Soma Discography
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Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
Re-Wiring the Future of Electro
566 DJMAG.COM ACID EVANGELIST MR C ON LIFE & THE UNIVERSE SOUTH AFRICAN HOUSE IS LIVING & BREATHING DANCE MUSIC! DJMAG.COM SPREADING LIKE WILDFIRE! SCENE & HEARD: SASHA SET TO STORM THE RONI SIZE BARBICAN ON ‘BROWN PAPER BAG’ HOW HAVE DJ MIX COMPS LAYING IT * MUSIC STAYED DOWN: MCs RELEVANT? RECORDING * CLUBS THEIR OWN ART * TECHNOLOGY TECHNOLOGY SPECIAL DREAMS: CALIBRE & * CRAIG RICHARDS No. 566 February 2017 February Helena Hauff Re-Wiring The Future Of Electro No.566 February 2017 £4.95 £4.95 WAZE & ODYSSEY, BISHI, JOSH WINK, KIM ANN FOXMAN, THE ADVENT, OVERLOOK, PLUS: JUSTIN ROBERTSON, FRANCIS INFERNO ORCHESTRA, BEST OF BRITISH AWARDS… Untitled-1 1 13/12/2016 14:20 CONTENTS Cover shot: TANYA CHALKIN 027 HAUFF MUSIC ALL NIGHT LONG! Already renowned for her eclecticism and slamming sets, Helena Hauff is without a doubt the most exciting new talent in dance music. DJ Mag flys out to Germany to meet the analogue aficionado in the flesh... FEATURES 032 CHASING RAINBOWS 032 CHASING RAINBOWS DJ Mag heads to South Africa to explore the rapidly expanding electronic scene... 041 THE ACID EVANGELIST Musician, actor and activist, after 30 years at the core of dance music, Mr C has quite the story to tell... 055 LAYING IT DOWN 047 ESSENTIAL MIXES In a world of podcasts and free content, how do mix compilations stay relevant? 055 LAYING IT DOWN We catch up with d&b’s top vocalists to find out how they’re changing the game... 060 FUTURE SOUND OF SASHA The legendary Sasha is back with a vengeance, so we sat down for a chat.. -
Glasgow University Students' Representative Council the Guide 05/06
glasgow university students' representative council council representative 05/06 students' guide the university glasgow guidethe 2005 - 2006 STUDENTS’ REPRESENTATIVE COUNCIL UNIVERSITY OF GLASGOW rab's da the guide No part of this publication may be reproduced or stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, recording or otherwise without prior written permision of Glasgow University Students’ Representative Council, whose work is ©2005 The text in this book is provided for information only, and is used at the reader’s own risk. Glasgow University Students’ Representative Council assumes neither responsibility nor liability for any errors or inaccuracies that may appear. The Guide is published by Glasgow University Students’ Representatives Council, John McIntyre Building, University Avenue, Glasgow, G12 8QQ contents introduction p6 a quick overview of student life and this guide succeed p14 getting more out of uni - media, clubs, sports, volunteering learn p44 keeping on top of your degree and what to do if you don't live p66 organising your finances & housing, and keeping healthy play p128 having fun outside of study - bars, museums, shopping appendix p160 people, index, maps, bus and subway info introduction a quick overview of life as a student and a look at what this guide has to offer student life p8 opportunities, problems, solutions the src p8 your representatives and how they can help unions p10 two options, the choice is yours the city p10 exploring glasgow beyond campus introduction guidethe guidethe introduction Introduction About the Guide It's not always easy starting something new or being in a new place or situation though. -
Daft Punk's Discovery
First published by Velocity Press 2021 velocitypress.uk Copyright © Ben Cardew 2021 Cover design Augusto Calvo Losada Typesetting Paul Baillie-Lane pblpublishing.co.uk Ben Cardew has asserted his right under the Copyright, Designs and Patents Act 1988 to be identi ed as the author of this work All rights reserved. No part of this publication may be reproduced, in any form or by any means, without permission from the publisher ISBN: 9781913231118 1: SOMETHING ABOUT US HOW DAFT PUNK ARRIVED AT DISCOVERY “It ain’t what they call you, it’s what you answer to.” WC Fields Like all the best adventures, our journey into Discovery should begin from simple roots. So let’s start with a band’s name. It is one of the splendid ironies of the music business, where brand and image are all important, that changing a band’s name is such a di¤cult process. According to a 1993 interview with Select magazine,1 grunge-light indie act e Lemonheads needed a legal document to mark their transition from “Lemonheads” to “e Lemonheads”, a change so minute it gets lost in punctuation. At the same time, the actual meaning of a band’s name – however outlandish – tends to be forgotten. No one considers how ridiculous the words “Arctic Monkeys” are when put together; we immediately think of the internationally famous, festival-topping band, their name free from other, more literal, associations. Similarly, Daft Punk are just Daft Punk. You may know how their name came about – from a Melody Maker review of their brief Daft Punk precursor band, Darlin’, that dismissed them as “daft punky thrash” – but you probably don’t think too much about it. -
Post Dænce Floor Grooves: an Interview with Slam
Post Dænce Floor Grooves: An Interview With Slam Music | Bittles’ Magazine: The music column from the end of the world Slam are a band who need no introduction. With a name inspired by a legendary Phuture track the DJ/production duo of Stuart McMillan and Orde Meikle have, over the years, been responsible for some of the most vital techno and house to find its way to these ears. Their DJ sets in clubs such as Glasgow institutions Sub Club and The Arches have become the stuff of legend, while tracks like Positive Education, Stepback, Azure and Vapour are the highlight of any night spent on the dance floor. BY JOHN BITTLES They are also one of the few electronic bands to master the long-player format. Their debut album Headstates for instance, came out back in 1996 and is a sublime piece of electronic funk which has ably withstood any test that time could throw its way. I first came across the duo back in 1991 with their debut 12” Eterna. The song’s emotive keys, rising beats and kick ass percussion made it an instant hit for anyone tired of the the high BPM monotony of rave and hardcore. Released as a split 12” together with I.B.O. by Rejuvination, the record launched the newly formed Soma Quality Recordings label in some style. Even from the beginning Slam’s music incorporated elements of house, electro, ambient, dub, techno and more. Never ones to sit still, the duo have consistently pushed the boundaries of what great electronic music can do.