Daily Eastern News: October 22, 1965 Eastern Illinois University
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Finding Aid to the Historymakers ® Video Oral History with Kevin Clash
Finding Aid to The HistoryMakers ® Video Oral History with Kevin Clash Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Clash, Kevin Title: The HistoryMakers® Video Oral History Interview with Kevin Clash, Dates: September 21, 2007 Bulk Dates: 2007 Physical 6 Betacame SP videocasettes (2:37:58). Description: Abstract: Puppeteer Kevin Clash (1960 - ) created the character Elmo on Sesame Street. A multiple Emmy Award-winning puppeteer, he also performed on the television programs, Captain Kangaroo, and Dinosaurs, and in the films, Teenage Mutant Ninja Turtles, and Muppet Treasure Island. Clash was interviewed by The HistoryMakers® on September 21, 2007, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2007_268 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Children’s educational puppeteer Kevin Clash was born on September 17, 1960 in Turner’s Station, a predominantly black neighborhood in the Baltimore, Maryland suburb of Dundalk, to George and Gladys Clash. In 1971, at the age of ten, Clash began building puppets, after being inspired by the work of puppeteers on the Sesame Street television program, a passion that stuck with him throughout his teen years. His first work on television was for WMAR, a CBS affiliate that produced a show entitled Caboose. Clash also performed a pelican puppet character for the WTOP- TV television program Zep. In his late teens, Clash met Kermit Love, a puppet designer for the Muppets, who arranged for Clash to observe the Sesame Street set. -
{Download PDF} Elmo Says...: Sesame Street
ELMO SAYS...: SESAME STREET PDF, EPUB, EBOOK Sarah Albee | 24 pages | 20 Feb 2012 | Random House USA Inc | 9780375845406 | English | New York, United States Elmo Says...: Sesame Street PDF Book Sesame Street Elmo's Alphabet Challenge. Baby Bear tells a girl a scary joke from one of the Count's balconies. What kind of print does a hand make? The new friends soon learn that red monsters and blue monsters may look different on the outside, but they are very much alike on the inside! Group numbers that prominently feature Elmo. This story reinforces all the important information about good nutrition and healthful eating habits and Elmo tells another joke, which makes a painting of the Countess Groan-a Lisa laugh as well. Previous episode:. Try Now. First : Episode New music button added. Closing song section one of the most crowded and rhytmic part of episode, all guests and Elmo come to the stage and sing topic World with generally tune of Jingle Bells. Post a Comment. DVD Sony Wonder cat. Elmo had a fish, Barkley. Reviews Review Policy. Sesame Street Eats: 50 Recipes…. Mysterious Theater : The Case of the Missing Toast Lady Agatha can't find her toast or roast, so Sherlock Hemlock figures that it is a "rhyme crime", and suspects a ghost is the culprit. They are very funny parts of Sesame Street Episodes. At night, Elizabeth counts five lights going on and off. Sesame Street Elmopalooza. See details. Head Waiter Grover and his assistant Elmo welcome readers to the Good Eats Cafe, where they serve up tasty tidbits of information about healthy eating. -
Fall 1988 CAA Newsletter
newsletter Volume 13, Number 3 Fall 1988 nominations for CAA board of directors The 1988 Nominating Committee has submitted its initial slate of nine State Building; Art Bank-Dept of State; and numerous college/uni nominees to serve on the CAA board of directors from 1989 to 1993. versity and corporate collections. AWARDS: NEA fellowship grant; The slate of candidates has been chosen with an eye to representation Louis Comfort Tiffany grant; Illinois Arts Council fellowship grant; based on region and discipline (artists, academic art historians, muse Senior Fulbright Scholar Australia. PROFESSIONAL ACTIVlTIES: NEA um professionals). The nominating committee asks that voters take juror; Mid-America Art Alliance/ NEA juror. cAA ACTIVITIES: annual such distribution into account in making their selection of candidates. meeting panelist, 1988. The current elected board of directors is composed of: eight artists There is an ongoing need to evaluate amongst ourselves the qualt~y (32%), twelve academically-affiliated art historians (48%), and five and type oj education undergraduate and graduate programs are pro museum professionals (20%). Of those, eight are men (32%) and viding. It is no longer enough to simply teach "how to. " The art world seventeen are women (68%); sixteen represent the northeast and mid continues to demand more theoretical and critical dialogue as the em Atlantic (64%), four represent the midwest (16%), two represent the phasis on content and context accelerates. Furthermore, Jewer west (8%), one represents the southeast (4%), and two represent the academic opportunities are juxtaposed with student cynicism about southwest (8%). This compares to the following breakdown of the the art world and how to "make it big out there." I see a needJorJac membership: artists 43%; academically-affiliated art historians 44%; ulty to inJuse their art programs with a renewed commitment to integ museum professionals 11 %; male 46%; female 54%; northeast/mid rity, authentic~~y, social responsibility and depth of ideas. -
La Exposición Sobre Jim Henson Una Imaginación Sin Límites
SE RUEGA NO SACAR DE LA GALERÍA La exposición sobre Jim Henson una imaginación sin límites AN EXHIBITION ORGANIZED BY ©MUPPETS/DISNEY. ©2019 SESAME WORKSHOP. ©THE JIM HENSON COMPANY. SE RUEGA NO SACAR DE LA GALERÍA 1. Proyección LA EXPOSICIÓN SOBRE JIM HENSON: UNA IMAGINACIÓN SIN LÍMITES A lo largo de su singular carrera que se extendió a lo largo de cuatro décadas, Jim Henson creó personajes de marionetas e historias que se convirtieron en iconos del cine y la televisión y han dejado una marca indeleble en la cultura popular. Con su sentido del humor delicadamente subversivo, su infatigable curiosidad y su mirada innovadora sobre el arte de las marionetas, Henson creó los Muppets/Teleñecos y los convirtió en una marca internacional perdurable, nos regaló los adorables personajes de Plaza/Barrio Sésamo y plasmó su rica imaginación en películas e historias para la gran pantalla. En esta exposición indagamos en las extraordinarias aportaciones con las que Jim Henson contribuyó al campo de la imagen en movimiento y desvelamos cómo él y su talentoso equipo de diseñadores, actores y escritores crearon una obra sin parangón que hoy día sigue inspirando y deleitando a personas de todas las edades. 2. Jim Henson y la rana René/Gustavo en el set de Llegan los Muppets/La película de los Teleñecos (1978) 3. Marioneta de la rana René/Gustavo, hacia 1978 Diseñada por Jim Henson Confeccionada por Caroly Wilcox a partir de patrones diseñados por Don Sahlin Manejada por Jim Henson Tela de vellón, fieltro, plástico, caucho y papel autoadhesivo de vinilo Cedido en préstamo por la familia de Jim Henson (Jim Henson confeccionó la primera marioneta de la rana René/Gustavo en 1955). -
'Jim Henson's Fantastic World'
FOR IMMEDIATE RELEASE (Schedule updated on January 9, 2012) MUSEUM OF THE MOVING IMAGE ANNOUNCES A SEVEN-WEEK EXTENSION OF ‘JIM HENSON’S FANTASTIC WORLD’ The popular exhibition about the creator of The Muppets™ and special programs will continue through March 4, 2012 Astoria, New York, December 20, 2011—Carl Goodman, Executive Director of Museum of the Moving Image, today announced a seven-week extension for Jim Henson’s Fantastic World, the Smithsonian traveling exhibition that explores the creative process of the world-renowned puppeteer, filmmaker, and television pioneer. The popular exhibition, which was scheduled to close on January 16, will now be on view through Sunday, March 4, 2012. “The Henson exhibition has delighted Museum visitors of all ages and backgrounds,” said Mr. Goodman. “By the end of its run, we expect more than 100,000 visitors to have seen the exhibition. Many of them will also have experienced a screening of one of Jim Henson’s movies or television shows in our theaters or participated in a related workshop.” Museum of the Moving Image is the thirteenth and final venue scheduled to host Jim Henson’s Fantastic World and the only one in New York State. Since it opened on July 16, 2011, the exhibition has been seen by nearly 90,000 visitors. During this period, special guests including Frank Oz, Brian Henson, Cheryl Henson, Bob McGrath, Brian Froud, Kevin Clash, Fran Brill, Bonnie Erickson, and other performers, family members, and colleagues of Jim Henson have participated in public programs. Many of these programs were compiled and presented by Craig Shemin, President of the Jim Henson Legacy. -
Building American Puppetry on the Jim Henson Foundation
BUILDING AMERICAN PUPPETRY ON THE JIM HENSON FOUNDATION DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Kathleen Stoessner, M.A. ***** The Ohio State University 2008 Dissertation Examination Committee: Approved by Dr. Joy Reilly, Adviser Dr. Beth Kattelman Adviser Dr. Alan Woods Graduate Program in Theatre Copyright by Jennifer Kathleen Stoessner 2008 ABSTRACT Historically the United States, with the exception of ritual performances by indigenous Americans, did not have a distinct puppetry tradition, utilizing instead the imported techniques of its immigrant population. In the twentieth century, puppeteers began to explore puppetry’s capabilities, producing challenging and innovative theatrical work in a distinctly American style. Puppetry was given a stage as popular broadcasting content on the newly invented television. In this media environment, Jim Henson pioneered new techniques, becoming the most famous puppeteer in history. His success enabled him to serve his field as a spokesman and sponsor. In 1982, he established the Jim Henson Foundation, a non-profit organization to support puppetry artists. The Jim Henson Foundation is the only organization in the United States devoted to funding puppet theater and its mission reflects Jim Henson’s commitment to the community of artists who make American puppetry the vivid panorama it has become. Without the Foundation, puppetry in the United States would not be experiencing the explosion of creativity and exposure it currently enjoys. To present a picture of puppetry in the United States and Henson’s work, a brief history of puppetry in America as well as an in-depth scrutiny of Jim Henson’s career is provided. -
Fruffalft's O
SEPTEMBER 7TH SEPTEMBER 21ST More Entertaining Alice IS September Films Than Humanly Possible! 35, She has a Something for Everyone 12-year- old kid. Comedy, drama and suspense describe ki. -s of films to be Together shown t -lonth in Lipinsky they're Auditorium. Alice D oesn’t Live H ere runmg Anymore” will be presented on away Sunday, September 7th. This 1974 film, directed by Martin Scorsese, from home. stars Kris Kristofferson and Ellen Burstyn. Miss Burstyn won the Academy Award for best actress for her portrayal of Alice, a widow with a 12-year-old son, as she strug SIR LEW GRADE and MARTIN STARCiER prcwni A JIM HENSON PRCJtJtX-'TION gles to build a new life. The film has ■IHEMUPFETMOVIE ELLEN BURSTYN Executive Producer MARTIN STARCjER ■ Prtxiuced by JIM HENSON Written by JERRY JUHL & JACK BURNS • rjirecied by JAMES ERAWI.EY been described as, "One of the best Music & Lyrics by F¥\UL WILLIAMS and KENNY ASCHER KRIS KR!SrOFFERSON,N/4UCE Co-produced by OAVID LAZER and most poignant motion pictures Starring The Muppet Performers JIM HENSON • FRANK OZ • JERRY NELSON RICHARD HUNT - DAVE COE12 CX)ESNTUVEHERE ever made about a woman.” Co.5tarring CHARLES DURNING and AUSTIN PENDLETON Special Guest Stars EDGAR BERGEN • MILTON BERLE • MEL BROCJKS On September 14th, a film by JAMES COBURN • DOM DeLUISE ■ ELLIOTT GOULI:) • BOB HOPE /1NYMORE MADEUNE KAHN • CAROL KANE • CLORIS LEACHMAN • STEVE MARTIN director Francois Truffaut will be RICHARD PRYOR • TELLY SAVALAS • ORSON WELLES • PAUL WILLIAMS Soundtradi m i M iIi on AUm kk R«cor4i and l>p*s Moww Book A OAVDSUSSKIND PRODUCTION ■ , shown. -
VIDEOS Title Creator Summary Format Call Number in This Cirtically-Acclaimed, Stop Motion Annimated Feature
VIDEOS Title Creator Summary Format Call Number In this cirtically-acclaimed, stop motion annimated feature. Dave Peck, an unemployed 28-year-old with no goals or aspirations, finds an ad for a book promising the meaning of life for only $9.99 Rosenthal, Tatia (1971 - ) DVD PN1997.2 .N55 DVD 2010 $9.99. Wishing to share his discovery, his path crosses with those of his unusual neighbors, who in their own bizarre ways, are all on their own search for hope and redemption. 11 Alive at Five Interviews with 11 Alive at Five VHS 1991 CPA PRES 11 ALIV Kerry McCarthy and Peter Hart 11 Alive Neighborhood 11 Alive Neighborhood Weather, Weather, November 12, 1996, 11 Alive November 12, 1996, Center for VHS 1996/1997 CPA PRES NEIG Center for Puppetry Arts Puppetry Arts 11 Alive News Story on Power of 11 Alive News Story on Power 11 Alive Wonder and Pinocchio, on September VHS 1995/1996 CPA PRES 11 POW of Wonder and Pinocchio 29, 1995. Czechoslovak-American 12 Sandals 99 VHS 12 SAND 99 Marionette Theatre 1980 Wayland and Madame WAYL MADA INTE DICK DVD Interview by Dick Maurice MAUR Footage from the 1992 Southeast 1992 Southeast Regional Regional Festival held in Charleston, VHS 1992 SE REGI FEST Festival South Carolina from July 30-August 1, 1992. Footage from the 1992 Southeast 1992 Southeast Regional Regional Festival held in Charleston, VHS 1992 SE REGI FEST 1 Festival Tape 1 South Carolina from July 30-August 1, 1992. Footage from the 1992 Southeast 1992 Southeast Regional Regional Festival held in Charleston, VHS 1992 SE REGI FEST 2 Festival Tape 2 South Carolina from July 30-August 1, 1992. -
Puppeteer Bios
Page 1 of 3 Puppeteer Bios Kevin Clash, whose characters include Elmo, Hoots the Owl and Baby Natasha, is Sesame Street’s Senior Puppet Coordinator and Muppet™ Captain as well as Sesame Workshop’s Senior Creative Consultant. He began building puppets at the age of 10 and performed on Baltimore’s Harbor Front and local television as a teenager. Clash’s first television work was for the CBS affiliate in Baltimore. He came to Sesame Street after attracting the attention of Muppet™ designer Kermit Love. Clash’s film credits include Jim Henson’s 1986 fantasy film Labyrinth, Teenage Mutant Ninja Turtles I and II, Muppet Treasure Island, Muppets from Space and Elmo in Grouchland. Recently, Clash performed at the 34th Annual Kennedy Center Honors, honoring cellist Yo Yo Ma, and appeared in and directed Talk, Listen, Connect: When Families Grieve. He also directed the Muppet™ segments of the PBS primetime special, Families Stand Together: Feeling Secure in Tough Times. Clash won the 2012 Emmy Award for Outstanding Performer in a Children’s Series for his work as Elmo on Sesame Street and also won the award for Seasons 21, 35-37, and 39-41. In 2001-2008, and 2010-2012, he won for his work as co-executive producer for Outstanding Pre-School Children’s Series. Eric Jacobson began his career with The Jim Henson Company in 1994 as a puppeteer on Sesame Street. Since then he has become known as the man who performs Bert and Grover in the absence of legendary puppeteer and acclaimed director, Frank Oz. Besides these Sesame Street characters, Jacobson now also performs other characters Oz made famous, including the Muppets™ Miss Piggy and Fozzie Bear. -
Where the Iconic Meet John M
Interpreting the Civil War: Connecting the Civil Civil War Era Studies War to the American Public 6-21-2012 Lost and Found: Where the Iconic Meet John M. Rudy Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/interpretcw Part of the Cultural History Commons, Public History Commons, Social History Commons, and the United States History Commons Share feedback about the accessibility of this item. Rudy, John M., "Lost and Found: Where the Iconic Meet" (2012). Interpreting the Civil War: Connecting the Civil War to the American Public. 130. https://cupola.gettysburg.edu/interpretcw/130 This open access blog post is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Lost and Found: Where the Iconic Meet Abstract I know exactly when I began believing in the Muppets again. I am a child of the '80s. I was five years old when Jim Henson died. I remember watching the TV with my Mom crying beside me as Frank Oz's Fozzie, Richard Hunt's Scooter and Dave Goelz's Gonzo read to their friends the condolence letters sent by thousands of grieving fans. I remember the slow building of "Just One Person." [excerpt] Keywords CW150, Gettysburg, Gettysburg College, Civil War Era Studies, Civil War Interpretation, The uM ppets, Kermit Disciplines Cultural History | History | Public History | Social History | United States History Comments Interpreting the Civil War: Connecting the Civil War to the American Public is written by alum and adjunct professor, John Rudy. -
SAC Van Totaled; Two Trin Students Arrested They Claim That Both Spencer Two Trinity Students Were Were Later Charged with Ob- Rather Than Mt
SAC Van Totaled; Two Trin Students Arrested They claim that both Spencer Two Trinity students were were later charged with ob- rather than Mt. Holyoke. Sources Stratton; speaking for TCB, at Vassar note that they had no and Jibrell" wasted much time and stated that TCB has "never ex- arrested by State Police .in structing government ad- offered no assistance in the matter Poughkeepsie, New York after an ministration, upon their refusal to record of such an event. pected authorities to give any due Sat. evening an appeal was made because Trinity would not post the assistance as far as anything is early morning accident last be fingerprinted. bond for the students.' Saturday, April 19. According to Peter Pieragostini, in Mather Dining Hall to raise bail concerned. This incident just money. According to Niel Stratton, Spencer noted that the College's confirms our right to self- According to police reports, chairman of the Student Activities statement on In Loco Parentis (p. James Gillespie '77 was charged Van Committee, the vehicle the about $150 was raised in the determination in our need to direct Mather Hall, He said he was "very 58-59 of the 1974-5 Student Hand- the course of our own lives in the with driving while intoxicated and students were driving was the SAC book) stated that the College will Criminal Possession of a controlled thankful for students; they brought collective struggle." van signed out at 8:13 Friday us a deep sense of appreciation to not arrange bail or provide legal substance, 7th degree (a evening for the purpose of at- services to students in difficulty "We recognize that a mistake misdemeanor amounting to those who are willing to show a has been made on the part of those tending a cultural event at Mt. -
The Muppet Show
The Mup p et Show: Sex and Violence: Inv estig ating the Complexity of the Telev ision Body Rayna D enison (1) ‘I feel p retty, oh so p retty,’ sing s a blue, med ium siz ed Mupp et with small, feminine fea tures w earing a blond wig. Then she pulls off her nose, eyes and ha ir and b eg ins to a dd a new set of fea tures. ‘It’s ala rming how cha rming I feel,’ she wa rb les a s she p la ys w ith a shock of lime g reen foam hair, applying a la rg e g reen nose a nd fa ng ed teeth to her fa ce, her voice cha ng ing from F ra n Brill’s to Jim Henson’s on the pre- record ed song- tra ck. ‘And so p retty, tha t I ha rdly ca n b elieve that I’m real,’ her now g rowling voice continues the Step hen Sond heim song as the blue ‘Wha tnot’ Mup p et finishes her tra nsforma tion from girl to monster w ith a pa ir of mena cing ha iry-b row ed eyes (C ha rles Az na vour Episod e, 17/ 01/1977. See note 1). (2) Und er the d ressing tab le the Mupp et sits at, tw o Mup p eteers work in tand em to sepa ra tely manipula te the head and a rms of the blue Mupp et, creating the imp ression of a single cha ra cter for the ca mera .