CHESS the Musical with Port Bus to Civic Theatre, Newcastle Saturday 27Th February 2021

Total Page：16

File Type：pdf, Size：1020Kb

CHESS The Musical with Port Bus to Civic Theatre, Newcastle Saturday 27th February 2021 WELCOME TO THE CIVIC THEATRE NEWCASTLE IN A LAVISH NEW STAGING STARING DAVID HARRIS AND SILVIE PALADINO. The worldwide stage hit CHESS: THE MUSICAL tells a story of love and political intrigue, set against the background of the Cold War in the late 1970s/early 1980s, where superpowers attempt to manipulate an international chess championship for political ends. Two of the world’s greatest chess masters, one American, one Russian, are in danger of becoming the pawns of their governments as they battle for the world title. At the same time their lives are thrown into further confusion by a Hungarian refugee, a remarkable woman who becomes the centre of their emotional triangle. Passions rise as their political struggles threaten to destroy lives and loves. Including the international hit singles ‘I Know Him So Well’ and ‘One Night In Bangkok’. Other hit songs from the score include ‘Anthem’, ‘Someone Else’s Story’, ‘Heaven Help my Heart’ and ‘Pity The Child’. The nuclear superpower alliance of ABBA songwriters Benny Andersson and Bjorn Ulvaeus with Oscar- and Tony-winning lyricist Tim Rice, combined with international musical theatre heavyweights David Harris and Green Room award- winner Silvie Paladino (Best Actress in a Leading role for playing Florence in Chess, directed by Gale Edwards), will guarantee a blockbuster theatrical event. Itinerary: Pickups will commence by 10:00. Approximate arrival at Civic Theatre, Newcastle will be 13:15. The show commences at 14:00. Once the show finishes please make your way to the bus and we will load & GO! A Reserve $139 pp | B Reserve $129pp Includes: Return transport and chosen ticket above Contact / Booking Options: Phone: 02 6583 3330 Email: [email protected] Online @ https://www.trybooking.com/BIRNR .

Copy Link

Recommended publications

EARLY MORNING and AFTER SCHOOL CLUBS Summer Term 2021
Founded 1936 EARLY MORNING and AFTER SCHOOL CLUBS Summer Term 2021 Early Morning Clubs start at 8am After School Clubs finish at 4.15pm Clubs will commence on Wednesday 21st April and finish on Thursday 1st July 2021 The online booking system will open on Monday 15th March at 9.30am and close on Friday 19th March 2021 at 4pm after this no further changes can be accommodated. If your child wishes to attend Early Morning or After School Clubs for the Summer Term 2021, please book online via the SchoolBase portal https://schoolbase.online Please note that all Clubs need a minimum number of 6 children attending to make them viable and are limited to a maximum number of children. Once the Clubs are full you will be placed on a waiting list. Parents will be informed as soon as possible if a Club is not able to go ahead. Bookings for AM Sports Academy clubs (AMSA) (Chess, Cricket, Football, Gymnastics and Multi- Sports) are made direct with them via their website: (www.amsportsacademy.co.uk/Clubs). If you have any questions please email them direct at: [email protected] Bookings for Sean McInnes Early Morning Clubs (Cricket, Football, and Tennis) are to be made direct through his website: https://seanmcinnessportscoaching.com/book-now If you have any questions please email Sean direct at: [email protected] Bookings for Mandarin are to be made direct by contacting Jing You at: [email protected] or by telephone: 07738696965 Piano & Violin Lessons Piano and Violin lessons are available during the week on a rotational basis, so that your child will not miss the same school lesson each week.
[Show full text]
A Career Overview 2019
ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
[Show full text]
Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar
Journal of Religion & Film Volume 3 Issue 2 October 1999 Article 2 October 1999 Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Mark Goodacre University of Birmingham, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Goodacre, Mark (1999) "Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar," Journal of Religion & Film: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol3/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Abstract Jesus Christ Superstar (dir. Norman Jewison, 1973) is a hybrid which, though influenced yb Jesus films, also transcends them. Its rock opera format and its focus on Holy Week make it congenial to the adaptation of the Gospels and its characterization of a plausible, non-stereotypical Jesus capable of change sets it apart from the traditional films and aligns it with The Last Temptation of Christ and Jesus of Montreal. It uses its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, with adoring groupies among whom Jesus struggles, out of context, in an alien culture that ultimately crushes him, crucifies him and leaves him behind.
[Show full text]
Dream Cast Announced for Disney's Aladdin
DREAM CAST ANNOUNCED FOR DISNEY’S ALADDIN An exceptional group of Australia and New Zealand’s most outstanding musical theatre performers and exciting fresh faces has been announced for Disney’s new musical comedy, Aladdin. They will be joined by Broadway performer Michael James Scott in the role of the Genie. Based on the classic Academy Award®-winning animated film,Aladdin will open in Sydney at the Capitol Theatre in August 2016. Tickets go on sale to the GP 8th March 2016. The dream cast for Aladdin has been achieved after intense and competitive auditions throughout Australia. It will be one of the most diverse multi-cultural casts to appear on the Australian stage. American performer Michael James Scott will play the pivotal role of the Genie. Michael has performed in many Broadway shows including the original company of The Book of Mormon, the 2010 Broadway and London revival of Hair, as well as the standby Genie in the original Broadway cast of Aladdin. He was most recently seen in Casey Nicholaw’s third current Broadway hit, Something Rotten. Joining him will be the exciting new discovery Ainsley Melham making his mainstage debut in the title role of Aladdin. Ainsley is a graduate of the Western Australian Academy of Performing Arts (WAAPA). The principal cast features international musical theatre star Adam Jon Fiorentino (Saturday Night Fever, Mary Poppins) as Kassim, stage & television performer Adam Murphy as Jafar and Robert Tripolino in the role of Omar. Filling out the principal ranks is one of Australia’s most accomplished character actors and musical theatre stars Troy Sussman as Babkak and stage and television actor Aljin Abella as Iago.
[Show full text]
Honours Thesis Game Theory and the Metaphor of Chess in the Late Cold
Honours Thesis Game Theory and the Metaphor of Chess in the late Cold War Period o Student number: 6206468 o Home address: Valeriaan 8 3417 RR Montfoort o Email address: [email protected] o Type of thesis/paper: Honours Thesis o Submission date: March 29, 2020 o Thesis supervisor: Irina Marin ([email protected]) o Number of words: 18.291 o Page numbers: 55 Abstract This thesis discusses how the game of chess has been used as a metaphor for the power politics between the United States of America and the Soviet Union during the Cold War, particularly the period of the Reagan Doctrine (1985-1989). By looking at chess in relation to its visual, symbolic and political meanings, as well in relation to game theory and the key concepts of polarity and power politics, it argues that, although the ‘chess game metaphor’ has been used during the Cold War as a presentation for the international relations between the two superpowers in both cultural and political endeavors, the allegory obscures many nuances of the Cold War. Acknowledgment This thesis has been written roughly from November 2019 to March 2020. It was a long journey, and in the end my own ambition and enthusiasm got the better of me. The fact that I did three other courses at the same time can partly be attributed to this, but in many ways, I should have kept my time-management and planning more in check. Despite this, I enjoyed every moment of writing this thesis, and the subject is still captivating to me.
[Show full text]
“Bo Diddley” and “I'm a Man” (1955)
“Bo Diddley” and “I’m a Man” (1955) Added to the National Registry: 2011 Essay by Ed Komara (guest post)* Bo Diddley While waiting in Bo Diddley’s house to conduct an interview for the February 12, 1987 issue of “Rolling Stone,” journalist Kurt Loder noticed a poster. “If You Think Rock and Roll Started With Elvis,” it proclaimed, “You Don’t Know Diddley.” This statement seems exaggerated, but upon listening to Diddley’s April 1955 debut 78 on Checker 814, “Bo Diddley” backed with “I’m A Man,” it becomes apt, perhaps even understated. Bo Diddley (1928-2008) described his own place in music history to Loder. “People wouldn’t even bother with no stuff like ‘Bo Diddley’ and ‘I’m A Man’ and stuff like that ten years earlier [circa 1945] or even a year earlier [1954]. Then Leonard and Phil Chess decided to take a chance, and suddenly a whole different scene, a different kind of music, came in. And that was the beginning of rock and roll.” The composer credit for Checker 814 reads “E. McDaniels,” and there begins the tale. Bo Diddley was born Ellas Otha Bates in McComb, Mississippi on December 30, 1928 to a teenage mother and her local boyfriend. He was raised, however, by his maternal first cousin, Gussie McDaniel, to whom he was taken to Chicago, and given her surname McDaniel. He grew up on the South Side of the city, where he learned violin, trombone and, at age 12, the guitar. Before long, he was playing for change on the local streets.
[Show full text]
There's a New Game in Winnipeg and It's Ready for a Match Ethereal Fant
There’s A New Game in Winnipeg and It’s Ready for a Match Ethereal Fantazy Productions is thrilled to present the Western Canadian premiere of the British and original version of Chess, the Musical, as part of the 2015 Winnipeg Fringe Festival. Chess develops the ancient and distinguished game of chess into a metaphor for romantic rivalries and US-Soviet political tensions during the Cold War. The game is set when a love triangle grows between two world renowned chess grandmasters- the self-absorbed American, the passionate Russian- and Florence, the pawn between these, who manages one yet falls in love with other, tearing apart alliances and families. Based on the real life world chess championship entitled “Match of the Century”, Fischer vs. Korchnoi, Chess features an incredibly talented cast and a monumental rock score by Björn Ulvaeus and Benny Andersson (Mamma Mia), formerly part of ABBA, and lyrics by notorious Tim Rice (Aida, Evita, Jesus Christ Superstar) that has politicians, lovers and players making their moves to its pulse in this Winnipeg premiere that will take your from Italy to Thailand and will show you that there’s nothing black and white about this game except the game board. Chess, The Musical Fri July 17 5:30pm, Sun July 19 6pm,Mon July 20 9:30pm, Wed July 22 12pm, Fri July 24 3:30pm Sat July 25 5:15pm, Sun July 26 12pm Venue #1 John Hirsch Mainstage 174 Market Ave. Enter from back alley (John Hirsch Pl.) Tickets are $10 and are available in person at the MTC box office, by phone at 204-942-6537 and online at www.winnipegfringe.com The creative team is composed by first time Director Tiffany Prochera, Musical Director and Choreographer Rachel Cameron and features Stage Manager Mathias and production by Johanna Reinberg.
[Show full text]
Football Chess Winner
Winner New Game Design Competition Chess and Mathematics Conference, London Olympia, Dec 6/7 2014 Football Chess Tatiana Ogneva ([email protected]) www.virtualchess.ru Director, Chess School“Etud”, Moscow, Russia 1. Introduction This game combines elements of chess and football. The sports theme makes it attractive to a wider range of children. The objective is easier to understand than in chess. Playing the game requires learning how each piece moves. The game has been successfully tested on primary school children. 2. Set up Start as in a normal chess game but remove the Pawns and Kings leaving seven pieces each. The goal area for the white team is on squares e1 and d1 and for the black team is on e8 and d8. The ball (e.g. a marker) is located on one of the centre (e4, d4, e5, d5) squares. Each time the game is played the ball must be placed on a different centre square. The starting position with the ball on e4. 3. Pieces and Moves The pieces move as in chess. In the Arrangement stage, starting with White, the players take turns to move until seven moves have been completed - one move by each piece. Capturing is forbidden at this stage. Pieces can move to any unoccupied square on their own side of the board together with the centre squares. The players seek to set up their pieces in preparation for the subsequent football game. After the Arrangement Stage, capturing capability is restored. To move the ball, it is necessary to occupy the same square as the ball (“control the ball”).
[Show full text]
Teacher Resource Guide Falsettos.Titlepage.09272016 Title Page As of 091516.Qxd 9/27/16 1:51 PM Page 1
Teacher Resource Guide Falsettos.TitlePage.09272016_Title Page as of 091516.qxd 9/27/16 1:51 PM Page 1 Falsettos Teacher Resource Guide by Nicole Kempskie MJODPMO!DFOUFS!UIFBUFS André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Jujamcyn Theaters presents Music and Lyrics by William Finn Book by William Finn and James Lapine with (in alphabetical order) Stephanie J. Block Christian Borle Andrew Rannells Anthony Rosenthal Tracie Thoms Brandon Uranowitz Betsy Wolfe Sets Costumes Lighting Sound David Rockwell Jennifer Caprio Jeff Croiter Dan Moses Schreier Music Direction Orchestrations Vadim Feichtner Michael Starobin Casting Mindich Chair Tara Rubin, CSA Production Stage Manager Musical Theater Associate Producer Eric Woodall, CSA Scott Taylor Rollison Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Choreography Spencer Liff Directed by James Lapine Lincoln Center Theater is grateful to the Stacey and Eric Mindich Fund for Musical Theater at LCT for their leading support of this production. LCT also thanks these generous contributors to FALSETTOS: The SHS Foundation l The Blanche and Irving Laurie Foundation The Kors Le Pere Foundation l Ted Snowdon The Ted and Mary Jo Shen Charitable Gift Fund American Airlines is the Official Airline of Lincoln Center Theater. Playwrights Horizons, Inc., New York City, produced MARCH OF THE FALSETTOS Off-Broadway in 1981 and FALSETTOLAND Off-Broadway in 1990. TABLE OF CONTENTS INTRODUCTION . 1 THE MUSICAL . 2 The Story . 2 The Characters . 4 The Writers . 5 Classroom Activities .
[Show full text]
EVITA’ COMES to HONG KONG General Tickets on Sale from Today
For Immediate Release POWERFUL, PASSIONATE & POLITICAL TIM RICE AND ANDREW LLOYD WEBBER’S MASTERPIECE ‘EVITA’ COMES TO HONG KONG General Tickets On Sale from Today [Hong Kong, 16 January 2018] For the first time ever, the original West End and Broadway production of TIM RICE and ANDREW LLOYD WEBBER’s iconic musical EVITA, directed by legendary Broadway director HAL PRINCE, will open in Hong Kong at the Lyric Theatre, Hong Kong Academy for Performing Arts on 11 May 2018 for a strictly limited season. The acclaimed show comes to Hong Kong as part of an international tour, taking in Singapore, Taipei and Tokyo. General tickets are now on sale and are available online at www.hkticketing.com, or by calling 31- 288-288. Seats can also be obtained at all HK Ticketing or Tom Lee outlets in person. Fans are urged to act fast to avoid disappointment as the show has received an enthusiastic response during the American Express Priority Booking period. EVITA won two Olivier Awards following its sensational West End opening in 1978, for Best Musical and Best Performance in a Musical for the then unknown Elaine Paige, propelling her to stardom. The show opened on Broadway in 1979, and won an incredible seven Tony Awards and six Drama Desk Awards, cementing Tim Rice and Andrew Lloyd Webber’s place as one of the most successful musical partnerships of all time. EVITA was the first British musical to receive the Tony Award for Best Musical. In total, the show has won more than 20 major awards. Set in Buenos Aires between 1934 and 1952, EVITA charts the rags-to-riches rise of Eva Perón, wife of former Argentine dictator Juan Perón, from her humble beginnings through to the extraordinary wealth, power and status which ultimately led her to be heralded as the “spiritual leader of the nation” by the Argentine people.
[Show full text]
Read Book Japanese Chess: the Game of Shogi Ebook, Epub
JAPANESE CHESS: THE GAME OF SHOGI PDF, EPUB, EBOOK Trevor Leggett | 128 pages | 01 May 2009 | Tuttle Shokai Inc | 9784805310366 | English | Kanagawa, Japan Japanese Chess: The Game of Shogi PDF Book Memorial Verkouille A collection of 21 amateur shogi matches played in Ghent, Belgium. Retrieved 28 November In particular, the Two Pawn violation is most common illegal move played by professional players. A is the top class. This collection contains seven professional matches. Unlike in other shogi variants, in taikyoku the tengu cannot move orthogonally, and therefore can only reach half of the squares on the board. There are no discussion topics on this book yet. Visit website. The promoted silver. Brian Pagano rated it it was ok Oct 15, Checkmate by Black. Get A Copy. Kai Sanz rated it really liked it May 14, Cross Field Inc. This is a collection of amateur games that were played in the mid 's. The Oza tournament began in , but did not bestow a title until Want to Read Currently Reading Read. This article may be too long to read and navigate comfortably. White tiger. Shogi players are expected to follow etiquette in addition to rules explicitly described. The promoted lance. Illegal moves are also uncommon in professional games although this may not be true with amateur players especially beginners. Download as PDF Printable version. The Verge. It has not been shown that taikyoku shogi was ever widely played. Thus, the end of the endgame was strategically about trying to keep White's points above the point threshold. You might see something about Gene Davis Software on them, but they probably work.
[Show full text]
1986 August 02 -Play It Again
. , ' . t : t9:tJ\1~.:·. -. - --~ --~ .·.· •. .,: · .. ·.PtaJ~-·::it·:;:a;gain'.,, ·,Tittl? .• . ,,• . .;._,\ •• '··- ' •• ,- • • ,i ' by Mtir~~y Chandler· E . musical Chess is rapidly be- . oming a mega-hit on the London age· and it could be the greatest TEublicity boost for the game since Bobby Fischer. In addition to some out• standing music, with lyrics by Tim Rice {Jesus Christ Superstar, Evita) and Abba's Benny Andersson and Bjorn Ulvaeus, the audience is given an in• sider's glimpse of a world title contest, its colourful personalities and remarkable · incidents. One unenlightened critic com• plained that some happenings were too far-fetched, like the x-raying of the players' chairs for . hostile devices. Having been present during the Karpov• Korchnoi matches in Baguio 1978 and Merano 1981, I can assure him that, if . anything, the production down-played real life! · The plot of Chess is drawn from clearly · recognisable origins. Soviet grandmaster Anatoly Sergievsky (played. by Tommy Korberg) is challenging the temperamen• tal America . world champion Frederick "One night in Bangkok", a scene from Trumper (Murray Head) for his title in Chess. .Merano, Italy. After winning, Sergievsky gyrating stage and hi-tech screens flash• defects to the West, taking with him ing chess moves ..:_ I don't know. But Trumpet's. girlfriend-second · Florence· certainly he and his . specialist chess "Vassy ·(Elaine Page) - a Hungarian adviser, Bill Hartston, have produced a emigree with a grudge against the Soviet show which accurately portrays a world Union: .Outraged, the Soviet delegation even stranger than fiction. use arty dirty tricks available to get their · I'd love to donate free Chess tickets for new; robot-like challenger to win the this week's chess puzzle solution, but .
[Show full text]