Changes in the Labor Market for Black Americans, 1948-72
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Song Lyrics of the 1950S
Song Lyrics of the 1950s 1951 C’mon a my house by Rosemary Clooney Because of you by Tony Bennett Come on-a my house my house, I’m gonna give Because of you you candy Because of you, Come on-a my house, my house, I’m gonna give a There's a song in my heart. you Apple a plum and apricot-a too eh Because of you, Come on-a my house, my house a come on My romance had its start. Come on-a my house, my house a come on Come on-a my house, my house I’m gonna give a Because of you, you The sun will shine. Figs and dates and grapes and cakes eh The moon and stars will say you're Come on-a my house, my house a come on mine, Come on-a my house, my house a come on Come on-a my house, my house, I’m gonna give Forever and never to part. you candy Come on-a my house, my house, I’m gonna give I only live for your love and your kiss. you everything It's paradise to be near you like this. Because of you, (instrumental interlude) My life is now worthwhile, And I can smile, Come on-a my house my house, I’m gonna give you Christmas tree Because of you. Come on-a my house, my house, I’m gonna give you Because of you, Marriage ring and a pomegranate too ah There's a song in my heart. -
Income and Poverty in the United States: 2018 Current Population Reports
Income and Poverty in the United States: 2018 Current Population Reports By Jessica Semega, Melissa Kollar, John Creamer, and Abinash Mohanty Issued September 2019 Revised June 2020 P60-266(RV) Jessica Semega and Melissa Kollar prepared the income section of this report Acknowledgments under the direction of Jonathan L. Rothbaum, Chief of the Income Statistics Branch. John Creamer and Abinash Mohanty prepared the poverty section under the direction of Ashley N. Edwards, Chief of the Poverty Statistics Branch. Trudi J. Renwick, Assistant Division Chief for Economic Characteristics in the Social, Economic, and Housing Statistics Division, provided overall direction. Vonda Ashton, David Watt, Susan S. Gajewski, Mallory Bane, and Nancy Hunter, of the Demographic Surveys Division, and Lisa P. Cheok of the Associate Directorate for Demographic Programs, processed the Current Population Survey 2019 Annual Social and Economic Supplement file. Andy Chen, Kirk E. Davis, Raymond E. Dowdy, Lan N. Huynh, Chandararith R. Phe, and Adam W. Reilly programmed and produced the historical, detailed, and publication tables under the direction of Hung X. Pham, Chief of the Tabulation and Applications Branch, Demographic Surveys Division. Nghiep Huynh and Alfred G. Meier, under the supervision of KeTrena Phipps and David V. Hornick, all of the Demographic Statistical Methods Division, conducted statistical review. Lisa P. Cheok of the Associate Directorate for Demographic Programs, provided overall direction for the survey implementation. Roberto Cases and Aaron Cantu of the Associate Directorate for Demographic Programs, and Charlie Carter and Agatha Jung of the Information Technology Directorate prepared and pro- grammed the computer-assisted interviewing instrument used to conduct the Annual Social and Economic Supplement. -
Bring Me the Head of Frank Sinatra! Credit, and That He Keeps Three Loaded Double- in Early 1988
BRING ME THE HEAD OF FRANK “Old No. 6-7/8.” Screw those guys. Really. SINATRA! Jimmy's Bar Introduction If the group is already an adventuring party, then it stands to reason they will be in a tavern. If not, This is a module for 4-6 player characters of level well, they might as well meet at a tavern. 4-6. It is set in a gonzo post-apocalyptic past- Specifcally, Three-Arm Jimmy's, on the Hoboken future. waterfront. What that means, in practical terms, is that it is Three Arm Jimmy's is the sort of generic tavern set in the world presented in Gamma World or that unimaginative Game Masters always start Mutant Future (Encounter Critical could also easily modules in. It's got a bar, manned by Jimmy be used, although the setting is Earth, rather than himself—the extra arm comes in very handy for Vanth or Asteroid 1618). Statistics in this module pulling beers. The bar serves cheap but adequate will be given in Mutant Future terms. beer, a variety of rotgut liquors, most of which are nasty-ass industrial ethanol with a few drops of Other systems can be used, of course: since it favoring agents, and standard bar food, such as has been said that First Edition Gamma World salty deep-fried starchy things, onion rings, was the best edition of Dungeons and Dragons, pickled eggs, and the ubiquitous rat-on-a-stick D&D would work fne, as would Paranoia, Call of (show players Illustration #1). In addition to Cthulhu, Arduin, or an-only-slightly-variant Spawn Jimmy, there will be a waitress and a of Fashan, for instance. -
State Income Limits for 2021
STATE OF CALIFORNIA - BUSINESS, CONSUMER SERVICES AND HOUSING AGENCY GAVIN NEWSOM, Governor DEPARTMENT OF HOUSING AND COMMUNITY DEVELOPMENT DIVISION OF HOUSING POLICY DEVELOPMENT 2020 W. El Camino Avenue, Suite 500 Sacramento, CA 95833 (916) 263-2911 / FAX (916) 263-7453 www.hcd.ca.gov April 26, 2021 MEMORANDUM FOR: Interested parties FROM: Megan Kirkeby, Deputy Director Division of Housing Policy Development SUBJECT: State Income Limits for 2021 Attached are briefing materials and State Income Limits for 2021 that are now in effect, replacing the 2020 State Income Limits. Income limits reflect updated median income and household income levels for extremely low-, very low-, low-, and moderate-income households for California’s 58 counties. The 2021 State Income Limits are on the Department of Housing and Community Development (HCD) website at http://www.hcd.ca.gov/grants-funding/income- limits/state-and-federal-income-limits.shtml. State Income Limits apply to designated programs, are used to determine applicant eligibility (based on the level of household income) and may be used to calculate affordable housing costs for applicable housing assistance programs. Use of State Income Limits are subject to a particular program’s definition of income, family, family size, effective dates, and other factors. In addition, definitions applicable to income categories, criteria, and geographic areas sometimes differ depending on the funding source and program, resulting in some programs using other income limits. The attached briefing materials detail California’s 2021 Income Limits and were updated based on: (1) changes to income limits the U.S. Department of Housing and Urban Development (HUD) released on April 1, 2021 for its Public Housing, Section 8, Section 202 and Section 811 programs and (2) adjustments HCD made based on State statutory provisions and its 2013 Hold Harmless (HH) Policy. -
The Commune Movement During the 1960S and the 1970S in Britain, Denmark and The
The Commune Movement during the 1960s and the 1970s in Britain, Denmark and the United States Sangdon Lee Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of History September 2016 i The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ⓒ 2016 The University of Leeds and Sangdon Lee The right of Sangdon Lee to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 ii Abstract The communal revival that began in the mid-1960s developed into a new mode of activism, ‘communal activism’ or the ‘commune movement’, forming its own politics, lifestyle and ideology. Communal activism spread and flourished until the mid-1970s in many parts of the world. To analyse this global phenomenon, this thesis explores the similarities and differences between the commune movements of Denmark, UK and the US. By examining the motivations for the communal revival, links with 1960s radicalism, communes’ praxis and outward-facing activities, and the crisis within the commune movement and responses to it, this thesis places communal activism within the context of wider social movements for social change. Challenging existing interpretations which have understood the communal revival as an alternative living experiment to the nuclear family, or as a smaller part of the counter-culture, this thesis argues that the commune participants created varied and new experiments for a total revolution against the prevailing social order and its dominant values and institutions, including the patriarchal family and capitalism. -
Human Development Paper
HUMAN DEVELOPMENT PAPER HUMAN DEVELOPMENT PAPER ON INCOME INEQUALITY IN THE REPUBLIC OF SERBIA 1 HUMAN DEVELOPMENT PAPER ON INCOME INEQUALITY IN THE REPUBLIC OF SERBIA Reduced inequality as part of the SDG agenda August 2018 2 HUMAN DEVELOPMENT PAPER ON INCOME INEQUALITY IN THE REPUBLIC OF SERBIA FOREWORD “People are the real wealth of a nation. The basic objective of development is to create an enabling environment for people to enjoy long, healthy and creative lives. This may appear to be a simple truth. But it is often forgotten in the immediate concern with the accumulation of commodities and financial wealth.” (UNDP, Human Development Report, 1990). When the first Human Development Report was published in 1990, the UNDP firmly set out the concepts of dignity and a decent life as the essential to a broader meaning of human development. Ever since, the organization has been publishing reports on global, regional and national levels addressing the most pressing development challenges. In recent years, UNDP initiated a new product - Human Development Papers – that focus on a selected development issue with the aim to contribute to policy dialogue and policy-making processes. It is my pleasure to introduce the first Human Development Paper for Serbia, focusing on inequality. The Agenda 2030 for Sustainable Development places a special emphasis on eradicating poverty worldwide while reducing inequality and exclusion, promoting peaceful, just and inclusive societies and leaving no one behind. The achievement of Sustainable Development Goals requires new approaches to how we understand and address inter-related challenges of poverty, inequality and exclusion. The paper analyses and sets a national baseline for SDG10 leading indicator 10.1.1 - Growth rates of household expenditure or income per capita among the bottom 40 per cent of the population and the total population and the related target 10.1. -
Household Income and Wealth
HOUSEHOLD INCOME AND WEALTH INCOME AND SAVINGS NATIONAL INCOME PER CAPITA HOUSEHOLD DISPOSABLE INCOME HOUSEHOLD SAVINGS INCOME INEQUALITY AND POVERTY INCOME INEQUALITY POVERTY RATES AND GAPS HOUSEHOLD WEALTH HOUSEHOLD FINANCIAL ASSETS HOUSEHOLD DEBT NON-FINANCIAL ASSETS BY HOUSEHOLDS HOUSEHOLD INCOME AND WEALTH • INCOME AND SAVINGS NATIONAL INCOME PER CAPITA While per capita gross domestic product is the indicator property income may never actually be returned to the most commonly used to compare income levels, two country but instead add to foreign direct investment. other measures are preferred, at least in theory, by many analysts. These are per capita Gross National Income Comparability (GNI) and Net National Income (NNI). Whereas GDP refers All countries compile data according to the 1993 SNA to the income generated by production activities on the “System of National Accounts, 1993” with the exception economic territory of the country, GNI measures the of Australia where data are compiled according to the income generated by the residents of a country, whether new 2008 SNA. It’s important to note however that earned on the domestic territory or abroad. differences between the 2008 SNA and the 1993 SNA do not have a significant impact of the comparability of the Definition indicators presented here and this implies that data are GNI is defined as GDP plus receipts from abroad less highly comparable across countries. payments to abroad of wages and salaries and of However, there are practical difficulties in the property income plus net taxes and subsidies receivable measurement both of international flows of wages and from abroad. NNI is equal to GNI net of depreciation. -
Nber Working Paper Series Income Growth and Its
NBER WORKING PAPER SERIES INCOME GROWTH AND ITS DISTRIBUTION FROM EISENHOWER TO OBAMA: THE GROWING IMPORTANCE OF IN-KIND TRANSFERS (1959-2016) James Elwell Kevin Corinth Richard V. Burkhauser Working Paper 26439 http://www.nber.org/papers/w26439 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 November 2019 The views in this paper reflect those of the authors and should not be attributed to the Joint Committee on Taxation, the Council of Economic Advisers, their staffs, or the National Bureau of Economic Research. Elwell’s work on this research was funded by The Lynde and Harry Bradley Foundation while he was a graduate student at Cornell University. Part of this work was undertaken while Burkhauser was employed by the Council of Economic Advisers. NBER working papers are circulated for discussion and comment purposes. They have not been peer-reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2019 by James Elwell, Kevin Corinth, and Richard V. Burkhauser. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Income Growth and its Distribution from Eisenhower to Obama: The Growing Importance of In-Kind Transfers (1959-2016) James Elwell, Kevin Corinth, and Richard V. Burkhauser NBER Working Paper No. 26439 November 2019 JEL No. D31,H24,J3 ABSTRACT Using Census Bureau estimates of the market value of in-kind transfers and Current Population Survey (ASEC-CPS) data over the period 1979 to 2007, Burkhauser et al. -
The Psychedelic Poster Art and Artists of the Late 1960S
Focus on Topic The Psychedelic Poster Art and Artists of the late 1960s by Ted Bahr Bahr Gallery New York, USA 46 Focus on Topic The stylistic trademarks of the 1960s To advertise these concerts, both promoters turned to Wes Wilson at Contact Printing, who had been laying psychedelic poster were obscured and disguised out the primitive handbills used to advertise the Mime lettering, vivid color, vibrant energy, flowing Troupe Benefits and the Trips Festival. Wilson took organic patterns, and a mix of cultural images LSD at the Festival and was impacted by the music, from different places and periods -- anything to the scene, and the sensuous free-love sensibilities of confuse, enchant, thrill, and entertain the viewer. the hippie ethos. His posters quickly evolved to match the flowing, tripping, improvisational nature of the The style was also tribal in the sense that if you developing psychedelic music -- or “acid rock” -- and could decipher and appreciate these posters his lettering began to protrude, extend, and squeeze then you were truly a member of the hippie into every available space, mimicking and reflecting the subculture – you were hip, man. totality of the psychedelic experience. His early style culminated in the July 1966 poster for The Association which featured stylized flame lettering as the image The psychedelic poster movement coincided with the itself, a piece that Wilson considered to be the first rise of hippie culture, the use of mind-altering drugs like truly psychedelic poster. LSD, and the explosion of rock and roll. San Francisco was the center of this universe, and while prominent psychedelic poster movements also developed in London, Detroit, Los Angeles, and Austin, Bay Area artists both initiated and dominated the genre. -
Income and Poverty in the United States: 2017 Issued September 2018
IncoIncomeme andand P Povertyoverty in in the theUn Unitedited State States:s: 2017 2017 CurrentCurrent Population Reports ByBy KaylaKayla Fontenot,Fontenot, JessicaJessica Semega,Semega, andand MelissaMelissa KollarKollar IssuedIssued SeptemberSeptember 20182018 P60-263P60-263 Jessica Semega and Melissa Kollar prepared the income sections of this report Acknowledgments under the direction of Jonathan L. Rothbaum, Chief of the Income Statistics Branch. Kayla Fontenot prepared the poverty section under the direction of Ashley N. Edwards, Chief of the Poverty Statistics Branch. Trudi J. Renwick, Assistant Division Chief for Economic Characteristics in the Social, Economic, and Housing Statistics Division, provided overall direction. Susan S. Gajewski and Nancy Hunter, Demographic Surveys Division, and Lisa P. Cheok, Associate Directorate Demographic Programs, processed the Current Population Survey 2018 Annual Social and Economic Supplement file. Kirk E. Davis, Raymond E. Dowdy, Shawna Evers, Ryan C. Fung, Lan N. Huynh, and Chandararith R. Phe programmed and produced the historical, detailed, and publication tables under the direction of Hung X. Pham, Chief of the Tabulation and Applications Branch, Demographic Surveys Division. Nghiep Huynh and Alfred G. Meier, under the supervision of KeTrena Farnham and David V. Hornick, all of the Demographic Statistical Methods Division, con- ducted statistical review. Tim J. Marshall, Assistant Survey Director of the Current Population Survey, provided overall direction for the survey implementation. Lisa P. Cheok and Aaron Cantu, Associate Directorate Demographic Programs, and Charlie Carter, Agatha Jung, and Johanna Rupp of the Application Development and Services Division prepared and programmed the computer-assisted interviewing instru- ment used to conduct the Annual Social and Economic Supplement. Additional people within the U.S. -
Nat “King” Cole's Civil War: How Pop Music's Intimate Sounds and The
Nat “King” Cole’s Civil War: How Pop Music’s Intimate Sounds and the U. S. Military’s Intimate Spaces Ignited Alabama’s Racial Tensions in the 1950s Joseph M. Thompson Charlottesville, Virginia BA, University of Alabama, 2002 MA, University of Mississippi, 2013 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of History University of Virginia May 2015 2 On April 21, 1956, Alabama newspaper The Anniston Star published a letter to the editor, criticizing what the writer perceived as the press’s unfair characterization of five local white men as “hoodlums” for their recent involvement in an act of racial violence. Mrs. Orliss W. Clevenger, a white resident of Anniston and wife of one of the “hoodlums,” wrote indignantly that she could not “understand why when a White does something to a Negro it makes front page for two or three days and why when three Negro men raped that white woman a few weeks ago, there was only one small article about it down at the bottom of the page.” With palpable resentment, Mrs. Clevenger decried a local minister for writing a letter of condemnation regarding her husband while failing to pen one denouncement of the accused African American rapists. Surely, the clergyman did not think that her husband’s crime constituted a sin worse than the rape of a white woman? Surely, the local paper did not condemn her husband for acting on behalf of the white race? Mrs. Clevenger ended her letter by reiterating her loyalty to her husband and, by extension, her race, writing, “I’m not ashamed of what they did because that is not near so bad as rape.” “If we have lost any white friends because of this,” she concluded, “I don’t think they were worth having anyway!”1 At the time, Mrs.