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Underserved Communities
National Endowment for the Arts FY 2016 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Click the grant area or artistic field below to jump to that area of the document. 1. Art Works grants Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. State & Regional Partnership Agreements 3. Research: Art Works 4. Our Town 5. Other Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Arts Education Number of Grants: 115 Total Dollar Amount: $3,585,000 826 Boston, Inc. (aka 826 Boston) $10,000 Roxbury, MA To support Young Authors Book Program, an in-school literary arts program. High school students from underserved communities will receive one-on-one instruction from trained writers who will help them write, edit, and polish their work, which will be published in a professionally designed book and provided free to students. Visiting authors, illustrators, and graphic designers will support the student writers and book design and 826 Boston staff will collaborate with teachers to develop a standards-based curriculum that meets students' needs. Abada-Capoeira San Francisco $10,000 San Francisco, CA To support a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit. -
American Academy of Arts and Letters
NEWS RELEASE American Academy of Arts and Letters Contact: Ardith Holmgrain 633 WEST 155 STREET, NEW YORK, NY 10032 [email protected] www.artsandletters.org (212) 368-5900 http://www.artsandletters.org/press_releases/2010music.php THE AMERICAN ACADEMY OF ARTS AND LETTERS ANNOUNCES 2010 MUSIC AWARD WINNERS Sixteen Composers Receive Awards Totaling $170,000 New York, March 4, 2010—The American Academy of Arts and Letters announced today the sixteen recipients of this year's awards in music, which total $170,000. The winners were selected by a committee of Academy members: Robert Beaser (chairman), Bernard Rands, Gunther Schuller, Steven Stucky, and Yehudi Wyner. The awards will be presented at the Academy's annual Ceremonial in May. Candidates for music awards are nominated by the 250 members of the Academy. ACADEMY AWARDS IN MUSIC Four composers will each receive a $7500 Academy Award in Music, which honors outstanding artistic achievement and acknowledges the composer who has arrived at his or her own voice. Each will receive an additional $7500 toward the recording of one work. The winners are Daniel Asia, David Felder, Pierre Jalbert, and James Primosch. WLADIMIR AND RHODA LAKOND AWARD The Wladimir and Rhoda Lakond award of $10,000 is given to a promising mid-career composer. This year the award will go to James Lee III. GODDARD LIEBERSON FELLOWSHIPS Two Goddard Lieberson fellowships of $15,000, endowed in 1978 by the CBS Foundation, are given to mid-career composers of exceptional gifts. This year they will go to Philippe Bodin and Aaron J. Travers. WALTER HINRICHSEN AWARD Paula Matthusen will receive the Walter Hinrichsen Award for the publication of a work by a gifted composer. -
In T H E W O R
I N T IN THE WORKS: FREE ORCHESTRA CONCERT Wednesday, August 5, 5:30pm | Santa Cruz Civic Auditorium You’ll find yourself at the very center of contemporary music-making with a special concert featuring new works by three young composers—Brendan Faegre, Takuma Itoh, H and Emily Praetorius—conducted in rotation by seven emerging conductors. All are studying in the prestigious Conductors/Composers Workshop. E W Don’t miss the excitement when the creative sparks fly! O R K S IN THE WORKS COMPOSERS BRENDAN FAEGRE TAKUMA ITOH EMILY PRAETORIUS Brendan Faegre is a Takuma Itoh spent his Emily Praetorius is composer, educator, early childhood in Japan a composer and b and l e ader, and before moving to Palo clarinetist from Ojai, percussionist whose Alto, California, where California. She holds music draws inspiration he grew up. His music a Master of Music from jazz and rock has been described as in composition from drumming, Hindustani “brashly youthful and Manhattan School of classical music, and fresh” (New York Times). Music (2014) and a contemporary concert Featured amongst one Bachelor of Music in music. Faegre’s works have been programmed of “100 Composers Under 40” on NPR Music, clarinet performance and composition from at festivals around the world, including Itoh has been the recipient of an award from the University of Redlands (2008). Praetorius Huddersfield (UK), Gaudeamus (NL), TRANSIT the American Academy of Arts and Letters; a has written for a variety of different instrumental Leuven (BE), Dark Music Days (IS), Beijing Charles Ives Scholarship; a Music Alive: New combinations, from clarinet duo with live Modern (CN), and Bang on a Can (US). -
Jeu De Timbres Steven Stucky
Jeu de timbres Steven Stucky (1949–2016) Written: 2003 Movements: One Style: Contemporary Duration: Four minutes Steven Stucky has an extensive catalogue of compositions ranging from large-scale orchestral works to a cappella miniatures for chorus. He is also active as a conductor, writer, lecturer, and teacher, and for 21 years he enjoyed a close partnership with the Los Angeles Philharmonic: In 1988 André Previn appointed him composer-in-residence of the Los Angeles Philharmonic, and later he became the orchestra’s consulting composer for new music, working closely with Esa-Pekka Salonen. Commissioned by the orchestra, his Second Concerto for Orchestra brought him the Pulitzer Prize in music in 2005. Steven Stucky taught at Cornell University from 1980 to 2014. He provides the following notes for Jeu de timbres: According to one rule of thumb for categorizing 20th-century music, works that emphasize thematic development and counterpoint are "German," while those that emphasize color, atmosphere and the beauty of individual harmonies are "French." Look at it closely enough, of course, and such a simplistic dichotomy fails right away—just think of the thematic development in Debussy, or the harmonic sorcery in Schoenberg or even (on a good day) Hindemith—but still it has its uses. If by "French" we mean music that follows Debussy's example in prizing the rich harmonic sonority or the delicate instrumental effect for its own sake (as opposed to valuing it mostly for its logical function in the musical grammar), then I am happily a composer of "French" music. Among my household gods are not only Debussy but also several other composers for whom sonority and color are not cosmetic frills but fundamental building blocks, including Stravinsky, Ravel, Varese, Messiaen, and Lutoslawski. -
Women Pioneers of American Music Program
Mimi Stillman, Artistic Director Women Pioneers of American Music The Americas Project Top l to r: Marion Bauer, Amy Beach, Ruth Crawford Seeger / Bottom l to r: Jennifer Higdon, Andrea Clearfield Sunday, January 24, 2016 at 3:00pm Field Concert Hall Curtis Institute of Music 1726 Locust Street, Philadelphia Charles Abramovic Mimi Stillman Nathan Vickery Sarah Shafer We are grateful to the William Penn Foundation and the Musical Fund Society of Philadelphia for their support of The Americas Project. ProgramProgram:: WoWoWomenWo men Pioneers of American Music Dolce Suono Ensemble: Sarah Shafer, soprano – Mimi Stillman, flute Nathan Vickery, cello – Charles Abramovic, piano Prelude and Fugue, Op. 43, for Flute and Piano Marion Bauer (1882-1955) Stillman, Abramovic Prelude for Piano in B Minor, Op. 15, No. 5 Marion Bauer Abramovic Two Pieces for Flute, Cello, and Piano, Op. 90 Amy Beach (1867-1944) Pastorale Caprice Stillman, Vickery, Abramovic Songs Jennifer Higdon (1962) Morning opens Breaking Threaded To Home Falling Deeper Shafer, Abramovic Spirit Island: Variations on a Dream for Flute, Cello, and Piano Andrea Clearfield (1960) I – II Stillman, Vickery, Abramovic INTERMISSION Prelude for Piano #6 Ruth Crawford Seeger (1901-1953) Study in Mixed Accents Abramovic Animal Folk Songs for Children Ruth Crawford Seeger Little Bird – Frog He Went A-Courtin' – My Horses Ain't Hungry – I Bought Me a Cat Shafer, Abramovic Romance for Violin and Piano, Op. 23 (arr. Stillman) Amy Beach June, from Four Songs, Op. 53, No. 3, for Voice, Violin, and -
Program Notes Hosted by the Score Board 7:00
DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 DOUBLE TROUBLE SATURDAY JANUARY 22, 2011 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Program Notes hosted by the Score Board 7:00 MICHAEL TIPPETT Concerto for Double String Orchestra HAROLD MELTZER Full Faith and Credit (2004) (1938–39) I. Rugged I. Allegro con brio II. Homespun II. Adagio cantabile III. Blistering III. Allegro molto – Poco allargando IV. Viscous V. Genteel VI. Hymn VII. Rugged MATHEW ROSENBLUM Double Concerto for Baritone Saxophone, Percussion, and Orchestra (2010) Ronald Haroutunian, bassoon World Premiere Adrian Morejon, bassoon I. II. III. STEPHEN PAULUs Concerto for Two Trumpets and Orchestra (2003) IV. I. Fantasy V. II. Elegy III. Dance Kenneth Coon, baritone saxophone Terry Everson, trumpet Lisa Pegher, percussion Eric Berlin, trumpet INTERMISSION GIL ROSE, CONDUCTOR * Commissioned by the Fromm Music Foundation for Kenneth Coon and the Boston Modern Orchestra Project (Gil Rose, conductor) 4 5 PROGRAM NOTES By Robert Kirzinger TONIGHT’s COLLECTION OF DOUBLE CONCERTOS demonstrates the modern range of a genre that developed beginning about the end of the 1600s, essentially parallel to the solo concerto. Double and other multiple concertos were quite common in the High Baroque, including lots of examples by Vivaldi and, under his influence, Bach, but the solo concerto dominates the Classical period and beyond, with relatively few notable exceptions—Mozart’s two-piano concerto and sinfonias concertante, Beethoven’s Triple, Brahms’s Double—remaining solidly in today’s orchestral repertoire. This concert’s variety of approaches has as its chronological and stylistic extremes Michael Tippett’s 1939 GER Concerto for Double String Orchestra—one of the composer’s first works of significance— N and the brand-new, up-to-the-moment world premiere of the Double Concerto for Baritone GRAI Saxophone, Percussion, and Orchestra written for BMOP by Pittsburgh-based Mathew CLIVE Rosenblum. -
Read the Printed Program Now for This Concert
The Smithsonian American Art Museum Presents 21st CENTURY CONSORT February 11, 2012 Nan Tucker McEvoy Auditorium, Smithsonian American Art Museum The Smithsonian American Art Museum presents 21st Century Consort Christopher Kendall, Artistic Director Boyd Sarratt, Manager Elisabeth Adkins, Violin Paul Cigan, Clarinet Lisa Emenheiser, Piano Abigail Evans, Viola Sara Stern, Flute Olivia Vote, Mezzo Soprano Rachel Young, Cello Mark Huffman, Recording Engineer Mark Wakefield, Stage Manager Saturday, February 11, 2012 Pre-Concert Discussion 4:00 p.m. Concert 5:00 p.m. Nan Tucker McEvoy Auditorium Smithsonian American Art Museum ❖ ❖ ❖ The 21st Century Consort’s 2011–2012 Season is sponsored by The Smithsonian American Art Museum and funded in part by generous contributions from The Cafritz Foundation and the Board and Friends of the 21st Century Consort. The Smithsonian American Art Museum presents Pre-Concert Discussion Christopher Kendall with composers from the program Program “Multiplicity Multiplicity” Simple Machines R. Luke DuBois/Paul Moon Power Synth Mark Kuss Ms. Emenheiser Variations for Flute and Piano Robert Beaser In three movements Ms. Emenheiser, Ms. Stern INTERMISSION Wet Ink Donald Crockett Ms. Adkins, Ms. Emenheiser Colors passing through us David Froom Mr. Cigan, Ms. Emenheiser, Ms. Evans, Ms. Vote Falling James Matheson Ms. Adkins, Ms. Emenheiser, Ms. Young ❖ ❖ ❖ The audience is invited to join the artists in the lobby for an informal post-concert reception, sponsored by the Board and Friends of the 21st Century Consort. Program Notes and Texts Simple Machines R. Luke DuBois/Paul Moon R. Luke DuBois is a composer, artist, and performer who explores the temporal, verbal, and visual structures of cultural and personal ephemera. -
LINER NOTES Recorded Anthology of American Music, Inc
FLUTES New World Records 80403 Works by ROBERT BEASER PAUL SCHOENFIELD JOSEPH SCHWANTNER In 1986, three composers and three flutists met in a novel commissioning project supported by a National Endowment Consortium Commissioning Grant. Flutists Ransom Wilson, Carol Wincenc, and Paula Robison, each a longtime supporter and performer of new music, asked Joseph Schwantner, Paul Schoenfield, and Robert Beaser to write new works for flute and orchestra. On this recording, each solo artist presents the orchestral work composed for him or her, as well as a flute and piano "encore" by the same composer. When Aftertones of Infinity, Joseph Schwantner's first professional composition for symphony orchestra, won the Pulitzer Prize in 1979, a world of new commissions opened up to him. Born in Chicago in 1943 and trained there at the American Conservatory and Northwestern University, Schwantner had been on the faculty of the Eastman School of Music since 1970. He then was composer-in-residence with the Saint Louis Symphony from 1982 to 1985. According to Schwantner, his piece A Play of Shadows represents "an attempt to mirror [Ransom Wilson's] dramatic and compelling musical personality." Schwantner's evocative titles--Music of Amber, Distant Runes and Incantations, and A Sudden Rainbow are some of his other instrumental works -indicate a creative approach grounded in poetic imagery. "Sanctuary.../ deep forests,/a play of shadows..." is the haiku-like beginning of a brief epigraph the composer wrote in the score of A Play of Shadows, and the music's blend of repose and airy brilliance capture this image in sound. -
Elegy, from August 4, 1964 Steven Stucky
Elegy, from August 4, 1964 conductor, composer, and pianist, as well as an educator who inspired a generation Steven Stucky of music lovers when the Philharmonic Young People’s Concerts that he conducted Born: November 7, 1949, in Hutchinson, Kansas became a television sensation. His com- Died: February 3, 2016, in Ithaca, New York positions range from symphonies in the Work composed: 2008 concert hall tradition to stage works like his beloved Broadway hit West Side Story. World premiere: September 18, 2008, in His comic operetta Candide preceded Dallas, Texas, by the Dallas Symphony that show by a year. A fantasy based on the Orchestra, Jaap van Zweden, conductor novella by the 18th-century author Vol- New York Philharmonic premiere: January taire, it opens with an invigorating Over- 24, 2019, Jaap van Zweden, conductor ture that foreshadows the operetta’s humor. Voltaire’s tale revolves around of Defense Robert] McNamara are begin- the wide-eyed hero, Candide, whose ning to talk about bombing. … The prin- trips to distant points of the globe in- cipal motive from the Elegy eventually variably turn into dismal misadven- became the main motive of the whole ora- tures, much though he may be assured torio once I composed the rest of the music. by his idealistic tutor that everything is for the best. The novella was written Although he was born and raised in Mas- as a charming but persuasive rebuttal sachusetts, Leonard Bernstein today is to the German philosopher Gottfried thought of as a quintessential New York- Wilhelm von Leibnitz’s metaphysi- er. The Philharmonic’s Music Director cal assertion that “All is for the best in from 1958 through 1969, he was a Renais- the best of all possible worlds.” Vol- sance man of 20th-century music: a stellar taire countered that many things have Did You Know? • In June 1964, New Yorkers Andrew Goodman and Michael Schwerner traveled to Mississippi for the Freedom Sum- mer initiative, which aimed to register as many African American voters as possible in the state, where voter sup- pression efforts had kept them from the polls. -
Download on to Your Computer Or Device
Underwood New Music Readings American Composers Orchestra PARTICIPATING COMPOSERS Andy Akiho Andy Akiho is a contemporary composer whose interests run from steel pan to traditional classical music. Recent engagements include commissioned premieres by the New York Philharmonic and Carnegie Hall’s Ensemble ACJW, a performance with the LA Philharmonic, and three shows at the Kennedy Center in Washington DC featuring original works. His rhythmic compositions continue to increase in recognition with recent awards including the 2014-15 Luciano Berio Rome Prize, a 2012 Chamber Music America Grant with Sybarite5, the 2011 Finale & ensemble eighth blackbird National Composition Competition Grand Prize, the 2012 Carlsbad Composer Competition Commission for Calder Quartet, the 2011 Woods Chandler Memorial Prize (Yale School of Music), a 2011 Music Alumni Award (YSM), the 2010 Horatio Parker Award (YSM), three ASCAP Plus Awards, an ASCAP Morton Gould Young Composers Award, and a 2008 Brian M. Israel Prize. His compositions have been featured on PBS’s “News Hour with Jim Lehrer” and by organizations such as Bang on a Can, American Composers Forum, and The Society for New Music. A graduate of the University of South Carolina (BM, performance), the Manhattan School of Music (MM, contemporary performance), and the Yale School of Music (MM, composition), Akiho is currently pursuing a Ph.D. at Princeton University. In addition to attending the 2013 International Heidelberger Frühling, the 2011 Aspen Summer Music Festival, and the 2008 Bang on a Can Summer Festival as a composition fellow, Akiho was the composer in residence for the 2013 Chamber Music Northwest Festival and the 2012 Silicon Valley Music Festival. -
Beyond the Machine Photo by Claudio Papapietro
Beyond The Machine Photo by Claudio Papapietro Juilliard Scholarship Fund The Juilliard School is the vibrant home to more than 800 dancers, actors, and musicians, over 90 percent of whom are eligible for financial aid. With your help, we can offer the scholarship support that makes a world of difference—to them and to the global future of dance, drama, and music. Behind every Juilliard artist is all of Juilliard—including you. For more information please contact Tori Brand at (212) 799-5000, ext. 692, or [email protected]. Give online at giving.juilliard.edu/scholarship. The Juilliard School presents Center for Innovation in the Arts Edward Bilous, Founding Director Beyond the Machine 19.1 InterArts Workshop March 26 and 27, 2019, 7:30pm (Juilliard community only) March 28, 2019, 7pm Conversation with the artists, hosted by William F. Baker 7:30pm Performance Rosemary and Meredith Willson Theater The Man Who Loved the World Treyden Chiaravalloti, Director Eric Swanson, Actor John-Henry Crawford, Composer On film: Jared Brown, Dancer Sean Lammer, Dancer Barry Gans, Dancer Dylan Cory, Dancer Julian Elia, Dancer Javon Jones, Dancer Nicolas Noguera, Dancer Canaries Natasha Warner, Writer, Director, and Choreographer Pablo O'Connell, Composer Esmé Boyce, Choreographer Jasminn Johnson, Actor Gwendolyn Ellis, Actor Victoria Pollack, Actor Jessica Savage, Actor Phoebe Dunn, Actor David Rosenberg, Actor Intermission (Program continues) Please make certain that all electronic devices are turned off during the performance. The taking of photographs -
The Horse with the Lavender Eye Piano and Chamber Music by Stephen Hartke Includes Premiere Recordings
The Horse with the Lavender Eye Piano and Chamber Music by Stephen Hartke includes premiere recordings Richard Faria clarinet Ellen Jewett violin CHAN 10513 Xak Bjerken piano Los Angeles Piano Quartet Robert Millard Stephen Hartke (b. 1952) premiere recording The Horse with the Lavender Eye (1997)* 17:24 Episodes for Violin, Clarinet and Piano 1 I Music of the Left. Left-handed 2:23 2 II The Servant of Two Masters. Quite manic 4:22 3 III Waltzing at the Abyss. Gingerly, but always moving along 3:58 4 IV Cancel My Rumba Lesson. Two Left Feet 6:32 premiere recording Selections from ‘Post-modern Homages’ (1984–92) 13: 03 for Piano 5 Sonatina-Fantasia (1987). Giubilante 3:45 6 Gymnopédie No. 4 (1984). Suave 3:06 7 Template (1985). Presto 3:12 Henrique Oswald (1852 –1931) 8 Estudo-Scherzo (1902). Presto-leggiero 1:24 in B flat minor • in b-Moll • en si bémol mineur 9 Sonatina DCXL (1991). Boppin’ along 1:25 Stephen Hartke 3 Sonata (1997– 98) 13:12 for Piano 17 IV The flames of the sun make the desert flower hysterical. Fiery 3:36 10 I Prelude. Massive – 3:00 18 V Personages and birds rejoicing at the arrival of 11 II Scherzo. Epicycles, Tap-dancing, and a night. Quietly energetic, with an air of innocence 4:15 Soft Shoe. Deft and lively – 6:09 TT 64:08 12 III Postlude. Floating 4:03 Richard Faria clarinet † The King of the Sun (1988) 20:03 Ellen Jewett violin* Tableaux for Violin, Viola, Cello and Piano Xak Bjerken piano 13 I Personages in the night guided by the phosphorescent Los Angeles Piano Quartet tracks of snails.