The Importance of Providing Legal Protections for Child Models
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Model Commodities: Gender and Value in Contemporary Couture
Model Commodities: Gender and Value in Contemporary Couture By Xiaoyu Elena Wang A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Wendy L. Brown, Chair Professor Shannon C. Stimson Professor Ramona Naddaff Professor Julia Q. Bryan-Wilson Spring 2015 Abstract Model Commodities: Gender and Value in Contemporary Couture by Xiaoyu Elena Wang Doctor of Philosophy in Political Science University of California, Berkeley Professor Wendy L. Brown, Chair Every January and June, the most exclusive and influential sector of the global apparel industry stages a series of runway shows in the high fashion, or, couture capitals of New York, Milan, London and Paris. This dissertation explores the production of material goods and cultural ideals in contemporary couture, drawing on scholarly and anecdotal accounts of the business of couture clothes as well as the business of couture models to understand the disquieting success of marketing luxury goods through bodies that appear to signify both extreme wealth and extreme privation. This dissertation argues that the contemporary couture industry idealizes a mode of violence that is unique in couture’s history. The industry’s shift of emphasis toward the mass market in the late 20th-century entailed divestments in the integrity of garment production and modeling employment. Contemporary couture clothes and models are promoted as high-value objects, belying however a material impoverishment that can be read from the models’ physiques and miens. 1 Table of Contents I. The enigma of couture…………………………………………………………………………..1 1. -
If Not Now, When? Gs We Are All in This Together
THE OWL THE ALUMNI MAGAZINE OF COLUMBIA UNIVERSITY SCHOOL OF GENERAL STUDIES IF NOT NOW, WHEN? ENTREPRENEURS at GS WE ARE ALL IN THIS TOGETHER: GS UNVEILS A NEW ALUMNI ASSOCIatION 2014 THE OWL TABLE OF CONTENTS THE ALUMNI MAGAZINE OF COLUMBIA UNIVERSITY SCHOOL OF GENERAL STUDIES LETTER FROM THE DEAN Peter J. Awn I am pleased to present to you the latest installment of The Owl, the alumni magazine for the 18 Dean 4 9 School of General Studies. This issue of The Owl highlights the dynamic energy of the new General Studies Alumni Association, recently launched after more than a year of planning, Malcolm A. Borg ’65 Advisory Council, Emeritus along with so many of the wonderful happenings at GS. Alumni leadership, in concert with University alumni relations officers, worked tirelessly to Curtis Rodgers 33 Vice Dean conceptualize and design an organization that reflects the strides that our college has made over recent years. “We are All in This Together: RALC Transforms into a New GSAA,” thank Jill Galas-Hickey you Senior Director Alumni Relations explains the initiative’s evolution, and ultimately, its goals. To reach those goals, the GSAA seeks your participation—whether that means through attending events and Reunion, Janet Griffin participating in career-related panel discussions, acting as an alumni representative at New Associate Director for Alumni Relations Student Orientation, or leading Giving Day social media campaigns. Your participation and IN THIS ISSUE Editor contributions will build the GSAA community and strengthen the School of General Studies 4 If Not Now, When? Allison Scola for years to come. -
IMPORTING the FLAWLESS GIRL Kit Johnson*
IMPORTING THE FLAWLESS GIRL Kit Johnson* ABSTRACT ......................................................... 831 I. THE NEED FOR FOREIGN MODELS ............................ 832 II. HOW THE MODELING INDUSTRY WORKS ...................... 835 A. The Place of Fashion Models within Modeling ........... 835 B. How Fashion Models are Booked and Paid .............. 836 C. How Foreign Models Differ from U.S. Models ............ 839 III. FASHION MODEL VISAS TODAY .............................. 840 A. H1B History ........................................... 841 B. When Models Re-Joined the Picture ..................... 843 C. Distinguished Merit and Ability.......................... 845 1. The Models ........................................ 845 2. The Work .......................................... 846 3. The Agencies ....................................... 847 4. Duration ........................................... 848 IV. BEAUTY AND THE GEEK ..................................... 848 V. THE UGLY AMERICAN BILL .................................. 850 A. A New Classification for Models......................... 851 B. The High Heeled and the Well Heeled ................... 854 1. Value .............................................. 854 2. Interchangeability .................................. 856 VI. CHANGING THE FACE OF THE FLAWLESS GIRL ................. 857 A. The P(x) Visa for Models of the Moment ................. 858 B. An H1(x) Visa for Artisan Models ....................... 858 1. Size ............................................... 859 2. Age............................................... -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Model Commodities: Gender and Value in Contemporary Couture Permalink https://escholarship.org/uc/item/1v74c50p Author Wang, Xiaoyu Elena Publication Date 2015 Supplemental Material https://escholarship.org/uc/item/1v74c50p#supplemental Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Model Commodities: Gender and Value in Contemporary Couture By Xiaoyu Elena Wang A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Wendy L. Brown, Chair Professor Shannon C. Stimson Professor Ramona Naddaff Professor Julia Q. Bryan-Wilson Spring 2015 Abstract Model Commodities: Gender and Value in Contemporary Couture by Xiaoyu Elena Wang Doctor of Philosophy in Political Science University of California, Berkeley Professor Wendy L. Brown, Chair Every January and June, the most exclusive and influential sector of the global apparel industry stages a series of runway shows in the high fashion, or, couture capitals of New York, Milan, London and Paris. This dissertation explores the production of material goods and cultural ideals in contemporary couture, drawing on scholarly and anecdotal accounts of the business of couture clothes as well as the business of couture models to understand the disquieting success of marketing luxury goods through bodies that appear to signify both extreme wealth and extreme privation. This dissertation argues that the contemporary couture industry idealizes a mode of violence that is unique in couture’s history. The industry’s shift of emphasis toward the mass market in the late 20th-century entailed divestments in the integrity of garment production and modeling employment. -
Model Commodities: Gender and Value in Contemporary Couture By
Model Commodities: Gender and Value in Contemporary Couture By Xiaoyu Elena Wang A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Wendy L. Brown, Chair Professor Shannon C. Stimson Professor Ramona Naddaff Professor Julia Q. Bryan-Wilson Spring 2015 Abstract Model Commodities: Gender and Value in Contemporary Couture by Xiaoyu Elena Wang Doctor of Philosophy in Political Science University of California, Berkeley Professor Wendy L. Brown, Chair Every January and June, the most exclusive and influential sector of the global apparel industry stages a series of runway shows in the high fashion, or, couture capitals of New York, Milan, London and Paris. This dissertation explores the production of material goods and cultural ideals in contemporary couture, drawing on scholarly and anecdotal accounts of the business of couture clothes as well as the business of couture models to understand the disquieting success of marketing luxury goods through bodies that appear to signify both extreme wealth and extreme privation. This dissertation argues that the contemporary couture industry idealizes a mode of violence that is unique in couture’s history. The industry’s shift of emphasis toward the mass market in the late 20th-century entailed divestments in the integrity of garment production and modeling employment. Contemporary couture clothes and models are promoted as high-value objects, belying however a material impoverishment that can be read from the models’ physiques and miens. 1 Table of Contents I. The enigma of couture…………………………………………………………………………..1 1.