DOCSLIB.ORG

Korea Institute Newsletter 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Korea Institute Newsletter 2016 Korea Institute Newsletter J U N E 2 0 1 6 IN THIS ISSUE: Pictori Online Media Library Pictori Media 1 (http://pictori.net) Library Director’s foreword 2 2015-2016 ANU 3 Korea Institute Events Transnational 11 Humanities for Korean Studies Project ANU Korea Institute 14 Members Update “Japanese Goodwill Mission to Korea” “Young lady in a palanquin” 1900s 1910 New Faculty 16 Members The Pictori Online Media Library was developed by Dr Roald Maliangkaij, with the support of a generous grant from the Academy of Korean ANU-Hanyang 17 Studies in order to provide the public with a free and valuable resource University Exchange to see Korea, old and new. Korea-related media are often hidden in libraries and private collection around the world. In late 2011, the ANU’s Postgraduate 17 Korea Institute created an online media library with the vision of Students overcoming problems of accessibility and cost sometimes associated with sourcing maps and images of Korea. Teaching and 22 Learning: Korean Studies at ANU and This unique resource of the ANU Korea Institute provides students, abroad academics, and the general public with access to an online collection of Korea-related media. The online media library allows users to share and Graduate and 26 Alumni Activities browse images, both old and recent, and hosts digital images of rare and valuable materials from the growing Korea Institute collection. Research 28 Contributions from users, in the form of photographs, digital scans of Achievements transparent slides, posters, postcards and maps are all very welcome. Upcoming Events 32 In 2015-2016, Dr Maliangkaij has continued to expand the online media library and improve the functionality of the Pictori website with the assistance of Katie Hayne. Changes have been made to the website in order to follow up on very helpful comments from the Academy of Korean Studies and the international Korean studies community. Feedback and contributions are warmly welcomed. If you would like to contribute to the online media library, please contact the ANU Korea Institute. 1 ANU Korea Institute Director’s Foreword Director’s Foreword Professor Hyaeweol Choi 2015-2016 has been a very productive year for the Korea Institute and its affiliates. We have hosted a series of public lectures and international conferences, and our affiliated faculty and students have had significant accomplishments over the past year. We are in the final year of the five-year grant (2011-2016) from the Academy of Korean Studies as a Core University Program of Korean Studies. Thanks to this generous grant, the ANU Korea Institute has been able to take numerous initiatives in research, teaching and outreach under the broad theme of “transnational humanities in Korean Studies.” The focus on transnationality aimed to take advantage of the unique position ANU holds in regard to Asian studies with its location in the region and the world-class expertise it attracts. In the AKS project, our first and foremost important goal has been to train and mentor undergraduate and postgraduate students. The grant has enabled us to create new courses for our undergraduate curriculum. It has also funded scholarships for two PhD students and four MA/MPhil students. The research topics of these scholarship recipients are very diverse, ranging from North Korea diaspora in Northeast Asia and the role of transpacific network in Korean democracy movements in the 1970s to organic farming movements in South Korea, English language education and 16th century literati culture and writing. The AKS project has also supported four ongoing research projects that are transnational in scope and transdisciplinary in method. They include: ‘A New Modern History of Women in Korea: A Transnational Approach’; ‘Grassroots Cross-Border Cooperation in Northeast Asia: Korea’s Role as a Network Hub’; ‘The Man in the Middle: The Korean Wave and Masculinities in China’; and ‘Red Love in the Global 1930s.’ These research projects have yielded a number of book publications and journal articles and helped the Institute and its affiliates build a scholarly network that goes beyond Korean studies. I’d like to make a special note on the creation and development of the Media Library, which was another core component of the AKS project. Proposed and developed by Roald Maliangkay, the Media Library is an online archive with a vast collection of images of Korea, some quite rare. It is available world-wide as a resource for teaching and research. This will be a lasting legacy from the grant. The site will continue to be open as a repository that is continually enriched with more images and other media, and we believe it will be of tremendous value not only for students and scholars but also for anyone who is interested in Korean history, society and culture. The AKS grant has also provided us with the funding to hold six international conferences, thirty nine public lectures to date, and an artist-in-residence program that hosted practitioners and performers from a variety of arts. The events that the AKS grant supported offered fascinating and compelling insights that have greatly enriched the mind and heart of the ANU community. On behalf of the members of the ANU and the Korea Institute, I would like to thank all of the visiting scholars and artists who shared their research and creative works and provided invaluable mentoring to our students. Finally, but not least, I would like to thank the AKS project members, Roald Maliangkay, Tessa Morris-Suzuki, Ruth Barraclough, Geng Song, Daniel Chua, Catherine Hallett, and Orion Lethbridge. Their dedication, collegiality and wisdom have made the period of the grant a wonderfully productive, exciting and enjoyable time to be engaged in Korean Studies at ANU. 2 2015 -2016 ANU Korea Institute Events ‘My Love, Don’t Cross That River’ Special screening and Q&A with Director Moyoung Jin On Saturday 1 August 2015, the Korea Institute hosted Moyoung Jin for a special screening of the moving and award-winning documentary ‘My Love, Don’t Cross That River’ (Nim-a, keu kangeul keonneojimao). The documentary follows a year in the lives of Jo Byeong-man and Kang Kye-yeol, a couple living in rural South Korea who had been married for 76 years. The screening was followed by a Q&A session; a unique opportunity for audiences to get up close and personal with the film’s creator. This film set a new record for highest-grossing documentary at the Korean box office, and captivated the hearts of international audiences, winning the Audience Award at the DMZ International Documentary Film Festival, and Best Independent Film at the 6th KOFRA Film Awards in 2014, and the Documentary Award at the 21st Los Angeles Film Festival in 2015, among many other nominations. In Australia in 2015, it screened at the Sydney Film Festival, the Melbourne International Film Festival, and ANU. Korean Traditional Music Orchestra of the Blind On 22 July 2015, the Korea Institute hosted the Korean Traditional Music Orchestra of the Blind for a beautiful and inspiring performance at Llewelyn Hall in the ANU School of Music. King Sejong reigned from 1418-1450, and is regarded as one of the greatest kings in Korean history. In the time of King Sejong, as members of the Court Music Institute, blind musicians held official posts and performed for various court ceremonies and rituals. This tradition continued until the end of the Joseon dynasty (1392-1897). Seeking to revive it, the Siloam Centre for the Blind founded the Korean Traditional Music Orchestra of the Blind with support of the Ministry of Culture, Sports and Tourism of Korea in 2011. The orchestra has performed in the United States, Canada, Japan, Korea and now Australia. The performance included Korean traditional court music, folk music and creative music performance. 3 2015-2016 ANU Korea Institute Events Culture and Everyday Life in North Korea Co-sponsored by Columbia University The Culture and Everyday Life in North Korea Conference was hosted by the ANU Korea Institute, and co-sponsored by the Centre for Korean Research at Columbia University. Building upon a 2014 workshop at Columbia University, this meeting was an international gathering of scholars who work on North Korean history, culture and everyday life. Each participant’s research drew upon a particular archive – film libraries, Soviet archives, magazine issues, captured documents, literary works, architectural history and the built environment, memoirs and autobiographies – to furnish the project with a wide-ranging collection of sources and settings within which to approach the study of North Korean culture and society. The aim was to creative a highly interactive space that allowed participants to circulate their work as discussion pieces, and closely engage with different approaches to the study of and writing about North Korea. In the first session, Fashioning New Women, Dr Dima Mironenko (Yale University, pictured left) considered the ways in which North Korean women were treated by official discourse in North Korea in the 1960s. Professor Hyaeweol Choi joined him as discussant (bottom left). In the second session, Dr Cheehyung Harrison Kim (University of Missouri, pictured right) presented War Orphans, Capitalist Family, and Postwar North Korea’s State Form as Exchange, joined by Dr Yasuko Kobayashi (ANU, bottom right) as discussant. In the third session, Postmodern Pyongyang: North Korea’s Transformation through its Changing Built Environment, Professor Charles Armstrong (Columbia University, pictured left) examined the visual transformation of North Korea’s capital city . Professor Tessa Morris-Suzuki (ANU, bottom left) joined him as discussant. Dr Ruth Barraclough (bottom centre) then presented Banishment in the Soviet Republics: Vera Khan, the story of the life of an international socialist reformer, with Dr Ksenia Chizhova (ANU, bottom right) as discussant.
Load more

Recommended publications
  • The University of Chicago Tears in the Imperial Screen
    THE UNIVERSITY OF CHICAGO TEARS IN THE IMPERIAL SCREEN: WARTIME COLONIAL KOREAN CINEMA, 1936-1945 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF EAST ASIAN LANGUAGES AND CIVILIZATIONS BY HYUN HEE PARK CHICAGO, ILLINOIS AUGUST 2017 TABLE OF CONTENTS Page LIST OF TABLES ...…………………..………………………………...……… iii LIST OF FIGURES ...…………………………………………………..……….. iv ABSTRACT ...………………………….………………………………………. vi CHAPTER 1 ………………………..…..……………………………………..… 1 INTRODUCTION CHAPTER 2 ……………………………..…………………….……………..… 36 ENLIGHTENMENT AND DISENCHANTMENT: THE NEW WOMAN, COLONIAL POLICE, AND THE RISE OF NEW CITIZENSHIP IN SWEET DREAM (1936) CHAPTER 3 ……………………………...…………………………………..… 89 REJECTED SINCERITY: THE FALSE LOGIC OF BECOMING IMPERIAL CITIZENS IN THE VOLUNTEER FILMS CHAPTER 4 ………………………………………………………………… 137 ORPHANS AS METAPHOR: COLONIAL REALISM IN CH’OE IN-GYU’S CHILDREN TRILOGY CHAPTER 5 …………………………………………….…………………… 192 THE PLEASURE OF TEARS: CHOSŎN STRAIT (1943), WOMAN’S FILM, AND WARTIME SPECTATORSHIP CHAPTER 6 …………………………………………….…………………… 241 CONCLUSION BIBLIOGRAPHY …………………………………………………………….. 253 FILMOGRAPHY OF EXTANT COLONIAL KOREAN FILMS …………... 265 ii LIST OF TABLES Page Table 1. Newspaper articles regarding traffic film screening events ………....…54 Table 2. Newspaper articles regarding traffic film production ……………..….. 56 iii LIST OF FIGURES Page Figure. 1-1. DVDs of “The Past Unearthed” series ...……………..………..…..... 3 Figure. 1-2. News articles on “hygiene film screening” in Maeil sinbo ….…... 27 Figure. 2-1. An advertisement for Sweet Dream in Maeil sinbo……………… 42 Figure. 2-2. Stills from Sweet Dream ………………………………………… 59 Figure. 2-3. Stills from the beginning part of Sweet Dream ………………….…65 Figure. 2-4. Change of Ae-sun in Sweet Dream ……………………………… 76 Figure. 3-1. An advertisement of Volunteer ………………………………….. 99 Figure. 3-2. Stills from Volunteer …………………………………...……… 108 Figure.
    [Show full text]
  • Yun Mi Hwang Phd Thesis
    SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree.
    [Show full text]
  • Published 26 February 2019 LKFF 2018
    1–25 NOVEMBER LONSM_350_ .pdf 1 2018. 8. 22. �� 8:48 It is my pleasure to introduce to you the 13th instalment of the London Korean Film Festival, our annual celebration of Korean Film in all its forms. Since 2006, the Korean Cultural Centre UK has presented the festival with two simple goals, namely to be the most inclusive festival of national cinema anywhere and to always improve on where we left off. As part of this goal Daily to Seoul and Beyond for greater inclusivity, in 2016 the main direction of the festival was tweaked to allow a broader, more diverse range of Korean films to be shown. With special themes exploring different subjects, the popular strands covering everything from box office hits to Korean classics, as well as monthly teaser screenings, the festival has continued to find new audiences for Korean cinema. This year the festival once again works with critics, academics and visiting programmers on each strand of the festival and has partnered with several university film departments as well. At the time of writing, this year’s festival will screen upwards of 55 films, with a special focus entitled ‘A Slice of Everyday Life’. This will include the opening and closing films, Microhabitat by Jeon Go-woon, and The Return by Malene Choi. C ‘A Slice of Everyday Life’ explores valuable snapshots of the sometimes-ignored M lives of ordinary Koreans, often fragile individuals on the edge of society. One Y will also see director Lee Myung-se's films in the Contemporary Classics strand and Park Kiyong's films in the Indie Firepower strand.
    [Show full text]
  • Mongrel Media Presents
    Mongrel Media Presents Pieta A film by Kim Ki-duk (104 min., Korea, 2012) Language: Korean Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Ψ PIETA is… ‘Pieta’, meaning ‘pity’ in Italian, is an artistic style of a sculpture or painting that depicts the Virgin Mary sorrowfully cradling the dead body of Jesus. The Virgin Mary’s emotions revealed in ‘Pieta’ have represented the countless pains of loss that humans experience in life that are universally identifiable throughout centuries. It has been revived through master artists such as Michelangelo and Van Gogh. Ψ Main Credit a KIM Ki-duk Film production Executive producers KIM Ki-duk, KIM Woo-taek Producer KIM Soon-mo Written & directed by KIM Ki-duk Cinematography JO Yeong-jik Production design LEE Hyun-joo Editing KIM Ki-duk Lighting CHOO Kyeong-yeob Sound design LEE Seung-yeop (Studio K) Recording JUNG Hyun-soo (SoundSpeed) Music PARK In-young Visual effects LIM Jung-hoon (Digital Studio 2L) Costume JI Ji-yeon Set design JEAN Sung-ho (Mengganony) World sales FINECUT Domestic distributor NEXT ENTERTAINMENT WORLD INC. ©2012 KIM Ki-duk Film. All Rights Reserved. Ψ Tech Info Format HD Aspect Ratio 1.85:1 Running Time 104 min. Color Color Ψ “From great wars to trivial crimes today, I believe all of us living in this age are accomplices and sinners to such.
    [Show full text]
  • REPETITION in FILM FORM the CASE of KIM KI-DUK a Master‟S
    REPETITION IN FILM FORM THE CASE OF KIM KI-DUK A Master‟s Thesis By ESMA AKYEL Department of Communication and Design Ġhsan Doğramacı Bilkent University Ankara September 2015 To the nameless woman who gives her jacket in Bad Guy REPETITION IN FILM FORM THE CASE OF KIM KI-DUK Graduate School of Economics and Social Sciences of Ġhsan Doğramacı Bilkent University by ESMA AKYEL In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in THE DEPARTMENT OF COMMUNICATION AND DESIGN ĠHSAN DOĞRAMACI BĠLKENT UNIVERSITY ANKARA September 2015 I certify that I have read this thesis and in my opinion it is fully adequate, in scope and in quality a thesis for the degree of Master of Arts in Media and Visual Studies. ___________________________ Assist.Prof.Dr. Ahmet Gürata Supervisor I certify that I have read this thesis and in my opinion it is fully adequate, in scope and in quality a thesis for the degree of Master of Arts in Media and Visual Studies. __________________________ Assist.Prof.Dr. Colleen Bevin Kennedy-Karpat Examining Committee Member I certify that I have read this thesis and in my opinion it is fully adequate, in scope and in quality a thesis for the degree of Master of Arts in Media and Visual Studies. ___________________________ Assist.Prof.Dr. Sevgi Can Yağcı Aksel Examining Committee Member Approval of the Graduate School of Economics and Social Sciences ___________________________ Prof.Dr. Erdal Erel Director ABSTRACT REPETITION IN FILM FORM THE CASE OF KIM KI-DUK Akyel, Esma M.A., in Media and Visual Studies Supervisor: Assist.
    [Show full text]
  • Film Adaptation of Vikas Swarup's Q&A
    Pramana Research Journal ISSN NO: 2249-2976 India’s Real Fiction Meets World’s Popular Cinema - Film Adaptation of Vikas Swarup's Q&A Sreenivas Andoju Dept. of English, Chaitanya Bharathi Institute of Technology Hyderabad, India Dr. Suneetha Yadav Dept. of English, Rajiv Gandhi Memorial College of Engineering & Technology, Nandyal, Kurnool, India Abstract The Indian Foreign Services (IFS) official Vikas Swarup penned “Q & A”, a work of fiction that portrayed the ground realities of Dharavi, a slum in Mumbai. A few years later Danny Boyle adapted the book and created an improbable yet scintillating success making it the best British film of that decade which portrayed Dharavi’s rooftops in the most cinematic technique possible. In this context, this research paper attempts to explore and analyse critically, the purpose and the socio-political connotations such adaptation reverberated by an all new portrayal of Indian story on the celluloid both for the local and global audiences. Amitabh Bachchan commented on Slumdog Millionaire that "if the film projects India as Third World's dirty underbelly developing nation and causes pain and disgust among nationalists and patriots, let it be known that a murky underbelly exists and thrives even in the most developed nations." “(Times of India & The Guardian, 2009) So, what could be the hidden purpose behind such portrayal by Danny Boyle and How were the Indian reactions spoken or otherwise and why? are a few issues that are intended to explore and present in this paper. Keywords: Popularity, Reality, Fiction, Adaptation. Introduction A work of fiction be it a novel or a film is boundary less but when it is viewed from social or political perspectives, there needs a critical debate and clarity.
    [Show full text]
  • The Best of Korean Cinema Returns to London
    THE BEST OF KOREAN CINEMA RETURNS TO LONDON 제 9회 런던한국영화제 / OFFICIAL FESTIVAL BROCHURE / 6-21 NOVEMBER 2014 14�OZE�454 .pdf 1 10/10/14 1:53 PM An introduction by Tony Rayns You wouldn’t know it from the pro- It’s a sad fact that not many of these gramming of this year’s other film fes- films will go into distribution in Britain, tivals in London, but 2014 has been a not because they lack audience ap- terrific year for Korean cinema. Two peal but because the ever-rising cost home-grown blockbusters have domi- of bring films into distribution in this nated the domestic market (one of country makes it hard for distributors to them has been seen by nearly half the take chances on unknown quantities. entire population of South Korea!), Twenty years ago the BBC and Chan- C and there have also been outstanding nel 4 would have stepped in to help, M achievements in the art-film sector, the but foreign-language films get less and indie sector, the student sector – and less exposure on our television. Maybe Y in animation and documentary. And just the decline in the market for non-Hol- CM as you begin to salivate over all those lywood films will mark the start of new films you’re afraid you’ll never get to initiatives in on-demand streaming and MY see, along comes the London Korean downloading, but those innovations are CY Film Festival to save the day. still in their infancy. And so the London CMY I’ve said this before, but it bears Korean Film Festival has an absolutely repeating: London is extremely lucky crucial role in bringing new Korean K to have the largest and most ambitious movies to the people who want to see of all the Korean Film Festivals staged them.
    [Show full text]
  • On the Beginnings of Contemporary Cinema
    On the Beginnings of Contemporary Cinema: Close-Up by Abbas Kiarostami and Dream of Light by Victor Erice – The Fraternity between Documentary and Fiction as a Synthesis of Early Cinema and Cinematic Modernity Lourdes Monterrubio Ibáñez To cite this version: Lourdes Monterrubio Ibáñez. On the Beginnings of Contemporary Cinema: Close-Up by Abbas Kiarostami and Dream of Light by Victor Erice – The Fraternity between Documentary and Fiction as a Synthesis of Early Cinema and Cinematic Modernity. L’Atalante. Revista de estudios cine- matograficos, Associació Cinefòrum L’Atalante, 2018, 25, 10.5281/zenodo.3819970. hal-02611554 HAL Id: hal-02611554 https://hal.archives-ouvertes.fr/hal-02611554 Submitted on 18 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. VANISHING POINTS ON THE BEGINNINGS OF CONTEMPORARY CINEMA: CLOSE-UP BY ABBAS KIAROSTAMI AND DREAM OF LIGHT BY VÍCTOR ERICE –THE FRATERNITY BETWEEN DOCUMENTARY AND FICTION AS A SYNTHESIS OF EARLY CINEMA AND CINEMATIC MODERNITY LOURDES MONTERRUBIO The encounter between the filmmakers Abbas films
    [Show full text]
  • Genre and Gender in Selected Works by Detection Club Writers Dorothy L. Sayers and Agatha Christie
    SEVENTY YEARS OF SWEARING UPON ERIC THE SKULL: GENRE AND GENDER IN SELECTED WORKS BY DETECTION CLUB WRITERS DOROTHY L. SAYERS AND AGATHA CHRISTIE A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Monica L. Lott May 2013 Dissertation written by Monica L. Lott B.A., The University of Akron, 2003 B.S., The University of Akron, 2003 M.A., The University of Akron, 2005 Ph.D., Kent State University, 2013 Approved by Tammy Clewell Chair, Doctoral Dissertation Committee Vera Camden Member, Doctoral Dissertation Committee Robert Trogdon Member, Doctoral Dissertation Committee Maryann DeJulio Member, Doctoral Dissertation Committee Clare Stacey Member, Doctoral Dissertation Committee Accepted by Robert Trogdon Chair, English Department Raymond A. Craig Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements.................................................................................... iv Introduction..................................................................................................1 Codification of the Genre.................................................................2 The Gendered Detective in Sayers and Christie ..............................9 Chapter Synopsis............................................................................11 Dorothy L. Sayers, the Great War, and Shell-shock..................................20 Sayers and World War Two in Britain ..........................................24 Shell-shock and Treatment
    [Show full text]
  • Parameters of Disavowel
    UC Berkeley UC Berkeley Previously Published Works Title Parameters of disavowal: Colonial representation in South Korean cinema Permalink https://escholarship.org/uc/item/2v888503 ISBN 9780520295308 Author An, J Publication Date 2018 Peer reviewed eScholarship.org Powered by the California Digital Library University of California AN | PARAMETERS OF DISAVOWAL Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and rein- vigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org The publisher and the University of California Press Foundation gratefully acknowledge the generous support of the Philip E. Lilienthal Imprint in Asian Studies, established by a major gift from Sally Lilienthal. Parameters of Disavowal GLOBAL KOREA Series Editor: John Lie (University of California, Berkeley) Editorial Board: Eun-Su Cho (Seoul National University), Hyaeweol Choi (Australian National University), Theodore Hughes (Columbia University), Eun-jeung Lee (Free University of Berlin), Laura Nelson (University of California, Berkeley), Andre Schmid (University of Toronto), Jun Yoo (Yonsei University) 1. Jinsoo An, Parameters of Disavowal: Colonial Representation in South Korean Cinema Parameters of Disavowal Colonial Representation in South Korean Cinema Jinsoo An UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions.
    [Show full text]
  • Il Cinema Di Kim Ki-Duk Tra Rarefazioni Spirituali E Violenza Pittorica
    Università degli Studi di Padova Università Ca’ Foscari Venezia Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale Interateneo in Musica e Arti Performative Classe LM-45 Tesi di Laurea Il cinema di Kim Ki-duk tra rarefazioni spirituali e violenza pittorica 1 INDICE: Introduzione metodologica.………………………………….…………………………………………………….4 Introduzione……………………………………………………..………………………………………………………..5 I. Contestualizzazione storica……………………………………………………………………….…………….7 I.1 La divisione di Choson in Corea del Sud e Corea del Nord………...………..……… 7 I.2 Corea del Nord: la dittatura e la censura………………………..……….………..…….. 12 I.3 Corea del Sud dal 1945 agli anni ’90………………………………….……………………….14 II. Biografia di Kim Ki-duk……………………………………………………………………………….……….21 II.1 Dall’infanzia al primo lavoro di regista……………………………………………………..21 II.2 Elementi biografici ritrovabili all’interno dei film……………………………..….……24 II.3 Similitudini con altri registi………………………………………………………………….…….26 III. Il rapporto tra Kim Ki-duk i media, la critica e i festival cinematografici…………..29 III.1 L’arrivo di Kim Ki-duk agli occhi dello spettatore occidentale………….……..29 III.2 La fredda accoglienza in madre patria……………………….…………………………..33 III.3 Rapporto con la critica occidentale………………………………………………………….37 IV. Tratti caratterizzanti i film di Kim Ki-duk…………………………………………………………….45 IV.1 Introduzione agli elementi stilistici e tecnici dei film di Kim Ki-duk……….…45 IV.1.1 La fotografia proveniente dalla pittura……………………………………..46 IV.1.2 Gli oggetti di uso comune e l’assenza di armi……….…….………….…47 IV.1.3 Il personaggio autobiografico……………………………………………….….49 IV.2 Stili artistici e pittorici riconoscibili all’interno dei film…………………….……..50 IV.2.1 La foto e l’immagine rivelatrice di sentimenti………..………………….53 IV.2.2 La gabbia per esseri umani: il corpo……………………………………….….55 IV.2.3 La liberazione dalla gabbia………………………………………………………..59 2 V.
    [Show full text]
  • Books for You: a Booklist for Senior High Students
    DOCUMENT RESUME ED 264 581 CS 209 485 AUTHOR Small, Robert C., Jr., Ed. TITLE Books for You: A Booklist for Senior High Students. New Edition. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0359-6 PUB DATE 82 NOTE 331p.; Prepared by the Committee on the Senior High School Booklist of the National Council of Teachers of English. AVAILABLE FROMNational Council of Teachers of English, 1111Kenyon Rd., Urbana, IL 61801 (Stock No. 03596, $6.25 member, $8.00 nonmember). PUB TYPE Reference Materials - Bibliographies (131) EDRS PRICE MF01/PC14 Plus Postage. DESCRIPTORS *Adolescent Literature; Adolescents; Annotated Bibliographies; *Books; *Fiction; High Schools; Independent Reading; *Nonfiction; ReadingInterests; Reading Materials; *Recreational Reading ABSTRACT The books listed in this annotated bibliography, selected to provide pleasurable reading for high schoolstudents, are arranged alphabetically by author under 35 main categories:(1) adventure and adventurers; (2) animals; (3) art and architecture;(4) biography; (5) careers and people on the job; (6)cars and airplanes; (7) great books that are unusual; (8) drama; (9)ecology; (10) essays; (11) ethnic experiences; (12) fantasy; (13) history; (14) historical fiction; (15) hobbies and crafts; (16)horror, witchcraft, and the occult; (17) humor; (18) improving yourself; (19)languages; (20) love and romance; (21) music and musicians; (22)mystery and crime; (23) myths and legends; (24) philosophies andphilosophers; (25) poetry and poets; (26) social and personalproblems; (27) religion and religious leaders; (28) science andscientists; (29) science fiction; (30) short stories; (31)sports and sports figures; (32) television, movies, and entertainment; (33)wars, soldiers, spying, and spies; (34) westerns and people ofthe west; and (35) women.
    [Show full text]