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Connect with Your Arts Community 26 Arts & Entertainment Enroll at uclaextension.edu or call (800) 825-9971 Art Art Studio Workshops For information on enrollment, location, and space availability call (800) 825-9971. For information on Art History & Theory course content/prerequisites call (310) 206-1422 or email [email protected]. For information on enrollment, location, and space availability call (310) 825-9971. For information on Enrollment limited in all courses; early enrollment course content call (800) 206-1422 or email advised. Students should have completed all [email protected] prerequisites prior to enrollment. NEW ART X 450.10 ART HIS X 498.66 Abstract Painting Art Since 1980 3.0 units This studio-based course introduces students to 4.0 units abstract painting and expands their ability to enjoy and This course explores global contemporary art since 1980, respond to abstract art. Students improve their color covering the wide range of events, movements and skills and learn techniques for composition and impro- personalities across the past three decades of artistic visation. The course also focuses on creating dynamic production. Lectures are organized thematically around color interaction and compelling pictorial space. Each Connect with subtopics supported by succinct investigations and dis- project addresses these themes in different ways using cussions of representative groups of artists. The class an open strategy for starting the painting and a process includes weekly slide lectures, field trips to local exhibi- of working through formal challenges. Students can tions and student presentations on research topics. work with oil or acrylic paint on canvases or panels. Your Arts Community! Reg# 352137 Instruction includes brief demonstrations, studio proj- Fee: $675 ects, one-on-one discussion, and group critiques. ❖❖ Classroom Students should expect to complete at least three works There are many ways to build relationships with your fellow students, 12 mtgs during the course. Lectures also touch on formalism in Wednesday, 7-10pm, April 5-June 21 relationship to representational art and the impact of instructors, advisors, and future collaborators. Join in the conversation online 1010 Westwood Center: 1010 Westwood Blvd. form on content. No refund after April 11. and stay connected! Prerequisite(s): X 5C Beginning Oil Painting or X 5D Jennifer Doublet, MArch, Southern California Institute Beginning Acrylic Painting, or equivalent experience. of Architecture, Certificate in Fine and Decorative Art Facebook: Twitter: History, Christie’s Fine Arts Course in London, BA in Art Reg# 352773 Facebook.com/UCLAxVisual Twitter.com/UCLAxVisual History, Stanford University. Ms. Doublet is a practicing Fee: $645 design professional in Los Angeles who has been ❖❖ Classroom Website: published in Architecture magazine and The Architect’s 10 mtgs Newspaper. Tuesday, 7-10pm, April 4-June 6 Visual.uclaextension.edu Above: Students in Exploring Street Art visit Christina Angelina’s 1010 Westwood Center: 1010 Westwood Blvd. studio. Photo by instructor Lizy Dastin. NEW Estimated supplies cost is $100. No refund after April 11. ART HIS 876.54 And remember, you can always call or email us at (310) 206-1422 Los Angeles, New York and Beyond: Nick Brown, MFA, School of the Art Institute of Chi- and [email protected]. cago, former professor, Pratt Institute; Exhibitions The Dwan Gallery and its Impact include Museum of Contemporary Art, Chicago, and The 0.8 ceus Drawing Center, NYC. Founded in Westwood in 1959, Virginia Dwan’s gallery introduced Angelenos to cutting edge art, presenting ART X 5A groundbreaking exhibitions by abstract expressionists, Basic Drawing I neo-dadaists, pop artists and nouveau realistes. In 2.0 units 1965, Dwan established a second space in New York A beginning course in drawing designed to develop and where she pioneered a series of influential movements expand one’s observational abilities and rendering skills. from minimalism to conceptual art to land art. This Students learn methods for sensitively describing class will take as its point of focus the exhibition, New objects in terms of line, shape, volume, cross-contour, York to Los Angeles: Dwan Gallery, 1959-1971, which proportion, light logic, perspective, and compositional will be presented at the LACMA, March 19-September space. Each class focuses on a particular formal con- 10. Classroom lectures and a museum visit will be cept and its function in drawing. Students begin with devoted to examining the art movements and artists line drawings and conclude with fully modeled, tonal, Dwan supported. Due to the nature of her artistic volumetric, still-life drawings. Also covered are funda- sponsorship, the class will offer a quasi-survey of art mentals of pictorial space structure, aesthetics, content, historical tendencies from the late-fifties to the early and draftsmanship using still life and natural forms. seventies. The Dwan Gallery was essentially a “boy’s Includes work with pencil, pen, and charcoal. c club,” few female artists making their way onto its roster during the dozen years of its existence. The gal- Reg# 352820 lery’s program will be reconsidered from the vantage Fee: $645 point of today, so that contributions by women artists ❖❖ Classroom Beginning Painting: 10 mtgs to the art of this period will be acknowledged. So too will Virginia Dwan’s status as one of several women art Monday, 7-10pm, April 3-May 22 dealers who had considerable influence on the art world 1010 Westwood Center: 1010 Westwood Blvd. of the time. Monday, 7-10pm, June 5-12 1010 Westwood Center: 1010 Westwood Blvd. Figure Reg# 352355 Estimated supplies cost is $75. Fee: $200 No refund after April 10. ❖❖ Classroom Paul Arden, MFA, UCLA; art instructor for more than 4 mtgs 15 years whose work has been exhibited at Bedlam Working from a live model each session, this course focuses on the Wednesday, 6-8pm, May 31-June 14 Gallery, La-La Land, and La Luz de Jesus. Mr. Arden’s 1010 Westwood Center: 1010 Westwood Blvd. fundamentals of figure painting: finding movement, form, proportions, and paintings were featured in the Focus Features film, The Saturday, 11am-1pm, June 24 Shape of Things, and he was a supporting co-author of the anatomy of the figure and imbuing it with liveliness, light, and atmosphere. LACMA: 5905 Wilshire Blvd. The Odyssey of Jan Stussy in Black and White, written No refund after May 31. by UCLA art history professor Albert Boime. The course begins with quick Transferrable for unit credit toward Roni Feinstein, PhD, Institute of Fine Arts, New York painting sketches and progressively the bachelor’s degree at all campuses University kkk moves on to more challenging of the University of California. exercises with longer alla prima Page 27. poses, culminating in a multi-session pose for a finished painting. Above: Painting by instructor Tom Garner. Enroll at uclaextension.edu or call (800) 825-9971 Arts & Entertainment 27 Reg# 352822 ART X 429 Fee: $645 Calligraphy ❖❖ Classroom 4.0 units 10 mtgs Calligraphy, the ancient art of hand-lettering, is a Thursday, 2:30-5:30pm, April 6-June 8 powerful creative tool in both communication arts 1010 Westwood Center: 1010 Westwood Blvd. (corporate logos, personal greetings, certificates, and Estimated supplies cost is $75. invitations) and graphic arts (advertising and print). This No refund after April 13. course is designed to give students mastery of calli- Stephanie Pryor, MFA, UCLA; artist who has exhibited graphic tools. Students complete hands-on assign- extensively in solo and group shows in Los Angeles, ments and creative lettering projects as they move from New York, and Europe. classic styles to more modern forms. Alphabets taught vary by quarter. Check Section Notes for details. ART X 5D Reg# 352397 Beginning Painting: Acrylics Fee: $645 2.0 units ❖❖ Classroom An introductory course in painting with acrylic: a fast- 12 mtgs drying, permanent, and clean water-based medium that Thursday, 7-10pm, April 6-June 22 permits easy correction and change. The medium 1010 Westwood Center: 1010 Westwood Blvd. integrates easily with drawing and can be worked The Dancin’ Pen alphabet is a twist on the Italic transparently or opaquely. Students develop skills in this calligraphy font. The course will begin with an in- medium by painting from still life, natural forms, and depth study of the formal Italic alphabet. We will abstract exploration. Ideally suited to the beginner, analyze each component of the alphabet and stretch students are encouraged to develop individual direc- each part to its limit to create new, expressive alpha- tions in style and expression. c bets. This class will give students an understanding of Prerequisite(s): X 5A Basic Drawing I or equivalent the tools of calligraphy (pens, paper, watercolor, experience. gouache and acrylic) as well as how hand lettering Reg# 352786 can be used to convey emotion. It will open doors for Calligraphy: Dancin’ Pen Fee: $645 you to morph your Italic alphabet into an unlimited ❖❖ Classroom number of new forms. 10 mtgs No refund after April 13. Wednesday, 7-10pm, April 5-June 7 Carrie Imai, President, Society for Calligraphy, Southern Hand-lettering should serve to convey emotion; this course will give you the 1010 Westwood Center: 1010 Westwood Blvd. California; freelance calligrapher and designer. tools to write with expressive and emotional letterforms. It will open doors for Estimated supplies cost is $50. ART X 428.51 you to morph your Italic alphabet into an unlimited number of new forms, and No refund after April 12. c Josh Mannis, MFA, School of the Art Institute of Chi- Experimental Drawing will free you from the “rules” of calligraphy you may already be familiar with. cago. Mr. Mannis’s work has been featured in The 2.0 units Mattress Factory Museum of Contemporary Art, Pitts- This course will revisit foundational techniques that will So come step out of the box and express yourself! burgh; Museum of Contemporary Art, Chicago; Museum be familiar from introductory drawing courses (observa- of Contemporary Art, North Miami; Musée d’art Contem- tion, mark making, composition, value) but will use Page 27.
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