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Turps Studio Programme | September 2019 – July 2020
Turps Studio Programme | September 2019 – July 2020 Application Information (deadline 5th May 2019) We are now accepting applications for the Painting Studio Programme | September 2019 – July 2020, based at Turps Art School, Taplow, Thurlow Street, London SE17 2UQ. This is a unique opportunity for a select group of painters to take up residence in their own dedicated studio within an exciting studio and gallery development in South East London, just 10 minutes from Elephant and Castle. Participants embark on a year-long programme of intensive mentoring, dynamic group seminars, talks, exhibiting opportunities, and crits with the option to stay for a second year. The course is designed to fulfill a fundamental and broad view of what we believe a solid painting programme requires by creating an environment that parallels the studio practice of an independent artist, within the supportive structure of an intensive mentoring programme. In this studio context we focus on encouraging, developing and reflecting upon the specific qualities an artist brings, and developing a high level of exchange and debate. Participants will be expected to work within this professional environment with commitment and a strong work ethic, as well as participating fully in a community-based studio. Programme Overview: • Each participant is provided with a studio space within the open plan Turps Studios with 24 hour access seven days a week. Additional benefits include kitchen and free wi-fi access. • One to One Tutorial Sessions with a team of dedicated mentors on a fortnightly basis. • Regular Dynamic Group Seminars and crits with all course members and the staff team. -
A NIME Reader Fifteen Years of New Interfaces for Musical Expression
CURRENT RESEARCH IN SYSTEMATIC MUSICOLOGY Alexander Refsum Jensenius Michael J. Lyons Editors A NIME Reader Fifteen Years of New Interfaces for Musical Expression 123 Current Research in Systematic Musicology Volume 3 Series editors Rolf Bader, Musikwissenschaftliches Institut, Universität Hamburg, Hamburg, Germany Marc Leman, University of Ghent, Ghent, Belgium Rolf Inge Godoy, Blindern, University of Oslo, Oslo, Norway [email protected] More information about this series at http://www.springer.com/series/11684 [email protected] Alexander Refsum Jensenius Michael J. Lyons Editors ANIMEReader Fifteen Years of New Interfaces for Musical Expression 123 [email protected] Editors Alexander Refsum Jensenius Michael J. Lyons Department of Musicology Department of Image Arts and Sciences University of Oslo Ritsumeikan University Oslo Kyoto Norway Japan ISSN 2196-6966 ISSN 2196-6974 (electronic) Current Research in Systematic Musicology ISBN 978-3-319-47213-3 ISBN 978-3-319-47214-0 (eBook) DOI 10.1007/978-3-319-47214-0 Library of Congress Control Number: 2016953639 © Springer International Publishing AG 2017 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
Portre Sanatı Ve Glenn Brown'un Stili
YAKIN DOĞU ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ GÜZEL SANATLAR ANASANAT DALI YÜKSEK LĠSANS PROGRAMI Portre Sanatı ve Glenn Brown’un Stili DĠLGASH JASIM AZEEZ AZEEZ YÜKSEK LĠSANS TEZĠ LEFKOġA 2019 Portre Sanatı ve Glenn Brown’un Stili DĠLGASH AZEEZ AZEEZ YAKIN DOĞU ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ GÜZEL SANATLAR ANASANAT DALI YÜKSEK LĠSANS TEZĠ TEZ DANIġMANI Yrd. Doç. Dr. Mustafa Hastürk LEFKOġA 2019 KABUL VE ONAY Dilgash Azeez Azeez tarafından hazırlanan “..........................................” baĢlıklı bu çalıĢma, 21/06/2019 tarihinde yapılan savunma sınavı sonucunda baĢarılı bulunarak jürimiz tarafından Yüksek Lisans Sanatta Yeterlik Tezi olarak kabul edilmiĢtir. JÜRİ ÜYELERİ ......................................................... Ünvan Ad Soyad (DanıĢman) Üniversite Adı Fakülte ve Bölüm Adı ......................................................... Ünvan Ad Soyad (BaĢkan) Üniversite Adı Fakülte ve Bölüm Adı ......................................................... Ünvan Ad Soyad Üniversite Adı Fakülte ve Bölüm Adı ......................................................... Ünvan Ad Soyad Sosyal Bilimler Enstitüsü Müdürü BİLDİRİM Hazırladığım tezin, tamamen kendi çalıĢmam olduğunu ve her alıntıya kaynak gösterdiğimi taahhüt ederim. Tezimin kağıt ve elektronik kopyalarının Yakın Doğu Üniversitesi Sosyal Bilimler Enstitüsü arĢivlerinde aĢağıda belirttiğim koĢullarda saklanmasına izin verdiğimi onaylarım. Tezimin tamamı heryerden eriĢime açılabilir. Tezim sadece Yakın Doğu Üniversitesinde eriĢime açılabilir. Tezimin iki (2) -
Arte E Tecnologia Del Terzo Millennio. Scenari E Protagonisti
I QUADERNI della COLLEZIONE La riflessione sulla pervasività delle tecnologie nella società e nelle pratiche artistiche contemporanee apre molteplici scenari sul nostro prossimo futu- Con la collana I Quaderni della Collezione si realizza un progetto editoriale che Q d C ro. Superata la classica dicotomia arte+tecnologia, i nuovi ambiti di ricerca intende contribuire a stimolare, anche sul piano scientifico e accademico, una sono complessi e ricchi di implicazioni: l’iperintelligenza; il postumano fra riflessione sull’arte contemporanea, partendo da opere, temi e artisti presenti | 2 | cyborg e antropocene; l’Expanded Internet Art; dalla realtà estesa alla vide- in Collezione Farnesina. ogame art; la sound art; “l’artista inventore”. Il secondo volume della collana La Collezione Farnesina, raccolta d’arte contemporanea del Ministero degli I Quaderni della Collezione è dedicato a individuare questi nuovi scenari e a Affari Esteri e della Cooperazione Internazionale, nasce vent’anni or sono identificare gli artisti che operano nel settore, con una particolare attenzio- su iniziativa dell’allora Segretario Generale Ambasciatore Umberto Vattani, ne agli italiani di cui si realizza qui una prima mappatura globale. per sottolineare un preciso indirizzo progettuale del Ministero: fare dell’arte Studiare il loro lavoro, comprendere le dirompenti potenzialità del loro pensie- contemporanea un ambito prioritario d’intervento della propria politica cul- ro laterale, permette di acquisire indispensabili strumenti di lettura della no- turale. I QUADERNI -
The Practice of Art and AI
Gerfried Stocker, Markus Jandl, Andreas J. Hirsch The Practice of Art and AI ARS ELECTRONICA Art, Technology & Society Contents Gerfried Stocker, Markus Jandl, Andreas J. Hirsch 8 Promises and Challenges in the Practice of Art and AI Andreas J. Hirsch 10 Five Preliminary Notes on the Practice of AI and Art 12 1. AI–Where a Smoke Screen Veils an Opaque Field 19 2. A Wide and Deep Problem Horizon– Massive Powers behind AI in Stealthy Advance 25 3. A Practice Challenging and Promising– Art and Science Encounters Put to the Test by AI 29 4. An Emerging New Relationship–AI and the Artist 34 5. A Distant Mirror Coming Closer– AI and the Human Condition Veronika Liebl 40 Starting the European ARTificial Intelligence Lab 44 Scientific Partners 46 Experiential AI@Edinburgh Futures Institute 48 Leiden Observatory 50 Museo de la Universidad Nacional de Tres de Febrero Centro de Arte y Ciencia 52 SETI Institute 54 Ars Electronica Futurelab 56 Scientific Institutions 59 Cultural Partners 61 Ars Electronica 66 Activities 69 Projects 91 Artists 101 CPN–Center for the Promotion of Science 106 Activities 108 Projects 119 Artists 125 The Culture Yard 130 Activities Contents Contents 132 Projects 139 Artists 143 Zaragoza City of Knowledge Foundation 148 Activities 149 Projects 155 Artists 159 GLUON 164 Activities 165 Projects 168 Artists 171 Hexagone Scène Nationale Arts Science 175 Activities 177 Projects 182 Artists 185 Kersnikova Institute / Kapelica Gallery 190 Activities 192 Projects 200 Artists 203 LABoral Centro de Arte y Creación Industrial 208 Activities -
Curriculum Vitae
Curriculum Vitae + CONTACT Address Markgrafendamm 34 10245 Berlin Germany Telephone +4915221080444 Email [email protected] Web http://marcodonnarumma.com Nationality Italian Date of birth December 30, 1984 + EXPERIENCES 2004-present PERFORMANCE ARTIST Multi award-winning art professional with fifteen years of experience. Touring regularly since 2004 with performances combining art, science and technology. 2016-2018 RESEARCH FELLOW and ARTISTIC DIRECTOR Leading interdisciplinary team of artists and scientists in the context of “Configurations”, a €47.000, 2-year artistic research project conceived by Donnarumma, co-funded by the Goethe-Institut, Berlin U. of the Arts, Chronus Art Centre (CN), CTM Festival (DE), Baltan Laboratories (NL). 2012-2016 RESEARCHER Conducting research on music, performance and human-computer interaction within a team funded by the European Research Council: delivering experimental findings, publishing in top-tier academic journals and disseminating the research through performances and conference presentations. 2012-2014 FELLOW Creating and directing a $10.000, two-year art and science project grant awarded by Rockefeller Foundation and Harvestworks (US) in the program Creativity + Technology = Enterprise. 2010-present VISITING INSTRUCTOR Teaching higher-level education courses on music, technology, performance and creative coding. Previous positions include Brunel University, CultureLab, Newcastle and University of London (UK), Universidad Autonoma de Mexico (MX). + EDUCATION 2012 - 2016 PhD ARTS & COMPUTATIONAL -
Michael Landy
Michael Landy Born in London, England, 1963 Lives and works in London, England Education Goldsmith's College, London, England 1988 Solo Exhibitions 2021 Forthcoming: Michael Landy's Welcome to Essex, Firstsite, Colchester, England Michael Landy's Break Down: 20 Years, Thomas Dane Gallery, London, England 2020 What’s left?, Andriesse - Eyck Gallery, Amsterdam, Netherlands 2018 Scaled-Down, Thomas Dane Gallery, London, England 2017 Michael Landy. Breaking News, Sperone Westwater Gallery, New York NY DEMONSTRATION, The Power Plant Contemporary Art Gallery, Toronto, Ontario Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out of Order, Tinguely Museum, Basel, Switzerland 2015 Breaking News, Michael Landy Studio, London, England Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, England Saints Alive, National Gallery, London, England Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, England 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, England Art World Portraits, National Portrait Gallery, London, England 2010 Art Bin, South London Gallery, London, England 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, England In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man -
Biophysical Music Sound and Video Anthology
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/292761914 Biophysical Music Sound and Video Anthology Article in Computer Music Journal · December 2015 DOI: 10.1162/COMJ_a_00333 CITATION READS 1 17 1 author: Marco Donnarumma Universität der Künste Berlin 23 PUBLICATIONS 105 CITATIONS SEE PROFILE All content following this page was uploaded by Marco Donnarumma on 27 October 2016. The user has requested enhancement of the downloaded file. Sound and Video Anthology: Program Notes Biophysical Music: Marco her gestural manipulation of digital thing that resonates with Terminal Donnarumma, Curator sound processing and matchless vocal Beach’s audiovisual orchestral work. skill. Their piece has no predetermined But what happens when the bioa- score, for this is composed in real Curator’s Note coustic sounds of multiple bodies time using the variations in the heart are networked into a large-scale rate of twelve musicians throughout It is with great delight that I intro- instrument? Heidi J. Boisvert and the performance. duce the reader to Computer Music colleagues feed the sound and data Their work allows us to intro- Journal’s 2015 Sound and Video An- from muscles and blood flow of five duce another area of investigation: thology. I have curated a series of dancers to genetic algorithms that, in the intermix of traditional and phys- diverse, yet interrelated, works on turn, produce organic, multilayered iologically informed performance the theme of biophysical music. With sonic and visual bodies. The result techniques. To explore this hybrid this term, I refer to live music pieces is a gracefully dark audio and video practice further, we look at the work based on a combination of physi- composition manifesting a creative by the influential BioMuse Trio, ological technology and markedly and physical tension between human where a violin player and a performer, physical, gestural performance. -
Keith Coventry
KEITH COVENTRY Born 1958, Burnley, Lancashire EDUCATION 1982 Chelsea School of Art, London, MA 1978–1981 Brighton Polytechnic, BA SOLO EXHIBITIONS 2020 Keith Coventry: 90’s Paintings, Frieze New York (spotlight), Vigo Gallery, London, United Kingdom 2019 The Old Comedy: Collages by Keith Coventry, UPSTONE Soho, London, United Kingdom 2018 Keith Coventry: Junk & Pure Junk, Reflex Gallery, Amsterdam 2017-2018 Keith Coventry, 1961 Projects, Singapore 2017-2018 Keith Coventry: Golden Arches, Pace Hong Kong 2017 Keith Coventry: Tabula Rasa, Galerie Lisa Kandlhofer, Austria 2016 Keith Coventry: White Black Gold, Pace London, 6 Burlington Gardens 2014 Keith Coventry, Lieu d’art Contemporain, Narbonne, France 2014 Keith Coventry, Ontological Pictures, Vigo Gallery, London, United Kingdom 2013 Keith Coventry: Twentieth Century Estates, Modern Collections, London, United Kingdom 2012 Keith Coventry: Junk Paintings, Pace London, United Kingdom 2012 Keith Coventry: Deontological Pictures, Peer, London, United Kingdom 2012 Keith Coventry: Black Bronze, White Slaves, The Bowes Museum, County Durham, United Kingdom 2012 Traveled to: New Art Centre, Roche Court, Salisbury, United Kingdom 2011 Keith Coventry: Collection Particulière, Seomi & Tuus Gallery, Seoul 2010 Copper & Silk: New Works by Keith Coventry, Museum of London, United Kingdom 2010 Keith Coventry: Echoes of Albany, The Lightbox, Woking, United Kingdom 2009 Keith Coventry: Painting and Sculpture Part II: Works 2002–2009, Haunch of Venison, London, United Kingdom 2008 Keith Coventry: Painting -
Sound and Video Anthology: Program Notes
Sound and Video Anthology: Program Notes Biophysical Music: Marco her gestural manipulation of digital thing that resonates with Terminal Donnarumma, Curator sound processing and matchless vocal Beach’s audiovisual orchestral work. skill. Their piece has no predetermined But what happens when the bioa- score, for this is composed in real Curator’s Note coustic sounds of multiple bodies time using the variations in the heart are networked into a large-scale rate of twelve musicians throughout It is with great delight that I intro- instrument? Heidi J. Boisvert and the performance. duce the reader to Computer Music colleagues feed the sound and data Their work allows us to intro- Journal’s 2015 Sound and Video An- from muscles and blood flow of five duce another area of investigation: thology. I have curated a series of dancers to genetic algorithms that, in the intermix of traditional and phys- diverse, yet interrelated, works on turn, produce organic, multilayered iologically informed performance the theme of biophysical music. With Downloaded from http://direct.mit.edu/comj/article-pdf/39/4/132/1953745/comj_a_00333.pdf by guest on 03 October 2021 sonic and visual bodies. The result techniques. To explore this hybrid this term, I refer to live music pieces is a gracefully dark audio and video practice further, we look at the work based on a combination of physi- composition manifesting a creative by the influential BioMuse Trio, ological technology and markedly and physical tension between human where a violin player and a performer, physical, gestural performance. In and algorithmic agents. Shifting from the latter wearing the BioMuse bio- these works, the physical and physi- dance to body art, we see the con- electrical instrument, interact closely ological properties of the performers’ cept of the performer’s body as an with each other through sound and bodies are interlaced with the mate- instrument stretched to its limits. -
Sharman Tabloid
The Fall fitzrovia.org.uk/news Fitzrovia News Fitzrovia News is produced by residents and volunteers and distributed free to all businesses and residential addresses in Fitzrovia Issue 122 Autumn 2011 Battle to stop Mayor overturning local democracy to gain Crossrail cash, page 3 Council and police cautioned after nuisance bar is given licence By News reporters refuse the application. Camden’s Residents groups agreed licensing committee granted the with Camden’s former police Residents in Goodge Street have licence in July subject to condi - licensing officer Robert Dear criticised the police and a coun - tions. who said in 2009 that the prem - cil licensing committee after a The club had gained an ises should not open again as a bar, which had previously been international reputation after it licensed venue. used as a brothel and continues was reported that Rolling Stones The application to reopen A mechanical digger strikes a water main on Cleveland Street during work to be a focus for vice activity, has guitarist Ronnie Wood started has been accepted because the to lay cabling. See “Running water everywhere” page 4. been allowed to reopen. an affair with a 20-year-old new applicants, Annup Saggar are “dismayed” at the decision police had objected, a Channel 4 Councillors were initially woman after meeting her at the and son Rishi, have been judged to allow the licence. documentary had shown film of reluctant to grant a new licence bar in 2008. to be unconnected to the previ - “Why should those of us liv - one of its reporters being offered to the notorious premises but Vice activity built up outside ous managers. -
Keith Coventry (B.1958)
Keith Coventry (b.1958) Born in Burnley, Lancashire. 1982: Chelsea School of Art, London, M.A. 1978–1981: Brighton Polytechnic, B.A. Solo Shows: 2016: White Black Gold, Pace London, UK. 2014: Lieu d’art Contemporain, Narbonne, FR. 2013: Junk Paintings, Pace London, UK. Deontological Pictures, Peer, London Black Bronze: White Slaves, The Bowes Museum, Barnard Castle, Durham, UK 2011: Collection Particulière, Seomi & Tuus Gallery, Seoul, KR. 2010: Copper & Silk: New Works by Keith Coventry, Museum of London, UK. Echoes of Albany, The Lightbox, Woking, Surrey, UK. 2009: Painting and Sculpture Part II: Works 2002–2009, Haunch of Venison, London. 2008: Painting and Sculpture Part I: Early Groups, Haunch of Venison, London, UK. Copper and Silk, Paul Stolper, London, UK. Keith Coventry, Seomi & Tuus Gallery, Seoul, KR. Heroes and Racists, Fine Arts Society, London, UK. Anaesthesia as Aesthetic, Haunch of Venison, Zürich, CH. 2007: Key Groups, Julius Werner Gallery, Berlin, DE. 2006: Paintings, Tramway, Glasgow, SCT, UK. Endangered Species, Fine Arts Society, London, UK. 2004: Keith Coventry: New Works, Kenny Schachter Rove, London, UK. 2002: It has been said that only the pervert does not do drugs, Emily Tsingou Gallery, London, UK. Keith Coventry, Doggerfisher Gallery, Edinburgh, SCT, UK. 2000: Keith Coventry, Emily Tsingou Gallery, London, UK. 1998: Crack, A22 Gallery, London, UK. White Abstracts and Estate Paintings, Galerie Frahm, Copenhagen, DK. Greeks, Richard Salmon Gallery, London, UK. 1997: Keith Coventry, Kohn / Turner Gallery, Los Angeles, CA, US. Keith Coventry, Spacex Gallery, Exeter, UK. W.A.F.S. (update), Beaconsfield, London, UK. Keith Coventry, The Showroom, London, UK. 1995: Keith Coventry, Ridinghouse Editions, London, UK.