26 Arts & Entertainment Enroll at uclaextension.edu or call (800) 825-9971

Art Art Studio Workshops For information on enrollment, location, and space availability call (800) 825-9971. For information on Art History & Theory course content/prerequisites call (310) 206-1422 or email [email protected]. For information on enrollment, location, and space availability call (310) 825-9971. For information on Enrollment limited in all courses; early enrollment course content call (800) 206-1422 or email advised. Students should have completed all [email protected] prerequisites prior to enrollment.

NEW ART X 450.10 ART HIS X 498.66 Abstract Painting Art Since 1980 3.0 units This studio-based course introduces students to 4.0 units abstract painting and expands their ability to enjoy and This course explores global contemporary art since 1980, respond to abstract art. Students improve their color covering the wide range of events, movements and skills and learn techniques for composition and impro- personalities across the past three decades of artistic visation. The course also focuses on creating dynamic production. Lectures are organized thematically around color interaction and compelling pictorial space. Each Connect with subtopics supported by succinct investigations and dis- project addresses these themes in different ways using cussions of representative groups of artists. The class an open strategy for starting the painting and a process includes weekly slide lectures, field trips to local exhibi- of working through formal challenges. Students can tions and student presentations on research topics. work with oil or acrylic paint on canvases or panels. Your Arts Community! Reg# 352137 Instruction includes brief demonstrations, studio proj- Fee: $675 ects, one-on-one discussion, and group critiques. ❖❖ Classroom Students should expect to complete at least three works There are many ways to build relationships with your fellow students, 12 mtgs during the course. Lectures also touch on formalism in Wednesday, 7-10pm, April 5-June 21 relationship to representational art and the impact of instructors, advisors, and future collaborators. Join in the conversation online 1010 Westwood Center: 1010 Westwood Blvd. form on content. No refund after April 11. and stay connected! Prerequisite(s): X 5C Beginning Oil Painting or X 5D Jennifer Doublet, MArch, Southern California Institute Beginning Acrylic Painting, or equivalent experience. of Architecture, Certificate in Fine and Decorative Art Facebook: Twitter: History, Christie’s Fine Arts Course in London, BA in Art Reg# 352773 Facebook.com/UCLAxVisual Twitter.com/UCLAxVisual History, Stanford University. Ms. Doublet is a practicing Fee: $645 design professional in Los Angeles who has been ❖❖ Classroom Website: published in Architecture magazine and The Architect’s 10 mtgs Newspaper. Tuesday, 7-10pm, April 4-June 6 Visual.uclaextension.edu Above: Students in Exploring Street Art visit Christina Angelina’s 1010 Westwood Center: 1010 Westwood Blvd. studio. Photo by instructor Lizy Dastin. NEW Estimated supplies cost is $100. No refund after April 11. ART HIS 876.54 And remember, you can always call or email us at (310) 206-1422 Los Angeles, New York and Beyond: Nick Brown, MFA, School of the Art Institute of Chi- and [email protected]. cago, former professor, Pratt Institute; Exhibitions The Dwan Gallery and its Impact include Museum of Contemporary Art, Chicago, and The 0.8 ceus Drawing Center, NYC. Founded in Westwood in 1959, Virginia Dwan’s gallery introduced Angelenos to cutting edge art, presenting ART X 5A groundbreaking exhibitions by abstract expressionists, Basic Drawing I neo-dadaists, pop artists and nouveau realistes. In 2.0 units 1965, Dwan established a second space in New York A beginning course in drawing designed to develop and where she pioneered a series of influential movements expand one’s observational abilities and rendering skills. from minimalism to conceptual art to land art. This Students learn methods for sensitively describing class will take as its point of focus the exhibition, New objects in terms of line, shape, volume, cross-contour, York to Los Angeles: Dwan Gallery, 1959-1971, which proportion, light logic, perspective, and compositional will be presented at the LACMA, March 19-September space. Each class focuses on a particular formal con- 10. Classroom lectures and a museum visit will be cept and its function in drawing. Students begin with devoted to examining the art movements and artists line drawings and conclude with fully modeled, tonal, Dwan supported. Due to the nature of her artistic volumetric, still-life drawings. Also covered are funda- sponsorship, the class will offer a quasi-survey of art mentals of pictorial space structure, aesthetics, content, historical tendencies from the late-fifties to the early and draftsmanship using still life and natural forms. seventies. The Dwan Gallery was essentially a “boy’s Includes work with pencil, pen, and charcoal. c club,” few female artists making their way onto its roster during the dozen years of its existence. The gal- Reg# 352820 lery’s program will be reconsidered from the vantage Fee: $645 point of today, so that contributions by women artists ❖❖ Classroom Beginning Painting: 10 mtgs to the art of this period will be acknowledged. So too will Virginia Dwan’s status as one of several women art Monday, 7-10pm, April 3-May 22 dealers who had considerable influence on the art world 1010 Westwood Center: 1010 Westwood Blvd. of the time. Monday, 7-10pm, June 5-12 1010 Westwood Center: 1010 Westwood Blvd. Figure Reg# 352355 Estimated supplies cost is $75. Fee: $200 No refund after April 10. ❖❖ Classroom Paul Arden, MFA, UCLA; art instructor for more than 4 mtgs 15 years whose work has been exhibited at Bedlam Working from a live model each session, this course focuses on the Wednesday, 6-8pm, May 31-June 14 Gallery, La-La Land, and La Luz de Jesus. Mr. Arden’s 1010 Westwood Center: 1010 Westwood Blvd. fundamentals of figure painting: finding movement, form, proportions, and paintings were featured in the Focus Features film, The Saturday, 11am-1pm, June 24 Shape of Things, and he was a supporting co-author of the anatomy of the figure and imbuing it with liveliness, light, and atmosphere. LACMA: 5905 Wilshire Blvd. The Odyssey of Jan Stussy in Black and White, written No refund after May 31. by UCLA art history professor Albert Boime. The course begins with quick Transferrable for unit credit toward Roni Feinstein, PhD, Institute of Fine Arts, New York painting sketches and progressively the bachelor’s degree at all campuses University kkk moves on to more challenging of the University of California. exercises with longer alla prima Page 27. poses, culminating in a multi-session pose for a finished painting. Above: Painting by instructor Tom Garner. Enroll at uclaextension.edu or call (800) 825-9971 Arts & Entertainment 27

Reg# 352822 ART X 429 Fee: $645 Calligraphy ❖❖ Classroom 4.0 units 10 mtgs Calligraphy, the ancient art of hand-lettering, is a Thursday, 2:30-5:30pm, April 6-June 8 powerful creative tool in both communication arts 1010 Westwood Center: 1010 Westwood Blvd. (corporate logos, personal greetings, certificates, and Estimated supplies cost is $75. invitations) and graphic arts (advertising and print). This No refund after April 13. course is designed to give students mastery of calli- Stephanie Pryor, MFA, UCLA; artist who has exhibited graphic tools. Students complete hands-on assign- extensively in solo and group shows in Los Angeles, ments and creative lettering projects as they move from New York, and Europe. classic styles to more modern forms. Alphabets taught vary by quarter. Check Section Notes for details. ART X 5D Reg# 352397 Beginning Painting: Acrylics Fee: $645 2.0 units ❖❖ Classroom An introductory course in painting with acrylic: a fast- 12 mtgs drying, permanent, and clean water-based medium that Thursday, 7-10pm, April 6-June 22 permits easy correction and change. The medium 1010 Westwood Center: 1010 Westwood Blvd. integrates easily with drawing and can be worked The Dancin’ Pen alphabet is a twist on the Italic transparently or opaquely. Students develop skills in this calligraphy font. The course will begin with an in- medium by painting from still life, natural forms, and depth study of the formal Italic alphabet. We will abstract exploration. Ideally suited to the beginner, analyze each component of the alphabet and stretch students are encouraged to develop individual direc- each part to its limit to create new, expressive alpha- tions in style and expression. c bets. This class will give students an understanding of Prerequisite(s): X 5A Basic Drawing I or equivalent the tools of calligraphy (pens, paper, watercolor, experience. gouache and acrylic) as well as how hand lettering Reg# 352786 can be used to convey emotion. It will open doors for Calligraphy: Dancin’ Pen Fee: $645 you to morph your Italic alphabet into an unlimited ❖❖ Classroom number of new forms. 10 mtgs No refund after April 13. Wednesday, 7-10pm, April 5-June 7 Carrie Imai, President, Society for Calligraphy, Southern Hand-lettering should serve to convey emotion; this course will give you the 1010 Westwood Center: 1010 Westwood Blvd. California; freelance calligrapher and designer. tools to write with expressive and emotional letterforms. It will open doors for Estimated supplies cost is $50. ART X 428.51 you to morph your Italic alphabet into an unlimited number of new forms, and No refund after April 12. c Josh Mannis, MFA, School of the Art Institute of Chi- Experimental Drawing will free you from the “rules” of calligraphy you may already be familiar with. cago. Mr. Mannis’s work has been featured in The 2.0 units Mattress Factory Museum of Contemporary Art, Pitts- This course will revisit foundational techniques that will So come step out of the box and express yourself! burgh; Museum of Contemporary Art, Chicago; Museum be familiar from introductory drawing courses (observa- of Contemporary Art, North Miami; Musée d’art Contem- tion, mark making, composition, value) but will use Page 27. porain de Montréal, Québec; Tate Modern, London; and them as a springboard for moving beyond tradition, in solo and group exhibitions at contemporary art gal- norms, and habits. Projects will explore a range of leries in Chicago, New York, Los Angeles, Philadelphia, techniques pulled from the history of modern art and Above: Example of Dancin’ Pen alphabet by instructor Carrie Imai Portland, Boston, Mexico City, Vancouver, and Berlin. contemporary art, including automatism, collage, con- ceptualism, and the use of non-traditional materials. ART X 15 Above all, this course investigates the relationship of Reg# 352817 Dale Hernsdorf, designer who creates hand-wrought Beginning Painting: Figure concept to method, intention to improvisation, and rigor Fee: $645 jewelry using gold and fine gemstones. Her work 2.0 units to artistic freedom. ❖❖ Classroom emphasizes hand-fabrication as opposed to casting, This course is for students who have taken a figure Prerequisite(s): X 5A Basic Drawing I or equivalent 10 mtgs yielding unique and individualized pieces. drawing and beginning painting class (acrylics or oils). experience. Thursday, 7-10pm, April 6-June 8 It focuses on the fundamentals of figure painting: finding Reg# 352794 1010 Westwood Center: 1010 Westwood Blvd. ART 803.81 movement, form, proportions, and the anatomy of the Fee: $425 Materials list sent via email prior to first class. Ikebana figure and imbuing it with the liveliness, light and atmo- ❖❖ Classroom Estimated supplies cost is $50. 0.8 ceus sphere that only painting can give. Instruction covers the 6 mtgs No refund after April 13. Ikebana expresses the beauty and elegance of nature use of monochrome, grisaille and full color palettes, and Monday, 7-10pm, April 17-May 22 Stephanie Pryor, MFA, UCLA; artist who has exhibited through a transformation of plant materials into a work the relative color mixing and brushing techniques. Work- UCLA Extension DTLA: 261 S. Figueroa St. extensively in solo and group shows in Los Angeles, of art. In Japan, ikebana–or flower arranging–has been ing directly from models, the course begins with quick Internet access required to retrieve course materials. New York, and Europe. perfected and elevated to an art form. Its beauty dazzles painting sketches and progressively moves on to more No refund after April 24. shoppers in giant displays in the store windows of challenging exercises with longer alla prima poses and Josh Mannis, MFA, School of the Art Institute of Chi- ART X 440.43 Tokyo, and graces temples and shrines. Ikebana is culminating in a multi-session pose for a finished paint- cago. Mr. Mannis’s work has been featured in The Handmade Jewelry I practiced by millions of people as an entrance to a rich ing. The instructor will encourage students to develop Mattress Factory Museum of Contemporary Art, Pitts- 4.0 units and creative world. Using fresh or dried branches, c their own expressive interests. burgh; Museum of Contemporary Art, Chicago; Museum Beginning-level students will learn basic fabrication and leaves, and flowers, students create new and differently Reg# 352791 of Contemporary Art, North Miami; Musée d’art Con- stone setting techniques, including fundamentals of styled arrangements each week. The first week features Fee: $685 temporain de Montréal, Québec; Tate Modern, London; metal forming (milling, sawing shapes, drilling, filing, a demonstration by the instructor, a video, and informa- ❖❖ Classroom and in solo and group exhibitions at contemporary art wire-pulling, and tube-forming), soldering, prong-setting tion on supplies and materials to bring to future classes. 10 mtgs galleries in Chicago, New York, Los Angeles, Philadel- of faceted stones, bezel-setting of cabochon stones, Reg# 352350 Monday, 7-10pm, April 3-May 22 phia, Portland, Boston, Mexico City, Vancouver, and and finishing. A series of projects, worked in fine silver, Fee: $195 1010 Westwood Center: 1010 Westwood Blvd. Berlin. are designed to provide the foundational skills of hand ❖❖ Classroom Monday, 7-10pm, June 5-12 fabrication without the use of wax or special casting 4 mtgs 1010 Westwood Center: 1010 Westwood Blvd. ART X 426.8 procedures. Projects include the creation of a cut-out Saturday, 9am-12pm, June 3-24 No refund after April 10. Pastel Drawing pendant, a spider web pendant, a prong-set ring, and Extension Lindbrook Center: 10920 Lindbrook Dr. Thomas Garner, artist, illustrator, and graphic designer 3.0 units a bezel-set ring. Students must purchase textbook for $50 at first class. who studied at UCSD and the Academy of Fine Arts in This versatile medium, used by such artists as Degas, Reg# 352768 Estimated additional supplies cost is $75-$100. Venice, Italy where he lived and worked for 24 years. Cassatt, and de Kooning, combines the expressive Fee: $650 No refund after June 9. sensibilities of drawing and painting using both hard ❖❖ Classroom Kyoko Kassarjian, internationally recognized ikebana and soft pastel. Form and composition are developed 12 mtgs artist who has been granted the highest degree, RIJI, through experimenting with layering pigment on the Tuesday, 6:30-9:30pm, April 4-June 20 by the Sogetsu School of Ikebana in Japan; recipient, paper, blending, and building color using strokes and 1010 Westwood Center: 1010 Westwood Blvd. UCLA Extension Distinguished Instructor Award, 2007. cross-hatching techniques which are unique to the Estimated cost for tools is $300; cost of metals is Ms. Kassarjian and her ikebana displays have been medium of pastel. Students learn color theory concepts extra and varies with each project. Materials list dis- featured in numerous newspapers and publications. through a variety of subjects, such as a still life of their cussed during first meeting; no materials required at choice, drawing from photographs, imagination, and first meeting. self-portraits. Beginning to advanced students are No refund after April 11. welcome; advanced students are guided to develop c independent work. kkk 28 Arts & Entertainment Enroll at uclaextension.edu or call (800) 825-9971

DESMA X 479.2A Drawing for Communication 4.0 units Sketching on Develop drawing skills for successful communication in design. Topics include thumbnails, quick sketches, Location in Cuba drawing from reference, drawing from memory, render- ing techniques, and media options. Capture the beauty and magic that Reg# 352920 Havana has to offer. Richard Scott, Fee: $780 landscape architect, artist, author, mmOnline April 4-June 20 and UCLA Extension’s Sketching Fee does not include the cost of art supplies. on Location Instructor, will take Did You Know? Enrollment limited. No refund after April 10. students on historic sketching Todd Smith, MFA, fine artist and concept illustrator tours of Old Town, Havana, and working in film and television whose specialties include Arts Courses Can Serve as DCA Electives drawing, painting, environment design, and matte paint- other unique locations. ing. His client list includes Sears; Hewlett Packard; Milk; Page 24. Boost Mobile; and various Hollywood directors and Many studio arts and photography courses can be taken as electives toward the Design production designers. For more information please contact: Communication Arts Certificate with approval. [email protected] | DESMA X 479.4A Typography (310) 825-9414 4.0 units Above: Students at It’s Your Show, an annual art show featuring UCLA Extension student work. This hands-on course covers the fundamentals of type, its characteristics, vocabulary, and nomenclature as well as creative uses of type and how it is integrated in To learn more about applying arts courses to the DCA Certificate, successful design. call (310) 206-1422. Prerequisite(s): X 479.6A Design Fundamentals and X 481.997 InDesign. ART X 435.1 restaurants; EBSCO Publishing; Westfield Shopping Reg# 352943 Design, Web Centers; Honda Corporation; SEGA; Harmon Kardon; Fee: $755 Printmaking and Design ❖❖ 4.0 units BMW; Brookstone; PricewaterhouseCoopers; and Classroom This course provides an introduction to printmaking & UX Design Adventist Hospitals. Recipient, UCLA Extension Distin- 12 mtgs Tuesday, 7-10pm, April 4-June 20 technique and basic design. Students will explore the guished Instructor Award, 2010. 1010 Westwood Center: 1010 Westwood Blvd. world of printmaking through monotypes, transfers, lino- Reg# 352946 No refund after April 11. cut, and silkscreen, creating unique prints and one Design Communication Arts Fee: $780 edition of prints. The course will also touch on the history mmOnline Stephanie Sabo, BA, Ashland University; MFA, (Writing For information on course content, prerequisites, and Art), California Institute of the Arts. Ms. Sabo’s of printmaking and artists who use these techniques. April 5-June 21 or advisement, email [email protected], visit diverse background in the arts, design, theory, and Fee does not include cost of art supplies. Reg# 353258 uclaextension.edu/dca, or call (310) 206-1422. social critique has led her to over a decade of teaching Enrollment limited. Fee: $750 experience in several disciplines, including fashion and Core Design Concepts No refund after April 11. ❖❖ Classroom graphic design. She continues her own practice as a 12 mtgs The seven Core Design Concepts courses are designed Michelle Constantine, BFA, Art Center College of contemporary artist and writer and presents her Wednesday, 7-10pm, April 5-June 21 for those pursuing the Design Communication Arts Design; artist who works primarily in fabric, printmak- research at academic conferences. 1010 Westwood Center: 1010 Westwood Blvd. ing, and collage with the integration of digital tools. Ms. Certificate. These courses are also open to non-certif- Reg# 352939 All materials are included in course fee, and will be Constantine has shown in galleries throughout Califor- icate students. Fee: $780 provided during first meeting. nia, New York, and London. She is the recipient of the mmOnline Enrollment limited. In addition to these seven courses, students pursuing UCLA Extension Outstanding Instructor Award, 2015. the Design Communication Arts Certificate must com- April 4-June 20 No refund after April 12. Reg# 352948 plete the Print and Graphic Communication Design Tool Enrollment limited. No refund after April 10. Michelle Constantine, BFA, Art Center College of Fee: $755 Kit plus five electives. Deane Swick, MFA, graphic designer and artist Design; artist who works primarily in fabric, printmak- ❖❖ Classroom ing, and collage with the integration of digital tools. Ms. Required Courses: 12 mtgs DESMA X 479.6E Constantine has shown in galleries throughout Califor- X 479.6A Design Fundamentals (4 units) Thursday, 7-10pm, April 6-June 22 Design II: Collateral Communication nia, New York, and London. She is the recipient of the X 482.1D Color Methodologies (4 units) 1010 Westwood Center: 1010 Westwood Blvd. 4.0 units UCLA Extension Outstanding Instructor Award, 2015. X 479.4A Typography (4 units) Fee does not include cost of art supplies. This course introduces students to strategies in design X 479.6E Design II: Collateral Communication Enrollment limited. communication and covers utility of systems, programs, ART 855.51 (4 units) No refund after April 13. campaigns, and design families. Visual presentation and X 479.2D Design III: Branding (4 units) Watercolor Workshop Harsh Patel, L.A.-based graphic designer and creative concept development are emphasized. 1.8 ceus X 479.3D Design History and Context (4 units) director who has worked for a diverse range of collabo- Designed for beginners, this course introduces the tech- X 479.6P Design IV: Advanced Design Practice rators, including MTV, Adidas, and MOCA. Prerequisite(s): X 479.6A Design Fundamentals, niques, materials, and vocabulary of watercolor painting. (4 units) X 481.99Z InDesign, and X 479.4A Typography. Projects include painting from still life, and exploring the DESMA X 482.10 Reg# 352955 fundamentals of shape, line, and color. Students learn DESMA X 479.6A Color Methodologies Fee: $780 about watercolor papers, brushes, and pigments, as well Design Fundamentals 4.0 units mmOnline as practice basic wash techniques. Students will also 4.0 units This course covers theories and practical applications April 4-June 20 experience plein air landscape painting. This is a hands-on introduction to the creative process to understand the makeup of color and how best to use No refund after April 10. Reg# 353307 and core elements of graphic design, for a variety of it. Areas covered include general color theory and Shirin Raban, MA, USC Center for Visual Anthropology; Fee: $250 outputs, including print and electronic media. Topics psychology, effective color creation, perception, man- brand identity designer and ethnographic filmmaker. Ms. ❖❖ Classroom include research, typography, imagery, and concept agement, color language, digital issues, additive and Raban created integrated lifestyle brands for clients such 2 mtgs development. Projects are progressive and critiqued. subtractive systems, and color output. as Mattel; Korbel Champagne; Lake Sonoma Winery; Sadaf Mediterranean Food; Okami Asian Foods; Seren- Saturday, 10am-4pm, April 22-29 Reg# 352949 Reg# 353061 geti Tea Company; and The Daily Shake. She directed Extension Woodland Hills: 21650 Oxnard Street Fee: $755 Fee: $780 and edited the promotional film, The Making of a Teach- Estimate supplies cost is $50. Supplies list sent via ❖❖ Classroom mm Online ing Artist, for UCLA Art and Architecture. Recipient, UCLA e-mail prior to first meeting. 12 mtgs April 4-June 20 Extension Outstanding Instructor Award, 2010. No refund after April 21. Monday, 7-10pm, April 3-June 19 Fee does not include the cost of art supplies. Paul Arden, for credits see page 26. Saturday, 10am-1pm, June 24 Enrollment limited. DESMA X 479.2D 1010 Westwood Center: 1010 Westwood Blvd. No refund after April 10. Design III: Branding No meeting May 29. Todd Smith, MFA, fine artist and concept illustrator Fee does not include cost of art supplies. 4.0 units working in film and television whose specialties include Learn to develop memorable identity systems using Enrollment limited. drawing, painting, environment design, and matte paint- symbols, icons, logos, and comprehensive environ- No refund after April 10. ing. His client list includes Sears; Hewlett Packard; Milk; ments to define and reinforce personality, tone, and Henry Mateo, freelance design consultant in several Boost Mobile; and various Hollywood directors and voice. The goal is to create meaningful, dynamic rela- design disciplines, including graphics, industrial, and production designers. tionships with the customer. interiors. He has worked with such design Prerequisite(s): X 479.6A Design Fundamentals; firms as RKS, Splane Design Associates, Melvin Best & X 479.4A Typography; and X 479.6E Design II; profi- Associates, DesignworksUSA, Rimco, and Beynon ciency with Photoshop, Illustrator, and InDesign. & Company. His clients have included Chevys kkk Enroll at uclaextension.edu or call (800) 825-9971 Arts & Entertainment 29

Reg# 352922 Grace Magnus, graphic designer whose clients include Fee: $755 marketing agencies, small businesses, and artists. She ❖❖ Classroom holds a particular interest in the intersection of art and Design Communication 10 mtgs technology, exploring the merge of hand crafting with Monday, 6:30-10pm, April 17-June 19 digital tools in her work and design practice. Saturday, 10am-1pm, May 27 Reg# 352962 1010 Westwood Center: 1010 Westwood Blvd. Fee: $780 No meeting May 29. mmOnline Arts Certificate Enrollment limited. April 5-June 21 No refund after April 24. Enrollment limited. Pash, vice president of Brand and Creative Manage- No refund after April 11. Earn a Certificate in Our Customizable Program ment, ABC. Pash has designed the official logo for Miles Kenneth Wischmeyer, MA in Instructional Technologies, Davis, brand extensions for Playboy, products for John San Francisco State University; Adobe Certified Expert. for Career-Minded Graphic Designers Varvatos, retail product strategy for Motown Records, Reg# 352963 and advertising for Perrier. His book, Inspirability, fea- Fee: $1,125 tures interviews with 40 prominent graphic designers. ❖❖ Classroom This 16-course certificate is ideal for 10 mtgs DESMA X 479.6P those who want to pursue a career Thursday, 2-5:30pm, April 13-June 15 in graphic design. DCA courses are Design IV: Advanced Design Practice 1010 Westwood Center: 1010 Westwood Blvd. 4.0 units Held in an iMac lab. open to all students;­ certificate In this thesis-oriented capstone course, Design Com- Enrollment limited. candidacy is not required. munication Arts students put all they’ve learned into No refund after April 20. action to tackle real world design projects in the civic Hakon Engvig, BA in design with two advanced design realm. Public presentation, collaboration, observation, certificates from UCLA Extension. A native-born Norwe- DCA Curriculum research, and problem solving skills are emphasized. gian, Engvig’s domestic and international clients include 11 Required Courses Prerequisite(s): All Core Design Concepts and Print and UCLA Medical Center, Macy Gray, Lifehouse, the Graphic Communication Tool Kit courses, or departmen- Together Project (India), and OTE Historical Restoration Core Design Concepts Design by recent DCA graduate Michelle Quach tal approval. Committee (Norway). Reg# 352956 Reg# 352960 Design Fundamentals Fee: $780 Fee: $780 Software Requirements mmOnline ❖❖ Classroom Color Methodologies April 4-June 20 10 mtgs Typography Students must have access to the No refund after April 10. Thursday, 6:30-10pm, April 13-June 15 current version of Adobe Creative Suite. Anya Farquhar, BFA, Art Center College of Design; former 1010 Westwood Center: 1010 Westwood Blvd. Design II: Collateral Communication creative director, TOMS. Ms. Farquhar is experienced in Held in a regular classroom with student-provided Certificate students receive a substantial building brands from initial vision to final creative product, laptops. Design III: Branding discount on software at the UCLA with a specialization in storytelling and social impact. Enrollment limited. Student Store. Lab hours are not No refund after April 20. Design History and Context available. DESMA X 479.3D Hakon Engvig, BA in design with two advanced design Design IV: Advanced Design Practice Design History and Context certificates from UCLA Extension. A native-born Norwe- Candidacy Benefits 4.0 units gian, Engvig’s domestic and international clients include Page 28. Gain a broad understanding of design and its dynamic past UCLA Medical Center, Macy Gray, Lifehouse, the to discover inspiration for the present. Survey the history of Together Project (India), and OTE Historical Restoration Students who enroll in the 16-course visual communication, design’s sociopolitical and cultural Committee (Norway). Print and Graphic certificate pay a $250 candidacy fee and contexts, and the artistic and technological characteristics receive the following: of various movements. Students create portfolio pieces Communication Tool Kit DESMA X 481.47 Priority on wait list for full courses inspired by the designers and movements studied. Illustrator I Drawing for Communication • Prerequisite(s): X 479.6A Design Fundamentals, 4.0 units • Admittance to AIGA student group events X 481.992 InDesign, and X 479.4A Typography. Discover how this vector-based drawing program Photoshop I UCLA BruinCard for just $10 (good for Reg# 352923 integrates into the suite of design tools. Features pre- • Fee: $755 sented include templates, drawing paths, auto-tracing, Illustrator I campus discounts and more) ❖❖ Classroom blending features, gradient meshes, wrapping type, InDesign 12 mtgs exporting, shape and pen tools, and more. Portfolio Review Wednesday, 7-10pm, April 5-June 21 Reg# 353036 Pages 28 & 29. 1010 Westwood Center: 1010 Westwood Blvd. Fee: $1,125 After completing coursework, students Enrollment limited. ❖❖ Classroom must pass a final portfolio review. No refund after April 12. 12 mtgs 5 Electives Shirin Raban, MA, USC Center for Visual Anthropology; Monday, 3-6pm, April 3-June 19 Students choose 5 electives from courses Advisement brand identity designer and ethnographic filmmaker. 1010 Westwood Center: 1010 Westwood Blvd. in web, interaction design, print, and Ms. Raban created integrated lifestyle brands for clients Saturday, 10am-1pm, June 24 To schedule time with an advisor photography, as well as advanced design such as Mattel; Korbel Champagne; Lake Sonoma No meeting May 29 call (310) 206-1422 or email Winery; Sadaf Mediterranean Food; Okami Asian Foods; Held in a Mac lab. electives in studio arts and specialty areas [email protected] Serengeti Tea Company; and The Daily Shake. She Enrollment limited. of design. Mentorships­ also earn elective­ directed and edited the promotional film, The Making Visitors not permitted. credit. We recommend students­ choose of a Teaching Artist, for UCLA Art and Architecture. No refund after April 10. c electives that build portfolios,­ as well as Facebook: Recipient, UCLA Extension Outstanding Instructor Salvatore Leonardi, BArch Polytechnic of Milan, Italy and facebook.com/UCLAxVisual Award, 2010. MArch Polytechnic of Turin, Italy, graduate of the UCLA software skills. Extension Interior Design Program. Mr. Leonardi heads his Twitter: DESMA X 481.11 own independent practice as a licensed architect with Course of Study Photoshop I more than 15 years of experience specializing in interior @UCLAxVisual 4.0 units architecture, surface materials, historic conservation Students have the option of taking Learn to create, manipulate, and combine digital images. projects, as well as commercial and industrial design. Website: courses entirely online, in the classroom, visual.uclaextension.edu Develop a working knowledge of Photoshop’s features; Reg# 353034 or both for added flexibility.­ Consult our use the program in 2D print, interactive, and web appli- Fee: $780 cations; and learn importing and exporting features. mmOnline Course Planning Guide on page 30. Reg# 352966 April 5-June 21 Fee: $780 Enrollment limited. No refund after April 11. ❖❖ Classroom Lauren Cullen, graphic designer for UCLA’s Mobile Web 12 mtgs Strategy group, where she designs mobile apps and Tuesday, 7-10pm, April 4-June 20 responsive websites for UCLA’s academic and research Extension Woodland Hills: 21650 Oxnard Street communities. An illustrator and fine artist, she creates Held in a regular classroom with student-provided graphics across all media. Lauren received a BA from laptops. Wesleyan University as well as an Advanced Web and Enrollment limited. Visitors not permitted. Interaction Design Certificate from UCLA Extension. No refund after April 11. 30 Arts & Entertainment Enroll at uclaextension.edu or call (800) 825-9971

Use this guide to navigate the DCA Certificate, but note that it can be altered for your Course Planning Guide for convenience. There are 64 total required units. Many courses are offered every quarter; others are scheduled on a rotating basis. Move through the program at your own pace; DCA Certificate Students it is not mandatory to take 3 courses each quarter. 1st Quarter 2nd Quarter 3rd Quarter Design Fundamentals (4 units) Typography (4 units) Illustrator I (4 units) Photoshop I (4 units) Color Methodologies (4 units) Design II: Collateral Communication (4 units) Drawing for Communication (4 units) InDesign (4 units) Elective Recommended: Think Like a Designer

4th Quarter 5th Quarter 6th Quarter Design III: Branding (4 units) Design IV: Advanced Design Practice Elective Design History and Context (4 units) Elective Final Portfolio Review Elective Elective Recommended: Portfolio Polish

DESMA X 481.99Z DESMA X 481.99QT Reg# 353032 DESMA X 481.5C InDesign After Effects Fee: $1,125 Web Design IV: 4.0 units 4.0 units ❖❖ Classroom Real World Applications Design and prepare projects for printing through the Learn how to integrate digital artwork into a moving 10 mtgs 4.0 units understanding of color management, tools, palettes, composition. This course covers workflow strategies to Monday, 6:30-10pm, April 10-June 19 This workshop-based, portfolio-level course fortifies menus, text, graphics, and the efficiencies of creating ensure that artwork created in Photoshop or Illustrator 1010 Westwood Center: 1010 Westwood Blvd. knowledge gained in Web I, II, and III, and prepares you templates, style sheets, and master pages. Learn one- maintains its integrity. Instruction also explores common Held in a Mac lab. for the workplace, testing your mastery and ability to to multi-color output, image preparation, type and file resolutions, complex motion paths and masks, color Visitors not permitted. apply that knowledge to unique site needs based on formats, digital prepress workflow, printing options, modes, bit depths, frame and pixel aspect ratios, Enrollment limited. industry demand. Assignments are real world and paper, binding, comping and finishing, interacting with graphic and video file formats, and frame rates com- No refund after April 17. c applied. You will build a microsite from MVP (minimal vendors, quoting jobs, proofing systems, and press monly used in motion graphics. Mitchell Gohman, MS in Education; director of design, viable product) to refined versions; test and iterate checks. Prerequisite(s): Knowledge of Photoshop and The Sandbox Canvas. responsive site solutions from a client and stakeholder Prerequisite(s): Familiarity with Photoshop. Illustrator. perspective. Attention is placed on mobile and respon- DESMA X 481.99VV Reg# 353056 Reg# 353081 sive elements. The course includes stakeholder guest Fee: $780 Fee: $1,125 Web Design II: JavaScript and jQuery lectures and potential studio visits. mmOnline ❖❖ Classroom 4.0 units Prerequisite(s): X 481.24B Web Design I: HTML and April 6-June 22 12 mtgs This course moves deeper into the world of modern web CSS and X 481.99W Web Design II: JavaScript and Enrollment limited. Saturday, 9:30am-12:30pm, April 8-June 24 design by introducing dynamically driven web pages. jQuery. From animating galleries to dynamic navigational sys- No refund after April 13. 1010 Westwood Center: 1010 Westwood Blvd. Reg# 353039 tems, students gain an understanding of both JavaScript Dainise Meissner, BA, Art History, Indiana University; Held in a Mac lab. Fee: $1,125 and jQuery to create a more dynamic user experience. Design Communication Arts Certificate and Advanced Visitors not permitted. ❖❖ Classroom Emphasis is on creating aesthetically pleasing websites Print and Graphic Communication Certificate from UCLA Enrollment limited. 12 mtgs that uphold modern user experience standards. Lan- Extension. Ms. Meissner currently does freelance work No refund after April 14. Tuesday, 7-10pm, April 4-June 20 guage specifics, degrading gracefully, and form man- creating map illustrations, brochures, catalogs, and David Dodds, Los Angeles-based motion graphics 1010 Westwood Center: 1010 Westwood Blvd. agement are also examined. The course continues to photo shoots. She specializies in creating custom mixed designer. His experience spans eight years in motion Visitors not permitted. explore HTML, CSS, asset management, design consid- media collages designed around personal photos and graphics, special effects, broadcast design, character No refund after April 11. erations, remote hosting, and live publishing (FTP) as their history. animation, and infographics. He has worked for studios introduced in Web Design I: HTML and CSS. Richard Barkinskiy, co-founder and lead developer at Reg# 353052 such as Stardust, Mirada, Logan, and NFL Networks. Elimint. Formerly worked for Cedars-Sinai Medical Center Prerequisite(s): X 481.24B Web Design I: HTML and CSS. Fee: $1,125 Dodds has been invited to lecture at Otis College of Art as digital application specialist. Mr. Barkinskiy specializes ❖❖ Classroom and Design, and Laguna College of Art and Design. Reg# 353042 in WordPress website development with HTML5, CSS3, 12 mtgs Fee: $780 JavaScript, jQuery, PHP, and MySQL. He holds a BA in mm Thursday, 7-10pm, April 6-June 22 DESMA X 481.24B Online Journalism from CSU Northridge, and an Advanced Web 1010 Westwood Center: 1010 Westwood Blvd. Web Design I: HTML and CSS April 5-June 21 and Interaction Design Certificate from UCLA Extension. Held in a Mac lab. 4.0 units Enrollment limited. Enrollment limited. This introduction to the world of modern web design No refund after April 11. DESMA X 479.3K Visitors not permitted. exposes students to industry standards and best prac- Michael Newman, BFA from the School of Visual Arts; Designing for Immersive Experiences No refund after April 13. tices for using HTML and CSS. Students create aes- creative director and interactive developer specializing 4.0 units Paul Mendoza, designer, creative strategist, culture thetically pleasing websites aligned with current design in new media, content development, and creative This class will critically examine immersive interactive vulture, and community builder. Mr. Mendoza currently considerations that emphasize user experience (e.g., solutions. experiences through virtual reality, augmented reality, works at Wondros, a media production company in audience, style, composition, size constraints, and web Reg# 353043 installations, and other formats. Students will explore West Hollywood. He is the membership director for AIGA design process). Topics include asset management, Fee: $1,125 the interaction design issues in these media by discuss- LA, the professional organization for design, and is a image optimization, web hosting, site planning, and the ❖❖ Classroom ing contemporary works and prototyping their own proud graduate of the UCLA Extension DCA program. various tools web designers use to produce effective 10 mtgs experiences. Visiting artists and designers will also He has spoken and presented at General Assembly and websites that meet industry demands. Wednesday, 6:30-10pm, April 12-June 14 share their real world perspective on the production of the AIGA national leadership retreat, as well as numer- Prerequisite(s): Proficiency with Photoshop. 1010 Westwood Center: 1010 Westwood Blvd. immersive interactive experiences. No prior engineering ous local Los Angeles design events and programs. Mr. Reg# 352967 Held in a Mac lab. or design experience is required. Mendoza’s client roster includes McDonald’s, Logitech, Fee: $780 Visitors not permitted. Reg# 353161 Miller Coors, Intel, and Hasbro. He brings a decade of mmOnline No refund after April 19. Fee: $755 entertainment industry experience to his practice, April 5-June 21 Mitchell Gohman, MS in Education; director of design, ❖❖ Classroom leveraging both words and images to provide thoughtful Enrollment limited. The Sandbox Canvas. 10 mtgs and tactical design solutions for creative teams. No refund after April 11. Thursday, 6:30-10pm, April 6-June 8 Michael Newman, BFA from the School of Visual Arts; 1010 Westwood Center: 1010 Westwood Blvd. creative director and interactive developer specializing No refund after April 13. in new media, content development, and creative Evelyn Masso, who is a person, designer, and teacher. solutions. She’s designed products and experiences for a variety of scales, from immersive installations to wearables to kkk mobile apps. Enroll at uclaextension.edu or call (800) 825-9971 Arts & Entertainment 31

NEW Reg# 352944 DESMA X 427.87 Fee: $755 Brand Building Workshop ❖❖ Classroom 4.0 units 12 mtgs This course will utilize a full-length brand identity design Thursday, 7-10pm, April 6-June 22 process as a vehicle to learn and practice design research 1010 Westwood Center: 1010 Westwood Blvd. and development, which is essential to high level profes- Enrollment limited. sional design and marketing practice. Visual expression No refund after April 13. without concept is arbitrary decoration. Concepts for visual John Beach, creative director, John Beach Design, creativity require knowledge and information about the whose clients include The Walt Disney Company, Star- Earn an Advanced subject and its contexts. The designer’s and marketer’s bucks, and The Hillstone Restaurant Group. role extend beyond his/her knowledge of typography, color, composition, and other design related knowledge because DESMA X 479.2K of his/her responsibility to understand the objective of the Wearable Computing: The Next Step design problem from multiple perspectives. The course will in Human-Computer Interaction Certificate provide you with the experience of conducting in-depth 4.0 units design research and visual/literal data analysis through Chances are there’s a supercomputer in your pocket; comparative and competitive studies to produce a succinct tomorrow it might be on your wrist. Current technolo- Advanced Print & Advanced Web & brand positioning statement. Naming, logotype design, and gies are smaller, lighter, cheaper, and faster than ever applications design are important parts of this course. before. Wearable computing will impact transportation, Graphic Communication Interaction Design Effective use of images, color, and other visual elements marketing, entertainment, and even medicine. The near This certificate focuses on advanced This certificate emphasizes immersive in presentations will be discussed and performed in con- future will bring an increasing number of wearable junction with the developed mission statement and core devices that will fundamentally change the field of conceptual thinking, type, image, and and engaging user experience, site brand values. human-computer interaction. In this course, you’ll be unexpected applications. optimization, and design solutions. Reg# 352300 guided through the design and fabrication of your own The 24-unit curriculum has 4 required The 24-unit curriculum has 3 required Fee: $755 wearable project. We’ll leverage Arduino and Lilypad as ❖❖ Classroom a platform for interaction design and prototyping. courses and 2 electives. courses and 3 electives. 6 mtgs Reg# 352304 Saturday, 10am-4pm, April 8-May 13 Fee: $755 Required Courses Required Courses UCLA Extension DTLA: 261 S. Figueroa St. ❖❖ Classroom No refund after April 14. 10 mtgs X 479.4D Publication Design X 481.99VV Web Design II: Sunook Park, whose teaching philosophy is rooted in Monday, 6:30-10pm, April 3-May 22 JavaScript and jQuery the natural balance between each individual’s set of 1010 Westwood Center: 1010 Westwood Blvd. X 479.6D Advertising Design talents, gifts, and unique habits and the larger body of Monday, 6:30-10pm, June 5-12 X 479.4B Advanced Typography X 481.99AF User Experience I: Survey surrounding culture that is influenced by and influences 1010 Westwood Center: 1010 Westwood Blvd. X 481.5C Web Design IV: each person in it. He holds a BFA and an MFA in Graphic Estimated cost for materials is $50; to be discussed X 482.14 Mentorship Design from the Art Center College of Design, Pasadena. at first class. Real World Applications Mr. Park has directed and managed ANDLAB Inc, a No programming or electronics experience required. cross-cultural branding and identity company, for 18 In-class personal laptop access strongly encouraged. years, serving local and international clients such as Enrollment limited. Samsung, Hyundai, and Rayfu. The brand strategy and No refund after April 10. These advanced certificates require permission to enroll by ­portfolio review. design consulting company is dedicated in helping its Evelyn Masso, who is a person, designer, and teacher. For an application, visit visual.uclaextension.edu. global clients with their multi-cultural brand positioning She’s designed products and experiences for a variety and visual communication projects between Asia and the of scales, from immersive installations to wearables to US. In 2001, he opened ANDLAB-ART, an alternative mobile apps. DESMA 850.19 DESMA 850.17 gallery that curates and hosts experimental and explor- DESMA X 482.14 Think Like a Designer Portfolio Polish ative art and design works. 0.3 ceus 0.3 ceus Mentorship A small seminar created for those considering a career Find out what employers and graduate programs look DESMA X 479.6BB 4.0 units in graphic design, this introduction to the profession for in a design portfolio. Analyze examples to learn what Entertainment Design Work one-on-one with an instructor who guides your includes an overview of areas of application; school works and what doesn’t. Instruction provides guidelines 4.0 units development of a meaningful project geared toward a choices; necessary skills; portfolio development; and for selecting, organizing, and branding your work to Entertainment design is a fast-paced, diverse, and portfolio piece, design competition, freelance assign- salary ranges. Especially useful for students who have better position yourself to achieve your goals. Includes growing field of graphic design. This course challenges ment, or other advanced goal. Students choose their recently enrolled in a Design Communication Arts guests from the design industry. you to develop conceptual and provocative creative own mentors, who are usually DCA instructors. certificate, the workshop also is relevant for designers Reg# 352913 expression while designing campaigns for theatrical key Together, the student and instructor arrange to meet at new to the geographical area, those exploring a change Fee: $160 art movie posters, entertainment packaging, and other a museum, studio, cafe, or other site of design interest in design specialty, or students nearing graduation. ❖❖ Classroom collateral material. Students work through the design for six hours over the course of the quarter. Emphasis is on approaching design from a thoughtful 1 mtg process to develop their own conceptual art direction Prerequisite(s): Students must be enrolled in a DCA conceptual perspective grounded in research, and how Saturday, 1-4pm, April 22 while learning the skills needed to work in the entertain- certificate. that approach differs from design as decoration. 1010 Westwood Center: 1010 Westwood Blvd. ment advertising industry. Reg# 353073 Reg# 352916 Students enrolled in a DCA Certificate may enroll for Reg# 353079 Fee: $685 Fee: $125 free; call (310) 206-1422. Fee: $755 Students may complete this mentorship online or in ❖❖ Classroom Students are encouraged to bring their portfolio-in- ❖❖ Classroom person. 1 mtg progress to share with the class, but it is not required. 12 mtgs Mentors must sign the application form before enroll- Monday, 3-5pm, April 3 Enrollment limited. Wednesday, 7-10pm, April 5-June 21 ment can be processed. 1010 Westwood Center: 1010 Westwood Blvd. No refund after April 21. 1010 Westwood Center: 1010 Westwood Blvd. No refund after April 10. Students enrolled in a DCA certificate may enroll for Allison Bloss, designer and art director involved in the Enrollment limited. free; call (310) 206-1422. development of integrated brand systems and publica- No refund after April 12. DESMA X 479.7F No refund after March 31. tion design projects. At KBDA in Los Angeles, Ms. Bloss Jeffery Aguila Design Communication Arts Scott Hutchinson, MFA, UCLA School of Arts and played a key role in projects for the Hammer Museum, Program Internship Architecture; designer and photographer specializing in Lily McNeal, Natural History Museum of Los Angeles DESMA X 479.4D 4.0 units corporate identity, branding, and advertising. County, and the Prostate Cancer Foundation. She has Publication Design Internships facilitate the transition from student to received recognition from REBRAND 100, Society of 4.0 units professional designer. Students must be registered in Publication Designers, AR100, and Graphis. Investigate the techniques and best practices of maga- the Design Communication Arts Program for at least zine design, annual reports, and branded collateral. three consecutive quarters, be near their last quarter of Principles covered include page design, typography, art study, and have had a portfolio review. Students must direction, and reproduction methods. work 10 to 16 hours per week. m ONLINE COURSE, page 4. Prerequisite(s): X 479.6A Design Fundmentals; Reg# 352958 X 479.4A Typography; and experience with Photoshop, Fee: $685 g HYBRID COURSE, page 4. Illustrator, and InDesign. Restricted course; call (310) 825-6448 for permis- WEB-ENHANCED COURSE, page 4. kkk sion to enroll. Web enrollments automatically gener- ate a “Permission to Enroll” request. c Visitors not permitted. v ON-GROUND COURSE, page 4. No refund after April 10. & TEXTBOOK REQUIRED C UC CREDIT, page 11. 32 Arts & Entertainment Enroll at uclaextension.edu or call (800) 825-9971

Brand Building Workshop User Experience (UX) Bring your Big Idea to life. New This Quarter Join 20-year brand-builder Sunook Park, idea to the first class meeting, take on Certificate founder of ANDLAB design firm, in this a strategic brand challenge from visual- intensive brand creation workshop geared ization through creation, and produce equally to design, business, and market- tangible solutions, leaving with a Learn the latest strategies, techniques, and technologies used by leading ing students. Students bring a business professional Brand Style Guide. agencies to produce world-class user experiences. Page 31. The certificate program has 9 Design Thinking I required courses: Design Thinking II Design Software UX (User Experience) Design UX I: Survey UX Tool Kit and Development UX Research DESMA X 481.99FG DESMA X 481.55 UX II: Iteration User Experience: Design Thinking I UX III: Applied UX Mobile Tool Kit and Development 4.0 units 4.0 units Design thinking is one of the most effective ways to UX IV: Capstone Courses begin on page 32. Creating delightful, meaningful, and easy-to-use digital strengthen your insights, thinking skills, and ability to Above: Design Thinking with Marc Mertens experiences requires the ability to generate multiple innovate as a designer. Informed by Stanford’s d.school, ideas rapidly, iterate quickly, and frequently test the this multi-disciplinary process strengthens familiar skills results. This class teaches the tools of the trade, with that are often undervalued. You learn to launch suc- the goal of making them intuitive, while allowing you to cessful and innovative design solutions across the Visit visual.uclaextension.edu for more info or call 310-206-1422. focus on what matters most: designing for the user. spectrum of media, including web, print and packaging. Classwork begins with the basics of information archi- Class topics include prototyping and testing; rapid itera- tecture, including site maps, user flows, and navigation. tion; radical collaboration; empathetic observation; It then delves quickly into wireframing. Later, discussion interviewing for empathy; persona mapping; assuming includes design for interactive prototypes, working with a beginner’s mindset; introduction of complex prob- teams, and design methodologies. Students are lems; and testing and observation. Weekly assignments required to use OmniGraffle, while additional software, encourage you to learn by doing, and take you through including Sketch, Axure, Visio, and Balsamiq, are dis- a series of hands-on exercises. The goal of design cussed, but not required. Creating mockups without thinking is not simply to innovate, but also to create these applications is also discussed, including the use innovators. By the end of the class, you will see solu- of CSS and HTML 5 to create prototypes. tions that would otherwise be invisible, which become Reg# 352346 what we call “innovation.” Fee: $780 Reg# 352872 mmOnline Fee: $755 Tuesday, April 4-June 20 ❖❖ Classroom Students must own a Mac computer and have Omni- 10 mtgs graffle software. Monday, 6:30-10pm, April 3-May 22 1010 Westwood Center: 1010 Westwood Blvd. No refund after April 10. c & Jedi Wright, who has over 10 years of experience in Monday, 6:30-10pm, June 5-12 web, user experience and immersive design. His focus 1010 Westwood Center: 1010 Westwood Blvd. is on creating user-centered design solutions, through No refund after April 10. the use of solid User Experience and Information Archi- Chris R. Becker, MFA, Art Center College of Design. tecture (IA) practices, along with tried and proven Interaction and UX designer versed in prototyping, design thinking principles that put the user first. He has design research, user testing, and successfully taking held positions such as Lead UX Designer, Sr. Informa- ideas from the drawing board to the real world. tion Architect, and Web Manager at digital agencies and Reg# 352873 other ventures such as Disney Interactive Media Group, Fee: $755 UCLA SapientNitro, and The Do LaB. He has provided exten- ❖❖ Classroom sive user experience design and information architec- 12 mtgs ture for clients such as American Red Cross, Comcast, Tuesday, 7-10pm, April 4-June 20 Cleveland Clinic, DirecTV, Disney Interactive Media UCLA Extension DTLA: 261 S. Figueroa St. Don’t Miss the Next Event Group, FGL Sports, JukinVideo, MLB, QVC, SanDiego. No refund after April 11. org, Sentara Healthcare, SP Health, and Youtoo Tech- Chris R. Becker, MFA, Art Center College of Design. Sat, May 20 nologies. He has also participated in several early start Interaction and UX designer versed in prototyping, ventures including The Do LaB, Growing Energy Labs, design research, user testing, and successfully taking This year’s TEDxUCLA promises to be an exciting and engaging day full of ideas and Distinctivefabric.com. Mr. Wright has studied ideas from the drawing board to the real world. multimedia, computer science and interaction design worth spreading. respectively, at the Art Institute, Santa Monica College DESMA X 481.55A For information on speakers, salons, and more, visit tedxucla.org. and the Art Center College of Design. He currently Design Thinking II works at QVC in Philadelphia, as a senior user experi- 4.0 units ence designer. Design Thinking II is a methodology for practical, cre- ative resolution of problems or issues that looks for an improved future result. Design thinking is a creative process based around the “building up” of ideas. Above: TEDxUCLA 2016 speaker Paul “The British Ninja” McCarthy “Outside the box thinking” is explored in the design methodology that leads to creative solutions. We explore Enroll at uclaextension.edu or call (800) 825-9971 Arts & Entertainment 33 Apply Art Courses to What Our Students Say “ I have been in the graphics field for 14 years; however, since I started the UCLA Extension Your Design Studies program I have seen many opportunities come my way. There is a high level of prestige that comes with the program and I have seen this first hand.” Photography, studio arts, and history —Fernando Vargas courses can apply toward DCA ­certificates with approval. This quarter’s courses include: Printmaking and Design DESMA X 489.5F User Experience III: Applied Business of Photography I 4.0 units In this course, students apply what they have learned Entertainment Calligraphy: Dancin’ Pen in User Experience I and II to real world case studies with a civic focus. Moving from abstraction to real life, Design by recent DCA graduate Tammy Matute. students focus on problem solving a project, incorporat- Business & Management ing the philosophies of designing for advocacy and “big of Entertainment For a complete listing of arts courses, see pages 26-33 and 44 & 45. To learn more ideas.” Class will include articulating challenges and goals, the art of information gathering, prototyping, field For more information call (310) 825-9064, email about applying arts courses to DCA certificates, call (310) 206-1422. work, and studio time. Projects will be presented in [email protected], or visit common outputs such as web and mobile, similar to entertainment.uclaextension.edu. what would be produced in a professional design firm. divergent and convergent thinking strategies that help innovation; UX/UI, interactive pioneer; building and MGMT X 403.31 define a thinking methodology that include project leading teams with scientists, engineers, designers, film Prerequisite(s): X 481.99AF User Experience I and X 479.8K User Experience II, or equivalent experience. The Business of Entertainment selection (problem space); field study (interview/obser- makers, composers, and marketers to develop future 4.0 units vation); opportunities (brainstorming/deation); proto- innovations; expert in design research, design thinking Reg# 353090 34.0 Hours Minimum Continuing Legal Education types/sketching (thinking tools); iterative design and customer engagement; faculty, Art Center College Fee: $755 ❖❖ (MCLE) Credit (combination/evaluation); and test (user feedback). of Design; clients included Disney, Nike, Mercedes- Classroom With the entertainment industry converging into a Within these steps, problems are framed, the right Benz, Coca-Cola, Intel, and more 12 mtgs worldwide mass media, both business and operation questions can be asked, more ideas can be created, Reg# 352318 Thursday, 7-10pm, April 6-June 22 models continue to rapidly evolve. This introductory and the best answers are chosen and implements for Fee: $780 1010 Westwood Center: 1010 Westwood Blvd. course for producers, directors, writers, development low level to high level. These steps are not linear. mmOnline No refund after April 13. personnel, and aspiring media executives examines the Methodologies to parse, explore, find, gather, and April 4-June 20 Thomas Dillmann, MBA, Pepperdine University; user changing business issues associated with the entertain- visualize design thinking will become paramount in the Enrollment limited. experience architect with 15 years’ experience; former ment industry. Through lectures, discussions with course deliverables. No refund after April 10. head of experience planning and lead information industry guests, and case studies, instruction focuses Prerequisite(s): Design Thinking I X 481.55 and User Chris Cirak, consummate design thinker, technologist, architect at MRM Worldwide, UnitedFuture, and Thresh- on current business and production issues, and intro- Experience I X 481.99AF. and entrepreneur; for 18 years Mr. Cirak has spear- old Interactive. Clients include Harbor Freight Tools, duces new business models to navigate content onto Reg# 352877 headed the movement toward rapid prototyping and SDCVB, HollandAmerica, Alpine, state of Washington, new distribution platforms. Some history is highlighted Fee: $755 user-centric web and mobile application development SAP, Autodesk, Microsoft, GM, Red Lion, Sony, MPAA, to provide a context for current practices and potential. ❖❖ Classroom for companies including Google, Nike, Adobe, Mer- Fox, NBC, ABC, and Playboy. Other projects include The course also features opportunities to meet senior 12 mtgs cedes, Starbucks, Xbox, Sony, Lexus, and Herbalife. early start ventures focused in on-demand video over entertainment industry executives in various sectors. IP for Hilton, LodgeNet, RespondTV, and FasTV. Wednesday, 7-10pm, April 5-June 21 Reg# 352881 Topics include financing; contracts; intellectual property Saturday, 9am-12pm, June 10 issues; licensing; worldwide theatrical marketing and Fee: $755 DESMA X 479.9K 1010 Westwood Center: 1010 Westwood Blvd. ❖❖ Classroom distribution; worldwide home entertainment marketing No meeting May 10. 12 mtgs User Experience: Mobile First and distribution; worldwide television production and Enrollment limited. Wednesday, 7-10pm, April 5-June 21 4.0 units distribution; multi-channel network distribution and No refund after April 13. 1010 Westwood Center: 1010 Westwood Blvd. User Experience Design is challenged and inspired by opportunities; the impact of piracy; and leveraging new Barbara Groth, CEO and creative director, Big Buddha Enrollment limited. new developments in laptops, tablets, mobile devices, distribution platforms. By the end of the course, stu- Baba Productions, Inc. No refund after April 12. and wearables. This course introduces the concept of dents should have an understanding of the opportuni- Kaz Brecher Instructor to be announced device-centric design. Topics include cultural anthropol- ties available in the business of entertainment. ogy; app design; cross-cultural preferences in device Reg# 352790 DESMA X 481.99AF DESMA X 479.8K usage; cultural norms; screen dimensions; and input Fee: $695 User Experience I: Survey User Experience II: Iteration device preferences. Projects will involve creating mobile- ❖❖ Classroom 4.0 units 4.0 units specific environments; adaptive and responsive layouts; 12 mtgs Today’s designers must envision compelling ways to Building on User Experience I, this course draws on mobile-first philosophy; grid usage; predictive device Thursday, 7-10pm, April 6-June 22 facilitate rich interactive experiences. This course real-world use cases to introduce a full range of user changes; Android/iOS guidelines; and Microsoft. UCLA: Physics & Astronomy Bldg. interface presentation challenges. Instruction covers the No refund after April 20. & introduces the latest tools, techniques, and technologies Prerequisite(s): User Experience I: Survey and User c used by leading agencies to develop world-class user total spectrum of interface design standards, including Randy Greenberg, executive producer of MEG, Cow- Experience II: Iteration. experiences. Topics include conducting user research; e-commerce websites, service design, and physically boys & Aliens and past studio senior entertainment developing user personas and scenarios; information based environments. Projects incorporate the full spec- Reg# 352314 executive; founder of The Greenberg Group, a global architecture; system and user interface design; proto- trum of screen resolutions and device types, and may Fee: $780 entertainment investment and content strategy consul- mm type creation; and usability testing and analysis. Stu- include designing interfaces to scale and degrade, and Online tancy whose campaigns have produced over $5 billion dents develop and present a single comprehensive considerations as to cost of implementation. The course April 5-June 21 at the box office. Previously, Mr. Greenberg was the project for their portfolio that includes usability research prepares students to recognize user experience design Limited enrollment. senior vice president/head of international theatrical and design mockup. problems and iterate solution proposals. Visitors not permitted. marketing and distribution for Universal Pictures, where No refund after April 11. Prerequisite(s): Familiarity with a software that can be Prerequisite(s): X 481.99AF User Experience I: Survey or he created the overseas releases of such films as used to create wireframes, such as InDesign, Illustrator, strong wireframing ability in addition to a minimum of one Jedi Wright, for credits see page 32. 8 Mile, Intolerable Cruelty, The Mummy Returns, Juras- Powerpoint, OmniGraffle, or Axure. year in a professional user experience design position. sic Park III, The Fast and the Furious, and American Pie. Reg# 352890 Reg# 352347 m ONLINE COURSE, page 4. Fee: $755 Fee: $780 mmOnline ❖❖ Classroom g HYBRID COURSE, page 4. 10 mtgs April 4-June 20 No refund after April 10. Monday, 6:30-10pm, April 3-May 22 & WEB-ENHANCED COURSE, page 4. June 5-12 Chris Cirak, consummate design thinker, technologist, c Extension Woodland Hills: 21650 Oxnard Street and entrepreneur; for 18 years Mr. Cirak has spear- v ON-GROUND COURSE, page 4. Enrollment limited. headed the movement toward rapid prototyping and No refund after April 12. user-centric web and mobile application development & TEXTBOOK REQUIRED for companies including Google, Nike, Adobe, Mer- Mateo Neri, design entrepreneur; co-Founded URB-E cedes, Starbucks, Xbox, Sony, Lexus, and Herbalife. (www.urb-e.com); expert in brand and design C UC CREDIT, page 11. 44 Arts & Entertainment Enroll at uclaextension.edu or call (800) 825-9971

Reg# 352762 Fee: $650 Photography mmOnline For information on enrollment, location, and space April 4-June 20 availability call (800) 825-9971. For information on Enrollment limited. course content call (310) 206-1422 or email No refund after April 10. [email protected]. Craig Havens, visual artist working in the lens-based media of photography, video, installation, and projection. Suggested Tool Kit Mr. Havens lives and works in Los Angeles and Berlin. The Photography Tool Kit is one of the suggested Reg# 352761 options available to students pursuing the Design Com- Fee: $750 munication Arts Certificate. This tool kit offers a ❖❖ Classroom sequence of courses designed to provide a foundation 12 mtgs in photography. These courses also are open to non- Tuesday, 7-10pm, April 4-June 20 certificate students. 1010 Westwood Center: 1010 Westwood Blvd. Elective Courses: David Daigle, award-winning photographer with more X 438.9 Photography I (4 units) than 25 years of photography and video production X 440.22 Lighting I (4 units) experience. He specializes in portrait and still life for X 439.90 Photography II (4 units) advertising, commercial, and editorial clients. X 440.221 Lighting II (3 units) ART X 440.22 ART X 438.9 Lighting I Photography I 4.0 units 4.0 units Whether you’re shooting people, products, still life, or In this practical hands-on introduction, the fundamental landscapes, understanding how light interacts with your technical and aesthetic principles of digital photo- subject matter is critical to mastering the art of photog- graphic processes are addressed, including instruction raphy. This course covers both artificial (strobes and hot on DSLR camera operation, composition, and digital lights) and natural lighting, as well as the combination retouching and manipulation. Instruction also includes of both. Students photograph a variety of subjects to Adobe software acquisition techniques and output learn common lighting issues and powerful solutions technologies. Discussion covers contemporary digital needed to capture that great image. Instruction covers imaging and its application within commercial and fine the use of light meters, reflectors, fill flash, soft boxes, arts. Assignments demonstrate mastery of technical and the safe operation of studio strobe equipment. This skills and individual creative expression. course consists of three hands-on meetings at a fully Reg# 352760 equipped professional photography studio in Hollywood Fee: $750 and five classroom meetings that include lecture, dis- ❖❖ Classroom cussion, and critiques. 10 mtgs Prerequisite(s): X 438.9 Photography I. Monday, 6:30-10pm, April 3-May 22 Reg# 352765 UCLA Extension DTLA: 261 S. Figueroa St. Fee: $845 Monday, 6:30-10pm, June 5-12 ❖❖ Classroom UCLA Extension DTLA: 261 S. Figueroa St. Photography Certificate 8 mtgs No refund after April 16. Tuesday, 7-10pm, April 4-May 9 Naomi White, MFA, School of Visual Arts; Creative 1010 Westwood Center: 1010 Westwood Blvd. portrait and fine art photographer. Sunday, 10am-5pm, April 16-30 Improve your technical skills, hone your creative eye, and learn about the Reg# 352759 McCadden Space: 1041 N. McCadden Pl. business side of photography in this newly revised certificate­ designed for Fee: $650 No refund after April 11. mm beginners or hobbyists who want to take their practice to the next level. Online David Jakle, photographer, shooting lifestyle advertis- April 4-June 20 ing and fashion campaigns, editorial and e-commerce, Using a digital SLR camera, students gain experience in manual control, Enrollment limited. for a wide range of clients. Former first assistant, Herb No refund after April 10. Ritts Photography. lighting, portraiture, composition, and more. Flexible schedules and evening/ Kenneth Wischmeyer, MA in Instructional Technologies, weekend courses are designed with working­ professionals in mind. San Francisco State University; Adobe Certified Expert. ART X 440.96 Reg# 352804 Conceptual Photography Fee: $750 4.0 units Curriculum Candidacy Benefits ❖❖ Classroom Designed for photography students who wish to focus Certificate students pay a $250 12 mtgs on personal projects, this course includes lectures on 7 Required Courses Wednesday, 7-10pm, April 5-June 21 the history of fine art photography; on such topics as ­candidacy fee and receive discounts 1010 Westwood Center: 1010 Westwood Blvd. dada; photography’s influence on performance art and Photography I on Adobe CC, and eligibility for a UCLA Enrollment limited. ethereal works; Fluxus; the idea of chance operations; BruinCard (additional $10). No refund after April 12. c structuralism; and conceptualism. Class includes Photography II Sonya Naumann, MFA, visual artist working in photog- demonstrations and discussions of techniques and Enroll now! This certificate (CE0500) has raphy and video as a means of investigating the collec- various capture methods, discussion of student goals, Lighting I open enrollment; no formal application tive process of individual and sociopolitical identity and critique of works in progress. Students complete a constructs using the qualitative research method of number of creative projects based on the styles and Lighting II required. Enroll online at uclaextension. artistic autoethnography. Her work has been exhibited techniques discussed in class that also reflect their own edu or call (800) 825-9971. and published in The Los Angeles Center for Digital Art, creative style. Final projects should serve as strong Portraiture The Center For Fine Art Photography, University of portfolio pieces. History of Photography Nevada, New Orleans Photo Alliance, Fraction Magazine, Reg# 352814 Bust Magazine, and The American Scholar Journal. Fee: $750 Portfolio Workshop ❖❖ Classroom ART X 439.90 12 mtgs Plus 3 electives of your choosing from Photography II Tuesday, 7-10pm, April 4-June 20 such areas as Photoshop, ­landscape, 4.0 units 1010 Westwood Center: 1010 Westwood Blvd. This course focuses on gaining control of all photo- documentary, fine art ­photography, and No refund after April 11. c more. Mentorships also earn ­elective graphic variables while attempting various creative Sonya Naumann, MFA, visual artist working in photog- assignments. The use of manual controls is emphasized, raphy and video as a means of investigating the collec- credit. Electives change each quarter; along with the capture and processing of .RAW image tive process of individual and sociopolitical identity check catalog for ­current courses. files. Course assignments involve defining a point of constructs using the qualitative research method of view, emphasizing figure versus ground, storytelling, artistic autoethnography. Her work has been exhibited portraits, and the use of artificial light. Instruction also and published in The Los Angeles Center for Digital Art, covers the .RAW workflow, Photoshop for photographers The Center For Fine Art Photography, University of Above: Photography students on a location shoot. Photo by Scott Stulberg. and monitor calibration. Nevada, New Orleans Photo Alliance, Fraction Magazine, Prerequisite(s): X 438.9 Photography I or equivalent Bust Magazine, and The American Scholar Journal. experience; an advanced knowledge of general Contact Us photography. [email protected] | (310) 206-1422 kkk Enroll at uclaextension.edu or call (800) 825-9971 Arts & Entertainment 45

ART X 428.99 NEW Event Photography ART X 425.36 4.0 units Photographing Architecture in Students are introduced to the technical and creative the City demands of event photography. Genres touched on 4.0 units include weddings, music, and community and private This course examines photography as a disciplined way events. Topics include interacting with clients, market- of seeing, investigating, and representing architecture ing yourself and negotiating rates, working on a shot within the urban context. This exploration engages list, and incorporating your own style and voice while students in their own photographic projects. Weekly taking into account client needs. Technical instruction lectures, analysis and discussion of different photo- covers lighting (natural vs. artificial), shooting comfort- graphic approaches provide historic perspective, intro- ably and quickly on manual settings, and processing duce students to alternative ways of seeing and images. Class time consists of lecture, creative assign- representing architecture, and enhance an understand- ments, critique, and two weekend shoots where stu- ing of the variety of creative possibilities available. dents get hands-on experience. By the end of the Architecturally relevant in-camera and Photoshop course, students should be able to show consistency in techniques will be demonstrated, including parallax capturing successful images, and have several strong correction; twilight, low light, and night photography; portfolio pieces. noise reduction, high dynamic range and panoramic Photographing Reg# 352798 photography, and much more. Fee: $750 ❖❖ Classroom Prerequisite(s): X438.9 Photography I or equivalent 10 mtgs experience, access to and beginner’s familiarity with Wednesday, 7-10pm, April 26-May 10; Photoshop CC. Architecture in the City May 24-June 21 Reg# 352125 1010 Westwood Center: 1010 Westwood Blvd. Fee: $750 Location shoots ❖❖ Classroom New Course Saturday, 10am-4pm, May 20 12 mtgs Saturday, 10am-4pm, June 10 Saturday, 10am-1pm, April 8-June 24 Architecture has always been a This course is for those interested in No refund after May 3. c 1010 Westwood Center: 1010 Westwood Blvd. Jenna Schoenefeld, freelance photographer special- Richard Langendorf, BArch, PhD in urban and regional favorite subject of photographers. architectural photography within the izing in photojournalism, portraits, weddings, and other planning, MIT; architecture and planning consultant Today, as in years past, the best context of the city. Students will events. Ms. Schoenefeld works frequently with the Los specializing in computing and visualization with more Angeles Times, as well as other local, national, and than 30 years of experience as a photographer. architectural photography rises to develop photographic skills and a international clients and publications. the level of fine art. personal artistic approach. ART X 450.37 ART X 428.56 Photography Portfolio Workshop Page 45. Photographic Portraiture 4.0 units 4.0 units Get personalized guidance and feedback on building a Above: Image by instructor Richard Langendorf This in-depth exploration of photographic portraiture cohesive photography portfolio. A series of class assign- covers approaching subjects, establishing a rapport, ments are designed to teach advanced level students collaborating with your subject, and digital workflow. how to produce a unique personal photographic style. Through a series of in-class projects and assignments, Instruction covers how to adapt your own personal style students master simple and inexpensive set-ups that to any artistic or commercial assignment, the impor- result in strong and memorable portraits. Students also tance of professionally polished work and how to skillfully present their craft. By the end of the class learn to simplify the decision-making process by Reg# 352771 students will have created all the necessary elements ART 864.89 addressing basic choices, such as pre-planning vs. Fee: $650 to start a personal website portfolio including; a cohe- Photoshop Tips, Tricks, improvisation, observing vs. directing, isolating the mmOnline sive body of work, an artists statement, and a useful and Filter Magic person vs. including environment, and natural vs. arti- April 4-June 20 ficial light. Includes classroom and lab sessions plus self portrait. c 0.7 ceus Clover Leary, MFA in Photography and Media, CalArts; This intensive 1-day workshop is designed to improve location shoot field trips and a visit to a professional Prerequisite(s): Advanced photographic experience internationally exhibited photographer and visual artist your workflow, demonstrate quick and easy techniques lighting studio. required. who works with photography, installation, film, video, to enhance almost any photograph, and expose stu- Prerequisite(s): X 438.9 Photography I or equivalent Reg# 352780 and new media. dents to the power of Photoshop’s plug-in filters. experience. Fee: $750 Instruction covers the importance of layers and layer Reg# 352352 ❖❖ Classroom ART X 440.20A masks, using blend modes, easy retouching tips, dodg- Fee: $750 11 mtgs Travel Photography ing and burning, using actions, and much more. The ❖❖ Classroom Monday, 7-10pm, April 3-May 22 4.0 units course also focuses on the power of native and third- 11 mtgs 1010 Westwood Center: 1010 Westwood Blvd. Emphasizing technical skill development and creative party plug-in filters that offer an amazing variety of Thursday, 7-10pm, April 6-June 1 Monday, 7-10pm, June 5-19 exploration, this intermediate-level digital photography powerful and stunning visual effects, along with multiple 1010 Westwood Center: 1010 Westwood Blvd. 1010 Westwood Center: 1010 Westwood Blvd. course specifically focuses on travel photography and ways to correct a variety of problems with photographs. Saturday, 2-5pm, April 22 No refund after April 10. the use of Adobe Lightroom for image management and Learn ways to sharpen and blur, alter body parts, simu- Location Shoot: David Daigle, award-winning photographer with more processing. Instruction explores travel planning, digital late the look and feel of film, convert to black and white, Sunday, 10am-5pm, May 14 than 25 years of photography and video production photographic equipment, exposure, and composition, airbrush to smooth out skin, create panoramas, and fix McCadden Space: 1041 N. McCadden Pl. experience. He specializes in portrait and still life for shooting techniques, and presentation of your final distortion, among many other techniques. This work- No refund after April 13. advertising, commercial, and editorial clients. images. In addition, the course introduces students to shop not only reveals the powerful tips and tricks for Hugh Kretschmer, editorial and advertising photogra- the use of Adobe Lightroom for image management and using these plug-ins but also focuses on the best ways pher who creates imagery that applies to both art and ART X 442.35 archiving, color and tonal correction, electronic and Web photographers can actually use these tools to realize commerce. He is recognized for his use of visual meta- Shooting Like the Masters: A History presentations, and printing. their artistic vision. The course ends with a raffle where phor and hand crafted, trick-the-eye elements. of Photography Prerequisite(s): 438.9 Photography I or equivalent students have the chance to win their own copy of 4.0 units experience. some of the plug-ins demonstrated in class. Using slide lectures, creative assignments, and critiques, Reg# 352763 Reg# 352788 this course introduces students to the history of photog- Fee: $650 Fee: $175 raphy and the artists responsible for its most iconic mmOnline ❖❖ Classroom images. Lectures address such movements as Pictorial, April 4-June 20 1 mtg Straight, and Postmodern and familiarize students with No refund after April 10. Saturday, 10am-5pm, April 8 the works of such artists as Nadar, Adams, and Baldas- Kenneth Wischmeyer, MA in Instructional Technolo- 1010 Westwood Center: 1010 Westwood Blvd. sari. Students complete assignments inspired by the gies, San Francisco State University; Adobe Certified This is not a computer lab course; students should be photographers’ styles and techniques discussed in class. Expert. prepared to take notes on instructor demonstrations. By the end of the course, students have a series of No refund after April 7. c photographs as well as a deeper understanding and Scott Stulberg, professional photographer for more appreciation of the history of photography. than 20 years, specializing in travel and stock photog- Prerequisite(s): X 438.9 Photography I or equivalent raphy; author, The Digital Photographer’s New Guide to knowledge. Photoshop Plug-ins kkk