James Waller, Ph.D., It Can Happen Here
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The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
A Progresszív Rock
A PROGRESSZÍV ROCK monográfia írta: Bernáth Zsolt 2007. TARTALOM BEVEZETÉS............................................................................................................................ 4 I. A PROGRESSZÍV ROCK HELYE A ROCKZENE TÖRTÉNETÉBEN I.1. A rockzene születése és az ifjúsági kultúra kialakulása (1950-es évek) ................ 7 I.1.1. A rockzene gyökerei ................................................................................ 7 I.1.2. A rockzene születése és hatása .............................................................. 10 I.2. A beatkorszak (1960-as évek) .............................................................................. 13 I.2.1. A Beatles ............................................................................................... 13 I.2.2. Az els ő közismert concept-album ..................................... ................... 15 I.2.3. A progresszív rock közvetlen el őzményei ............................................. 17 I.2.4. Szimfonikus kísérletek .......................................................................... 19 I.3. A progresszív rock megjelenése és fénykora (1970-es évek) .............................. 20 I.4. A progresszív rock második hulláma (1980-as évek) .......................................... 28 I.5. A progresszív rock harmadik hulláma (1990-es évekt ől napjainkig) .................. 32 I.6. Magyar vonatkozások .......................................................................................... 37 I.6.1. A magyar beatzene ............................................................................... -
'The Muslims Are Coming' Show Featuring Muslim-American Comics Hopes to Foster Laughs and Understanding
'The Muslims Are Coming' Show featuring Muslim-American comics hopes to foster laughs and understanding. By Scott Bernarde July 31, 2011 When the producers of “The Muslims are Coming!” were looking for venues for their tour of free comedy performances, Gwinnett County, particularly Lilburn, caught their eye. The satirical standup comedy tour, which features several top Muslim-American comics, aims to dispel “myths associated with Islamaphobia” in shows scheduled in Georgia, Tennessee, Alabama and Florida, and later in Midwest states this fall. The tour comes to the Aurora Theatre in Lawrenceville on Aug. 9, beginning at 8 p.m. Reserve the free tickets here. Shows are scheduled in Gainesville, Fla., Aug. 5 and in Columbus, Ga., Aug. 6, before the Lawrenceville show, then in Birmingham, Nashville and Murfreesboro, Tenn., afterward. Muslim-American comedians Negin Farsad and Dean Obeidallah say the shows — and corresponding documentary by the same name — bring a message of understanding and open communication through laughter to the communities they visit. “It’s going to be funny for everyone. It’s not just for Muslims,” said Obeidallah in a phone interview last week. “Our hope is to use the stand-up comedy to bring people of all faiths and backgrounds to laugh and to foster understanding.” The Dar-E-Abbas mosque controversy in Lilburn caught their attention and prompted Farsad and Obeiballah to search for local venues to host the show. Obeidallah read about the controversy online — the city’s denial of a request by the mosque to expand its facilities on Highway 29 at Hood Road, the subsequent lawsuit filed by the mosque, and the Department of Justice investigation into the city’s decision. -
80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
Acquaintance Rape Is a Sexual Assault Crime Committed by Someone Who Knows the Victim
If you have issues viewing or accessing this file contact us at NCJRS.gov. ~ ___________________________________ -L~~D WHEN THE RAPIST IS SOMEONE YOU KNOW 146610 U.S. Department of Justice National Institute of Justice This document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official position or policies of the Natlonallnstilute of Justice. Permission to reproduce this copyrighted material has been granted by Illinois Criminal Justice Information Authority to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permission of the copyright owner. • Published by the Illinois Coalition Against Sexual Assault Updated 1993 "I " , illinoiS Coalillon Agaiml Sexual Assault (J123 South Seventh Streel, Swto 500 Sprlngfiald. IL 62701-1302 (217) 753-41~7 TERMS Victim - The words "victim" and "survivor" are both commonly used to describe a person who is raped. In this booklet, the word "victim" is used, as it is more often associated with a person who • was recently assaulted. Attacker - In this booklet, the person who raped the victim is referred to as the "attacker." "She" - In this booklet, the sexual assault victim is referred to as "she" because women are most commonly the victims of sexual assault. Men are also sexual assault victims, and this booklet is for both male and female victims. Sexual Assault and Rape - The terms "sexual assault" and "rape" are used interchangeably in this booklet. Photos by Ginny Lee ILLINOIS CRlMINAL JUSTICE INFORMATION AUTHORITY Funding for the printing of this booklet was provided through the Victims of Crime Act of 1984 by the Illinois Criminal Justice Information Authority. -
When Trust Is a Weapon- Rev 5-2011 OOA PH NO-2.Pub
is a crime! County of Riverside Department of Public Social Services C.A.R.E. Program Curtailing Abuse Related to the Elderly 800-476-7506 This publication was developed by the Riverside County C.A.R.E. Program, and made possible through funding from the Older Americans Act Title VII—Elder Abuse Prevention Fund. RIVERSIDE COUNTY OFFICE ON AGING ADRC of RIVERSIDE 800-510-2020 NOTES Table of Contents Regrets…I’ve Had A Few………………….. 1 The “Con” in Confidence…………………… 2 Affinity Fraud………………………………… 3 Charity Fraud………………………………... 3 Distraction Burglary…………………………. 4 “Grandma, It’s Me” Scam…………………... 5 Home Health Care Fraud……...…………… 5 Home Repair Fraud………………………… 7 Identity Theft………………………………… 8 In-Home Solicitation Contracts……………. 9 Insurance Fraud…………………………….. 11 Investment Fraud…………………………… 12 Jury Duty Scam……………………………... 13 Lotteries and Sweepstakes Scams……….. 14 Medicare Drug Benefits Scam…………….. 15 Phony Collection Agencies………………… 16 Real Estate Fraud…………………………... 17 Telemarketing Fraud……………………….. 18 Stop Junk Mail Form………………………... 20 Work-at-Home Scams…………………...…. 22 Resource and Reporting Guide…………… 23 (Rev. 5/2011) REGRETS… I’VE HAD A FEW NOTES So…you had a bad day. You weren’t at your best. Maybe you were worrying about the balance in your retirement account and making ends meet. Maybe you weren’t feeling well. Maybe you trusted or believed the wrong person, and you said “yes” when you should have said “no.” Maybe you became the victim of a consumer scam. So…it happens to all of us, no matter our age. It does not define who you are – it does not define your tomorrow. It is only ONE MOMENT in time. -
Performing Arabness in Arab American Stand-Up Comedy
77 Performing Arabness DOI: 10.1515/abcsj-2014-0028 Performing Arabness in Arab American Stand-up Comedy YASSER FOUAD SELIM Sohag University Abstract This article deals with the dramatic art of stand-up comedy. It locates Arab American stand-up comedy within a broader American humorous tradition and investigates the way Arab American performers use this art to negotiate and (re)construct their identity. The main question in this article is the way Arab American stand-up comedians define their relationship to the Arab and the western worlds in the process of establishing their Arab American identity. Three humor theories – the relief theory, the incongruity theory, and the superiority theory – are deployed in the study to examine the representation of Arabness in selected Arab American performances. The study argues that Arab American comics minstrelize their own diasporic origin through reinscribing a range of orientalizing practices in order to claim their Americanness. Keywords: Arab American, stand-up comedy, Maysoon Zayid, Ahmed Ahmed, Dean Obeidallah, Aron Kader, humor, identity The art of stand-up comedy is one of the most scholarly marginalized theatrical forms. There is very little academic and scholarly attention given to the study and analysis of stand-up comedy despite its old history and present popularity. Arab American stand-up comedy is the most marginalized in the tradition. This article is an attempt to fill a gap in the study of stand-up comedy in general and the criticism of Arab American artistic expression in particular. The article starts with defining stand-up comedy and tracing its historical connection to the negotiation and projection of ethnicity. -
Fear and Loathing in America After 9/11: Terrorism, Racism, and the Need for New Beginnings
ઞखഀ Fear and Loathing in America after 9/ 11: Terrorism, Racism, and the Need for New Beginnings Moustafa Bayoumi )Cspplmzo!Dpmmfhf!DVOZ* Every year after the terrorist attacks of 2001, New York City has commemorated its grievous losses from that terrible day with a kind of quiet dignity. Since September 2003, the city has lit the “Tribute in Light,” two powerful spotlight beams that soar into the night air where the World Trade Center once was1) (the “Tribute in Light” was first launched on March 11, 2002, for an initial period of one month).2) On the actual anniversary, New York has hosted a prayer service and public reading of the names of the dead. The simplicity of these gestures has endowed the day with feelings of mourning and loss, and these have been the dominant emotions in New York on 1) David W. Dunlap, “‘Tribute in Light’ Will Keep Shining, This Year and The Next,” Cityroom, The New York Times, September 10, 2001, http://cityroom.blogs. nytimes.com/2010/09/10/tribute-in-light-will-keep-shining-this-year-and-the-next/. 2) Terence Smith, “Tribute in Light,” Online News Hour, PBS.org, March 11, 2002, http://www.pbs.org/newshour/bb/terrorism/jan-june02/light_3-11.html. .PVTUBGB#BZPVNJ the anniversaries of the September 11 attacks, at least until 2010. On September 11, 2010, rage took to the streets in ways that stunned many observers. The New York Times described “heated demonstrations” that illustrated “political and religious tensions and an unmistakable sense that a once-unifying day was now replete with division,” further -
Genocide Documentary As Intervention
This is a repository copy of Genocide documentary as intervention. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/83470/ Version: Accepted Version Article: Tyson, AD orcid.org/0000-0002-4458-6870 (2015) Genocide documentary as intervention. Journal of Genocide Research, 17 (2). pp. 177-199. ISSN 1462-3528 https://doi.org/10.1080/14623528.2015.1027077 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Genocide documentary as intervention ADAM TYSON Abstract Gifted filmmakers such as Joshua Oppenheimer, director of The act of killing, are attempting to use the power of documentary to provoke social and political change in post-conflict settings. What roles do interventionist filmmakers play in processes of national reconciliation and transitional justice? Can The act of killing really be a catalyst for change in Indonesia? This article contends that the genocide documentary is a form of antagonistic intervention that warrants systematic and critical re-evaluation. -
<I>The Axis of Evil Comedy Tour
Global Posts building CUNY Communities since 2009 http://tags.commons.gc.cuny.edu “Persian Like The Cat”: Crossing Borders with The Axis of Evil Comedy Tour Tamara L. Smith/ In the wake of the attacks of September 11, Americans of Middle Eastern heritage experienced a sudden and dramatic change in how their ethnicities were perceived. As comedian and activist Dean Obeidallah explained, “On September 10, I went to bed white, and woke up Arab.”[1] Once comfortable in their American identities, they now had to contend with new cultural forces that configured them as dangerous outsiders. In the months and years that followed, the supposed existence of a so-called “Axis of Evil” of dangerous, anti-American regimes became the justification for expanding military operations abroad, while domestically it fed into a growing Orientalist sentiment that continues to configure Americans of Middle Eastern descent as potentially dangerous outsiders. In 2005, a group of United States comedians of Middle Eastern heritage adopted the alarmist moniker as a tongue-in-cheek title for their stand-up comedy performances. Part commiseration and part public relations, the Axis of Evil Comedy Tour served both as an expression of solidarity between Middle Eastern-Americans and as an act of cultural diplomacy, recasting Middle Eastern ethnic identities as familiar, patriotic, and safe. In this article, I look back to a 2006 performance by the Axis of Evil Comedy Tour in Santa Ana, California, including sets by tour members Ahmed Ahmed, Maz Jobrani, and Aron Kader as well as their guest, New York Arab-American Comedy Festival founder Dean Obeidallah. -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
What Kant Preaches to the UN: Democratic Peace Theory and “Preventing the Scourge of War”
EUROPEAN PERSPECTIVES − INTERNATIONAL SCIENTIFIC JOURNAL ON EUROPEAN PERSPECTIVES VOLUME 9, NUMBER 1 (16), PP 65-84, OCTOBER 2018 What Kant preaches to the UN: democratic peace theory and “preventing the scourge of war” Bekim Sejdiu1 ABSTRACT This paper exploits academic parameters of the democratic peace theory to analyze the UN’s principal mission of preserving the world peace. It inquires into the intellectual horizons of the democratic peace theory – which originated from the Kant’s “perpetual peace” – with the aim of prescribing an ideological recipe for establishing solid foundation for peace among states. The paper argues that by promoting democracy and supporting democratization, the UN primarily works to achieve its fundamental mission of preventing the scourge of war. It explores practical activities that the UN undertakes to support democracy, as well as the political and normative aspects of such an enterprise, is beyond the reach of this analysis. Rather, the focus of the analy- sis is on the democratic peace theory. The confirmation of the scientific credibility of this theory is taken as a sufficient argument to claim that by supporting democracy the UN would advance one of its major purposes, namely the goal of peace. KEY WORDS: democracy, peace, Kant, UN POVZETEK Prispevek na osnovi teorije demokratičnega miru analizira temeljno misijo OZN, to je ohranitev svetovnega miru. Poglablja se v intelektualna obzorja teorije demokratičnega miru – ki izhaja iz Kantovega “večnega miru” – s ciljem začrtati ideološki recept za vzpostavitev čvrstih teme- ljev za mir med državami. Prispevek zagovarja hipotezo, da OZN s promoviranjem demokracije in z njenim podpiranjem predvsem prispeva k izpolnitvi svojega temeljnega poslanstva, to je preprečevati izbruh vojn.