Introducing Women's Studies Also by Diane Richardson
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Postmodern Procreation: a Cultural Account of Assisted Reproduction
EIGHTEEN Postmodern Procreation: A Cultural Account of Assisted Reproduction Sarah Franklin What is in crisis here is the symbolic order, the conceptualisation of the relationship between nature and culture such that one can talk about the one through the other Nature as a ground for meaning can no longer be taken for granted if Nature itself is regarded as having to be protected and promoted. -MARILYN STRATHERN, After Nature Popular conceptions of new reproductive technology often take as their starting point the birth of Louise Brown, the world's first "test-tube baby," born in Oldham, Lancashire, in July 1978. From an anthropological perspective, this conception story is an overdetermined one. With the birth of Louise Brown also came into being a new kind of public debate about conception, in which unprecedented procreative possibilities raised moral uncertainty and political controversy. Both the moral issues and the political implications remain controversial today. In the process of formulating legislation, for example, considerable concern continues to be expressed about how to establish a legitimate foundation for decision making and debate in the field of assisted reproduction. Feminists have shared these concerns and dilemmas and have struggled to come to terms with rapid advances in the field of reproductive technology. Reproduction has long been a significant focus of feminist theory and politics because of the way in which its control has been seen as instrumental to the subordination of women in a patriarchal culture. Early feminist critiques focused upon motherhood as a patriarchal institution (Rich 1976), the medicalization of pregnancy by the maledominated medical profession (Donnison 1977; Ehrenreich and English 1973a, 1973b, 1978), the history of birth control (Gordon 1977), and the patriarchal desire to control the reproductive process (Firestone 1970, O'Brien 1981). -
Contemporary Feminist Theories Author: Jackson, Stevi
cover next page > title: Contemporary Feminist Theories author: Jackson, Stevi. publisher: Edinburgh University Press isbn10 | asin: 0748606890 print isbn13: 9780748606894 ebook isbn13: 9780585123622 language: English subject Feminist theory. publication date: 1998 lcc: HQ1190.C667 1998eb ddc: 305.4 subject: Feminist theory. cover next page > < previous page page_iii next page > Page iii Contemporary Feminist Theories Edited by Stevi Jackson and Jackie Jones Edinburgh University Press < previous page page_iii next page > < previous page page_iv next page > Page iv © The contributors, 1998 Edinburgh University Press 22 George Square, Edinburgh Typeset in Baskerville and Futura by Norman Tilley Graphics, Northampton, and printed and bound in Finland by WSOY A CIP record for this book is available from the British Library ISBN 0 7486 0689 0 (paperback) ISBN 0 7486 1141 X (hardback) The right of the contributors to be identified as authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. < previous page page_iv next page > < previous page page_v next page > Page v Contents 1 Thinking for Ourselves: An Introduction to Feminist Theorising Stevi Jackson And Jackie Jones 1 2 Feminist Social Theory Stevi Jackson 12 3 Feminist Theory and Economic Change Lisa Adkins 34 4 Feminist Political Theory Elizabeth Frazer 50 5 Feminist Jurisprudence Jane Scoular 62 6 Feminism and Anthropology Penelope Harvey 73 7 Black Feminisms Kadiatu Kanneh 86 8 Post-colonial Feminist Theory Sara Mills 98 9 Lesbian Theory -
Thinking Through the Skin
Thinking Through the Skin This exciting new collection engages with and extends the growing feminist litera- ture on lived and imagined embodiment. It argues for consideration of the skin as a site where bodies take form, suggesting that skin is already written upon, as well as being open to re-inscription. Divided into parts on skin encounters, skin surfaces and skin sites, the contributions in the book are informed by psycho- analytical, phenomenological and post-colonial approaches to embodiment, as well as by feminist theory. Individual contributors consider issues such as: the significance of piercing, tattooing and tanning; the assault of self-harm upon the skin; skin as the site of memory and forgetting; the relationship between human and robotic skins; skin colour; the relation between body painting and the land among the indigenous people of Australia; and the cultural economy of fur in Canada. Whether the skin is mortified or glorified, marked or scarred by ageing or disease, or stretched in enveloping the skin of another in pregnancy, it is lived as both a boundary and a point of connection. The skin is the place where one touches and is touched by others; it is both the most intimate of experiences and the most public marker of raced, sexed and national histories. This book will be essential reading for students and academics specialising in feminist and body theory. Contributors include Jennifer Biddle, Claudia Castañeda, Steven Connor, Penelope Deutscher, Jane Kilby, Chantal Nadeau, Elspeth Probyn, Jay Prosser, Renata Salecl, Margrit Shildrick, Tina Takemoto, Shirley Tate and Imogen Tyler. Sara Ahmed is Senior Lecturer in the Institute for Women’s Studies at Lancaster University.