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FOR IMMEDIATE RELEASE Press Contact: Kathy Kahn
FOR IMMEDIATE RELEASE Press contact: Kathy Kahn, [email protected], 510-418-8523 Theater contact: Harriet Schlader, [email protected], 510-531-9597 Woodminster Summer Musicals AUGUST 2015 -- CALENDAR INFORMATION WHAT: The Producers PERFORMED BY: Woodminster Summer Musicals by Producers Associates, Inc. WHERE: Woodminster Amphitheater in Joaquin Miller Park, 3300 Joaquin Miller Road, Oakland WHEN: August 7-16, 2015 PERFORMANCES: August 7, 8, 9, 13, 14, 15, 16 - 8 p.m. TICKETS: 510-531-9597, or www.woodminster.com, $28-$59 (Discounts for children, seniors, groups) PREVIEW PERFORMANCE: August 6, 8 p.m., All tickets $18 at the door. (Since it's a rehearsal, the show may be stopped to solve technical problems.) A New Mel Brooks Musical, Book by Mel Brooks and Thomas Meehan, Music and Lyrics by Mel Brooks, Based on the 1968 Film, Original direction and choreography by Susan Stroman, Produced by arrangement with Music Theatre International. Photo caption: Greg Carlson* as Max Bialystock, Melissa Reinerston as Ulla, and John Tichenor* as Leo Bloom. PRESS RELEASE The Producers Opens August 7 at Woodminster Summer Musicals Stage Musical is Adapted from Mel Brooks' Classic Comedy Film July 20, 2015, Oakland, CA -- Producers Associates, Inc. announces that the 2015 season of Woodminster Summer Musicals will continue with The Producers, the hit Broadway musical based on the 1968 Mel Brooks film of the same name. It will run August 7-16 at Woodminster Amphitheater in Oakland's Joaquin Miller Park, located at 3300 Joaquin Miller Road in the Oakland hills. The Producers tells the story of a down-on-his-luck Broadway producer and his nervous accountant, who together come up with a scheme to make a million dollars (each) by producing the worst flop in Broadway history. -
The Phantom of the Opera Music: Andrew Lloyd Webber Lyrics
The Phantom of the Opera Music: Andrew Lloyd Webber Lyrics: Charles Hart + Richard Stilgoe Book: Andrew Lloyd Webber + Richard Stilgoe Premiere: Thursday, October 9, 1986 THE STAGE OF THE PARIS OPERA, 1905 (The contents of the opera house is being auctioned off. An AUCTIONEER, PORTERS, BIDDERS, and RAOUL, seventy now, but still bright of eye. The action commences with a blow from the AUCTlONEER's gavel) AUCTIONEER Sold. Your number, sir? Thank you. Lot 663, then, ladies and gentlemen: a poster for this house's production of "Hannibal" by Chalumeau. PORTER Showing here. AUCTIONEER Do I have ten francs? Five then. Five I am bid. Six, seven. Against you, sir, seven. Eight. Eight once. Selling twice. Sold, to Raoul, Vicomte de Chagny. Lot 664: a wooden pistol and three human skulls from the 1831 production of "Robert le Diable" by Meyerbeer. Ten francs for this. Ten, thank you. Ten francs still. Fifteen, thank you, sir Fifteen I am bid. Going at fifteen. Your number, sir? 665, ladies and gentlemen: a papier-mache musical box, in the shape of a barrel-organ. Attached, the figure of a monkey in Persian robes playing the cymbals. This item, discovered in the vaults of the theatre, still in working order. PORTER (holding it up) Showing here. (He sets it in motion) AUCTIONEER My I start at twenty francs? Fifteen, then? Fifteen I am bid. (the bidding continues. RAOUL. eventually buys the box for thirty francs) Sold, for thirty francs to the Vicomte de Chagny. Thank you, sir. (The box is handed across to RAOUL. -
Elton John and Tim Rice's AIDA
Maurer Productions OnStage, Inc. Presents Elton John and Tim Rice’s AIDA Audition Information Auditions Saturday, July 16, 2011 - 9am to 5pm Sunday, July 17, 2011 - 12pm to 5pm First Read-Through Saturday, July 30, 2011 – 1pm to 5pm Performances Dates Nov 18, 19, 25, 26, 2011 at 8pm Nov 19, 20, 26, 27, 2011 at 2pm Auditions by Appointment: Sign up online at www.mponstage.com/registration, or By Email at [email protected], or By Telephone at (609) 882-2292 Producers: John, Diana and Dan Maurer Director: Dan Maurer Musical Director Anthony DiDia Choreographer: Jane Coult Stage Manager: Jeff Cantor Props & Set Dressing: Alycia Bauch-Cantor NOTE: Walk-ins will be seen on a time-available basis. Without an appointment, there may be a long wait to audition. Auditions for Elton John & Tim Rice’s AIDA Index 1. About the Show 2. Available Roles 3. What You Need to Know About the Audition 4. Audition Application 5. Calendar for Conflicts 6. Musical Numbers 7. Audition Monologues 1 Elton John and Tim Rice’s Aida Directed by Dan Maurer Part Broadway musical, part dance spectacular and part rock concert, AIDA is an epic tale about the power and timelessness of love. The show features over twenty roles for singers, dancers, and actors of various races and will be staged by the award winning production team that brought shows like Man of La Mancha and Singin’ in the Rain to Kelsey Theatre. Winner of four Tony Awards when Disney’s Hyperion Theatrical Group first brought it to Broadway, AIDA features music by pop legend Elton John and lyrics by Tim Rice, who wrote the lyrics for hit shows like Jesus Christ Superstar and Evita. -
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
10-06-2018 Aida Mat.Indd
Synopsis Act I Egypt, during the reign of the pharaohs. At the royal palace in Memphis, the high priest Ramfis tells the warrior Radamès that Ethiopia is preparing another attack against Egypt. Radamès hopes to command the Egyptian army. He is in love with Aida, the Ethiopian slave of Princess Amneris, the king’s daughter, and he believes that victory in the war would enable him to free and marry her. But Amneris also loves Radamès and is jealous of Aida, whom she suspects of being her rival for Radamès’s affection. A messenger brings news that the Ethiopians are advancing. The king names Radamès to lead the army, and all prepare for war. Left alone, Aida is torn between her love for Radamès and loyalty to her native country, where her father, Amonasro, is king. In the temple of Vulcan, the priests consecrate Radamès to the service of the god Ptah. Ramfis orders Radamès to protect the homeland. Act II Ethiopia has been defeated, and in her chambers, Amneris waits for the triumphant return of Radamès. Alone with Aida, she pretends that Radamès has fallen in battle, then says that he is still alive. Aida’s reactions leave no doubt that she loves Radamès. Amneris is certain that she will defeat her rival. At the city gates, the king and Amneris observe the victory celebrations and praise Radamès’s triumph. Soldiers lead in the captured Ethiopians, among them Amonasro, who signals his daughter not to reveal his identity as king. Amonasro’s eloquent plea for mercy impresses Radamès, and the warrior asks that the order for the prisoners to be executed be overruled and that they be freed instead. -
Eisenhower, West Theater Programs Awarded for Excellence by Overture Center for the Arts
Immediate Release Date: April 21, 2020 Contact: David Cotey, Coordinator of Communications 262-789-6225 | [email protected] Eisenhower, West Theater Programs Awarded for Excellence by Overture Center for the Arts New Berlin, Wis. – Through a virtual reveal held Monday, April 20, the Overture Center for the Arts in Madison announced its 2020 Jerry Award winners. New Berlin Eisenhower’s production of The Hunchback of Notre Dame won for Outstanding Musical. West’s Alyssa Buckett, who played Enid Hoops in Legally Blonde, also earned a Jerry Award for Outstanding Supporting Performance. West’s William Dettlaff and Eisenhower’s Kennedy Harwood received Jerry Spirit Awards. This marks the fourth time the Eisenhower theater program earned an Outstanding Musical Award; Hunchback joins previous performances of Les Miserables, AIDA and Into the Woods. Eisenhower and West combined for more than 20 Jerry Award nominations this spring. Jerry Awards recognize and honor excellence in high school musical theater. Overture’s Jerry Awards program is an education initiative that recognizes, honors and encourages excellence in musical theater production among area high school students. Musicals of participating schools are reviewed by a panel of educators, theater experts and industry professions. Based on reviewers’ comments and tabulations, productions and individuals receive awards in specific categories. Jerry Award adjudicators review roughly 100 high school musicals throughout Wisconsin annually. The Overture Center will recognize statewide award winners at a virtual awards ceremony Sunday, June 7. ### . -
Chatting with Evita's Christina Decicco, the 'Alternate Eva'
Friday, June 29, 2012 DIVA TALK Chatting With Evita’s Christina DeCicco, the ‘Alternate Eva’ By ANDREW GANS For those like myself who like to catch as many different actresses playing the role of Evita as possible, there is some exciting news: For two weeks this summer former Wicked star Christina DeCicco will step into the title role of the Tony Award-nominated Broadway revival of the Andrew Lloyd Webber and Tim Rice musical at the Marquis Theatre. DeCicco, who normally performs the role twice weekly — Wednesday evenings and Saturday matinees — will play the late Eva Peron six performances a week July 12-19 and August (dates to be announced shortly) while Argentinian actress and Olivier winner Elena Roger films a movie (during those two weeks Jessica Lea Patty will be the Alternate Eva). (For the record, this diva lover has enjoyed the Evitas of Tony winner Patti LuPone, Derin Altay, Nancy Opel, Donna Marie Elio [now Asbury], Judy McLane, Natalie Toro, Felicia Finley, Elena Roger, and, come July 7, Ms. DeCicco.) Although DeCicco has only gotten to play the role about 20 times, her co-stars have lavished her with praise. Rachel Potter, who plays Peron’s Mistress, previously told me, “Christina is from New York. She’s an American through and through, and she brings such a different energy, but it’s so, so great, and I hope that more and more people will come see her because she’s fantastic....Her voice is stunning, and we’re all very, very proud of her because obviously being an alternate is never an easy job. -
Who's Who in the Cast
WHO’S WHO IN THE CAST ROBERT PETKOFF (Bruce). Broadway: All The Way with Bryan Cranston, Anything Goes, Ragtime, Spamalot, Fiddler On The Roof and Epic Proportions. London: The Royal Family with Dame Judi Dench and Tantalus. Regional: Sweeney Todd, Hamlet, Troilus & Cressida, Follies, Romeo & Juliet, Compleat Female Stage Beauty and The Importance Of Being Earnest. Film: Irrational Man, Vice Versa, Milk and Money, Gameday. TV: Elementary, Forever, Law and Order: SVU, The Good Wife and more. Robert is an award-winning audiobook narrator. SUSAN MONIZ (Helen). Broadway: Grease – Sandy & Rizzo. Regional: Follies – Sally (Chicago Shakespeare Theater); October Sky –Elsie (world premier); Peggy Sue Got Married – Peggy (world premier); Kismet (Joseph Jefferson award); Into the Woods, 9 to 5, Carousel, (Marriott Theatre); The Merry Widow, The Sound Of Music, (Chicago Lyric Opera); Hot Mikado (Ford’s Theatre); Phantom, Chitty- Chitty Bang-Bang (Fulton Theatre); Shadowlands, The Spitfire Grill, (Provision Theatre); Evita, BIG, (Drury Lane Theatre). TV: Chicago PD; Romance, Romance (A&E). KATE SHINDLE (Alison). Broadway: Legally Blonde (Vivienne), Cabaret (Sally Bowles), Wonderland (Hatter), Jekyll & Hyde. Elsewhere: Rapture, Blister, Burn (Catherine), After the Fall (Maggie), Restoration, A Midsummer Night’s Dream, Gypsy, Into the Woods, The Last Five Years, First Lady Suite, The Mousetrap. Film/TV: Lucky Stiff, SVU, White Collar, Gossip Girl, The Stepford Wives, Capote. Kate is a longtime activist, author of Being Miss America: Behind the Rhinestone Curtain and President of Actors’ Equity Association. twitter.com/AEApresident ABBY CORRIGAN (Middle Alison). Stage: Cabaret, A Chorus Line (TCS); Shrek (Blumey award), In The Heights, Peter Pan, Rent (NWSA); Next to Normal (QCTC); Film/TV: Headed South For Christmas (Painted Horse), A Smile As Big As The Moon (Hallmark), Homeland (HBO), Rectify (Sundance), Banshee (Cinemax). -
Viking Voice Weekly Newsletter
Viking Voice Weekly Newsletter Fort Walton Beach High School December 4, 2020 John Spolski, Principal 400 Hollywood Blvd, SW Fort Walton Beach, Florida 32548 (850) 833-3300 **If you no longer wish to receive the newsletter, please send me an email (include your student’s name) and I will remove you from the distribution list. Please read through the entire newsletter; there is an awful lot of information presented this week. Messages from Administration Holiday Checkout Procedures Contact: J. Tucci, B. Craig, or S. Pitman (850-833-3300) The attendance office would like to thank those who send in notes when their student is absent. With so much activity in the attendance office, notes help to create a paper trail to fall back on if there is a discrepancy with absences. Parents, with the holidays quickly approaching, please remember to send notes for absences, late check ins, and early check outs. Please include your student’s legal first and last name, grade, dates of the absence, and dismissal times (if necessary) on the note. If you know in advance that your student will be missing school, it is helpful if you send a note prior to the absence. The week of December 14 through 18, we will be accepting notes or parent in person for checkouts. Phone calls for checkouts will not be permitted. Please do not fax in a request for a student to check out (there is not a fax machine in the attendance office). Also, please do not email Mrs. Craig or Mrs. Pitman with requests to check out. -
2017-Into-The-Woods.Pdf
The Magazine ■ 2 Music and Lyrics by Stephen Sondheim Book by James Lapine Originally Directed on Broadway by James Lapine Original Broadway Production by Heidi Landesman, Rocco Landesman, Rick Steiner, M. Anthony Fisher, Frederic H. Mayerson, Jujamcyn Theatres Originally Produced by the Old Globe Theatre, San Diego, Ca. Originally Directed on Broadway by James Lapine. Licenced exclusively by Music Theatre International (Australasia). All performance materials supplied by Hal Leonard Australia. Program devising and layout: Julia Faragher Program Graphic Design: Zoe O’Leary Cameron StockInDesign ■ 3 FROM THE EXECUTIVE nlivening Stephen Sondheim, whose musicals are full of such lyrical and orchestral dextrosity, in less than ten weeks, we knew would be a phe- Enomenal achievement. However, we knew we had a Director and Mu- sical Director more than capable of exceeding every expectation placed on them in CAT Award winners Spencer Cliff and Katrina Tang. When the full production team, cast and orchestra were announced, I knew we would have an incredible show on our hands because they were full of such fantastically talented and mo- tivated people. IHP is incredibly fortunate to have the amazingly diverse people who make up the society; it is all of your commitment and generosity that make these shows so spectacular and makes the society such a joy to be a part of. I am sincerely grateful to all of you. his is the last performance that will be held in the ANU Arts Centre, and I know the show will be a fitting vale. Becoming involved in the arts at ANU Twas one of the best decisions I have ever made, and this venue carries very fond memories with it for thousands of students. -
2010/11 Tommy Award Recipients
2010/11 Tommy Award Recipients Hall of Fame Award Ben Schrank Outstanding Musical Godspell Baraboo Guys and Dolls Catholic Memorial Hairspray Edgewood Guys and Dolls Evansville The Wedding Singer Janesville Craig Happy Days Janesville Parker Aida Monona Grove Outstanding Musical Scene "It Couldn't Please Me More" Cabaret Madison Memorial "The Telephone Hour" Bye, Bye, Birdie Oconomowoc "It's A Business" Curtains Verona Area High School "Mama Says" Footloose Verona Area Community Theater Outstanding Direction Christopher Andacht Guys and Dolls Catholic Memorial Taras Nahirniak Aida Monona Grove Jim Tropp Happy Days & Into the Woods Janesville Parker Katrina Williams Brunner Hairspray Edgewood Outstanding Ensemble Hairspray Beloit Memorial Fiddler on the Roof Dodgeville Into the Woods Janesville Parker Seussical La Follette Outstanding Musical Direction Jan & Brian Knutson Happy Days & Into the Woods Janesville Parker Lori Nahirniak Aida Monona Grove Robert Schrank & Karla Vriezen The Wedding Singer Janesville Craig Outstanding Orchestra The Boy Friend Monroe Fame Platteville Footloose River Valley Outstanding Choreographer Karl Miller Bye, Bye Birdie Oconomowoc Doug Reed Guys & Dolls Catholic Memorial Outstanding Dancer Bruin Armwald Seaweed Stubbs Hairspray Edgewood Melissa Betters Ensemble Guys and Dolls Catholic Memorial Outstanding Lead Performer Stephanie Ahrens Cinderella Into the Woods Janesville Parker Calum Bedborough Albert Peterson Bye, Bye Birdie Oconomowoc Chase Black Prince/Beast Disney’s Beauty & the Beast Lake Mills Tyler -
Cabaret-Program.Pdf
CABARET Book by Joe Masteroff Based on the play by John Van Druten and Stories by Christopher Isherwood Music by Lyrics by John Kander Fred Ebb Broadway production directed by Harold Prince Produced for the Broadway stage by Harold Prince Directed and Choreographed by Amy K Barnes Music Direction by Brandon R Tanner Stage Manager Heather Rostad Set Design Lighting Design Costume Design Amy K Barnes Mark Wilson Roger Ormiston Jared Alan Barnes Amy K Barnes Sound Design Props Mistress Assistant Stage Managers Philip Harris Ashley Truitt Ashley Truitt Kerri Edwards Danielle Stringfellow CABARET is presented by arrangement with TAMS-WHITMARK www.tamswhitmark.com Funded in part by City of Conroe Arts and Culture Grant DIRECTOR’S NOTE Welcome to Berlin... “Cabaret” is based on a short semi-autobiographical novel by Christopher Isherwood about the time he spent in Berlin between the two world wars. Through his eyes (as the character of Cliff) we see the wild party that is the underbelly of Berlin during 1930. But something dark is stirring in the streets, as Hitler’s rise to power changes everything for the citizens of Germany. In the Kit Kat Klub, we meet Berlin’s forgotten and rejected as they perform for the entertainment of Social Democrats, Communists, and Nazis alike. They are the undesirables of Germany, and they cross with ease the line of “Propriety.” I love this musical because it reminds us that there is a story behind every human we see, judge, and dismiss. There is a beating heart inside each person we deem undesirable. We must never forget what has been done before in the name of the “Future.” Let us choose love and acceptance—always.