing is more often located either in Food History and Gastronomy programs or as a component of practical culinary skills courses than in Writing or Publishing programs. This paper will, therefore, investigate the potential of food writing as a viable component of Writing courses. This will include a preliminary investigation of the field and current trends in food writing and publishing, as well as the various academic, vocational and professional opportunities and pathways such study opens up for both the students and teachers of such courses. Keywords: Food Writing – Professional Food Writers – Creative and Professional Writing Courses – Teaching Creative and Professional Writing Biographical note Associate Professor Donna Lee Brien is Head of the School of Arts and Creative Enterprise at Central Queensland University, and President of the AAWP.
    [Show full text]
  • Using Regional Food Memoirs to Develop Values-Based Food Practices
    BRIEN AND MCALLISTER — “SUNSHINE HAS A TASTE, YOU KNOW” “SUNSHINE HAS A TASTE, YOU KNOW” Using regional food memoirs to develop values-based food practices Donna Lee Brien Central Queensland University Margaret McAllister Central Queensland University Abstract Alongside providing a source of entertainment, the growth in food media of all kinds reflects a genuine consumer interest in knowing more about food. While there is culinary information available that serves to educate in relation to food-related practices (shopping, food preparation, cooking, eating out) in ways that can serve to build confidence and enthusiasm, we propose that, in order for new food practices to be not only adopted, but sustained, consumers need to hone and develop personal values that will complement their technical and practical knowledge. This is the marrying of evidence-based and values-based practice that makes for sustained change in personal habits and practices (Fulford 2008). This discussion proposes that regional food memoirs – and specifically those by food producers – can arouse interest and curiosity, build knowledge in regional food systems, and connect consumers to food Locale: The Australasian-Pacific Journal of Regional Food Studies Number 5, 2015 —32— BRIEN AND MCALLISTER — “SUNSHINE HAS A TASTE, YOU KNOW” producers and production. This, we propose, can activate consumers to develop and embed the kind of learning that reinforces a belief in the need to be an ‘authentic consumer’. An authentic consumer is one who knows themselves, their own needs and desires, and makes choices consciously rather than automatically. It follows that an authentic food consumer is engaged with their local food systems and aware of the challenges that confront these systems.
    [Show full text]
  • Food Writing 2222G Section
    Food Writing 2222G Section: 001 Time/Room: Mondays 12:30 – 3:30 p.m. Instructor: Melanie Chambers Email: [email protected] Office: Lawson Hall 3270 Office hours: Tuesdays 10:00-12:00 p.m. Writing 2222G 001 Special Topic: Creative Writing: Food Writing Western University Course description: Food writing touches many genres of writing: it is part memoir, history, reporting, biography and narrative. This course will teach students how to write these various genres while emphasising the trends (slow food, organics, local), politics (trans fats, genetically modified food) and the culture of food. Students will also develop specific research methods to understand the history and future of our food systems. Required Texts: Best Food Writing 2016, Edited by Holly Hughes Kitchen Confidential, by Anthony Bourdain Recommended Texts: On Writing Well, by William Zinsser First draft Final Draft Worth Memoir Jan 22 Jan 29 25% Blog 1) Feb 12 April 2 30% 2) March 12 Rest. Review March 19 Submit @12 25% Food Trend ongoing 10% Presentation Vocabulary 1) Feb 5 10% quizzes/Readings 2) March 5 Peer editing: You will notice that every assignment, except the pre-trip assignment, requires a first draft, which will be used for in-class editing purposes. The first due date is when the peer edit draft is due. Every peer edit workshop requires THREE copies of your work. The purpose of this is to mimic the editor and writer relationship that exists in a 'real world' scenario. Editing and rewriting are critical to improving and sculpting a story for publication. As an editor, you will learn to critique and help shape fellow students' work and as a writer, you must get used to adopting and/or rejecting editing comments and concerns.
    [Show full text]
  • Food Writers New Zealand HANDBOOK Writing WRITING
    Food Writers New Zealand HANDBOOK writing WRITING COMPANY STYLE Food writers need to match the style of their prose to the type of publication they are writing for – whether it is for magazines, blogs, newspaper features and columns, cookbooks, brochures, leaflets, packaging, advertising copy, online features and more. If the work is commissioned, the requirements and the style expected should be ascertained and agreed to before starting work. Most companies and publications will have a style guide to follow, in order to give uniformity and continuity. Space and style often determine recipe writing, and this in turn determines the method of writing and layout. Note essential points before commencing work and follow these carefully. Wherever possible the food writer should be involved at the planning stage of any work. Size, format, style and emphasis of all content should be established before commencing writing. Style should remain consistent throughout all writing, especially in books, and when material comes from different sources. CHECKING THE RECIPE The unwritten law for food writers is never to publish a recipe that has not been made by you or someone in whom you have total faith. Where a writer is dependent on handout material they should check its reliability by preparing the recipe. Prepare the recipe initially as written. Repeat this test. If the results differ, prepare a third time. If the result is satisfactory the recipe can be used as is, otherwise modifications will need to be made and the testing procedure repeated. Failure to follow this procedure potentially leaves the writer in a position where their credibility is suspect.
    [Show full text]
  • The Best 25 the Best of the Best - 1995-2020 List of the Best for 25 Years in Each Category for Each Country
    1995-2020 The Best 25 The Best of The Best - 1995-2020 List of the Best for 25 years in each category for each country It includes a selection of the Best from two previous anniversary events - 12 years at Frankfurt Old Opera House - 20 years at Frankfurt Book Fair Theater - 25 years will be celebrated in Paris June 3-7 and China November 1-4 ALL past Best in the World are welcome at our events. The list below is a shortlist with a limited selection of excellent books mostly still available. Some have updated new editions. There is only one book per country in each category Countries Total = 106 Algeria to Zimbabwe 96 UN members, 6 Regions, 4 International organizations = Total 106 TRENDS THE CONTINENTS SHIFT The Best in the World By continents 1995-2019 1995-2009 France ........................11% .............. 13% ........... -2 Other Europe ..............38% ............. 44% ..........- 6 China .........................8% ............... 3% .......... + 5 Other Asia Pacific .......20% ............. 15% ......... + 5 Latin America .............11% ............... 5% .......... + 6 Anglo America ..............9% ............... 18% ...........- 9 Africa .......................... 3 ...................2 ........... + 1 Total _______________ 100% _______100% ______ The shift 2009-2019 in the Best in the World is clear, from the West to the East, from the North to the South. It reflects the investments in quality for the new middle class that buys cookbooks. The middle class is stagnating at best in the West and North, while rising fast in the East and South. Today 85% of the world middleclass is in Asia. Do read Factfulness by Hans Rosling, “a hopeful book about the potential for human progress” says President Barack Obama.
    [Show full text]
  • [Food for Thought (Series): Ep. 1 the Legacy of French Cooking] Intro
    [Food for Thought (Series): Ep. 1 The Legacy of French Cooking] Intro: You’re listening to Death and Numbers, a podcast created by the Humanities Media Project in the College of Liberal Arts at the University of Texas at Austin. Today we crack open two cookbooks to ask: when did French cuisine become synonymous with fine dining? Introductory music - theme “music” of Julia & Jacques cooking at home A: I’m Amy Vidor. C: And I’m Caroline Barta. A: This episode explores questions Caroline and I often ask each other, such as: How can collaboration impact the success of a project? How can learning benefit from shared labor? C: Our first episode in the series, “Food for Thought,” examines how food writing shapes cultural transmission. For today’s story, we begin in 1651... [Pause] A: ...with the publication of Le Vray Cuisinier François (The French Cook) by François Pierre de la Varenne. C: La Varenne’s cookbook established modern French cuisine and helped launched the home cook. In his preface, La Varenne writes, (quote) Dear Reader, in recompense all that I would ask of you is that my book be for you as pleasurable as it is useful (unquote). A: La Varenne presents a shocking concept for the 17th century reader: the notion of cooking as fun. The wording of the preface signals that La Varenne may have written this book to encourage cooking as a leisure activity, rather than a professional endeavor. [Pause] C: What changes with La Varenne, and those that follow him, is access. Before the 1600s, cooking was a carefully protected set of skills, monitored by guilds.
    [Show full text]
  • Foodies Democracy and Distinction in the Gourmet Foodscape Second Edition by Josée Johnston and Shyon Baumann
    Foodies Democracy and Distinction in the Gourmet Foodscape Second Edition By Josée Johnston and Shyon Baumann Table of Contents – In Brief Preface Acknowledgments Introduction: Entering the Delicious World of Foodies Chapter 1. Foodies, Omnivores and Discourse Chapter 2. Eating Authenticity Chapter 3. The Culinary Other: Seeking Exoticism Chapter 4. Foodie Politics: This is one delicious revolution! Chapter 5. Class and its Absence Chapter 6. Caring about Food: Doing Gender in the Foodie Kitchen Co-Authored by Kate Cairns Conclusion. Foodie Continuity, Change, and Moral Ambiguity Table of Contents – In Detail Introduction: Entering the Delicious World of Foodies I. The Fall of the French: A Historical Perspective on De-sacralization II. The Contemporary Gourmet Foodscape: Foodies and Inequality III. Key Features of the Gourmet Foodscape: Taste and Trends i. Local, Organic, Sustainable ii. Ethnic Foods, Exotic Flavors iii. Gourmet, Speciality, Artisanal Ingredients IV. Chapter Overview Chapter 1. Foodies, Omnivores, and Discourse I. An Introduction to the Study of Food and Taste II. Discourse, Democracy and Distinction i. Food Writing ii. Food Television and Celebrity Chefs III. What is a “Foodie”? i. Interviews with Foodies Chapter 2. Eating Authenticity I. Unpacking Authenticity II. Dimensions of Authentic Food i. Geographic Specificity ii. Simplicity iii. Personal Connection iv. History and Tradition v. Ethnic Connection III. The Cultural Politics of Authenticity Chapter 3. The Culinary Other: Seeking Exoticism I. Culinary Colonialism? II. Culinary Cosmopolitanism? III. Operationalizing Exoticism i. Exoticism as Distance ii. Exciting Food: Food the Breaks Norms Chapter 4. Foodie Politics: This is One Delicious Revolution! I. Political Eating: A Historical Perspective II. Competing Ideologies in Foodie Politics III.
    [Show full text]
  • The French Migrant and French Gastronomy in London (Nineteenth to Twenty-First Centuries)
    A Migrant Culture on Display: The French Migrant and French Gastronomy in London (Nineteenth to Twenty-First Centuries) Debra Kelly Oh, Madame Prunier, you give us fishes which we wouldn’t dream of eating anywhere; you call them by a funny French name, and we all adore them! (Prunier 2011, x–xi) Que se passe-t-il dans une assiette? Que retrouve-t-on qui exprime des idées, fasse sens et permette un message? Quelle est la nature de cette matière à réflexion? Quelle emblématique pour l’empire des signes culinaires? (Onfray 156)1 French Food Migrates to London: The French Migrant and London Food Culture2 In his social history of ‘eating out’ in England from the mid-nineteenth century to the turn of the twenty-first, John Burnett discusses thediffusion 1 Translation: ‘What happens on a plate? What is found there which may express ideas, make meaning, formulate a message? What is the nature of this material for reflection? How can the empire of culinary signs be symbolised’? The philosopher Michel Onfray is making explicit reference to Barthes’s L’Empire des signes (1970), and implicit reference to Barthes’s methods of analysing cultural myths, their construction and circulation. These methods also underlie the approach taken in this article to representation and meaning. 2 This article explores some of the preliminary research for a larger project which uses French cuisine as the lens through which to analyse the French (and Francophone) experience in the British capital, historically and in the contemporary city: ‘being’ French in London. It considers French culinary knowledge and practice at work in the city as a material form of identity, of culture and of cultural capital and examines its place in London’s constantly evolving culinary landscape: ‘eating’ French in London.
    [Show full text]
  • PDF-1 5 May/June 2019 2019 May/June Cedrus Libani
    MAY JUNE 2019 6 Cedrus libani Forever? 14 Astrolabe 8SJUUFOBOEQIPUPHSBQIFECZ Sheldon Chad Tech Made … The cedars of Lebanon are symbols of the country itself, a living metaphor of both majestic Not So Easy beauty and endurance that has been tested by empire after axe-wielding empire. But few 8SJUUFOCZ Lee Lawrence cedars remain, and their survival is challenged by warming temperatures and the insects that 1IPUPHSBQITBOEWJEFPCZ David H. Wells follow. Reforestation is bringing new trees to higher, colder altitudes as activists work to *MMVTUSBUJPOTCZ Ivy Johnson extend preserves and biologists look to genetics for adaptations. Even our author pitches in and volunteers a handful of 24-year-old cedar seed cones for analysis—all to keep Cedrus libani About the size of a tablet computer, growing in the hills as well as in the hearts of Lebanon. astrolabes were tools of astronomers, surveyors and navigators, to name a few. But using them took a lot more than typing, tapping and swiping. OnlineCLASSROOM GUIDE 2FIRSTLOOK 4FLAVORS We distribute AramcoWorld in print and online to increase cross-cultural understanding by broadening knowledge of the histories, cultures and geography of the Arab and Muslim worlds and their global connections. aramcoworld.com Front Cover:&BDIBTUSPMBCFTGSPOUQMBUFJTFUDIFEXJUIMJOFTUIBUIFMQDBMDVMBUFTVOSJTF May/June 2019 TVOTFUBOEDFMFTUJBMDPPSEJOBUFTCZSPUBUJOHUIFDBMJCSBUFESFUFPWFSUIFN1IPUP"MBNZ Vol. 70, No. 3 /BWBM.VTFVNPG.BESJE Back Cover:*OUIFNPVOUBJOTPG-FCBOPO DFEBSTEFQFOEPOUIFDPMEPGXJOUFSUPCSFBLPQFO UIFJSTFFET1IPUPCZ(FPSHF"[BS
    [Show full text]
  • Remembering, Eating, Cooking, and Sharing: Identity Shaping Activities in Ethnic American
    Remembering, Eating, Cooking, and Sharing: Identity Shaping Activities in Ethnic American First-Person Food Writings by Kellie J French November, 2014 Director of Thesis: Su-ching Huang Major Department: English During the past couple of decades, the topic of food and identity has become the subject of increased academic inquiry and scholarly pursuit. However, despite this increased attention, it is still more common to find interpretations of the food that appears in fictional writings than to find critical examinations of creative nonfiction works whose entire thematic focus is food. First-person food writings, like other forms of literature, are not only aesthetically pleasing, they have the power to evoke emotional and psychological responses in their readers. More specifically, ethnic American food memoirs and essays explore important twenty-first century questions concerning identity and the navigation of hybridity. This thesis considers some of these questions through an investigation of three specific food-related acts in five separate literary works: Remembering in “Cojimar, 1958,” from Eduardo Machado’s book, Tastes Like Cuba: An Exile’s Hunger for Home, and “Kimchi Blues,” by Grace M. Cho; eating in “Candy and Lebeneh,” part of Diana Abu-Jaber’s The Language of Baklava, and “Eating the Hyphen” by Lily Wong; and cooking in Shoba Narayan’s “A Feast to Decide a Future” and “Honeymoon in America,” part of her food memoir, Monsoon Diary. REMEMBERING, EATING, COOKING, AND SHARING: IDENTITY CONSTRUCTING ACTIVITIES IN ETHNIC AMERICAN FIRST-PERSON FOOD WRITINGS A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree M.A.
    [Show full text]
  • Foodie’ and the Role of Mass Media
    City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2015 Cooking Class: The Rise of the ‘Foodie’ and the Role of Mass Media. Kathleen Collins CUNY John Jay College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/126 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Cooking class: The rise of the “foodie” and the role of mass media Introduction In the U.S. there are two cable TV networks dedicated wholly to food and cooking. In 2012, the Food Network had a nightly average of 1.1 million viewers.1 Small kitchen appliance expenditures continue to increase, 2 and despite the demise of the venerable Gourmet Magazine in 2009, there are hundreds of print magazines and countless blogs to refer to when looking for recipes or food writing. These and many other indicators seem to incontrovertibly charge Americans with being a nation consumed, as it were, with food. But what does this evidence tell us? Is interest in food a modern day phenomenon? Does all of this consumption around the subject mean that we are cooking more than ever before? While there is a plethora of popular media on the topic of food, here we can observe the topic – especially the phenomenon of food television – from a more critical vantage point and ask some basic but perhaps ultimately complex questions in order to illuminate the role of “mediated” food in our modern lives.
    [Show full text]
  • CAMERA! ACTION! COOK! Dames with TV Cooking Shows
    SPRING 2020 CAMERA! ACTION! COOK! Dames with TV Cooking Shows JOANNE WEIR MARY ANN ESPOSITO (San Francisco) (Boston) Plates and Places Ciao Italia PATI JINICH CHING HE HUANG (Washington, D.C.) (London) Pati’s Mexican Table Chinese Food Made Easy ALSO INSIDE ... LEGACY REPORTS | NEW ORLEANS & HAWAII FUNDRAISERS | TRENDS | LDEI BOARD IN NASHVILLE Thanks to Judith McDonough and the Boston Chapter! We want to acknowledge our appreciation of Judith McDonough and her Mariposa Fine Wine & Spirits and the Boston Dames for their contribution to the Nashville Conference. FROM THE EDITOR The Year of Seeing 20/20 SPRING 2 O20 As opposed to Y2K when the world worried about computers going haywire as 2000 rolled over, this twentieth year of the mil- lennium should be the year of seeing clearly: 20/20. One of the great benefits of vision is IN THIS ISSUE putting two and two together and seeing things happen. FEATURES A picture may be worth 1,000 words, but a moving Dames with TV Cooking Shows picture on TV screens com- 4 bines words and actions to create a visual learning experi- 10 New York Culinary Melting Pot ence. In the culinary world, cooking shows on TV can be At left, Dolores Kostelni 14 LDEI Blueprint Moving Forward the ultimate visual “how to.” (Washington, D.C.) appeared on The year 2020 is what gave CiCi Williamson’s TV show, The Best of Virginia Farms. Tragically, 16 LDEI Board Meets in Louisville me the idea to feature Dames Dolores was later killed in a who star in TV cooking Charlottesville, Virginia, crosswalk 18 Legacy Awards Winners Reports shows.
    [Show full text]