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00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under The Stairs 00:00:05 Oliver Wang Host Hello, I’m Oliver Wang. 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:09 Oliver Host Every episode we invite a guest to join us to talk about a heat rock, AKA an album that sizzles, but today we are going multimedia with a new series where we talk about music and movies. We’re calling it Music and Popcorn—shout-out to Morgan for coming up with that— and we’re kicking it off by taking a trip up north to the Santa Cruz boardwalk, and taking a creepy escalator down into Jordan Peele’s 2019 film, Us. 00:00:35 Music Music “I Got 5 On It (Tethered Mix)” off the album I Got 5 On It by Luniz. Slow, somewhat eerie instrumentals and vocalizations. 00:00:55 Oliver Host If someone in 2016 had asked for your opinion about Jordan Peele, you might be forgiven if you had first asked, “Wait, was he the tall guy or the short guy from Key and Peele?” [Morgan laughs.] Prior to his breakout debut film, Get Out, Peele was best known for his comedy skits, alongside partner Keegan Michael Key. But with Get Out, Peele showcased all manner of talents as a screenwriter and director by crafting one of the most lauded horror-slash-thriller films in recent years. In 2019, Peele was back with Us, a dark and at times darkly funny meditation on race, class, and equality, and the lethal shortcomings of voice-activated smart devices. -
Bob James Three Mp3, Flac, Wma
Bob James Three mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Three Country: US Released: 1976 Style: Fusion MP3 version RAR size: 1301 mb FLAC version RAR size: 1416 mb WMA version RAR size: 1546 mb Rating: 4.5 Votes: 503 Other Formats: VQF MMF MP2 AA WAV AU ADX Tracklist Hide Credits One Mint Julep 1 9:09 Composed By – R. Toombs* Women Of Ireland 2 8:06 Composed By – S. Ó Riada* Westchester Lady 3 7:27 Composed By – B. James* Storm King 4 6:36 Composed By – B. James* Jamaica Farewell 5 5:26 Composed By – L. Burgess* Companies, etc. Phonographic Copyright (p) – Tappen Zee Records, Inc. Copyright (c) – Tappen Zee Records, Inc. Licensed From – Castle Communications PLC Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Remastered At – CBS Studios, New York Credits Bass – Gary King (tracks: 1, 2, 5), Will Lee (tracks: 3, 4) Bass Trombone – Dave Taylor* Bass Trombone, Tuba – Dave Bargeron Cello – Alan Shulman, Charles McCracken Drums – Andy Newmark (tracks: 1), Harvey Mason (tracks: 2 to 5) Engineer – Rudy Van Gelder Flute – Hubert Laws, Jerry Dodgion Flute, Tenor Saxophone – Eddie Daniels Guitar – Eric Gale (tracks: 2 to 4), Hugh McCracken (tracks: 2 to 4), Jeff Mironov (tracks: 1) Harp – Gloria Agostini Keyboards – Bob James Percussion – Ralph MacDonald Photography By [Cover] – Richard Alcorn Producer – Creed Taylor Remastered By – Stew Romain* Supervised By [Re-mastering] – Joe Jorgensen Tenor Saxophone, Soprano Saxophone, Tin Whistle – Grover Washington, Jr. Trombone – Wayne Andre Trumpet – John Frosk, Jon Faddis, Lew Soloff, Marvin Stamm Viola – Al Brown*, Manny Vardi* Violin – David Nadien, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Cykman, Lewis Eley, Matthew Raimondi, Max Ellen Notes Originally released in 1976. -
ABQ Free Press, October 22, 2014
VOL I, Issue 14, October 22, 2014 Still FREE After All These Months DOJ Made Us Buy AR-15s, APD Says PAGE 5 Joe Monahan: Why Negative TV Ads Work Judge Candidate PAGE 6 Is Traffic Ticket Magnet PAGE 9 Will New Police Board Be Toothless? PAGE 10 VALERIE PLAME SPEAKS OUT ON SUSANA, GARY PAGE 7 PAGE 2 • October 22, 2014 • ABQ FREE PRESS NEWS www.freeabq.com www.abqarts.com ABQ Free Press Pulp News Editor: [email protected] COMPILED BY ABQ FREE PRESS STAFF VOL I, Issue 14, October 22, 2014 Still FREE After All These Months Associate Editor, News: Dennis Domrzalski Ebola’s threat psychotic killers. The latest example is (505) 306-3260 “Twisty the Clown,” a killer clown on Associate Editor, Arts: Outside of West Africa, the United the FX show “American Horror Story.” [email protected] States, France and the United Kingdom “We do not support in any way, shape Advertising: are most at risk for the spread of the or form any medium that sensational- [email protected] IN THIS ISSUE Ebola virus, but they also are best izes or adds to coulrophobia, or clown [email protected] equipped to contain it. China and India fear,” the group’s president, Glenn [email protected] are less likely to see infected persons Kohlberger, told the Hollywood On Twitter: @freeabq because of lack of travel connections Reporter. Kohlberger’s 2,500-member to West Africa, but if they do, their organization may be fighting a losing NEWS huge populations and poor health battle. In the 1970s, Chicago mass Editor systems could leave them open to ABQ Free Press Pulp News .............................................................................................................Page 2 murderer John Wayne Gacy, who Dan Vukelich mass infection. -
Eddie Marsan
EDDIE MARSAN Film: Feedback Jarvis Dolan Pedro C Alonso Ombra Films Backseat Paul Wolfowitz Adam Mckay Annapurna Pictures Deadpool 2 Headmaster David Leitch Donners' Company White Boy Rick Art Derrick Yann Demange L B I Productions Jungle Book Vihaan Andy Serkis Imaginarium Productions 7 Days In Entebbe Simon Peres Jose Padilha Participant Media Mark Felt: The Man Who Brought Peter Landesman Endurance Media Down The White House Emperor Martin Luther Lee Tamahori Corrino Atomic Blonde Spyglass David Leitch 87 Eleven The Exception Heinrich Himmler David Leveaux Egoli Tossell K L K The Limehouse Golem Uncle Juan Carlos Medina Number 9 Films Their Finest Sammy Smith Lone Scherfig B B C Films A Kind Of Murder Marty Kimmel Andy Goddard Killer Films Concussion Dr. Dekosky Peter Landesman The Cantillon Company A Brilliant Young Mind Richard Morgan Matthews B B C God's Pocket Smilin' Jack Moran John Slattery Park Pictures Still Life John May Uberto Passolini Redwave Films Filth Bladesy John S Baird Steel Mill Pictures Best Of Men Ludwig Guttman Tim Whitby Whitby Davison Productions Ltd The World's End Peter Page Edgar Wright Universal Pictures Snow White And The Huntsman Duir Rupert Sanders Universal Pictures Jack The Giant Slayer Craw Bryan Singer New Line Cinema I, Anna D. I. Kevin Franks Barnaby Southcombe Embargo Films Sherlock Holmes: A Game Of Shadows Inspector Lestrade Guy Ritchie Warner Bros War Horse Sgt. Fry Steven Spielberg Dream Works Tyrannosaur James Paddy Considine Warp X A Running Jump Perry Mike Leigh Thin Man Films Ltd Junkhearts Frank Tinge Krishnan Disruptive Element Films London Boulevard D I. -
Stanley Kubrick -- Auteur Adriana Magda College of Dupage
ESSAI Volume 15 Article 24 Spring 2017 Stanley Kubrick -- Auteur Adriana Magda College of DuPage Follow this and additional works at: https://dc.cod.edu/essai Recommended Citation Magda, Adriana (2017) "Stanley Kubrick -- Auteur," ESSAI: Vol. 15 , Article 24. Available at: https://dc.cod.edu/essai/vol15/iss1/24 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. Magda: Stanley Kubrick -- Auteur Stanley Kubrick – Auteur by Adriana Magda (Motion Picture Television 1113) tanley Kubrick is considered one of the greatest and most influential filmmakers in history. Many important directors credit Kubrick as an important influence in their career and Sinspiration for their vision as filmmaker. Kubrick’s artistry and cinematographic achievements are undeniable, his body of work being a must watch for anybody who loves and is interested in the art of film. However what piqued my interest even more was finding out about his origins, as “Kubrick’s paternal grandmother had come from Romania and his paternal grandfather from the old Austro-Hungarian Empire” (Walker, Taylor, & Ruchti, 1999). Stanley Kubrick was born on July 26th 1928 in New York City to Jaques Kubrick, a doctor, and Sadie Kubrick. He grew up in the Bronx, New York, together with his younger sister, Barbara. Kubrick never did well in school, “seeking creative endeavors rather than to focus on his academic status” (Biography.com, 2014). While formal education didn’t seem to interest him, his two passions – chess and photography – were key in shaping the way his mind worked. -
Publication, Publication
Publication, Publication Gary King, Harvard University Introduction The broader scientific community Some students ask: “Why begin an both collectively and in many other in- original research paper by replicating I show herein how to write a publish- dividual fields is also moving strongly some old work?” A paper that is publish- able paper by beginning with the replica- in the direction of participating in or able is one that by definition advances tion of a published article. This strategy requiring some form of data sharing. knowledge. If you start by replicating an seems to work well for class projects in Recipients of grants from the National existing work, then you are right at the producing papers that ultimately get pub- Science Foundation and the National cutting edge of the field. If you can then lished, helping to professionalize students Institutes of Health now are required to improve any one aspect of the research into the discipline, and teaching the sci- make data available to other scholars that makes a substantive difference and entific norms of the free exchange of upon publication or within a year of the is defensible, you have a publishable academic information. I begin by briefly termination of their grant. Replicating, paper. If instead you begin a project revisiting the prominent debate on repli- and thus collectively and publicly vali- from scratch without replication, you cation our discipline had a decade ago dating, the integrity of our published need to defend every coding decision, and some of the progress made in data work is often still more difficult than it every hypothesis, every data source, sharing since. -
Steven Price
STEVEN PRICE COMPOSER Steven Price is an Academy Award winning film composer. His unique, story-driven approach to the craft of film scoring has seen him work on some of the most innovative productions of recent years. From Alfonso Cuaron’s Gravity to Edgar Wright’s Baby Driver, Steven’s individualistic scores seek to enhance the ideas and images of great filmmakers in truly bespoke ways. Steven’s diverse music reflects the wide range of movie and television projects he has been involved with. Beginning his career in the late 1990s, he contributed to productions such as The Lord of the Rings trilogy and Batman Begins, before making his scoring debut in 2011 with Joe Cornish’s inner-city horror comedy, Attack the Block. Recent years have seen him compose distinctive scores for Claire McCarthy’s reimagining of Hamlet, Ophelia, David Ayer’s Suicide Squad, and the Paramount Animation Wonder Park. From his incorporation of original WW2 tanks in the percussion of the Brad Pitt starring Fury to the wind instrument driven score created for Tom Harper’s The Aeronauts, the music created for each production seeks to give each story its unique voice, the result of an experimental and collaborative process. His work in the Natural History realm, working alongside Sir David Attenborough on The Hunt, (for which Steven won a Bafta), and the Netflix Original Our Planet, (nominated for two score Emmys), will continue in 2020 with a new live arena spectacular, Our Planet Live in Concert, the premiere for which will be held at London’s O2 Arena in October 2020. -
Ordinary Economic Voting Behavior in the Extraordinary Election of Adolf Hitler
THE JOURNAL OF ECONOMIC HISTORY VOLUME 68 DECEMBER 2008 NUMBER 4 Ordinary Economic Voting Behavior in the Extraordinary Election of Adolf Hitler GARY KING, ORI ROSEN, MARTIN TANNER, AND ALEXANDER F. WAGNER The enormous Nazi voting literature rarely builds on modern statistical or economic research. By adding these approaches, we find that the most widely accepted existing theories of this era cannot distinguish the Weimar elections from almost any others in any country. Via a retrospective voting account, we show that voters most hurt by the depression, and most likely to oppose the government, fall into separate groups with divergent interests. This explains why some turned to the Nazis and others turned away. The consequences of Hitler’s election were extraordinary, but the voting behavior that led to it was not. ow did free and fair democratic elections lead to the extraordinary H antidemocratic Nazi Party winning control of the Weimar Republic? The profound implications of this question have led “Who voted for Hitler?” to be the most studied question in the history of voting behavior research. Indeed, understanding who voted for Hitler is The Journal of Economic History, Vol. 68, No. 4 (December 2008). © The Economic History Association. All rights reserved. ISSN 0022-0507. Gary King is David Florence Professor of Government, Department of Government, Harvard University, Institute for Quantitative Social Science, 1737 Cambridge Street, Cambridge, MA 02138. E-mail: [email protected]. Ori Rosen is Associate Professor, Department of Mathematical Sciences, University of Texas at El Paso, Bell Hall 221, El Paso, TX 79968. E-mail: [email protected]. -
Downbeat.Com December 2020 U.K. £6.99
DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
2017 Sxsw Feature Release Final
SXSW FILM FESTIVAL ANNOUNCES 2017 FEATURES Interactive, Film and Music Badges get Expanded Access to Most Programming Austin, Texas, January 31, 2017 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup for the 24th edition of the Film Festival, running March 10-19, 2017 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 125 features will be shown, with additional titles yet to be announced. The full lineup will include 51 films from first-time filmmakers, 85 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,432 feature-length film submissions, with a total of 7,651 films submitted this year. “It's exciting for us to unveil the talent reflected in this year's line up. We intentionally curate a wide-ranging program reflecting unique and new voices that examine, explore, and celebrate the creative process, the cultural zeitgeist, and glimpses of the universal through deeply personal stories,” said Janet Pierson, Director of Film. “Whether genre, big crowd pleasers, quiet meditations, hard hitting docs, or microbudget indies, we can't wait to share these films with our smart, passionate audiences.” New for 2017, the Interactive, Film, and Music badges will now include expanded access to more of the SXSW Conference and Festivals experience. Attendees will still receive primary entry to programming associated with their badge type, but can now enjoy secondary access to most other SXSW events. -
SCIENCE FICTION CINEMA Spring 2016
SCIENCE FICTION CINEMA Spring 2016 "Learn from me . how dangerous is the acquirement of knowledge, and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow." Victor Frankenstein Frankenstein: The Modern Prometheus (1818) Course Description and Objectives Communication 323, Science Fiction Cinema, will primarily focus on the examination of the North American science fiction film genre. The readings, lectures, and screenings are organized historically to facilitate an understanding of the evolution of science fiction cinema within a cultural context. The course is also designed to expand the student's understanding of the critical/cultural theoretical approaches most commonly employed in the analysis of science fiction texts. The format for each class will consist of lecture, screening, and discussion. Assigned readings and screenings must be completed on time to facilitate the class discussions. Students are expected to watch at least one assigned film outside of class each week. Informed class participation is an important part of this class Faculty Jeff Harder Office: Lewis Tower 908 Phone: 312-915-6896 e-mail: [email protected] Office Hours: Monday 3-4 and 7-8, Tuesday 5-6:30, Wednesday 1-3, and by appointment. Required Texts Frankenstein by Mary Shelley (available online at gutenberg.org) Liquid Metal: The Science Fiction Film Reader edited by Sean Redmond (online) Science Fiction Film by J.P. Telotte Reserve Readings and EBL/Full Text A Distant Technology: Science Fiction Film and the Machine Age by J.P. Telotte Alien Zone II edited by A. -
How to Manage Finances After Graduation Professors' Life Advice
bg news An independent student press serving the campus and surrounding community, ESTABLISHED 1920 Bowling Green State University Wednesday, April 21, 2021 Volume 100, Issue 30 CONGRATULATIONS CLASS OF 2021 PHOTO PROVIDED BY MARKETING AND COMMUNICATIONS How to manage Professors’ life 2017 throwback; finances after advice for seniors popular music graduation Page 3 and movies Page 2 Page 4 & 5 BG NEWS April 21, 2021 | PAGE 2 BUDGET BLUES 1. 2. Financial advice for graduates Make a budget Set financial Kimberly McNeil | BG News Intern An important first step, making a Graduation can be an exciting time. For many, it comes with student loan debt. We can hope budget will show you exactly what goals that the movement toward debt forgiveness continues to gain traction. But for now, financial you need and when you’ll need it. Set goals for yourself from a financial advisors say paying down student loans and credit card debt should be a high priority for recent grads. Your credit score will determine your ability to do many things, and sometimes This will help you plan for all future perspective, but keep them realistic. is even a factor in being selected for a job. Grads will want to be aware of how their credit expenses. Make sure you reference your score is doing. budget as you do so. Most loans do not require payment for six months after graduation. There are also deferments and payment arrangements available if needed. Do your research on your loans, and find out what rights and responsibilities you have. The most important thing is to communicate with your lenders.