Hudson Yards Vessel Tickets
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(Single Sheet Music) Title Composer Publisher Copyright / Publication
Printed Music Collection (Single Sheet Music) Copyright / Publication Title Composer Publisher Date Physical description Other information lyrics by Byron Gay; music by Byron O (Oh!) Gay and Arnold Johnson Leo Feist Inc. 1919 9" x 12", 6 pages words by Brian Hooker; music by O Love Of Mine Hugo Felix Harms, Inc. 1922 9.25" x 12", 6 pages from Marjolaine words by Ed Teschemacher; music by O Lovely Night! Landon Ronald Enoch & Sons 1901 10.25" x 14", 8 pages from the song cycle "Summertime" featured in "Chauve Souris"; Walk-around (One-step) lyrics by L. Wolfe Gilbert; music by song (or shimmy fox-trot); with ukelele O, Katharina! Richard Fall Leo Feist Inc. 1924 9" x 12", 6 pages accompaniment by may Singhi Breen Object Of My Affection, The Pinky Tomlin, Coy Poe & Jimmie Grier Irving Berlin, Inc. 1934 9" x 12", 6 pages introduced and featured by Jimmie Grier lyrics by Al. Dubin; music by Rennie O'Brien Is Tryin' To Learn To Talk Hawaiian Cormack M. Witmark & Sons 1916 10.5" x 13.5", 4 pages novelty song lyrics by Roger Lewis; music by Lucien Oceana Roll, The Denni Jerome H. Remick & Co. 1911 11" x 13.5", 6 pages featured by Charlotte Greenwood in Oliver Oh By Jingo! Oh By Gee! (You're The Only lyrics by Lew Brown; music by Albert Morosco's musical production "Linger Girl For Me) Von Tilzer Broadway Music Corporation 1919 9" x 12", 6 pages Longer Letty" lyrics by Joseph Mc Carthy; music by Oh Dearie! (You Must Come Over) Harry Tierney Leo Feist Inc. -
Big Band Arrangers of the Swing Era Selected List
Big Band Arrangers of the Swing Era Selected list Band leader Arrangers Tex Beneke Henry Mancini Jimmy Dorsey Tutti Camarata Sonny Burke Tommy Dorsey Paul Weston Sy Oliver Axel Stordahl Benny Goodman Eddie Sauter Buster Harding Fletcher Henderson Horace Heidt Frank DeVol Woody Herman Heil Hefti Ralph Burns Igor Stravinsky Harry James Leroy Holmes Dave Mathews Isham Jones Gordon Jenkins Hal Kemp John Scott Trotter Elliot Lawrence Gerry Mulligan Ray McKinley Eddie Sauter Red Norvo Eddie Sauter Artie Shaw Ray Conniff Johnny Mandel Buster Harding Charlie Spivak Nelson Riddle Claude Thornhill Gil Evans Leader/Arranger Arranger Count Basie Buster Smith Jimmy Mundy Andy Gibson Herschel Evans Cab Calloway Foots Thomas Harry White Duke Ellington Billy Strayhorn Earl Hines Jimmy Mundy Budd Johnson Stan Kenton Pete Rugolo Bill Holman Andy Kirk Mary Lou Williams Earl Thompson Glen Miller Bill Finegan Billy May Claude Thornhill Gil Evans Bill Borden Gerry Mulligan Chick Webb Edgar Sampson Charlie Dixon Andy Gibson Herschel Evans Leader/Arranger Les Brown Benny Carter Larry Clinton Will Hudson Elliot Lawrence Russ Morgan Ray Noble Boyd Raeburn Raymond Scott Musicians in Bands that were Important Arrangers Leader Arranger Instrument Bob Crosby Bob Haggart bass Matty Matlock saxophone Deane Kincaide saxophone Jimmy Dorsey Tutti Camarata trumpet Joe Lipman piano Woody Herman Heil Hefti trumpet Ralph Burns piano Hal Kemp John Scott Trotter piano Gene Krupa Gerry Mulligan saxophone Jimmy Lunceford Sy Oliver trumpet Glen Miller Henry Mancini piano Artie Shaw Ray Conniff trombone Johnny Mandel trombone Charlie Spivak Nelson Riddle trombone . -
5X the Impact
5X THE IMPACT 5X THE AMENITIES 5X THE VIEWS EMBLEMATIC FLAGSHIP OPPORTUNITY FOR A BRAND CROWN LOOKING TO ESTABLISH ITS PRESENCE AT THE MOST ROBUST CROSSROADS BLADE IN NEW YORK CITY OFFICE LOBBY STREET LEVEL FACADE TIMES THE TIMES THE TIMES THE IMPACT POSSIBILITIES EXPERIENCE 1. Over 18,500 sf of high- 1. One million square feet of first- 1. Design will include concourse impact signage and branding class, state-of-the-art office, level subway access allowing for opportunities retail, and hospitality space with a seamless commute from train brand new capital improvements to desk 2. Top of building illuminated underway including first- signage with prominent midtown class arrival sequence, fully 2. Ability to build open and airy visibility redeveloped lobby and best-in- spaces with double and triple class operating efficiencies height ceilings which foster 3. 85ft high-profile blade signage collaboration and innovation visible to high-density pedestrian 2. Flexibility to create multiple and vehicle traffic distinct points of entry 3. Multi-purpose environments to host tenant and public 4. New digital signage interface 3. Fully redesigned and redeveloped programming in order to create along 42nd Street and 7th signage podium, conducive to community across user groups Avenue generating 600,000 streamlined high-impact brand impressions per week experience 4. Proposed rotating art programs to keep spaces engaging, 5. Ultra high-profile corner signage 4. Brand new direct MTA access to spurring inspiration and stretching 75 ft in height N, Q, R, W, S, 1, 2, 3, 7 lines - as conversation well as close walking proximity to Port Authority and additional 5. -
Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
Climate Changing: on Artists, Institutions, and the Social Environment
i CLIMATE CHANGING CLIMATE WHY CAN’T YOU TELL ME SCORE WHAT YOU NEED Somewhere our body needs party favors attending sick and resting temperatures times hot unevens twice I ask myself all the time too ward draw pop left under right Just try and squeeze me. Pause. What would you do? Fall down off my feet and try waking tired ex muses Like, you either know I can and work on it with me Or know I can’t and wouldn’t want your baby to go through what I have to go through Over prepared for three nights. Over it all scared for three nights. Tell me the unwell of never been better. Are we still good? Are we still good? TABLE OF CONTENTS Director’s Foreword 4 Johanna Burton A Climate for Changing 6 Lucy I. Zimmerman On Chris Burden’s Wexner Castle 10 Lucy I. Zimmerman Notes on Chris Burden’s Through the Night Softly 15 Pope.L WE LEFT THEM NOTHING 17 Demian DinéYazhi´ Untitled 21 Jibade-Khalil Huffman Scores 1, 3, 13, 23, 27, 50 Park McArthur and Constantina Zavitsanos Questioning Access 25 Advisory Committee Roundtable Discussion Artists in the Exhibition 29 Acknowledgments 47 3 BLANKET (STATEMENT) SCORE Why can’t you just tell me what you need DIRECTOR’S FOREWORD 4 Johanna Burton, Executive Director Opening in the first month of 2021 (or at least set to committee’s roundtable discussion further explores, open then at the time of this writing), Climate Changing: the exhibition intends not to inventory nor propose On Artists, Institutions, and the Social Environment solutions for these considerable challenges, but rather comes at a time of great uncertainty for cultural or- to provide artists a forum for bringing the issues into ganizations. -
New Year's Eve 2012
New Year’s Eve 2012 A guide what to do and all the hottest places to go! As 2012, the New Year, is quickly approaching, many of you probably want to get a head start on planning your night out in NYC. Spending your New Year's Eve in New York is more than just as celebration or a party, it's a longstanding tradition that links you with the million plus people who come to celebrate New Year's Eve in the City That Never Sleeps. Schedule of Events in Time Square On New Years Eve 4:00 p.m. The Revelers Revelers start arriving late in the afternoon on New Year's Eve. By approximately 4:00 p.m., the Bow Tie of Times Square (42nd to 47th Sts. between Broadway & 7th Ave.) is fully closed to traffic. Revelers are directed by the NYPD to gather in separate viewing sections. As one section fills up, the revelers are directed by police to the next viewing section. As the evening progresses, revelers continue to fill the Times Square neighborhood along Broadway and Seventh Avenue moving uptown from 43rd Street to as far as Central Park. 6:00 p.m. to 6:03 p.m. Opening Ceremonies - Lighting and Raising the Times Square New Year’s Eve Ball The celebration begins with the lighting and raising of the New Year’s Eve Ball atop One Times Square. The Event Organizers, Tim Tompkins and Jeffrey Straus will be joined by representatives of the Philips Lighting Company to flip the giant switch which lights the New Year’s Eve Ball and begins its ascent accompanied by special pyrotechnic effects atop One Times Square. -
Washington Square Park: Struggles and Debates Over Urban Public Space
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2017 Washington Square Park: Struggles and Debates over Urban Public Space Anna Rascovar The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2019 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] WASHINGTON SQUARE PARK: STRUGGLES AND DEBATES OVER URBAN PUBLIC SPACE by ANNA RASCOVAR A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2017 © 2017 ANNA RASCOVAR All Rights Reserved ii Washington Square Park: Struggles and Debates over Urban Public Space by Anna Rascovar This manuscript has been read and accepted for the Graduate Faculty Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date David Humphries Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Washington Square Park: Struggles and Debates over Urban Public Space by Anna Rascovar Advisor: David Humphries Public space is often perceived as a space that is open to everyone and is meant for gatherings and interaction; however, there is often a great competition over the use and control of public places in contemporary cities. This master’s thesis uses as an example Washington Square Park, which has become a center of contention due to the interplay of public and private interests. -
SEE the WORLD in the HEART of TIMES SQUARE Educators
SEE THE WORLD IN THE HEART OF TIMES SQUARE 1 Educators Resource Guide Ripley’s Believe It or Not! Times Square is the largest Ripley’s museum attraction in North America. It features a collection of over 500 remarkable objects from all over the world as well as amazing interactive exhibits that are sure to make your students say “WOW!” A number of the displays featured in Ripley’s Times Square showcase what inspired Ripley’s renowned cartoons, books, radio broadcasts, television series and one of the most famous phrases in history – “Believe It or Not!” In this packet, you will find: ✓ At The Odditorium: An overview of Ripley’s Believe It or Not! Times Square ✓ With Your Students: Frequently Asked Questions ✓ In the Classroom: Ripley’s Ramble ‘Round the World, a Middle School Lesson Plan ✓ Make a Connection: New York State Learning Standards ✓ More to Come: Believe it or Not! ✓ Ripley’s Fun & Games: Ripley’s Riddles, The Search is On, Explore & Learn ✓ Make a Plan: School Group Order Form 2 At Ripley’s Believe It or Not! Times Square, students of all ages immerse themselves in the unusual, the unexpected, and the unbelievable. From understanding diversity (embrace your “Inner Odd”) to exploring the unexplainable through science, and discovering the extreme genetics of nature, a field trip to Ripley’s is more educational than you might expect. Ripley’s will awe your class with amazing displays of eccentric art, meticulously detailed sculptures constructed from used car parts, and extraordinary animals that greet you as you walk through Ripley’s Courtyard. -
World Class Streets: Remaking New York City’S Public Realm CONTENTS
World Class Streets: Remaking New York City’s Public Realm CONTENTS 2 Letter from the Mayor 3 Letter from Commissioner 6 World Class Streets: Remaking New York City‘s Public Realm 14 How Do People Use New York Streets? 36 New York City‘s World Class Streets Program 53 Acknowledgments 54 Additional Resources and Contacts 1 New York City Department of Transportation World Class Streets: Remaking New York City’s Public Realm LETTER from ThE MAYOR LETTER from ThE COMMISSIONER Dear Friends: Dear fellow New Yorkers: In 2007, our Administration launched PlaNYC, our Finally, it’s no accident that New York City’s merchant Famous images of New York nearly all emphasize the In this report, findings from a Public Space/ long term plan to create a greener, greater New York. communities focus heavily on streetscape quality city’s skyline—the high rise metropolis seen from a mile Public Life Survey conducted by the world-renowned One of the challenges PlaNYC poses to city agencies is through their local Business Improvement Districts, distant or 5,000 feet up. Few who attempt to capture Gehl Architects/Urban Quality Consultants in Fall 2007 to “re-imagine the City’s public realm”—to develop an which we have worked hard to expand and support. For the city’s uniqueness or character in a single frame seek provide the starting point. Following Gehl’s analysis, we urban environment that transforms our streets and storefront businesses, welcoming, attractive streets can it from the most basic human point of view—that of the lay out the wide range of ambitious programs that squares into more people-friendly places. -
All in NYC: the Roadmap for Tourism's Reimagining and Recovery
ALL IN NYC: The Roadmap for Tourism’s Reimagining and Recovery JULY 2020 01/ Introduction P.02 02/ What’s at Stake? P.06 03/ Goals P.1 0 The Coalition for NYC Hospitality & Tourism Recovery is an initiative of NYC & Company. 04/ A Program in Three Stages P.1 2 As the official destination marketing and convention and visitors bureau for the five boroughs of New York City, NYC & Company 05/ Our Campaign Platform: ALL IN NYC P.1 6 advocates for, convenes and champions New York City’s tourism and hospitality businesses 06/ Marketing Partnerships P.30 and organizations. NYC & Company seeks to maximize travel and tourism opportunities throughout the five boroughs, build economic 07/ Success Metrics P.32 prosperity and spread the dynamic image of New York City around the world. 08/ Summary P.36 09/ Acknowledgements P38 Table of Contents Table —Introduction In early 2020, as the coronavirus spread from country to country, the world came to a halt. International borders closed and domestic travel froze. Meetings, conventions and public events were postponed or canceled. Restaurants, retail stores, theaters, cultural institutions and sports arenas shuttered. Hotels closed or transitioned from welcoming guests to housing emergency and frontline workers. While we effectively minimized the spread of Covid-19 in New York City, thousands of our loved ones, friends, neighbors and colleagues have lost their lives to the virus. Our city feels, and is, changed. 2 13 We launched The Coalition for NYC our city’s story anew. As in every great New Hospitality & Tourism Recovery in May York story, the protagonists have a deep 2020 to bring together all sectors of our sense of purpose and must work to achieve visitor economy to drive and aid recovery. -
Missouri Folklore Society Journal
Missouri Folklore Society Journal Special Issue: Songs and Ballads Volumes 27 - 28 2005 - 2006 Cover illustration: Anonymous 19th-century woodcut used by designer Mia Tea for the cover of a CD titled Folk Songs & Ballads by Mark T. Permission for MFS to use a modified version of the image for the cover of this journal was granted by Circle of Sound Folk and Community Music Projects. The Mia Tea version of the woodcut is available at http://www.circleofsound.co.uk; acc. 6/6/15. Missouri Folklore Society Journal Volumes 27 - 28 2005 - 2006 Special Issue Editor Lyn Wolz University of Kansas Assistant Editor Elizabeth Freise University of Kansas General Editors Dr. Jim Vandergriff (Ret.) Dr. Donna Jurich University of Arizona Review Editor Dr. Jim Vandergriff Missouri Folklore Society P. O. Box 1757 Columbia, MO 65205 This issue of the Missouri Folklore Society Journal was published by Naciketas Press, 715 E. McPherson, Kirksville, Missouri, 63501 ISSN: 0731-2946; ISBN: 978-1-936135-17-2 (1-936135-17-5) The Missouri Folklore Society Journal is indexed in: The Hathi Trust Digital Library Vols. 4-24, 26; 1982-2002, 2004 Essentially acts as an online keyword indexing tool; only allows users to search by keyword and only within one year of the journal at a time. The result is a list of page numbers where the search words appear. No abstracts or full-text incl. (Available free at http://catalog.hathitrust.org/Search/Advanced). The MLA International Bibliography Vols. 1-26, 1979-2004 Searchable by keyword, author, and journal title. The result is a list of article citations; it does not include abstracts or full-text. -
1908 New York to Paris Race and the 1909 Ocean to Ocean Race, from New York City to Seattle
Bad Roads to Good Roads The Great Races: 1908‐09 Part One In 1909 only seven percent of the two million miles of highways in the United States were classified as "improved." In rain and snow, most American roads became impassable. Encyclopedia.com notes: “When the Office of Public Roads Inquiries undertook the first inventory of all U.S. roads in 1904, the country had 2,151,570 miles of rural public roads, but 1,997,908 miles, or 93 percent, were dirt. Of the 153,662 miles with any kind of surfacing, only 38,622 miles were stone or macadam, while the remainder included 108,232 miles of gravel and 6,810 of shell, sand, clay, brick, or other materials. Only a few hundred miles of roads in the entire country were suitable for motor vehicles.” ….. “As motor‐vehicle sales grew rapidly—exceeding 1,000 for the first time in 1899, 100,000 in 1909, and 1 million in 1916—Americans demanded and got good roads.” In 1908 and 1909 two long distance endurance automobile races with ties to Washington State helped to focus public attention on the deplorable condition of American roads. These were the 1908 New York to Paris Race and the 1909 Ocean to Ocean Race, from New York City to Seattle. In this Part One of this blogpost series, we’ll touch briefly on the 1908 New York to Paris Race. In Part Two we will set the stage for the 1909 Ocean to Ocean Race itself and briefly cover the travails of the “pace car” of the Race.