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Neil Foster Carries on Hating Keith Listens To
April 2017 April 96 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Chuck Berry, Capital Radio Jazzfest, Alexandra Palace, London, 21-07-79, © Paul Harris Neil Foster carries on hating Keith listens to John Broven The Frogman's Surprise Birthday Party We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 An unidentified man spotted by Bill Haynes stuffing a pie into his face outside Wilton’s Music Hall mumbles: “ HOLD THE THIRD PAGE! ” Hi Gang, Trust you are all well and as fluffy as little bunnies for our spring edition of Tales From The Woods Magazine. WOW, what a night!! I'm talking about Sunday 19th March at Soho's Spice Of Life venue. Charlie Gracie and the TFTW Band put on a show to remember, Yes, another triumph for us, just take a look at the photo of Charlie on stage at the Spice, you can see he was having a ball, enjoying the appreciation of the audience as much as they were enjoying him. You can read a review elsewhere within these pages, so I won’t labour the point here, except to offer gratitude to Charlie and the Tales From The Woods Band for making the evening so special, in no small part made possible by David the excellent sound engineer whom we request by name for our shows. As many of you have experienced at Rock’n’Roll shows, many a potentially brilliant set has been ruined by poor © Paul Harris sound, or literally having little idea how to sound up a vintage Rock’n’Roll gig. -
Jerry Williams Jr. Discography
SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968. -
Remembering Guitar Gable (1937-2017) by Larry Benicewicz Photographs by Larry Benicewicz Unless Otherwise Noted
Guitar Gable, 1998 REMEMBERING GUITAR GABLE (1937-2017) BY LARRY BENICEWICZ PHOTOGRAPHS BY LARRY BENICEWICZ UNLESS OTHERWISE NOTED 18 | BLUESRAG | SUMMER 2017 | MOJOWORKIN.COM the initial supporting cast for all the magnifi- EGENDARY South Louisiana guitar great, cent Excello “Swamp Blues” produced there by J.D. Miller in the 50s and 60s whereby it Guitar Gable, has passed on Saturday, January would forge a signature sound every bit as distinctive as Motown’s Funk Brothers or the 28, having succumbed to a massive heart syncopated second line shuffle of Cosimo L Matassa’s Crescent City studio stalwarts. attack in route from a nursing facility to Opelousas Guitar Gable, one of ten children, was born Gabriel Perrodin in Bellevue, LA (St. Landry General Health System. Toward the end of his life, Parish), a small sharecropping community near Opelousas on August 17, 1937. He remem- his health had deteriorated incrementally, as he bered that his father, Androl Perrodin, in his younger days played harmonica and accordion suffered a series of debilitating strokes. He was 79. for house parties and that soon older brothers, Charles and Oliver, entertained in the same Had Guitar Gable just remained the for- New Orleans to Port Arthur, TX, at any given manner as a fiddler and guitarist. “He [his midable instrumentalist that he was, he would moment could have boasted of an equal or father] played that ole timey French folk music have been no more than a footnote in this greater number of positively scintillating axe like Clifton [Chenier] used to do when he got territory’s rich musical history, for there was men. -
Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER Slim Harpo TITEL Buzzin’ The Blues The Complete Slim Harpo LABEL Bear Family Productions KATALOG # BCD 17339 PREIS-CODE EK EAN-CODE ÇxDTRBAMy173394z FORMAT 5 CD-Box (LP-Format) mit 104-seitigem gebundenen Buch GENRE Blues ANZAHL TITEL 142 SPIELDAUER 410:05 G Sämtliche Aufnahmen von einem der Großen des 'Swamp Blues' und 'Swamp Pop' aus Louisiana. G Fünf CDs mit insgesamt 142 Einzeltiteln und einem 104-seitigen Buch mit vielen seltenen Fotos und Abbildungen. CD 1+2 enthalten alle Aufnahmen, die Slim Harpo für das EXCELLO-Label gemacht hat und auf Singles bzw. Alben veröffentlicht wurden. CD 3+4 kommen mit all jenen Aufnahmen, die zu seinen Lebzeiten unveröffentlicht blieben und sämtli- chen alternativen Fassungen seiner veröffentlichten Aufnahmen. CD 5 enthält eine Liveaufnahme aus dem Jahre 1961, eine der ersten, die einen bedeutenden Bluesmusi- ker auf dem Höhepunkt seiner Karriere zeigt. G Zusätzlich enthält die Box vier zuvor unveröffentlichte live aufgenommene Songs sowie einen gänzlich unbekannten Song. INFORMATIONEN 1957 legte Slim Harpo einen beeindruckenden ersten Auftritt in der Welt der Bluesaufnahmen hin. Der Typ mit dem unvergeß- lichen Namen, einem starken Song – I'm A King Bee – und einem sorgfältig ausgearbeiteten, minimalistischem Stil, der einerseits vertraut, andererseits ganz neuartig klang, sorgte gewaltig für Furore. 1961 tauchte er bereits in den amerikanischen Rhythm 'n' Blues- und Pop-Charts auf. Rainin' In My Heart wurde zu einem jener stilistisch kaum einzuordnenden Hits, die nicht zu über- hören waren. -
The R&B Pioneers Series
The Great R&B Files (# 11 of 12) Updated March 1, 2019 The R&B Pioneers Series Compiled by Claus Röhnisch Special Supplement: Top 30 Favorites - featuring the Super Legends’ Ultimate CD compilations, their very first albums, * and ± .. plus their most classic singles. Top Rhythm & Blues Records - The Top R&B Hits from 30 classic years of Rhythm & Blues THE Blues Giants of the 1950s THE Top Ten Vocal Groups of the Golden ‘50s Ten Sepia Super Stars of Rock ‘n’ Roll Transitions from Rhythm to Soul – Twelve Original Soul Icons The True R&B Pioneers – Twelve Hit-Makers of the Early Years Predecessors of the Soul Explosion in the 1960s Clyde McPhatter – The Original Soul Star The John Lee Hooker Session Discography The Clown Princes of Rock and Roll: The Coasters Those Hoodlum Friends – The Coasters Page 1 (94) THE R&B PIONEERS Series - Volume Eleven of twelve Compiled by Claus Röhnisch The R&B Pioneers Series: find them all at The Great R&B-files Created by Claus Röhnisch http://www.rhythm-and-blues.info (try the links her on the next page for youtube) Vol 1. Top Rhythm & Blues Records The Top R&B Hits from 30 classic years of Rhythm & Blues Vol 2. The John Lee Hooker Session Discography Complete discography, year-by-year recap, CD-Guide, and more John Lee Hooker – The World’s Greatest Blues Singer Vol 3. The Clown Princes of Rock and Roll Todd Baptista’s great Essay on The Coasters, completed with Singles Discography, Chart Hits, Session Discography, and much more Vol 4. -
Band/Surname First Name Title Label No
BAND/SURNAME FIRST NAME TITLE LABEL NO DVD 13 Featuring Lester Butler Hightone 115 2000 Lbs Of Blues Soul Of A Sinner Own Label 162 4 Jacks Deal With It Eller Soul 177 44s Americana Rip Cat 173 67 Purple Fishes 67 Purple Fishes Doghowl 173 Abel Bill One-Man Band Own Label 156 Abrahams Mick Live In Madrid Indigo 118 Abshire Nathan Pine Grove Blues Swallow 033 Abshire Nathan Pine Grove Blues Ace 084 Abshire Nathan Pine Grove Blues/The Good Times Killin' Me Ace 096 Abshire Nathan The Good Times Killin' Me Sonet 044 Ace Black I Am The Boss Card In Your Hand Arhoolie 100 Ace Johnny Memorial Album Ace 063 Aces Aces And Their Guests Storyville 037 Aces Kings Of The Chicago Blues Vol. 1 Vogue 022 Aces Kings Of The Chicago Blues Vol. 1 Vogue 033 Aces No One Rides For Free El Toro 163 Aces The Crawl Own Label 177 Acey Johnny My Home Li-Jan 173 Adams Arthur Stomp The Floor Delta Groove 163 Adams Faye I'm Goin' To Leave You Mr R & B 090 Adams Johnny After All The Good Is Gone Ariola 068 Adams Johnny After Dark Rounder 079/080 Adams Johnny Christmas In New Orleans Hep Me 068 Adams Johnny From The Heart Rounder 068 Adams Johnny Heart & Soul Vampi 145 Adams Johnny Heart And Soul SSS 068 Adams Johnny I Won't Cry Rounder 098 Adams Johnny Room With A View Of The Blues Demon 082 Adams Johnny Sings Doc Pomus: The Real Me Rounder 097 Adams Johnny Stand By Me Chelsea 068 Adams Johnny The Many Sides Of Johnny Adams Hep Me 068 Adams Johnny The Sweet Country Voice Of Johnny Adams Hep Me 068 Adams Johnny The Tan Nighinggale Charly 068 Adams Johnny Walking On A Tightrope Rounder 089 Adamz & Hayes Doug & Dan Blues Duo Blue Skunk Music 166 Adderly & Watts Nat & Noble Noble And Nat Kingsnake 093 Adegbalola Gaye Bitter Sweet Blues Alligator 124 Adler Jimmy Midnight Rooster Bonedog 170 Adler Jimmy Swing It Around Bonedog 158 Agee Ray Black Night is Gone Mr. -
Cover Design by Bob Mcgrath
Cover design by Bob McGrath CAJUN RECORDS 1946-1989 – A DISCOGRAPHY © Nick Leigh 2018 INTRODUCTION TO THE REVISED EDITION I began collecting blues records in 1959 but it was another 7 years before I heard Cleveland Crochet & the Sugar Bees on the Storyville anthology “Louisiana Blues”. My appetite whetted, I wanted more. Buying the Iry Le Jeune LPs on Goldband a few months later (not one but two volumes – and purchased as imports on a student’s allowance!) fuelled an appreciation of Cajun music that has remained undiminished. In the mid 1960s, however, there was little information available about the great music I was listening to, other than the catalogues I obtained from Goldband and Swallow, and the early articles by Mike Leadbitter and John Broven in “Blues Unlimited” and “Jazz Journal”. Thanks to people like Mike, John, Neil Slaven, Rob Ford and Les Fancourt there is now a lot of information available to provide the background to blues and rhythm & blues recordings. However much of the information about the post World War 2 music of South Louisiana in general and the French (Cajun) recordings in particular, remains elusive So far as I know no single ‘discography’ of post-war Cajun record releases has been published and I thought I would try to correct this oversight. This is notwithstanding the increasing amount of well researched material about the music in general and individual artists. Therefore I take only limited credit for the information included herein about the recordings. My aim has been to bring that material together in a single document. -
Wavelength (February 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1984 Wavelength (February 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1984) 40 https://scholarworks.uno.edu/wavelength/40 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Ee.r~ K. LOng LibrarY Acquisitions Dept• UniversitY ot Ne~ or~eanf Ne~ or~eans, La· 70148 I THE NEW ORLEANS JAZZ & HERITAGE ...............-...._ FOUNDATION PRESENTS: AN EVENING WITH: Wynton Marsalis FRIDAY, FEBRUARY 24 at 8 PM McAlister Auditorium Tulane university TICKETS: $10 & $12 per person Available at an Ticketmaster outlets ' \ I I For ISSUE NO. 40 • FEBRUARY 1984 ISSN 0741 • 2460 New ''I'm not sure, but I'm almost Orleanians positive, that all music came from New Orleans. · · - Ernie K-Doe, 1979 who love table of contents • Cover photo by Rico. muszc Features Women In Music by Almost Slim ... ........... 15 Subscribe Family Tree by Jon Newlin & Bunny Mattl;lews16 In time for Marcia Ball by Bunny Matthews ...... .. .. 18 Carnival, Seven Women by Bunny Matthews . ..21 Jazz Fest Wynton Marsalis by Kalamu ya Salaam . .... 22 and Dear Jazz Fest by rico ...... ... .... ... 25 the World's Fair Band Guide Hizzoner pulling strings. compiled by Allison Brandin .. 27 Departments February News . .. .. ... .. 4 For only one dollar a month, Letters . -
ELECTRIC BLUES the DEFINITIVE COLLECTION Ebenfalls Erhältlich Mit Englischen Begleittexten: BCD 16921 CP • BCD 16922 CP • BCD 16923 CP • BCD 16924 CP
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] PLUG IT IN! TURN IT UP! ELECTRICELECTRIC BBLUESLUES DAS STANDARDWERK G Die bislang umfassendste Geschichte des elektrischen Blues auf insgesamt 12 CDs. G Annähernd fünfzehneinhalb Stunden elektrisch verstärkte Bluessounds aus annähernd siebzig Jahren von den Anfängen bis in die Gegenwart. G Zusammengestellt und kommentiert vom anerkannten Bluesexeperten Bill Dahl. G Jede 3-CD-Ausgabe kommt mit einem ca. 160-seitigen Booklet mit Musikerbiografien, Illustrationen und seltenen Fotos. G Die Aufnahmen stammen aus den Archiven der bedeutendsten Plattenfirmen und sind nicht auf den Katalog eines bestimmten Label beschränkt. G VonT-Bone Walker, Muddy Waters, Howlin' Wolf, Ray Charles und Freddie, B.B. und Albert King bis zu Jeff Beck, Fleetwood Mac, Charlie Musselwhite, Ronnie Earl und Stevie Ray Vaughan. INFORMATIONEN Mit insgesamt annähernd dreihundert Einzeltiteln beschreibt der Blueshistoriker und Musikwissenschaftler Bill Dahl aus Chicago die bislang umfassendste Geschichte des elektrischen Blues von seinen Anfängen in den späten 1930er Jahren bis in das aktuelle Jahrtausend. Bevor in den Dreißigerjahren Tonabnehmersysteme, erste primitive Verstärker und Beschallungssysteme und schließ- lich mit Gibsons ES-150 ein elektrisches Gitarren-Serienmodell entwickelt wurde, spielte die erste Generation der Gitarrenpioniere im Blues in den beiden Jahrzehnten vor Ausbruch des Zweiten Weltkriegs auf akustischen Instrumenten. Doch erst mit Hilfe der elektrischen Verstärkung konnten sich Gitarristen und Mundharmonikaspielern gegenüber den Pianisten, Schlagzeugern und Bläsern in ihrer Band behaupten, wenn sie für ihre musikalischen Höhenflüge bei einem Solo abheben wollten. Auf zwölf randvollen CDs, jeweils in einem Dreier-Set in geschmackvollen und vielfach aufklappbaren Digipacks, hat Bill Dahl die wichtigsten und etliche nahezu in Vergessenheit geratene Beispiele für die bedeutendste Epoche in der Geschichte des Blues zusammengestellt. -
Eddie Stout, Dialtone Records, and the Making of a Blues Scene in Austin1
Eddie Stout, Dialtone Records, and the Making of a Blues Scene in Austin1 Josep Pedro 22 The Dynaflows at Rome Inn, 1982. (L-R) Eddie Stout, Stevie Fulton, Stevie Ray Vaughan, and David Murray. Courtesy Eddie Stout. Austin, Texas, native Eddie Stout’s dedication to the preservation and celebration of the blues over the past four decades has earned him tremendous respect and admiration within the local blues community. A performing bass player since 1972, Stout has been active in the global expansion of blues. He also has been a prolific producer of African-American roots music, including blues, gospel, and jazz, with 23 the creation of labels such as Pee Wee Records (1984), Dialtone Records (1999), and Dynaflow Records (2014). Stout has served as an international representative, distributor, and publisher for several companies, such as Justice Records, Independent Artists, Doolittle, New West, Antone’s Records, and Malaco Records. Because of his broad knowledge and experience in the field of blues, he is frequently invited to serve as a panelist and label representative at music conventions throughout the world, as well as a producer and director of forty episodes of the popular television show Songwriters across Texas (2012-2013). The Dynaflows at Rome Inn, 1982. (L-R) Eddie Stout, Stevie Fulton, Stevie Ray Vaughan, and David Murray. Courtesy Eddie Stout. The artists and recordings that Eddie Stout and Dialtone Records promote are rich in spatio-temporal bonds resonating across different historical periods and geographical regions. On -
Bluesin' by the Bayou
BLUESIN’ BY THE BAYOU Ace CDCHD 1368 (69:50) SILAS HOGAN: Just Give Me A Chance**/ Sitting Here Wondering*; SLIM HARPO: That’s Alright**; LAZY LESTER: Late In The Evening**/ I’m Gonna Leave You Baby**; CLIFTON CHENIER: Worried Life Blues; THADDEUS DECLOUET: Catch The Morning Train*/ Trouble Trouble*; LIGHTNIN’ SLIM: Big Fat Woman (aka I’m Him)*/ I Ain’t Got No Money*/ Stranger In Your Town**; JOE RICH: Dreaming, Dreaming/ Lonesome Lover; JIMMY DOTSON: Oh Baby; MR MOJO: They Say The World Loves A Lover**; JIMMY ANDERSON: In The Dark In The Park*/ I Want You I Need You**; BLUES BOY DORSEY: Walkin’ Out My Door**; JOE MAYFIELD: I’m A Natural Born Man; BOOGIE JAKE: Early Morning Blues**; HONEY BOY ALLEN: I’m A Real Lover Baby**; BOOZOO CHAVIS: Forty One Days**; TALTON MILLER: Long Journey (Life’s Journey)**; LEFT HAND CHARLIE: Gonna Miss My Lognion*; LONESOME SUNDOWN: I’m A Samplin’ Man*; LEROY WASHINGTON: Lost Love Letter Blues**; SYLVESTER BUCKLEY: I Can Be On My Way**; JOHNNY SONNIER: Slow Walking Fever And The Asiatic Flu* (* = first issued in ‘reissue’ programmes; ** = previously unissued) First of all I’d like to pass comment on how nice it is to be reviewing a real blues/r&b issue, featuring unissued tracks; there aren’t all that many of those about these days! Now, according to track annotations with the booklet for this set of Louisiana recordings by producers Jay Miller and Eddie Shuler, the tracks issued in the ‘50s and early ‘60’s appear to number five and there are nine that were issued in the late ‘70s and ‘80s (I’ve presumed as part of vinyl reissue programmes, such as Flyright’s ‘Jay Miller’ and Charly’s ‘Goldband’ series), which leaves fifteen that are heard for the first time, or so it would seem.