2005-2006 Master Class-Lewis Kaplan (Violin)
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JIC Comp Program09.Indd
The Friday Morning Music Club Foundation, Inc. Frank B. Conlon, Director PRESENTS THE FIFTH TRIENNIAL Johansen International Competition For Young String Players Ages 13-17 JUDGES Atar Arad Pamela Frank Ralph Kirshbaum OFFICIAL PIANISTS Akira Eguchi and Eri Kang SEMI-FINALS Thursday, March 12 and Friday, March 13, 2009 9:00 am – 5:00 pm Charles Sumner School Museum 17th & M Streets, NW, Washington, DC FINALS Saturday, March 14, 2009 9:00 am – 5:00 pm Charles Sumner School Museum 17th & M Streets, NW, Washington, DC Anna Storch Johansen Founder (1908-1998) Johansen International Competition For Young String Players Ages 13-17 The Johansen International Competition (JIC) for Young String Players was founded through the generosity of Anna Storch Johansen of Falls Church, VA, a Life Member of the Friday Morning Music Club (FMMC). Held every three years, the competition was established in 1997. In keeping with Mrs. Johansen’s wishes, the competition encourages younger musicians with significant prize awards at a time when they need it most – when they must make decisions about continuing with their dedication to music, or perhaps moving away from it as they look to college and other interests. Recalling a New York City gold medal she won when she was just 17 years old, Mrs. Johansen credited that experience with helping her decide to make music her life-long effort. By establishing the Johansen International Competition (JIC), she hoped to pass that encouragement on to new generations of string players. Mrs. Johansen expressed these sentiments during an interview about her decision to fund the competition and put it under the guidance of the FMMC Foundation. -
Queen Elisabeth Competition 1937-2019 Violin Piano Cello Voice Composition
QUEEN ELISABETH COMPETITION 1937-2019 VIOLIN PIANO CELLO VOICE COMPOSITION VIOLIN 1937 [EUGENE YSAŸE COMPETITION] Laureates Jury 1. David OISTRAKH [Former USSR] Victor BUFFIN DE CHOSAL [president] 2. Ricardo ODNOPOSOFF [Austria] Mathieu CRICKBOOM 3. Elisabeth GUILELS [Former USSR] Marcel DARRIEUX 4. Boris GOLDSTEIN [Former USSR] André DE RIBEAUPIERRE 5. Marina KOZOLUPOVA [Former USSR] Désiré DEFAUW 6. Mikhail FICHTENGOLZ [Former USSR] Oscar ESPLA 7. Lola BOBESCO [Romania] Indrich FELD 8. Paul MAKHANOVITZKI [Sweden] Carl FLESCH 9. Robert VIROVAY [Hungary] André GERTLER 10. Angel REYES [Cuba] Jeno HUBAY 11. Ricardo BRENGOLA [Italy] Abraham JAMPOLSKY 12. Jean CHAMPEIL [France] Wachtald KOCHANSKY George KULENKAMPFF Arthur LEMBA Franz MAIRECKER Arrigo SERATO Joseph SZIGETI Jacques THIBAUD Gabry YSAŸE ZIMMERMANN Prelude concert for the finals [21.03.1937] Grand Orchestre Symphonique de l’I.N.R., cond. Franz ANDRÉ Alfred DUBOIS Orchestra for the finals [30-31.03-01.04.1937] Grand Orchestre Symphonique de l’I.N.R., cond. Franz ANDRE PIANO 1938 [EUGENE YSAŸE COMPETITION] Laureates Jury 1. Emil GUILELS [Former USSR] Victor BUFFIN DE CHOSAL [president] 2. Mary JOHNSTONE [United Kingdom] Vytautas BACEVICIUS 3. Jakob FLIER [Former USSR] Arthur BLISS 4. Lance DOSSOR [United Kingdom] Robert CASADESUS 5. Nivea MARINO-BELLINI [Uruguay] Marcel CIAMPI 6. Robert RIEFLING [Norway] Jean DOYEN 7. Arturo BENEDETTI-MICHELANGELI [Italy] Samuel FEINBERG 8. André DUMORTIER [Belgium] Paul FRENKEL 9. Rose SCHMIDT [Germany] Emile FREY 10. Monique YVER DE LA BRUCHOLLERIE -
The Third Quadrennial 1990 Program August 31-September 16
The Third Quadrennial August 31-September 16 1990 Program CARTIER. THE TANK WATCH NOW BEGINNING THE SEVENTH DECADE AS THE WORLD'S MOST DISTINGUISHED WATCH, THE CARTIER* TANK". ORIGINALLY CREATED TO HONOR THE AMERICAN HEROES OF WORLD WAR I, TODAY'S TANK WATCH BEARS ALL THE CLASSIC CARTIER HALLMARKS: CONTOURED SILHOUETTE, WHITE ENAMEL DIAL, SAPPHIRE-TIPPED CROWN, QUARTZ TECHNOLOGY, AND THE FAMOUS FOLDING BUCKLE. THE TANK" WATCH BY CARTIER: MASTERFULLY CREATED TO BE FOREVER CONTEMPORARY. Cartier ©1989 CARTIER, INC. GOODMAN Jewelers 30 West Washington Street • Lafayette Square • Glendale • Greenwood Park Castleton Square • Keystone at the Crossing • Washington Square The Third Quadrennial INTERNATIONAL August 31-September 16 LIN COMPETITION 2990 Program OF INDIANAPOLIS O resented by Cathedral Arts, Inc. 47 S. Pennsylvania Street Suite 401 Indianapolis, Indiana 46204 United States of America Telephone (317) 637-4574 Fax (317) 637-1302 With the support of the Indiana Arts Commission and the National Endowment for the Arts Editor: Lewis C. Ricci Designer: Edward Norman Printer: Shepard Poonnan Communications Corporation Advertising Manager: Nancy R. Burris THE VIOLIN COMPETITION Competition. Each of the past A Legend Continues laureates is forging a career, sometimes as a soloist or in n a very short time, the a chamber ensemble, as a International Violin concertmaster or a teacher. 7Competition of One of these winners may Indianapolis has taken its place even do it all—like Josef among the most prestigious Gingold himself. cultural endeavors in the state's The success of the history and among the world's Competition, though, cannot most important music be traced solely to the competitions. -
Gwendolyn Masin, Violin Teaching in the New Millennium
VIOLIN TEACHING IN THE NEW MILLENNIUM In Search of the Lost Instructions of Great Masters — an Examination of Similarities and Differences Between Schools of Playing and How These Have Evolved OR Remembering the Future of Violin Performance Gwendolyn Masin Thesis submitted for the degree of DoCtor in Philosophy, August 2012. School of MusiC 42145 ii Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. Signed:____________________________ Date: ___________________________ iii ABSTRACT Violin Teaching in the New Millennium In Search of the Lost Instructions of Great Masters — an Examination of Similarities and Differences Between Schools of Playing and How These Have Evolved or Remembering the Future of Violin Performance by Gwendolyn Masin Doctor in Philosophy, Music Trinity College, Dublin, August 2012 This thesis addresses a number of issues that have developed in the concepts and practices of violin pedagogy and performance since World War II. In particular it identifies the ways in which cultural transnationality has diminished the distinctiveness of various historic schools of violin playing and pedagogy, and has led to practices and concepts within teaching that threaten a historically and artistically informed view of what it means to learn the instrument. It compares current practice with those that prevailed between the middle of the 18th century and the decades immediately after World War II, and identifies a lack of published treatises by contemporary pedagogues. -
50-Variations-BIMF.Pdf
v50 a R I A t i O N s BOARD OF TRUSTEES TRUSTEES EMERITI Chairman James T. Morgan, Sarah Billinghurst, New York, NY Freeport, ME Dudley and Margery Follansbee, Vice Chairman Beatrice Francais, Brunswick, ME New York, NY Chris Harte, Portland, ME Treasurer Peter Griffin, Susan Lavan, Harpswell, ME Harpswell, ME Adele Moskovitz, New York, NY Secretary William A. Rogers, Jr., Esq., Howard Solomon, New York, NY Bath, ME Joe Wishcamper, Freeport, ME Anthony Berner, Williamsville, VT BOARD CHAIRS Patricia Brown, Brunswick, ME Anne Bachrach 1970–1977 Maryan Chapin, Georgetown, ME Randy Bean 1978–1979 Nancy Connery, Woolwich, ME Lee Russell 1980–1989 Rol Fessenden, Brunswick, ME Joe Wishcamper 1990–1993 Dr. Bernard Givertz, Portland, ME George Isaacson 1993–1996 Sam Hayward, Bowdoinham, ME Bill Knowles 1996–1997 George Isaacson, Esq., Maryan Chapin 1997–1999 Brunswick, ME Rol Fessenden 1999–2002 Lewis Kaplan, New York, NY Hugh Phelps 2002–2004 Karen Koch, New York, NY Bill Rogers 2004–2007 Patricia Anne Kuhn, Pelham, NY Nancy Connery 2007–2010 Victoria Miele, Falmouth, ME Jim Morgan 2010–2014 Marjorie Normand, Esq., New York, NY Herbert Paris, Brunswick, ME Dr. Hugh Phelps, Yarmouth, ME Norman Rapkin, Esq., Scarborough, ME Elliot Rosen, Takoma Park, MD Laurence Rubinstein, D.D., Scarborough, ME Peggy Siegle, Brunswick, ME Janet M. Spencer, Esq., New York, NY Richard Sperry, Harpswell, ME Gregory St. John, New York, NY Richard Stephenson, Freeport, ME Dr. Herman Turndorf, New York, NY Joyce Visceglia, New York, NY Jan Williams, Hiram, ME Zhenyu Eric Yao, Scarsdale, NY v50 a R I A t i O N s Bowdoin is one of the great festivals of the world. -
Advance Program Notes Summer Chamber Music Series June 20-23, 2018
Advance Program Notes Summer Chamber Music Series June 20-23, 2018 These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. Summer Chamber Music Series June 20-23, 2018 All performances are free and will be held in the Street and Davis Performance Hall’s Anne and Ellen Fife Theatre in the Moss Arts Center. Wednesday, June 20, 2018, 7:30 PM SPECIAL GEMS Shmuel Ashkenasi and David Ehrlich (violin), Katharina Kang and Michael Klotz (viola), Coleman Itzkoff (cello), and Kwan Yi (piano) Thursday, June 21, 2018, 7:30 PM BRILLIANT AND POWERFUL Jeffrey Dyrda and David Ehrlich (violin), Michael Klotz (viola), Dmitry Kouzov (cello), and Kwan Yi (piano) Friday, June 22, 2018, 7:30 PM LOVE IN MUSIC Shmuel Ashkenasi, Jeffrey Dyrda, and David Ehrlich (violin); Katharina Kang and Michael Klotz (viola); and Dmitry Kouzov and Coleman Itzkoff (cello) Saturday, June 23, 2018, 3 PM STUDENT ENSEMBLES PERFORMANCE Our 2018 summer chamber music explorations include a diverse and beautiful range of free public concerts, listed above, and an intensive two-week training session with young artists June 13-23, 2018. Additional short pieces by Jean Sibelius for violin and piano to be announced from the stage and performed by Shmuel Ashkenasi, violin and Teresa Ehrlich, piano: Berceuse, op. 79, no. 6 Romance, op. 78, no. 2 Nocturn, op. 51, no. 3 Rondino, op. 81, no. 2 Walzer, op. 81, no. 3 Special Gems Wednesday, June 20, 2018, 7:30 PM String Quintet in G Minor, K. -
&Conservatories
CONSERVATORIES SCHOOLS OF MUSIC& Special Advertising Section Aaron Copland School of Music AdmiSSiOn RequiRementS SCHOLARSHip inFORmAtiOn COntACt Average GPA: 3.0 % Students Receiving Aid: 75% Jane Cho Scholastic Tests: Yes Program Specific Related Awards: Yes Director of Administration Average ACT: English 21, Math 22 Other Financial Aid: Special Awards, Macaulay Average SAT: 1020 minimum (Math: 520, Verbal: 500) Honors College Scholarship Interview Required: No AddReSS Placement Tests Required: Yes enSemBLeS 65-30 Kissena Boulevard Auditions Live: Yes Tape: OK–DVD required inStRumentAL Orchestra, String Ensemble, Brass Flushing, NY 11367 Ensemble, Early Music Ensemble, Chamber Orchestra, AppLicatiOn deAdLine(S) Woodwind Ensemble, Percussion Ensemble, New pHOne Early Decision: Mid January 2011 Music Ensemble, Saxophone Ensemble 718-997-3800 CHORAL Choral Society, Choir, Chorus, Vocal inStRumentAL AuditiOnS Ensemble FAx On-Campus: Yes, all instruments 718-997-3849 Off-Campus: Yes, some woodwinds pRiVAte inStRuCtiOn Percentage Auditioning Accepted: 5-10%, varies with Private Instruction Required: Yes emAiL instrument Average Length of Lesson: 1 hour or 30 minutes [email protected] Available for Non-Majors: No VOCAL AuditiOnS Cost Included in Tuition: Yes weBSite On-Campus: Yes http://qcpages.qc.edu/music/ Off-Campus: No RepReSentAtiVe ALumni Percentage Auditioning Accepted: 5-7% Marvin Hamlisch, Bright Sheng, Erika Sunnegårdh, Joann Falletta type undeRgRAduAte FACuLty Comprehensive inStRumentAL Part Time: 50, Full Time: 10 pRACtiCe FACiLitieS