DOCSLIB.ORG

Keith Tyson Ulverston, Cumbria, England

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Keith Tyson Ulverston, Cumbria, England Keith Tyson Ulverston, Cumbria, England. 1969 FORMACIÓN / EDUCATION 1993 University of Brighton, Alternative Practice, England 1990 Carlisle College of Art, England 1989 Barrow-in-Furness College of Engineering, Mechanical Engineering Craft Studies (M.E.C.S.), England EXPOSICIONES INDIVIDUALES / SOLO EXHIBITIONS 2019 • Musée Marmottan Monet. Paris, France • Life Still. Hauser & Wirth. London, UK 2018 • Keith Tyson. BIG DATA (PAINTINGS 2012 – 2018). Hauser & Wirth. Zurich, Switzerland 2017 • Large Field Array. Zabludowicz Collection. Sarvisalo, Finland (Travelling Exhibition) • Les Fleurs. Galerie Georges-Philippe & Nathalie Vallois. Paris, France • Turn Back Now. Jerwood Gallery. Hastings, UK 2014 • A Mystery to Myself. David Risley Gallery. Copenhagen, Denmark 2013 • Panta Rhei. Recent Painting by Keith Tyson. Pace Gallery. London, UK 2011 • Entangled in the Amber Glow of a Weary Woven World. David Risley Gallery. Copenhagen, Denmark • Keith Tyson. Contemporary Grotesques. Galerie Georges-Philippe & Nathalie Vallois. Paris, France 2010 • Keith Tyson. 52 Variables. Pace Gallery. New York, NY 2009 • Blum & Poe. Los Angeles CA • Cloud Choreography and Other Emergent Systems. parasol unit foundation for contemporary art. London, UK 2008 • Keith Tyson. Random Nature. Project B Contemporary Art. Milan, Italy • Keith Tyson. Nature Paintings. Tullie House Museum & Art Gallery. Carlisle, UK • Keith Tyson. Fractal Dice. PaceWildenstein. New York NY 2007 • Keith Tyson. Studio Wall Drawings 1997 – 2007. Haunch of Venison. London, UK • Keith Tyson. Gana Art Gallery. Seoul, Korea 2006 • Keith Tyson. Large Field Array. Louisiana Museum of Modern Art. Copenhagen, Denmark / De Pont Museum of Contemporary Art. Tilburg, Netherlands / PaceWildenstein. New York NY • Keith Tyson. Nature Paintings. Haunch of Venison. Zurich, Switzerland • Keith Tyson. The Sum of All Possible Paths. Galerie Georges-Philippe and Nathalie Vallois. Paris, France [email protected] | www.eljundiartgallery.com | Ctra. de Cádiz, Km. 166. 29679 Marbella, Spain 2005 • Keith Tyson. The Bates College Museum of Art. Lewiston ME • Keith Tyson. Geno Pheno. PaceWildenstein. New York NY 2004 • Geno Pheno 1. Haunch of Venison. London, UK 2003 • Collected Short Stories. Galerie Georges-Philippe & Nathalie Vallois. Paris, France • Works from a Teleological Accelerator. Arndt and Partner. Berlin, Germany • The Terrible Weight of History. Galerie Judin. Zurich, Switzerland 2002 • Supercollider. South London Gallery. London, UK • Keith Tyson. Kunsthalle Zürich. Zurich, Switzerland 2000 • Studio Wall Drawings. Anthony Reynolds Gallery. London, UK • One of Each. Galerie Ursula Krinzinger. Vienna, Austria 1999 • Keith Tyson. Delfina. London, UK • Molecular Compound No. 4. Kleines Helmhaus. Zurich, Switzerland 1997 • Keith Tyson. Anthony Reynolds Gallery. London, UK • New Artmachine Paintings. Galerie Georges-Philippe & Nathalie Vallois. Paris, France 1996 • Keith Tyson. David Zwirner Gallery. New York NY 1995 • From the Artmachine (14 Iterations). Anthony Reynolds Gallery. London, UK EXPOSICIONES COLECTIVAS (selección) / GROUP EXHIBITIONS (selected) 2019 • So British! Collection Pinault. Musée des Beaux-Arts de Rouen. Rouen, France • Expect the Unexpected. The Lowry. Salford, UK 2018 • Entangle / Physics and the Artistic Imagination. Bildmuseet. Umeå, Sweden • Principia Mathematica. Pace Gallery. New York NY • Wunderkammer 1. Liquid Form. Esbjerg Art Museum. Esbjerg, Denmark 2016 • Ex Situ. Samples of Lifeforms. Copenhagen Contemporary, Denmark • Talking on Paper. Pace Gallery. Beijing, China • Press Art. Die Sammlung Annette und Peter Nobel Vol. II. MASILugano Museo d’arte dellla Svizzera italiana. Lugano, Switzerland 2015 • Zabludowicz Collection. 20 Years. Zabludowicz Collection. London, UK • Collected by Thea Westreigh Wagner and Ethan Wagner. Whitney Museum of American Art. New York NY / Centre Pompidou. Paris, France • Collecting Lines. Drawings from the Ringier Collection, Chapter I. Villa Flora. Winterthur, Switzerland • De Pictura. Keith Tyson & Hugo Wilson. A Dialogue About Painting. Project B Gallery. Milan, Italy [email protected] | www.eljundiartgallery.com | Ctra. de Cádiz, Km. 166. 29679 Marbella, Spain • Chewing Gum. Pace Gallery. Hong Kong • Eureka. Pace Gallery. New York NY 2014 • In the Round. Pace Gallery. New York NY • Paper. SMAC Gallery. Cape Town, South Africa • The Drawing Room. Magasin 3, Stockholm Konsthall. Stockholm, Sweden • Grounded. Pace Gallery. New York NY 2012 • Painting Without Paint. David Risley Gallery. Copenhagen, Denmark • Freedom Not Genius. Works from Damien Hirst’s Murderme Collection. Pinacoteca Giovanni e Marella Agnelli. Turin, Italy • Beyond Reality. British Painting Today. Galerie Rudolfinum. Prague, Czech Republic • Sacred Geometry and Secular Science. Loyola University Museum of Art. Chicago IL 2011 • Adventures in Wonderland. MdM Museum. Porto Cervo, Italy • Summer Exhibition. The Royal Academy of Arts. London, UK • 7th La Biennale de Montréal. Chance. École des beaux-arts de Montréal. Montréal, Canada • Space. About a Dream. Kunsthalle Wien. Vienna, Austria • Peeping Tom. Kunsnthal KAdE. Amersfoort, Netherlands 2010 • Plus Art. Plus Art Projects. London, UK • 50 Years at Pace. Pace Gallery. New York NY • Shut Your Eyes in Order to See. Galerie Praz Delavallade. Paris, France • VaXINations. Xippas Gallery. Athens, Greece • Changing The World. ARNDT Contemporary Art GmbH and Co. Berlin, Germany • Pastiche. Pace Gallery. New York NY • The Library of Babel / In and Out of Place. Zabludowicz Collection. London, UK • Peeping Tom. Vegas Gallery. London, UK • Dopplereffekt. Images in Art and Science. Kunsthalle zu Kiel. Kiel, Germany • On the Square. PaceWildenstein. New York NY 2009 • Earth. Art of a Changing World. The Royal Academy of Arts. London, UK • Capturing Claudia. Colnaghi Gallery. London, UK • The Age of the Marvellous. All Visual Arts. London, UK • 15th Anniversary Inaugural Exhibition. Blum & Poe. Los Angeles CA • Pete and Repeat. Works from the Zabludowicz Collection. Zabludowicz Collection. London, UK • Il faut être absolument moderne. Paradise Row. Istanbul, Turkey • A Walk on the Beach. PaceWildenstein. New York NY • Walking in my Mind. Hayward Gallery. London, UK • Universal Code. Art and Cosmology in the Information Age. The Power Plant. Toronto, Canada • Mythologies. Haunch of Venison. London, UK • From Art School to University. Art and Design at Brighton 1859 – 2009. University of Brighton Gallery. Brighton, UK [email protected] | www.eljundiartgallery.com | Ctra. de Cádiz, Km. 166. 29679 Marbella, Spain 2008 • In Drawing. Purdy Hicks. London, UK • Wall Rockets. Contemporary Artists and Ed Ruscha. Flag Art Foundation. New York NY / Albri- ght-Knox Art Gallery. Buffalo NY • Diagonal Argument. Bétonsalon. Paris, France • History in the Making. A Retrospective of The Turner Prize. Mori Art Museum. Tokyo, Japan • Beyond Measure. Conversations Across Art and Science. Kettle’s Yard. Cambridge, UK • Martian Museum of Terrestrial Art, Mission. to Interpret and Understand Contemporary Art. Barbican Art Gallery. London, UK • Estratos. Proyecto Arte Contemporáneo. Murcia, Spain • Accidental Modernism. Leslie Tonkonow Artworks + Projects. New York NY 2007 • Turner Prize Retrospective. Tate Britain. London, UK • You’ll Never Know. Drawing and Random Interference. Tullie House Museum and Art Gallery. Carlisle, UK • Aggression of Beauty. Arndt and Partner. Berlin, Germany • Reconstruction #2. Sudeley Castle. Winchcombe, UK • Unfinished Symphony... Fine Art Society. London, UK • Oeuvres Encombrantes. Gallerie Vallois. Paris, France 2006 • You’ll Never Know. Drawing and Random Interference. Hayward Gallery. London, UK / Harris Museum and Art Gallery. Preston, UK / Glynn Vivian Gallery. Swansea, UK / The Lowry. Salford, UK / The New Art Gallery. Walsall, UK / Tullie House Museum and Art Gallery. Carlisle, UK • How to Improve the World. 60 Years of British Art. Hayward Gallery. London, UK • Exposed. Art and Culture from UK’s North West. Manchester Square. London, UK • Thank You For the Music (London Beat). Sprüth Magers Lee. London, UK • Artists for Tichý. Tichý for Artists. Uměleckoprůmyslové Muzeum. Brno, Czech Republic / Východočes- ká Galerie v Pardubicích. Dům u Jonáše, Czech Republic / Museum Modern Kunst. Passau, Germany 2005 • Dionysiac. Centre Pompidou. Paris, France • Logical Conclusions: 40 Years of Rule Based Art. PaceWildenstein. New York NY • Summer Group Show. PaceWildenstein. New York NY 2004 • Another Zero. Galleria d’Arte Moderna e Contemporanea. Bergamo, Italy • Is There A Curator to Save the Show? Galerie Georges-Philippe & Nathalie Vallois. Paris, France 2003 • Dionysiac. Centre Pompidou. Paris, France • Logical Conclusions: 40 Years of Rule Based Art. PaceWildenstein. New York NY • Summer Group Show. PaceWildenstein. New York NY 2002 • Reality Check. Recent Developments in British Photography and Video. Moderna Galerija. Llubljana, Slovenia / Wharf Road. London, UK / House of Artists. Zagreb, Croatia / Gallery Rudolfinum. Prague, Czech Republic / Bunkier Gallery. Krakow, Poland / Latvia Arsenals. Riga, Latvia • Turner Prize. Tate Britain. London, UK • Comer o No Comer. Centro de Arte de Salamanca. Salamanca, Spain • Flights of Reality. Kettle’s Yard. Cambridge, UK [email protected] | www.eljundiartgallery.com | Ctra. de Cádiz, Km. 166. 29679 Marbella, Spain • Flights of Reality. Turnpike Gallery. Manchester, UK • Con Art. Magic/Object/Action. Site Gallery. Sheffield, UK • 25th
Load more

Recommended publications
  • Paul Mellon Centre for Studies in British Art Library: New Accessions
    Paul Mellon Centre for Studies in British Art Library: New accessions May 2015 D10738 Holburne Museum of In the public eye : treasures from the West of England : an Bath: Holburne Museum of Art, [2002] 062 BAT-HOL Art exhibition at the Holburne Museum of Art, Bath, organised by Sotheby's in association with the Historic Houses Association, 15th October to 8th December 2002 D11728 Sutherland, Adam After Ford 151 : Blackwell’s dark place [Coniston]: Grizedale Arts, 2014 062 BOW-BLA 1902671902 Hammer, Martin My generation : a festival of British Art in the 1960s [Kent]: University of Kent, [2015] 062 CAN-UNI 1907052445 Durant, Stuart The John Scott Collection : truth, beauty, power : the designs of Dr London: The Fine Art Society, 2014 062 LON-FIN Christopher Dresser, 1834-1904. Volume five 1907052526 Morgan-Cox, Rowena The John Scott Collection : art nouveau : continental design & London: The Fine Art Society, 2015 062 LON-FIN sculpture. Volume seven 1855144867 National Portrait BP Portrait Award 2014 London: National Portrait Gallery, 2014 062 LON-NPG Gallery 1855144875 National Portrait Taylor Wessing Photographic Portrait Prize 14 London: National Portrait Gallery, c2014 062 LON-NPG Gallery D11659 Tate Britain Salt and silver : early photography 1840-1860 [London]: Tate Britain, [2015] 062 LON-TAT 1854378392 Tate Britain Turner prize 10 London: Tate, 2010 062 LON-TAT D11931 Tate Britain Turner Prize 2000 London: Tate, c2000 062 LON-TAT 1854374656 Tate Britain Turner Prize 2002 : Fiona Banner, Liam Gillick, Keith Tyson, London: Tate, c2002
    [Show full text]
  • Download a Press Release
    Modus Operandi Curating art for public places PRESS RELEASE New Art Commission for One New Burlington Place, London, W1S 2HP So our rivers flow, Keith Tyson, 2014 -16 Commissioner: The Crown Estate and Exemplar Curator: Modus Operandi Fabrication: Blue Pearl Photographic; Glass Designs The Crown Estate, Exemplar and Modus Operandi are delighted to announce the completion of ‘So our rivers flow’, a major new artwork by former Turner Prize winner Keith Tyson for One New Burlington Place, London W1. One New Burlington Place, located to the west side of Regent Street, is a premium office development by The Crown Estate and Exemplar. The building is designed by Stirling Prize winning architects Alford Hall Monaghan Morris (AHMM). Conceived to form the exterior glazing to the main elevation of the building, ‘So our rivers flow’ takes London, and its ever-changing dynamic built around the River Thames, as its inspiration. The artwork was developed from a series of ‘nature paintings’ in which poured paint, aluminum surface, gravity and chemical reaction combined to create various flowing complex forms and patterns. Reminiscent of satellite photography or cellular microscopy, the images were then translated into a sequence of high-resolution digital prints, each bonded and sealed within twelve backlit glass panels. Located within the outer architectural framework, the individual panes read as one large horizontal image, inviting the viewer to follow the meandering path of the Thames from east to west and the city’s architectural evolution over the past millennium. A close inspection identifies the very location of One Burlington Place, within the artwork.
    [Show full text]
  • KEITH TYSON Education Selected Solo Exhibitions
    KEITH TYSON 1969 Born in Ulverston, UK Lives and works in Sussex and London, UK Education 1990-93 University of Brighton: BA in Alternative Practice 1989-90 Foundation at Carlisle College of Art 1984-89 Barrow-in-Furness College of Engineering: M.E.C.S. (Mechanical Engineering Craft Studies) Selected Solo Exhibitions 2014 A Mystery to Myself, David Risley Gallery, Copenhagen, Denmark 2013 Panta Rhei, Pace, London, UK 2011 Entangled in the Amber Glow of a Weary Woven World, David Risley Gallery, Copenhagen, Denmark Keith Tyson: Contemporary Grotesques, Galerie Georges-Philippe & Nathalie Vallois, Paris, France 2010 Keith Tyson: 52 Variables, The Pace Gallery, New York, NY 2009 Keith Tyson: Cloud Choreography and Other Emergent Systems, Parasol Unit, London, UK Keith Tyson, Blum & Poe, Los Angeles, USA 2008 Keith Tyson Nature Paintings, Tullie House Museum & Art Gallery, Carlisle, UK (catalogue) Keith Tyson, Fractal Dice, Pace, New York, USA (catalogue) Random Nature, Project B, Milan, Italy (catalogue) 2007 Keith Tyson, Ten Years of Studio Wall Drawings 1997 – 2007, Haunch of Venison London, UK (catalogue) Keith Tyson, Large Field Array, PaceWildenstein, New York, USA (catalogue) Keith Tyson, Large Field Array, De Pont museum of contemporary art, The Netherlands (catalogue) 2006 Keith Tyson, Large Field Array, Louisiana Museum for Moderne Art, Denmark (catalogue) Keith Tyson, Nature Paintings, Haunch of Venison, Zürich, Switzerland (catalogue) Keith Tyson, The Sum of all Possible Paths, Galerie Georges-Philippe & Nathalie Vallois, Paris
    [Show full text]
  • Undergraduate Mini Guide 2019 Coming to University Has Changed My Life
    Undergraduate Mini guide 2019 Coming to university has changed my life. I have developed social skills, met lots of people of different ages and backgrounds, am now more mature and professional, “independent with work, and more organised. � Rabeha Malik BA (Hons) Primary Education (3-11 years) with QTS 02 www.cumbria.ac.uk Welcome Our mini guide introduces you to the University of Cumbria and gives a taste of what it is like to study with us, including a list of our undergraduate degrees. We are known for our teaching excellence and high levels of graduate employability. Our degree courses include practical hands-on experience and are career-focused – so you will learn not only the theory, but practical skills that employers are looking for, making you stand out from the crowd. The university is a wonderfully safe, friendly place to study with outstanding support – so you can be part of a warm, community environment that our students love. If you would like a copy of our full 2019 undergraduate prospectus, you can order one at cumbria.ac.uk/prospectus 0845 606 1144 [email protected] 03 Carlisle, Fusehill Street Carlisle, Brampton Road Ambleside Lancaster Workington Barrow-in-Furness London Glasgow Edinburgh Carlisle Newcastle Belfast Cumbria York Manchester Liverpool Cardiff London 04 www.cumbria.ac.uk I am very proud of what the University of Cumbria has enabled me to achieve. For me, this is the place to study if you want to study “at an up-and-coming, supportive university.� Chantel Cumpsty BSc (Hons) Midwifery Amazing locations Our campuses are in some of the country’s top locations, including two World Heritage Sites.
    [Show full text]
  • We Promote the Collecting of Contemporary Art Through Our Gifts
    Giant Arc Design / [email protected] / Design Arc Giant 17 Bloomsbury Square London WC1A 2NG Telephone 020 7831 7311 Facsimile 020 7831 7345 [email protected] www.contempart.org.uk [email protected] 7345 7831 020 Facsimile 7311 7831 020 Telephone 2NG WC1A London Square Bloomsbury 17 _Annual Report 2001/2002 Report _Annual Society 2001/2002 Report _Annual Society Contemporary Art Contemporary individuals and Art Contemporary individuals and and guidance we offer companies offer we guidance and companies offer we guidance and to public museums and the advice the and museums public to advice the and museums public to contemporary art through our gifts our through art contemporary gifts our through art contemporary We promote the collecting of collecting the promote We of collecting the promote We CAS Patron Director Annual Report 2001/2 Her Majesty Queen Elizabeth The Queen Mother Gill Hedley (1948 - 2002) Projects Director Vice-Patrons Cat Newton-Groves Bryan Ferry David Gordon Collections Curator Caryl Hubbard Mary Doyle Pauline Vogelpoel Mann The Lord McAlpine of West Green Office Manager The Lord and Lady Sainsbury Paula Hollings of Preston Candover The Lady Vaizey Events/Membership Manager The Viscount and Viscountess Windsor Kate Steel until December 2001 Wynne Waring from January 2002 Artist Patrons Sir Anthony Caro, OM Assistant Collections Curator Bridget Riley, CH Jessica Wallwork until December 2001 Ceri Lewis from January 2002 Committee Members Oliver Prenn, Chairman ARTfutures Selector Pesh Framjee, Honorary Treasurer
    [Show full text]
  • Tate Report 2002–2004
    TATE REPORT 2002–2004 Tate Report 2002–2004 Introduction 1 Collection 6 Galleries & Online 227 Exhibitions 245 Learning 291 Business & Funding 295 Publishing & Research 309 People 359 TATE REPORT 2002–2004 1 Introduction Trustees’ Foreword 2 Director’s Introduction 4 TATE REPORT 2002–2004 2 Trustees’ Foreword • Following the opening of Tate Modern and Tate Britain in 2000, Tate has consolidated and built on this unique achieve- ment, presenting the Collection and exhibitions to large and new audiences. As well as adjusting to unprecedented change, we continue to develop and innovate, as a group of four gal- leries linked together within a single organisation. • One exciting area of growth has been Tate Online – tate.org.uk. Now the UK’s most popular art website, it has won two BAFTAs for online content and for innovation over the last two years. In a move that reflects this development, the full Tate Biennial Report is this year published online at tate.org.uk/tatereport. This printed publication presents a summary of a remarkable two years. • A highlight of the last biennium was the launch of the new Tate Boat in May 2003. Shuttling visitors along the Thames between Tate Britain and Tate Modern, it is a reminder of how important connections have been in defining Tate’s success. • Tate is a British institution with an international outlook, and two appointments from Europe – of Vicente Todolí as Director of Tate Modern in April 2003 and of Jan Debbaut as Director of Collection in September 2003 – are enabling us to develop our links abroad, bringing fresh perspectives to our programme.
    [Show full text]
  • Research News 4, Spring 2003
    CRD Centre for Research Development Faculty of Arts and Architecture Research Newsletter / Spring 2003 / Edition 4 Above: 'Marriage of Materials' exhibition by Nick Gant Right: ‘Embodied Interfaces' exhibition by Mette Ramsgaard Thomsen New Research in the Perspex Brand and the Crafts Council in the case of ‘Marriage of Materials’. Architecture and Design The Marriage of Materials ‘Embodied Interfaces’ and ‘The Marriage of Materials’ opened in the Gallery at Grand The marriage of materials was conceived, Parade on the 6th December 2002. These designed and co-ordinated by Nick Gant and Tanya two shows were the first presentation of Dean, who joined the staff of the school two and a research and development work from the half years ago. Nick and Tanya are both graduates School of Architecture and Design for from the Wood, Metal, Plastics & Ceramics course nearly two years, and represent the diver- (WMC&P) and are now directors of their own very sity of research being explored across the successful design consultancy, BoBo design. This School by staff and also former graduates. year marks the 25th anniversary of the first gradu- ating cohort of this course and their work is exem- It also served to demonstrate the potential oppor- plary of its tradition of developing a language of tunities offered through drawing architecture and design and making through the exploration of interiors into the context of the Faculty of Arts and materials; most notably in their case, in plastics, Architecture, both across and beyond the bound- ‘Perspex’ and
    [Show full text]
  • Urs Fischer Born in Zurich, Switzerland. Lives and Works In
    Urs Fischer Born in Zurich, Switzerland. Lives and works in Berlin, Los Angeles and Zurich Studied Photography at the Schule für Gestaltung, Zurich Visited ʻde ateliersʼ, Amsterdam Artist in Residence, Delfina Studios, London Solo Exhibitions 2011 54th International Art Exhibition Biennale, Venice 2010 Sadie Coles HQ, London Oscar the Grouch, Brant Foundation, Greenwich (CT), USA 2009 Marguerite de Ponty, New Museum, New York “Dear _________! We _____ on ________, hysterically. It has to be _____ that _____. No? It is now ______ and the whole _______ has changed ______. all the _____, ______”, Kunstnernes Hus, OsloMarguerite de Ponty, New Museum, New York (NY), USA Conflicting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany 2008 Blurry Renoir Debussy, Galerie Eva Presenhuber, Zürich, Switzerland "Who's Afraid of Jasper Johns?" A show conceived by Urs Fischer & Gavin Brown, Tony Shafrazi Gallery, New York (NY), USA 2007 Large, dark & empty, Galerie Eva Presenhuber, Zürich Agnes Martin, Regen Projects II, Los Angeles You, Gavin Brownʼs Enterprise, NewYork Uh…. Sadie Coles HQ, London 52nd International Art Exhibition Biennale, Venice (with Ugo Rondinone) Cockatoo Island, Kaldor Art Projects and the Sydney Federation Trust, Sydney 2006 The Modern Institute, Glasgow, Scotland Gallerie Eva Presenhuber, Zurich Mary Poppins, Blaffer Gallery, University of Houston, Houston (TX) Paris 1919, Museum Boymans-van Beuningen, Rotterdam Galerie Massimo de Carlo, Milan 2005 Hamburger Bahnhof, Flick Collection, Berlin “Mr Watson
    [Show full text]
  • Acquisitions & Art Consultancy
    Acquisitions & Art Consultancy Acquisitions & Art Consultancy NOVEMBER 2012—MARCH 2014 Contents Foreword 4 Museums receiving Artworks 7 Acquisitions Scheme Contemporary Art Society 59 Central Street, London EC1V 3AF — Fine Art 9 Tel: +44 (0)20 7017 8400 Email: [email protected] — Craft 63 Website: www.contemporaryartsociety.org Follow us on social media Facebook: /thecontemporaryartsociety Strategic Initiatives Instagram: contemporaryartsociety Twitter: @contempartsoc — Contemporary Art Society Annual Award 74 Every effort has been made to contact all copyright — Cathy Wills Sculpture Fund 78 holders. If proper acknowledgment has not been made contact Contemporary Art Society. — Collections Committee 80 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electrical, mechanical or Gifts & Bequests 83 otherwise, without first seeking the written permission of the copyright holders and of Contemporary Art Society. Images cannot be reproduced without prior permission from Contemporary Art Society. Art Consultancy 97 Date of publication: May 2014 Designed by Hyperkit Index of Acquisitions by Scheme 100 The Contemporary Art Society is supported by Cover image: Raphael Hefti, Disco no.7 (2006) Supporters & Patrons 104 Trustees & Staff 106 Image credits 107 Ruskin School of Art. The Annual Award is the only scheme in the country that actively promotes new collaborations between contemporary artists and public collections. As such it is unique in offering substantial funding to an artist to Foreword create a new work, and the opportunity for a museum to enliven and reappraise their permanent collections through the experience of working with an artist responding to them.
    [Show full text]
  • Ariane Koek Finds out About the Inspiration Behind Some of the Work
    INTERVIEW Keith Tyson: the art of science and discovery Ariane Koek finds out about the inspiration behind some of the work by the British, Turner Prize winning artist Keith Tyson, whose art is driven by science and discovery. Take an idea, and you open up the world. When the now world- famous British artist Keith Tyson was a lonely child, growing up in Cumbria in the North of England, he found his only salvation and companionship in the television programmes of the American popularizer of science, Carl Sagan. Television was what Keith calls “the transitional space”, where he learnt about the world around him and which took him beyond his own confines and loneliness. It is where he found escape in Sagan’s journey into the science of stars and the universe. From that moment on, Keith became a seeker of new ideas and new forms of knowledge. To this day, this search is what drives his art. Observer and observed It should come as no surprise then, that the work at the Large Hadron Collider at CERN has been the jumping-off point for some of Keith’s most critically acclaimed work. His 2002 exhibition “Supercollider”, The 5-m wide sculptural piece Teleological Accelerator (2003) encompasses several shown at the South London Gallery in the UK, took its title from the knowledge systems; aluminium and steel, pencil on graph paper. (Courtesy Haunch of goings on at CERN. The title piece of the exhibition (right) was a giant Venison, copyright Keith Tyson 2009.) studio drawing with the subtitle “From the Action of Four Forces The studio wall drawing Supercollider (2001) is inspired by the goings on on 103 elements within four dimensions, we get…” and needs no at CERN; mixed media on watercolour paper (388 × 481 cm).
    [Show full text]
  • Blum & Poe Is Pleased to Announce the First Solo Exhibition in Los
    Blum & Poe is pleased to announce the first solo exhibition in Los Angeles of British artist Keith Tyson. This exhibition will include three bodies of Tyson's current work, Nature Paintings, Operator Paintings, and Studio Wall Drawings. Tyson is known for using a disparate array of mediums and methods to present and explore some of the most challenging questions and paradoxes about the nature of being and man's place in the world. His vast output mirrors the wonder and terror of our uncontrollable and awe-inspiring reality, as the formal sciences of cosmology and mathematics mingle with Tyson's ideas about the complex systems that surround us. Tyson isolates these various methods of thought only to scramble them again in order to elucidate the overwhelming sensation of interconnectedness. Nature Paintings is a series that Tyson has been producing since 2006. Described most aptly as paintings by nature rather than of nature, these paintings typify Tyson's penchant for creating systems within which chance, as well as Tyson's eye, generates the art. For these paintings Tyson pours paint, chemicals, pigments, and other substances onto specialized grounds and then angles them to invite stunning reactions of form and color. From this act of surrendering to the materials, the work independently develops and becomes an extraction of what we see and experience in nature. The Operator Paintings are works made by the application of equations, devised from standard mathematical operators. Tyson investigates natural, social, mathematical, and cosmological systems and seeks ways to illustrate their dialogue. Often he couples mathematical theories with imagery, forming complementary relationships in which one form of communication makes up for the other's limitations.
    [Show full text]
  • SYSTEMS 160 Mm × 240 Mm 160 Mm × 240 Mm X / XXX 160 Mm × 240 Mm 160 Mm × 240 Mm X / XXX 160 Mm × 240 Mm 160 Mm × 240 Mm
    160 mm × 240 mm SYSTEMS 160 mm × 240 mm 160 mm × 240 mm X / XXX 160 mm × 240 mm 160 mm × 240 mm X / XXX 160 mm × 240 mm 160 mm × 240 mm SYSTEMS Auction Catalogue 10 March 2010 Battersea Power Station Published by the Contemporary Art Society London SW8 5BP The Contemporary Art Society exists to support and develop contemporary art collections and collectors in the UK. 160 mm × 240 mm 160 mm × 240 mm Table of Contents 001 How to Bid 002 Artist Index 004 Chair’s Welcome 006 Director’s Introduction 008 Committee List 013 Live Auction 045 Charity Lot 049 Silent Auction 161 Charity Lot Published February 2010 the Contemporary Art Society ISBN 978 0 9517550 7 5 Contemporary Art Society 166 Partners & Supporters 11—15 Emerald Street London WC1N 3QL +44 (0)20 7831 1243 168 Support the Contemporary Art Society [email protected] www.contemporaryartsociety.org 180 Auction Information Designed by modernactivity Set in SG Typewriter (custom) Printed by Lecturis 184 Conditions of Business 186 Absentee Bid Form 160 mm × 240 mm 160 mm × 240 mm How To Bid The live auction, conducted by Oliver Barker, Senior International Specialist at Sotheby’s, London will take place at approximately 10.00pm. Lots 1 — 7 inclusive, described on p13 — p45 of this catalogue, will be sold in the Live Auction. HOW TO BID / 001 Lots 9—35 inclusive on p49 — p161 will be sold in the Silent Auction throughout the evening. In order to bid in the silent auction, guests use their personalised IML card with the handsets on the dinner tables.
    [Show full text]